Here are 100 books that Grass fans have personally recommended if you like
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A professor of Chinese and Japanese, Asian Studies, and Women’s Studies at Vassar College, my research has focused on the cross-cultural fertilization between Chinese and Japanese literary traditions and the influence of Daoist philosophy in East Asian Literature. I’ve published widely on the subject, including a book, Bashô and the Dao: The Zhuangzi and the Transformation of Haikai. I began research on the “comfort women”—victimsof Imperial Japan’s military sexual slavery during the Asia Pacific War (1931-1945)—in 2002when working with a Vassar student on her thesis about the “comfort women” redressmovement. Since then, I’ve worked closely with Chinese researchers and local volunteers, interviewing the eyewitnesses and survivors of the Japanese military “comfort stations” in China,and visiting the now-defunct sites.
The novel One Left begins when the elderly protagonist hears a TV report on the lastsurviving Korean “comfort woman.” She is in fact also a comfort station survivor, one who has remained silent and hence unknown to the public. At the age of thirteen, she was kidnappedinto a Japanese military comfort station in northeast China. The protagonist's thoughts flash back andforth between her present-day life and the wartime horrors, the details of which are drawn from real survivors’ testimonies. “Fifteen men a day was normal,” she recalls, “but on Sundayfifty men or more might come and go from a girl.” “If a girl got pregnant, her uterus wasremoved fetus and all as a preventive measure.” It is a difficult read, but necessary, moving, and profound.
During the Pacific War, more than 200,000 Korean girls were forced into sexual servitude for Japanese soldiers. They lived in horrific conditions in "comfort stations" across Japanese-occupied territories. Barely 10 percent survived to return to Korea, where they lived as social outcasts. Since then, self-declared comfort women have come forward only to have their testimonies and calls for compensation largely denied by the Japanese government.
Kim Soom tells the story of a woman who was kidnapped at the age of thirteen while gathering snails for her starving family. The horrors of her life as a sex slave follow her back…
A professor of Chinese and Japanese, Asian Studies, and Women’s Studies at Vassar College, my research has focused on the cross-cultural fertilization between Chinese and Japanese literary traditions and the influence of Daoist philosophy in East Asian Literature. I’ve published widely on the subject, including a book, Bashô and the Dao: The Zhuangzi and the Transformation of Haikai. I began research on the “comfort women”—victimsof Imperial Japan’s military sexual slavery during the Asia Pacific War (1931-1945)—in 2002when working with a Vassar student on her thesis about the “comfort women” redressmovement. Since then, I’ve worked closely with Chinese researchers and local volunteers, interviewing the eyewitnesses and survivors of the Japanese military “comfort stations” in China,and visiting the now-defunct sites.
This book is essential reading on the “comfort women” issue. Originally published in Japanese in1995, it has inspired many readers to look more deeply into the history of Imperial Japan'swartime “comfort women.” I consulted this book frequently in my own research and writing about the subject. The book provides a wealth of documentary evidence and first-person testimonies, convincingly proving the Japanese military’s direct involvement in setting up andadministering the comfort stations. This English edition includes introductions by both the authorand the translator, making the story accessible for English-speaking readers.
The colorful handmade costumes of beads and feathers swirl frenetically, as the Mardi Gras Indians dance through the streets of New Orleans in remembrance of a widely disputed cultural heritage. Iroquois Indians visit London in the early part of the eighteenth century and give birth to the "feathered people" in the British popular imagination. What do these seemingly disparate strands of culture share over three hundred years and several thousand miles of ocean? Artfully interweaving theatrical, musical, and ritual performance from the eighteenth century to the present in London and New Orleans, Cities of the Dead takes a look at…
A professor of Chinese and Japanese, Asian Studies, and Women’s Studies at Vassar College, my research has focused on the cross-cultural fertilization between Chinese and Japanese literary traditions and the influence of Daoist philosophy in East Asian Literature. I’ve published widely on the subject, including a book, Bashô and the Dao: The Zhuangzi and the Transformation of Haikai. I began research on the “comfort women”—victimsof Imperial Japan’s military sexual slavery during the Asia Pacific War (1931-1945)—in 2002when working with a Vassar student on her thesis about the “comfort women” redressmovement. Since then, I’ve worked closely with Chinese researchers and local volunteers, interviewing the eyewitnesses and survivors of the Japanese military “comfort stations” in China,and visiting the now-defunct sites.
Born in Java of the former Dutch East Indies (now Indonesia), Jan Ruff-O’Herne was the first European “comfort woman” to speak out. She was interned in Ambarawa prison camp with her mother and two sisters when Japanese troops invaded Java in 1942, and forcibly taken to the military comfort station at Semarang two years later. Jan’s depiction of her happy family life before the war and the atrocities she suffered at the prison camp and the military brothel form anunforgettable contrast. Equally unforgettable is her resilience in the face of extraordinary brutality and her courage in breaking the silence around "comfort women" at an international public hearing on Japanese war crimes in 1992. Her book offers a strong message of hope for peace and reconciliation.
'How can you tell your daughters, you know? I mean, the shame, the shame was still so great. I knew I had to tell them but I couldn't tell them face to face . . . so I decided to write it down.'
Jan Ruff O'Herne's idyllic childhood in Dutch colonial Indonesia ended when the Japanese invaded Java in 1942. She was interned in Ambarawa Prison Camp along with her mother and two younger sisters. In February 1944, when Jan was just twenty-one years old, she was taken from the camp and…
Tap Dancing on Everest, part coming-of-age memoir, part true-survival adventure story, is about a young medical student, the daughter of a Holocaust survivor raised in N.Y.C., who battles self-doubt to serve as the doctor—and only woman—on a remote Everest climb in Tibet.
A professor of Chinese and Japanese, Asian Studies, and Women’s Studies at Vassar College, my research has focused on the cross-cultural fertilization between Chinese and Japanese literary traditions and the influence of Daoist philosophy in East Asian Literature. I’ve published widely on the subject, including a book, Bashô and the Dao: The Zhuangzi and the Transformation of Haikai. I began research on the “comfort women”—victimsof Imperial Japan’s military sexual slavery during the Asia Pacific War (1931-1945)—in 2002when working with a Vassar student on her thesis about the “comfort women” redressmovement. Since then, I’ve worked closely with Chinese researchers and local volunteers, interviewing the eyewitnesses and survivors of the Japanese military “comfort stations” in China,and visiting the now-defunct sites.
“Lolas” is the Tagalog word for “grannies,” referring to the aged women who survived Japanese military sex slavery in WWII. Lolas’ Houseskillfully weaves the heartrending first-person accounts of sixteen Filipina “comfort women,” snatched away from their homes and repeatedly violated by Japanese soldiers, with the riveting narratives of M. Evelina Galang, an American writer and professor of Filipina descent, who traveled with the Lolas to the sites of their abduction, protested with them at the gates of the Japanese Embassy in Manila, and became their trusted friends in documenting their stories. Galang says she “cannot rest until the stories are told.” I feel the same way. This book gives a powerful voice to the Filipina “comfort women.”
During World War II more than one thousand Filipinas were kidnapped by the Imperial Japanese Army. Lolas' House tells the stories of sixteen surviving Filipino "comfort women."
M. Evelina Galang enters into the lives of the women at Lolas' House, a community center in metro Manila. She accompanies them to the sites of their abduction and protests with them at the gates of the Japanese embassy. Each woman gives her testimony, and even though the women relive their horror at each telling, they offer their stories so that no woman anywhere should suffer wartime rape and torture.
I’ve dealt with depression from a young age. Books like these make me feel better because they give me the time to focus on someone else dealing with similar (or worse) feelings without minimizing my own circumstances. Or perhaps, is it schadenfreude? I have no idea! Huge warning, though. This list mixes some really dark stuff. Please proceed with caution. But I did throw some sweet ones in there, too, as a treat!
Everyone I love who’s seen my shelf knows how much I love this picture book. I adore the simple ink drawings; it’s all I need to understand to story.
I never expected a 32-page book to break me like this. It makes me want to hug my cat Marlie and never let go (to her annoyance). To me, it explained life and death so perfectly—when one goes away, another comes into our lives.
There was a cat who lived alone. Until the day a new cat came . . .
And so a story of friendship begins, following two cats through their days, months, and years until one day, the older cat has to go. And he doesn't come back.
This is a poignant story, told in measured text and bold black-and-white illustrations about life and the act of moving on.
I’ve dealt with depression from a young age. Books like these make me feel better because they give me the time to focus on someone else dealing with similar (or worse) feelings without minimizing my own circumstances. Or perhaps, is it schadenfreude? I have no idea! Huge warning, though. This list mixes some really dark stuff. Please proceed with caution. But I did throw some sweet ones in there, too, as a treat!
Ever loved a book series so much that you got it permanently etched on your skin? (That’s me) Punpun, the titular character seen to readers as a line drawing of a bird, has one of the most broken families I’ve ever read about. Still, I found solace in his life. Ending the series (even though I couldn’t sleep that night) I wanted to go back and start again just to see how much he has developed.
Most of the characters are pretty unlikeable which makes them realistic. Even with the way Asano draws them, you’d think he’s pretty pessimistic about the overall human spirit too. I will say that this book has nearly every trigger warning I can think of, so be careful.
A dark coming-of-age tale where slice-of-life slices back.
This is Punpun Onodera's coming-of-age story. His parents' marriage is falling apart. His dad goes to jail, and his mom goes to the hospital. He has to live with his loser uncle. He has a crush on a girl who lives in a weird cult. Punpun tries talking with God about his problems, but God is a jerk. Punpun keeps hoping things will get better, but they really, really don't.
Meet Punpun Punyama. He's an average kid in an average town.
He wants to win a Nobel Prize and save the world.…
Who was the man who would become Caesar's lieutenant, Brutus' rival, Cleopatra's lover, and Octavian's enemy?
When his stepfather is executed for his involvement in the Catilinarian conspiracy, Mark Antony and his family are disgraced. His adolescence is marked by scandal and mischief, his love affairs are fleeting, and yet,…
I’ve dealt with depression from a young age. Books like these make me feel better because they give me the time to focus on someone else dealing with similar (or worse) feelings without minimizing my own circumstances. Or perhaps, is it schadenfreude? I have no idea! Huge warning, though. This list mixes some really dark stuff. Please proceed with caution. But I did throw some sweet ones in there, too, as a treat!
My god, the cover picked me up so quickly, and the story is just as beautiful as that painting. I think about everyone I’ve known as a child, what they might have been going through in their lives, and how they evolved as adults, just like me.
To hear about a friend who took their own life and realize that what you have seen over a decade ago had something to do with it is so gut-wrenching. It makes me want to back and hug every sad kid I was friends with. Huge trigger warnings for rape and suicide.
Shiino is an ill-tempered office assistant, but when her friend Mariko diesunexpectedly, she becomes determined to get to the bottom of this mystery.Portraying the soulful connection between girls, this is a striking story ofsisterhood and romance.
I’ve dealt with depression from a young age. Books like these make me feel better because they give me the time to focus on someone else dealing with similar (or worse) feelings without minimizing my own circumstances. Or perhaps, is it schadenfreude? I have no idea! Huge warning, though. This list mixes some really dark stuff. Please proceed with caution. But I did throw some sweet ones in there, too, as a treat!
This is less of a book about mental illnesses and human atrocities, but it still makes me want to chew my own heart and spit it out like bubblegum. Igarashi’s work leans heavily on the concept of living in a universe while in turn, having universe live inside of all of us.
I am in constant awe of all the drawings on every page, and every concept (i.e., the waves on a shore carrying messages and memories from the open ocean) makes me look at the world in a different light.
When Ruka was younger, she saw a ghost in the water at the aquarium where her dad works. Now she feels drawn toward the aquarium and the two mysterious boys she meets there, Umi and Sora. They were raised by dugongs and hear the same strange calls from the sea as she does.
Ruka's dad and the other adults who work at the aquarium are only distantly aware of what the children are experiencing as they get caught up in the mystery of the worldwide disappearance of the oceans' fish.
I entered the United States Army in August 1970, two months after graduation from high school, completed flight school on November 1971, and served a one-year tour of duty in Vietnam as a helicopter pilot in Troop F (Air), 8th US Cavalry, 1st Aviation Brigade. After my discharge, I served an additional 28 years as a helicopter pilot in the Illinois National Guard, retiring in 2003. I graduated from Triton Junior College, the University of Illinois at Chicago, and Northwestern University Law School in 1981. My passion for this subject arises, as one would expect, from my status as a veteran. My expertise is based on my own experience and 16 years of research and writing that went into the preparation of my book.
Professor Cumings provides the most detailed, honest analysis of this country’s involvement in Korea from the end of World War II through the catastrophic war that virtually destroyed the entire Korean peninsula, left several million dead, and led this country directly into Vietnam.
The Description for this book, The Origins of the Korean War, Volume I: Liberation and the Emergence of Separate Regimes, 1945-1947, will be forthcoming.
This memoir chronicles the lives of three generations of women with a passion for reading, writing, and travel. The story begins in 1992 in an unfinished attic in Brooklyn as the author reads a notebook written by her grandmother nearly 100 years earlier. This sets her on a 30-year search…
James Neal Butcher is a professor emeritus of the Department of Psychology, University of Minnesota. At age 17, he enlisted in the US Army during the Korean War. He served 2 years in a parachute infantry division (82nd Airborne). He volunteered for service in the Korean War and served one year as an infantry soldier in the 17th Infantry Regiment during the war including the battles for Jane Russell Hill in October 1952 and Pork Chop Hill in April 1953. In 2013 he published a memoir of his early life and his military experience Korea: Traces of a forgotten war.
Max Hasting’s book described the early days of the war, for example the actions of Task Force Smith. He provides a valuable perspective on the Korean War that includes an interesting balanced account of a war that is still considered by many to be controversial. Hastings considers the perspectives of all sides of the Korean conflict and examines the various motivations of their respective actions, such as the U.S. decision to send troops to Korea in September 1945, and to send them back in June 1950, to the Chinese decision to send their own troops into Korea in the fall of 1950. He also provides a perspective on the important decision to participate in the signing of the armistice in July 1953.
The Korean War is journalist and military historian Sir Max Hastings' compelling account of the forgotten war.
'The best narrative history of the Korean conflict' - Guardian
On 25 June 1950 the invasion of South Korea by the Communist North launched one of the bloodiest conflicts of the last century. The seemingly limitless power of the Chinese-backed North was thrown against the ferocious firepower of the UN-backed South in a war that can be seen today as the stark prelude to Vietnam.
Max Hastings draws on first-hand accounts of those who fought on both sides to produce this vivid and…
