100 books like Comfort Women

A professor of Chinese and Japanese, Asian Studies, and Women’s Studies at Vassar College, my research has focused on the cross-cultural fertilization between Chinese and Japanese literary traditions. I’ve published widely on the subject, including a book, Bashô and the Dao: The Zhuangzi and the Transformation of Haikai. I began research on the “comfort women”—victims of Imperial Japan’s military sexual slavery during the Asia Pacific War (1931-1945)—in 2002  when working with a Vassar student on her thesis about the “comfort women” redress movement. Since then, I’ve worked closely with Chinese researchers and local volunteers,  interviewing the eyewitnesses and survivors of the Japanese military “comfort stations” in China, and visiting the now-defunct sites.

A professor of Chinese and Japanese, Asian Studies, and Women’s Studies at Vassar College, my research has focused on the cross-cultural fertilization between Chinese and Japanese literary traditions. I’ve published widely on the subject, including a book, Bashô and the Dao: The Zhuangzi and the Transformation of Haikai. I began research on the “comfort women”—victims of Imperial Japan’s military sexual slavery during the Asia Pacific War (1931-1945)—in 2002  when working with a Vassar student on her thesis about the “comfort women” redress movement. Since then, I’ve worked closely with Chinese researchers and local volunteers,  interviewing the eyewitnesses and survivors of the Japanese military “comfort stations” in China, and visiting the now-defunct sites.

A professor of Chinese and Japanese, Asian Studies, and Women’s Studies at Vassar College, my research has focused on the cross-cultural fertilization between Chinese and Japanese literary traditions. I’ve published widely on the subject, including a book, Bashô and the Dao: The Zhuangzi and the Transformation of Haikai. I began research on the “comfort women”—victims of Imperial Japan’s military sexual slavery during the Asia Pacific War (1931-1945)—in 2002  when working with a Vassar student on her thesis about the “comfort women” redress movement. Since then, I’ve worked closely with Chinese researchers and local volunteers,  interviewing the eyewitnesses and survivors of the Japanese military “comfort stations” in China, and visiting the now-defunct sites.

A professor of Chinese and Japanese, Asian Studies, and Women’s Studies at Vassar College, my research has focused on the cross-cultural fertilization between Chinese and Japanese literary traditions. I’ve published widely on the subject, including a book, Bashô and the Dao: The Zhuangzi and the Transformation of Haikai. I began research on the “comfort women”—victims of Imperial Japan’s military sexual slavery during the Asia Pacific War (1931-1945)—in 2002  when working with a Vassar student on her thesis about the “comfort women” redress movement. Since then, I’ve worked closely with Chinese researchers and local volunteers,  interviewing the eyewitnesses and survivors of the Japanese military “comfort stations” in China, and visiting the now-defunct sites.

As a professor of Communication, Environmental, and Native American Studies, Bruce E. Johansen taught, researched, and wrote at the University of Nebraska at Omaha from 1982 to 2019, retiring to emeritus status as Frederick W. Kayser research professor. He has published 55 books in several fields: history, anthropology, law, the Earth sciences, and others. Johansen’s writing has been published, debated, and reviewed in many academic venues, among them the William and Mary Quarterly, American Historical Review, Current History, and Nature, as well as in many popular newspapers and magazines. He's married to Patricia E. Keiffer, whose father, mother, and older sister were interned in the camp. Patricia was born there shortly before liberation.

Stewart Binns is a former academic, soldier, and documentary filmmaker, who became a writer quite late in life. He has since written a wide range of books in both fiction and non-fiction. His passions are history and sport. He has completed a medieval quartet called the Making of England Series, two books about the Great War and a novel set during Northern Ireland’s Troubles. His latest work of non-fiction, Barbarossa, tells the story of the Eastern Front (1945 to 1944) from the perspective of the peoples of Eastern Europe. He is now working on a history of modern Japan.

I have a degree in history and political science, with a particular interest in military history—especially World War II history, and most especially Eastern Front history. My family has Polish roots, and my own stories tend to focus on the Polish and Ukrainian experiences, but I keenly feel the need for more YA books not only about the Eastern Front but about other, even lesser-known theaters of World War II.

I am a journalist and a novelist. I was both Forbes Magazine’s longest serving foreign correspondent – having served 18 years in London as their European Bureau Chief – and wrote the feel-good international best-seller The Hundred-Foot Journey, a novel that Steven Spielberg and Oprah Winfrey made into a much-loved 2014 film starring Helen Mirren. These twin careers have shaped my approach to writing in that I believe a good micro-story (fiction) should also make astute macro points (journalism). So, the journeys my characters undertake in my novels are also trying to address points about the world or life or humanity at large.

After retiring from academic medicine, I moved to the ocean and learned of WWII Japanese submarine and balloon bomb attacks on Oregon. With extensive research, consultation, and trips to Europe, Latin America, and Asia, I have now published three historical fiction novels on Amazon: Enemy in the Mirror: Love and Fury in the Pacific War, The Osprey and the Sea Wolf: The Battle of the Atlantic 1942, and Night Fire Morning Snow: The Road to Chosin. My website is intended to promote understanding of America and her enemies in wartime.

I am an academic historian in the UK, and before that, I was a journalist in Tokyo, where I lived for twenty years. To me, Japan is one of the most intriguing and sensuous places on earth. I never tire of its smells, sounds, signs, and flavours. The language is mesmerizing. The landscapes are stunning. The culture is endlessly surprising. I research and write about Japan’s past – its transformations, upheavals, and traditions – to make sense of the incredible array of experiences I have encountered while living there.