Here are 100 books that Bridgman's Life Drawing fans have personally recommended if you like
Bridgman's Life Drawing.
Shepherd is a community of 12,000+ authors and super readers sharing their favorite books with the world.
My name is James Gurney and I've been a professional illustrator for National Geographic and Scientific American for over 40 years. Although I went to art school, everything I know about drawing and painting comes from studying art instruction books, and from sketching directly from nature. I'm best known for writing and illustrating the New York Times bestselling Dinotopia book series, published in 32 countries and 18 languages. I designed 15 dinosaur stamps for USPS and a set of five dinosaur stamps for Australia Post. My originals have been shown in over 35 solo museum exhibitions. My book Color and Light has sold over 200k copies and was Amazon's #1 bestselling book on painting for over a year.
Disney animator Ken Hultgren shares an approach to drawing animals that emphasizes the unique characteristics of all the major types of mammals. His style features action poses ranging from straight to cartoony. His pen-and-ink drawings are usually accompanied by a skeletal analysis to help students see the hidden structure. He never loses sight of the lines of action flowing through a pose, something that both realist painters and cartoonists can benefit from.
"You'll learn everything there is to learn about drawing animals." — Collectors' Corner This thoughtful and incisive guidebook, written by a former animator for Walt Disney Studios, will help artists at many skill levels improve their ability to draw a wide variety of animal forms both realistically and as caricatures. You'll learn why the author considers construction, action analysis, and caricature all-important for a clear understanding of animal anatomy and movement. You'll also benefit from Mr. Hultgren's expert advice and tips on catching the essential movement and character of animals and avoiding the stiff, wooden poses that are the frequent…
In the “meme-ification” of the world, the long-form version of learning and practicing skills is getting lost. True discovery happens after a thorough and deep understanding of the subject. Truth is a multilayered, complex exploration that is hard to sum up in a single sentence.
Vanderpoel was JC Leyendecker‘s teacher in Chicago. You can’t go wrong by going back to the source. Underneath JC’s style, is rock solid form and structure. With slightly archaic language that takes a while to understand, this book offers huge insight into the structural thinking of how to draw and interpret the human figure.
This great classic is still unrivalled for its clear, detailed presentation of thousands of fundamental features of the human figure. Every element of the body (such as the overhang of the upper lip; the puckering at the corners of the mouth; the characteristic proportions of the head, trunk, limbs, etc.; the tension between connected portions of the body; etc.) is carefully and concisely pointed out in the text. Even more helpful are the 430 pencil and charcoal drawings that illustrate each feature so that you are, in effect, shown what to look for by a master teacher. The result is…
My name is James Gurney and I've been a professional illustrator for National Geographic and Scientific American for over 40 years. Although I went to art school, everything I know about drawing and painting comes from studying art instruction books, and from sketching directly from nature. I'm best known for writing and illustrating the New York Times bestselling Dinotopia book series, published in 32 countries and 18 languages. I designed 15 dinosaur stamps for USPS and a set of five dinosaur stamps for Australia Post. My originals have been shown in over 35 solo museum exhibitions. My book Color and Light has sold over 200k copies and was Amazon's #1 bestselling book on painting for over a year.
This is a useful reference book, dominated by large and carefully drawn plates. The animal kingdom is represented by a small number of familiar domesticated mammals: horse, dog, cow, and goat, together with a lion. Each animal is shown in neutral poses in side, top, and front views, with skeletal and muscular dissections for comparison.
"Highly recommended as one of the very few books on the subject worthy of being used an an authoritative guide." — Design "Illustrators, sculptors, and taxidermists who draw or model animals will welcome this new revised edition." — Natural History Here are 288 remarkably lifelike drawings of animals, furnishing artists and students with an easy-to-follow method of instruction in the drawing of horses, dogs, lions, cows and bulls, stags, and goats. So detailed and so accurate are these drawings that this book has long been a classic work of its kind. The animals are shown in three ways: external full…
My name is James Gurney and I've been a professional illustrator for National Geographic and Scientific American for over 40 years. Although I went to art school, everything I know about drawing and painting comes from studying art instruction books, and from sketching directly from nature. I'm best known for writing and illustrating the New York Times bestselling Dinotopia book series, published in 32 countries and 18 languages. I designed 15 dinosaur stamps for USPS and a set of five dinosaur stamps for Australia Post. My originals have been shown in over 35 solo museum exhibitions. My book Color and Light has sold over 200k copies and was Amazon's #1 bestselling book on painting for over a year.
This book is a good one to consult when one needs a reminder that not all trees look the same. Cole draws upon the Victorian tradition of close observation of nature, and he analyzes trees at the level of roots, branches, stems, blossoms, leaves, and foliage masses. The book transcends the limits of a botanical treatise by exploring artistic issues, such as the grouping of masses and the simplification of contours. The text is profusely illustrated with black-and-white explanatory drawings, as well as compositions by early masters.
"Monumental book . . . Mr. Vicat Cole is a born teacher." — Contemporary Review "Mr. Vicat Cole's ability as a landscape painter is well known, and he unites to his executive talents the qualifications of an accomplished teacher." — Connoisseur "The name of the author is itself a guarantee that the subject is adequately treated. It is handled in a systematic and lucid way, which the novice . . . can follow with ease." — Studio For years greatly admired and widely used, this excellent text by one of Britain's foremost art instructors has achieved the status of a…
In the “meme-ification” of the world, the long-form version of learning and practicing skills is getting lost. True discovery happens after a thorough and deep understanding of the subject. Truth is a multilayered, complex exploration that is hard to sum up in a single sentence.
Hale’s book uses master drawings as the basis for his analysis. He shows the critical thinking that went behind the draftsmanship and offers a few choice words on conceiving a solid shape before trying to render it. Style is great but style without understanding is just a bad xerox of an idea. Hale offers a deeper dive into understanding what all those bumps and lumps are and more importantly, the hierarchy to where they sit and what to emphasize. Mindless rendering never helped anyone.
A book whose sales have not diminished but rather increased dramatically since its publication 45 years ago, this bestselling classic is the ultimate manual of drawing taught by the late Robert Beverly Hale, who's famed lectures and classes at New York City's Art Student League captivated artists and art educators from around the world.
Faithfully producing and methodically analyzing 100 master drawings-including works of Michelangelo, Leonardo da Vinci, Rodin, Goya, and Rembrandt among others-Hale shows how these artists tackled basic problems such as line, light and planes, mass, position and thrust, and anatomy. With detailed analytical captions and diagrams, every…
Born at the base of the beautiful Wasatch Mountains, I began exploring and sketching the world—as most children do—at a very early age. I continued to pursue not only my artistic path through traditional schooling, higher education, and endless hours of practice, but also my love of storytelling. Intrigued by Science Fiction and Fantasy, many of my projects reflect elements of the fantastic, but I also appreciate the beauty and elegance in fine art masterpieces. I studied illustration and graphic design at Utah State University and the Academy of Art University in San Francisco. I currently live in Salt Lake City with my beautiful wife and four boys, where I continue to write, paint and draw regularly.
This figure drawing guide is a classic, and for good reason. Artist Andrew Loomis wrote this book for those who have graduated from the fundamentals of drawing and are ready to embark on their artistic careers. The focus is on aesthetic as well as practical, and leans toward a more commercial approach rather than fine art, but will be helpful to both disciplines. Loomis includes chapters on anatomy, planes and lighting, drawing from living models, the figure in action, and costume, among others. He discusses idealization and other tricks of the trade to help the reader produce superior work. Explanatory sketches and examples of some of his own best sketches appear on almost every page. Originally published in 1943 this book continues as a solid reference for artists struggling to perfect their own skills.
The illustrator Andrew Loomis (1892-1959) is revered amongst artists - including comics superstar Alex Ross - for his mastery of figure drawing and his clean, realist style. His hugely influential series of art instruction books have never been bettered, and "Figure Drawing" is the first in Titan's programme of facsimile editions, returning these classic titles to print for the first time in decades.
Drawing and painting people has been my passion and my profession for a couple of decades now. Fine art, comic books, animation, illustration – as long as I'm drawing people, I'm happy. I love the challenge of trying to capture (or create) a living, breathing, thinking person on paper. And I love talking about art books with other artists. Which ones are great, which ones miss the mark, which ones have tiny hidden gems in them. This list is a mix of books I love, and books I heartily recommend.
This book really “clicks” with how I imagine the figure and how I draw. There are a hundred ways to learn to draw, and you need to find the one that clicks with how your brain works. But ways that don't click still strengthen you. Even if Hampton's approach isn't the right one for you in the long run, learning it and trying it out will only make you a better artist. There's great stuff here about visualizing form, and simplifying form while keeping everything living and breathing instead of stiff and posed. This is a great book for people who want to draw from imagination as well as from observation.
Figure Drawing: Design and Invention is an instructional figure drawing book geared towards the novice and experienced artist alike. This book emphasizes a simplified understanding of surface anatomy, in order to clarify the mechanics of the figure, facilitate invention, and ultimately create a skill-set that can be successfully applied to other media. In addition, this book focuses very strongly on practical usage, making sure the artist is able to assimilate the steps presented here into a cohesive working process. (Fourth printing, September 2011)
Figure Drawing: Design and Invention is an instructional figure drawing book geared towards the novice and experienced…
Born at the base of the beautiful Wasatch Mountains, I began exploring and sketching the world—as most children do—at a very early age. I continued to pursue not only my artistic path through traditional schooling, higher education, and endless hours of practice, but also my love of storytelling. Intrigued by Science Fiction and Fantasy, many of my projects reflect elements of the fantastic, but I also appreciate the beauty and elegance in fine art masterpieces. I studied illustration and graphic design at Utah State University and the Academy of Art University in San Francisco. I currently live in Salt Lake City with my beautiful wife and four boys, where I continue to write, paint and draw regularly.
I would call Bridgman’s approach to the figure, contour simplified. Countless artists and students since the 1920s have used this and other books by Bridgman, who taught for nearly 50 years at the Art Students League in New York, for a solid foundation and understanding of human anatomy. I think his unique way of discovering the vitalizing forces in the human form and realizing them in drawing carries the student pleasantly over one of art's most severe hurdles. Bridgman's superb anatomical sketches, of which there are nearly 500 in the book, also bring clearly to fruition his lucid theories of how to draw the human body in its structure and its complex movements. And he simplifies them in a helpful way.
"Excellent. The most valuable, detailed anatomical studies (which are also beautifully drawn) of all parts of the figure." — American Artist "The best book on artist's anatomy available anywhere." — Art Students League News Countless artists and students since the 1920s have used this and other books by George B. Bridgman (for nearly 50 years a teacher at the Art Students League in New York) for a solid foundation and understanding of human anatomy. They have found, and continue to find, that his unique way of discovering the vitalizing forces in the human form and realizing them in drawing carries…
I have been drawing fantasy creatures and characters for over thirty years now, and have collected hundreds of fantasy, art, and art instruction books over the decades. Both drawing and reading are a passion of mine, so I am happy to share some of my favorite fantasy art books that I have in my own personal library.
This book is a great choice for artists that are interested in drawing humanoid fantasy characters or superheroes. It takes a close look at drawing action poses and includes many sketches and example drawings. It also includes photo references to use. It isn’t as much of a step-by-step tutorial book, but a great reference with lots of advice on creating your own dynamic characters.
An indispensable guide for anyone interested in improving and developing their fantasy art figures.
Fantasy artists are unlikely to use models to draw from life but, to be successful, their creations must have a grounding in reality. This book by successful comic and fantasy artist Glenn Fabry, teaches you the principles of anatomy, from musculature and skeletal structure through to movement.
You can then develop your artistic style by breaking and bending the rules of anatomy through practical exercises and demonstrations, accompanied by incredible finished artworks. The step-by-step exercises help you to fully understand the subtle movements that combine to…
Born at the base of the beautiful Wasatch Mountains, I began exploring and sketching the world—as most children do—at a very early age. I continued to pursue not only my artistic path through traditional schooling, higher education, and endless hours of practice, but also my love of storytelling. Intrigued by Science Fiction and Fantasy, many of my projects reflect elements of the fantastic, but I also appreciate the beauty and elegance in fine art masterpieces. I studied illustration and graphic design at Utah State University and the Academy of Art University in San Francisco. I currently live in Salt Lake City with my beautiful wife and four boys, where I continue to write, paint and draw regularly.
I’ve always felt that a foundational knowledge of human anatomy is an absolute necessity for anyone serious about becoming a figurative artist. It’s like learning how to dribble if you want to play for the NBA. Although I used a different anatomy book growing up, An Atlas of Anatomy for Artists by Fritz Schider, I feel that Anatomy for Artists is a more solid choice for today’s up-and-comers. It’s an extensive compendium of high quality, detailed photography, and drawings, showing the human figure in a variety of shapes, sizes, and poses. It consists of stunning photography and comprehensive drawings showing the muscular structure of figures of varying body types. These male and female references will act as an invaluable starting point for artists trying to create art based on the human form.
Anatomy for Artists is an extensive compendium of high quality, detailed photography and drawings, showing the human figure in a variety of shapes, sizes and poses that can be used as a solid foundation for all character art.This thorough and detailed library of visual resources will consist of stunning photography and comprehensive drawings showing the muscular structure of figures of varying body types. These male and female references will act as an invaluable starting point for artists trying to create art based on the human figure. Whether you're a traditional sculptor, oil painter or 3D digital artist, the resources within…
