Fans pick 100 books like Beijing Coma

The 27 interviews in The Corpse Walker are selected from the 60 interviews in Liao Yiwu’s book, originally titled Interviews with People from the Bottom Rung of Society in Chinese. Liao gives voices to social outcasts: a human trafficker, corpse walkers, a leper, a peasant emperor, an abbot, a mortician, a Tiananmen father, artists and shamans, crooks, even cannibals. Ironically, every one of them speaks more honestly than Chinese official media, which causes the book to be banned in mainland China. These are the stories of unsung heroes and epic tragedies, but to me, most importantly, the work that people performed, the families they raised, many lost to famines, political purges, and massacres, and the persecutors they forgave, the conscience they wrestled with, their past, present, and future—these are the remarkable stories of ordinary Chinese people from 1949 to present in their raw, unvarnished form.

Mei Fong has spent years documenting and traveling across China to meet the people who live with the consequences of the draconian one-child policy. I was riveted by this slim but expansive book, its searing clarity, deep compassion, and unflinching interrogation only avail to an outsider unhampered by the censorship in China. Mei Fong explores in depth how the one-child policy has changed every facet of social life from cradle to grave: courtship, marriage, women’s work, only children, adoption/baby trafficking, surrogate, IVF, aging, retirement, hospice/death, and much more. Weaving in with the author’s own quest to become a mother, Mei Fong weighs the cost of parenthood and asks the hard question: Why do we have children?

As a writer who works under China’s censorship, Mo Yan spins literary gold in his novel Frog by blending high farce with social commentary. Narrator Tadpole’s aunt Gugu, a feisty woman with extraordinary gifts, evolves from a legendary midwife to a demonic one-child policy enforcer, then becomes an incorrigible go-between for surrogate and intentional parents. Readers see how China and rural Gaomi townships have changed, almost beyond description, from Maoist times to the current hyper-capitalistic phase. Much of the story is funny, brutal, yet firmly grounded, as people endure, and many perish during a half-century of social and political turmoil.

Philip J. Cunningham joined his Chinese friends from May 3 to June 4 in 1989, as a supporter, journalist, and witness in the Tiananmen Square protests. Tiananmen Moon chronicles the protests, hunger strike, students’ leadership, their internal friction, and Cunningham’s meeting with Chai Ling before the massacre. From an American bystander’s perspective, Cunningham voices his concerns about the peer pressure among students, and a few self-claimed radical leaders using the same rhetoric and tactic as the regime to seize power and escalate conflicts. To this day, the Tiananmen Square protests are obliterated by the propaganda machine in mainland China. Tiananmen Moon is a remarkable testament capturing the plaintive and lyrical beauty of a dream that continues to haunt China today.

I first heard about this book when it won the 2014 National Book Award in nonfiction. After reading it, it became clear to me this was one of the best books written about China. Evan Osnos, a staff writer at the New Yorker, has delivered a coup de force that unravels the social dynamics of Chinese society. In recent memory, no serious book has attempted to do the same. You will learn about the clash of individualism vs. plutocracy in present-day China and how that manifests on the street. You will also understand the economic ailments that afflict modern China. It is beautifully written.

Imperial China provides an incredible case study for queenship and the agency of royal women. Keith McMahon’s two volumes, Women Shall Not Rule and the follow-on Celestial Women: Imperial Wives and Concubines in China from Song to Qing are the ideal introductions to the lives and roles of women in Imperial China. You won’t need a background in queenship studies or an understanding of Asian history to enjoy this book and absorb both the anecdotes of the intriguing women featured and the key arguments that McMahon makes on how the position of royal women shifted over individual reigns as well as major dynastic transitions.

One of the shocking discoveries I made while researching my book was that China was the only Allied power to appoint a female delegate to the 1919 Paris Peace Conference. Readers of Edwards’s book will be less surprised. While British suffragists of the early twentieth century were busy planting bombs in postboxes, Chinese women were taking up arms to overthrow the Qing dynasty and smashing the windows of the newly opened parliamentary chambers to demand their nation codify citizens’ political rights “regardless of sex.” This book tells their story and puts the lie to the myth that women’s rights only became a priority in China decades later, when Mao Zedong proclaimed that women “hold up half the sky.”

Van Gulik is a giant in the field of historical mysteries, having penned the better part of 20 novels about his favorite protagonist “Judge Dee.” Set in ancient China, the stories typically involve political intrigue, moral quandaries, and settings so evocative it is easy to just close your eyes and see yourself in a pavilion overlooking a swan-filled lake or in a lady’s bed-chamber, a scholar’s library, or an artist’s studio. These novels are mood pieces as well as whodunnits, and the immersive experiences the author offers lead me to recommend not only this title but any and all in the series. Heaven for someone like me who loves what China used to be.

I cannot think of a more perfect title for Michael Wang’s Further News of Defeat. Imminent loss haunts the edges of each story, ready to pounce on Wang’s indelible characters. In America, we’re often uncomfortable with this kind of storytelling. We prefer our characters to be redeemed, to either prevail over calamity or to fail due to their own weaknesses. Wang’s characters are both at the mercy of outside events and circumstances and participants in their own fates. Most of the stories are set in fictional cities and rural villages in China. War, regime and societal changes, poverty, immigration, and identity are running themes. Several of these stories are so gripping I could imagine them as longer works. Further News of Defeat is a beautifully rendered and well-researched book. 

This book explains how a powerful sultanate located on an archipel in the South China Sea maintained its independence until the very end of the nineteenth century. Being the centre of a ferocious slave-raiding network, it played a pivotal role in supplying the slave labour for commodity production both for China and the West. Warren’s book links an upsurge of slave raiding in Southeast Asia at the end of the eighteenth century with imperial expansion of the West and the economic resurrection of China. It questions the dominant perception that piracy and slavery in Asia were antithetical to economic growth.

I find Warren’s thesis tremendously valuable to understand processes of globalisation and a source of inspiration for my own research and teaching on slavery in the Indonesian archipelago in the nineteenth century. It also opened my eyes to the fact that the upsurge of slave-raiding was fed by illicit arms… show more.