From an early age, I was fascinated by the ways in which past events ripple into the present. It started by looking at my own family; one soldier stationed in the Philippines during the Second World War narrowly survives a severe gunshot wound, and so is able to meet my grandmother, and so my entire family exists. In another timeline, he didn’t make it to the surgeon in time and none of us were ever born. Dual timeline sci-fi not only considers the consequences of history on our present, but pushes this exploration into possible futures.
No other book could come first on this list, because this was the book that changed my entire perspective on what speculative fiction could be. When I first picked up this book as a high school student, I had never seen anything like it: six loosely connected stories, a clever nesting-doll structure, a unique blend of sci-fi, mystery, and historical fiction. Most importantly, Cloud Atlas is, like all David Mitchell books, full of empathy and hope. Even the bleakest and most brutal storylines offer moments of grace, suggesting that, even if we can’t always save ourselves, we have the ability to save each other.
Six lives. One amazing adventure. The audio publication of one of the most highly acclaimed novels of 2004. 'Souls cross ages like clouds cross skies...' A reluctant voyager crossing the Pacific in 1850; a disinherited composer blagging a precarious livelihood in between-the-wars Belgium; a high-minded journalist in Governor Reagan's California; a vanity publisher fleeing his gangland creditors; a genetically modified 'dinery server' on death-row; and Zachry, a young Pacific Islander witnessing the nightfall of science and civilisation - the narrators of CLOUD ATLAS hear each other's echoes down the corridor of history, and their destinies are changed in ways great…
In many ways, The Actual Star echoes Cloud Atlas. There are multiple timelines (the ancient Mayan Empire, present-day Belize, and an unrecognizable far future Earth), two souls locked together across lifetimes, and blended genres. But The Actual Star takes a more mystical approach to this story, combining elements of Mesoamerican spirituality with a new far-future belief system inspired by the protagonist of the present-day storyline. Along the way, the book delves into questions of sexuality, gender, belief, and survival in the face of catastrophe, all in Monica Byrne’s gorgeous prose.
David Mitchell's Cloud Atlas meets Octavia Butler's Earthseed series, as acclaimed author Monica Byrne (The Girl in the Road) crafts an unforgettable piece of speculative fiction about where humanity came from, where we are now, and where we're going-and how, in every age, the same forces that drive us apart also bind us together.
"A stone-cold masterpiece."-New Scientist
The Actual Star takes readers on a journey over two millennia and six continents-telling three powerful tales a thousand years apart, all of them converging in the same cave in the Belizean jungle.
A time-travel classic, this book is also a masterful example of how to juggle two very different tones and timelines without it coming across as jarring to the reader. The two timelines diverge at the start of the story, which begins in near-future Oxford. Time travel has been invented, and a student named Kivrin is going back to the Middle Ages to conduct research. Half of the book follows her story as she navigates the Black Death, while the other half follows the much lighter (and at times very funny) story of her colleagues dealing with the bureaucracy of an unexpected lockdown in response to a flu outbreak.
"Ambitious, finely detailed and compulsively readable" - Locus
"It is a book that feels fundamentally true; it is a book to live in" - Washington Post
For Kivrin Engle, preparing an on-site study of one of the deadliest eras in humanity's history was as simple as receiving inoculations against the diseases of the fourteenth century and inventing a bullet-proof backstory. For her instructors in the twenty-first century, it meant painstaking calculations and careful monitoring of the rendezvous location where Kivrin would be received.
Perhaps less multi-timeline than multi-life, The First Fifteen Lives of Harry August is about an unusual form of reincarnation. Harry August isn’t born into a new body when he dies; instead, he reboots back to his childhood, memories intact, and lives his life all over again. And again. And again.
I recently described this book to someone who hadn’t read it, and it led to hours of conversation about what each of us would do in Harry’s situation, what choices we would make differently, what we would try to keep the same from one life to the next. I challenge anyone to pick up this book and not get swept up in similar debates and thoughts about your own life and past.
'ONE OF THE FICTION HIGHLIGHTS OF THE DECADE' Judy Finnigan, Richard and Judy Book Club
Featured in the Richard and Judy Book Club, the BBC Radio 2 Book Club and the Waterstones Book Club Winner of the John W. Campbell Award Shortlisted for the Arthur C. Clarke Award
SOME STORIES CANNOT BE TOLD IN JUST ONE LIFETIME
No matter what he does or the decisions he makes, when death comes, Harry always returns to where he began, a child with all the knowledge of a life he has already lived a dozen times before.
Post-2020, this book has a plot that might (understandably) turn off many readers: in the present, a devastating pandemic sweeps across the globe. Twenty years into the future, the few survivors eke out a nomadic existence traveling from one place to another. On paper, this sounds bleak and depressing, but the thing that sets this book’s post-apocalyptic future apart from so many others is that it is, at its core, weirdly hopeful. Civilization has collapsed, sure, but art and human connection and happiness remain.
'Best novel. The big one . . . stands above all the others' - George R.R. Martin, author of Game of Thrones
Now an HBO Max original TV series
The New York Times Bestseller Winner of the Arthur C. Clarke Award Longlisted for the Baileys Women's Prize for Fiction National Book Awards Finalist PEN/Faulkner Award Finalist
What was lost in the collapse: almost everything, almost everyone, but there is still such beauty.
One snowy night in Toronto famous actor Arthur Leander dies on stage whilst performing the role of a lifetime. That same evening a deadly virus touches down in…
In 1960, sixteen-year-old Anza watches as blood-red hail falls from the sky over Galina, her sleepy Arizona border town. In the weeks that follow, the entire town is consumed by a terrifying outbreak that some see as demonic possession, and others as a plague. In 2020, a sociologist named Colin writes about “The Galina Incident”, a strange series of events that led to the town’s violent destruction in the summer of 1960. Colin believes the Galina Plagues were nothing more than a case of mass hysteria, until the symptoms reappear in the descendants of those who survived. Separated by 60 years, Anza and Colin both search for the truth about the secrets buried in Galina’s history.
I’ve adored reading a good snarky first-person story since I first read Bloodlist, so long as the snark doesn’t go too far and become total unlikeable jerk… It can be a fine line!I hope I stay on the right side of it, but having read it enough and written in it for years with my Blood Rights Series, I feel qualified to say I’m a…snark connoisseur. (If you ask my family, this is how my own internal/life narrator speaks! My mother says that my character Dakota is me if I “said everything aloud that I think in my head.” She’s probably right, and I’m okay with that.)
Bad Blood is paranormal suspense in First Person Snark, so if you like sarcastic, strong female characters set in a world where the preternatural is run amok (i.e., legal citizens in the United States), then this book and series are for you.
Follow Sadie Stanton–"poster girl for the preternatural"–as she deals with all sorts of messes and sets up her business while being a vampire in a new day...or night, really.
I’m Sadie Stanton, and I don’t know why everyone makes such a big deal out of me. I’m just like everyone else—I’m trying to start a business, not spending much time on my social life, and dealing with an obnoxious roommate...
Oh, and being a vampire. There’s that. But it’s okay, because we’re all legal now.
But believe me, that doesn’t make life easy. In fact, it might be harder now than ever before, but I did it to myself… And now vampires are attacking people seemingly at random and not even trying to feed. Everyone…
