Why am I passionate about this?
I am a Professor of History at California State University San Marcos where I teach United States Social and Cultural History, African American History, Film History, and Digital History. In addition to The Black Cabinet, I am also the author of three other books. Two of my books have been optioned for film and I have consulted on PBS documentaries. I believe that knowing history is necessary and practical, especially in these times. At this critical point, we can draw much wisdom from the lessons of Black history and the history of the presidency of Franklin Delano Roosevelt.
Jill's book list on Black Americans and the Roosevelt era
Why did Jill love this book?
Sandwiched between the creative outpourings of the Harlem Renaissance and the Cold War, Black cultural expression during the Roosevelt years is often overlooked. Lauren Skalroff corrects this by exploring the various venues where Black artists contributed during the New Deal era. Black cultural workers encountered overwhelming discrimination as they navigated the world of art, theater, music, writing, radio, film, and other cultural outlets that were controlled by white Americans. But the New Deal’s arts programs did offer some opportunities for Black artistic autonomy and genuine expression. In some cases, Black artists were able, to a degree, to challenge negative stereotypes. Sklaroff builds the story chronologically and takes the reader through WWII showing how culture and political activism were intricately linked during two of the nation’s most historically challenging times.
1 author picked Black Culture and the New Deal as one of their favorite books, and they share why you should read it.
In the 1930s, the Roosevelt administration - unwilling to antagonize a powerful southern congressional bloc - refused to endorse legislation that openly sought to improve political, economic, and social conditions for African Americans. Instead, as historian Lauren Rebecca Sklaroff shows, the administration recognized and celebrated African Americans by offering federal support to notable black intellectuals, celebrities, and artists.
Sklaroff illustrates how programs within the Federal Arts Projects and several war agencies gave voice to such notable African Americans as Lena Horne, Joe Louis, Duke Ellington, and Richard Wright, as well as lesser-known figures. She argues that these New Deal programs…