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David Brazier ordained as a Buddhist priest in 1976, studied all the major schools of Buddhism, and eventually founded Amida Shu, a Pure Land order, of which he was head from 1996 until retiring in 2020. His close disciples now meet as “Global Sangha”. He holds a doctorate in Buddhist psychology, has initiated socially engaged projects in several countries, and still teaches internationally and online. He is the author of more than a dozen books and many chapters, monographs, and podcasts.
Most books on Buddhism emphasise the monastic tradition, meditation and a life of strict morality, removed from the everyday world of ordinary people. Much of Japanese Buddhism, however, is conducted by married priests living modern lives in direct interaction with secular society. This book provides an important antidote to contemporary stereotypes.
There have been many studies that focus on aspects of the history of Japanese Buddhism. Until now, none have addressed important questions of organization and practice in contemporary Buddhism, questions such as how Japanese Buddhism came to be seen as a religion of funeral practices; how Buddhist institutions envision the role of the laity; and how a married clergy has affected life at temples and the image of priests. This volume is the first to address fully contemporary Buddhist life and institutions - topics often overlooked in the conflict between the rhetoric of renunciation and the practices of clerical marriage…
David Brazier ordained as a Buddhist priest in 1976, studied all the major schools of Buddhism, and eventually founded Amida Shu, a Pure Land order, of which he was head from 1996 until retiring in 2020. His close disciples now meet as “Global Sangha”. He holds a doctorate in Buddhist psychology, has initiated socially engaged projects in several countries, and still teaches internationally and online. He is the author of more than a dozen books and many chapters, monographs, and podcasts.
This book includes twenty full and seventy-five brief biographies of significant figures in the history of Japanese Buddhism, some of them orthodox, many of them eccentric, each contributing some unique genius to the living tradition from the sixth century up to modern times. An excellent way to enter the spirit of the tradition with many stories to enjoy.
More than thirteen centuries of clergy, laity, and social conditions interacted to mold Japan's Buddhism. Today's resulting characteristics, which distinguish it from its mainland sources, include a proliferation of independent sects, emphasis on religion for lay members, and de-emphasis of clerical codes. The twenty main biographies and seventy-five sketches presented in this book reveal both the individual and social aspects of Buddhist evolution and in Japan, spanning from the sixth through twentieth centuries. They cover the many separate interchanges that brought Buddhist texts and practices from Korea and China as well as the innovations that arose in Japan.
David Brazier ordained as a Buddhist priest in 1976, studied all the major schools of Buddhism, and eventually founded Amida Shu, a Pure Land order, of which he was head from 1996 until retiring in 2020. His close disciples now meet as “Global Sangha”. He holds a doctorate in Buddhist psychology, has initiated socially engaged projects in several countries, and still teaches internationally and online. He is the author of more than a dozen books and many chapters, monographs, and podcasts.
Honen Sangha (1133-1212) revolutionised Japanese Buddhism. Famous in his own time yet exiled near to the end of his life he introduced an approach to practice that embraced ordinary people and appealed to all ranks of society. His mould breaking innovation paved the way for the emergence of the several new schools that still dominate the Buddhist scene in Japan today. and his humanity and warmth of character still inspire.
Priest, saint, and founder of the independent school of Pure Land (Jodo) Buddhism in 12th century Japan, Honen Shonin's importance has been largely unrecognised in the West, even though his legacy includes over twenty million living practitioners of Pure Land Buddhism in Japan. "Honen the Buddhist Saint: His Life And Teachings" is the first and only English translation of a biography of this remarkable man. Edited by Joseph A. Fitzgerald, this edition combines illustrations from Japanese religious sites as well as Honen's own words which allow him to speak "from across the ages", to any human being, Buddhist or non-Buddhist,…
David Brazier ordained as a Buddhist priest in 1976, studied all the major schools of Buddhism, and eventually founded Amida Shu, a Pure Land order, of which he was head from 1996 until retiring in 2020. His close disciples now meet as “Global Sangha”. He holds a doctorate in Buddhist psychology, has initiated socially engaged projects in several countries, and still teaches internationally and online. He is the author of more than a dozen books and many chapters, monographs, and podcasts.
Saigyo (1118-1190) was one of the most influential Japanese poets. His name means "Westward Journey" which implies moving toward the Pure Land of Amitabha Buddha. The poems bring out the bitter-sweet quality of life, beauty and loneliness, blooming spring and frosty winter, cherry petals and tears that fall, echoing the deep emotionality and mystery of the spirit of Japanese Buddhism.
Burton's Watson translations are accompanied by a Romanized version of the Japanese original and identification of its location in Japanese anthologies. A general introduction discusses the few facts known about Saigyo's life and analyzes the origins and characteristics of his poetic style.
Sam Baldwin spent two years living in Ono, Fukui, a rural area of Japan. For Fukui's Sake is a true account of his adventures. He has written about travel for The Guardian, The Times and The Independent and has contributed to numerous magazines and guidebooks. After returning to his native UK, he relocated to Slovenia where he writes about the adventures of restoring a 300-year-old mountain cabin.
I recommend this three-part series of graphic novels for their beautiful artwork and painstaking attention to detail. Illustrator Martinson has a superb knack for observing the smallest aspects of the Japanese environment, with every frame bursting with the minutiae of everyday Japan.
The story follows ‘Dan’ a downbeat American, working as an English teacher in Japan who is experiencing severe isolation in his host country. Dan’s attitude to his new life is at the very extreme end of the culture shock spectrum, whereas in my experience, most foreigners embrace life more than he does, and therefore enjoy a more balanced experience. However for the artwork alone, I recommend the three part Tōnoharu series which are truly beautiful works, and make a worthy addition to any Japanophile's library.
Daniel Wells begins a new life as an assistant junior high school teacher in the rural Japanese village of Tonoharu. Isolated from those around him by cultural and language barriers, he leads a monastic existence, peppered only by his inept pursuit of the company of a fellow American who lives a couple towns over. But contrary to appearances, Dan isn't the only foreigner to call Tonoharu home. Across town, a group of wealthy European eccentrics are boarding in a one-time Buddhist temple, for reasons that remain obscure to their gossiping neighbors.
As an undergraduate at the University of Leeds in the 1960s the principal influence on my life and thinking was Trevor Ling an Anglican Priest and Buddhist who eventually became a Professor of comparative religion at the University of Manchester. He was the start of my research on Islam and Asia and my peripatetic career having lived in Scotland, Germany, Holland, America, Australia and Singapore. I became a professor of the sociology of religion in the Asia Research Center at the National University of Singapore. I have published two books on Singapore, a handbook of religions in Asia, and several works on the body, medicine, ageing and human vulnerability.
Most of us probably grew up with the idea that above all Buddhism rejects the body to attain spiritualty. It is actually the reverse. This study looks at the idea of the materiality of Buddhist texts (sutras) and the narratives and sermons that accompany them (setsuwa). Both body and book are corruptible , and hence great efforts are made to protect these ancient texts. Eubanks argues that there is an intimate connection between book and body as matter. The human body (especially the brain) is thus a container of Buddhist teaching. Scroll and stupa are critical for protecting this precious wisdom of the Buddha. Body and book are the witnesses to our suffering and impermanence. The stupa may contain the relics of past buddhas (and ash) just as the scroll contains the wisdom of buddha teaching.
Miracles of Book and Body is the first book to explore the intersection of two key genres of sacred literature in medieval Japan: sutras, or sacred Buddhist texts, and setsuwa, or "explanatory tales," used in sermons and collected in written compilations. For most of East Asia, Buddhist sutras were written in classical Chinese and inaccessible to many devotees. How, then, did such devotees access these texts? Charlotte D. Eubanks argues that the medieval genre of "explanatory tales" illuminates the link between human body (devotee) and sacred text (sutra). Her highly original approach to understanding Buddhist textuality focuses on the sensual…
When my kids were toddlers, there was a Burger King in the neighborhood with an indoor playground. It was glorious. A random guy walked up to me while we were there. “How do you do it, you know, the whole Dad thing” he asked. "Well… you don’t necessarily need to do a whole lot. Mostly just show up. Stick around." Never mentioned that by this time, I’d written and/or illustrated at least a couple dozen children’s books. I asked my nine-year-old daughter how she’d describe me as a Dad. “Most people think you’re creative, but I think you’re pretty average.” That’s good enough for me.
Despite the drawing style, this really isn’t a kid's book.
Another Dad friend of mine, also into comics, mentioned he was reading it to his daughter. She was into it. I’d had the series from my pre-parent days. The conversation inspired me to give it a try with my then 5-year-old son, a Thomas the Tank engine superfan. He was hooked instantly.
The entire series is about 2,800 pages, so it covered a lot of bedtime stories. An intricate, sprawling story, loosely based on the life of the Buddha. It hit me even harder on my second reading while occasionally fielding some pretty heavy questions from my son.
This is a masterpiece of historical fiction, philosophy, casual nudity, and general Japanese weirdness. Way better than anything ever read to me as a kid. Easily one of the best things I’ve read as an adult. And this is coming from a…
Osamu Tezuka's vaunted storytelling genius, consummate skill at visual expression, and warm humanity blossom fully in his eight-volume epic of Siddhartha's life and times. Tezuka evidences his profound grasp of the subject by contextualizing the Buddha's ideas; the emphasis is on movement, action, emotion, and conflict as the prince Siddhartha runs away from home, travels across India, and questions Hindu practices such as ascetic self-mutilation and caste oppression. Rather than recommend resignation and impassivity, Tezuka's Buddha predicates enlightenment upon recognizing the interconnectedness of life, having compassion for the suffering, and ordering one's life sensibly. Philosophical segments are threaded into interpersonal…
I write novels that enthrall, enrich, and enliven you. I've been student of Buddhism for more than thirty years and spend long periods of time with the most generous Tibetan Buddhist nuns in their monasteries in the remote Himalayas, relishing the solitude and contemplative life. Their tales of resilience are an enormous inspiration to me. The biographies of Western Buddhist women I’ve selected are everything I look for in ‘great writing’. The stories are engaging and entertaining, but also make us pause and reflect to appreciate the astonishing opportunities of the privileged times we live in, and challenge us once again to be and do better—every moment of this precious life.
This is a diary of an English woman who moved to Japan in the 1950s to study Zen at one of the most prestigious temples at the time and become the first female to be sanctioned by the Soto School of Japan to teach in the West. The diary takes us through her years of arduous training in Japan, through the challenges that beset her, and gives a truly moving account of her brilliant mindset throughout her grueling ordeal to become a Zen priest.
This book, first published as two volumes in 1977 and 1978, was published purely for the purpose of showing how Buddhist training was done by the Reverend Jiyu-Kennett in the Far East. The material for the book was taken from diaries covering eight years spent by the author in Far Eastern temples, and describe her religious training and her growth of a Zen priest into a teacher, running her own temple.
From the age of 11, and an encounter with an illustrated anthology entitled The World of Zen, I have been drawn to and fascinated by the spiritual, philosophical, and folkloric aspects of East Asian Culture. I studied the subject at Cambridge University and subsequently trained in Zen Shiatsu therapy. Most of my books draw from my passion for East Asian culture, and Japan in particular. I have travelled widely in Japan over the last two decades, and for Tsunami Girl spent four years researching, interviewing survivors, and visiting Fukushima. I am now working on a new book on Japanese yōkai and ghosts…
A journey through both her own grief and the suffering of the March 2011 disaster, Mockett’s book is a personal exploration of the after-effects of loss and trauma, set against Japanese Buddhist, Shinto, and folklore beliefs around death and the afterlife. Like travelling with a wise and inquisitive friend, she leads the reader to memorable encounters (some of which echoed my own experiences in Tohoku) with tsunami survivors, Zen priests, and blind mediums. Thought-provoking and tender, the book reverberated in my head long after I finished reading. Hugely recommended.
Marie Mutsuki Mockett's family owns a Buddhist temple but after the Fukushima disaster, radiation levels prohibited the burial of her Japanese grandfather's bones. As Japan mourned, Mockett also grieved for her American father who had died unexpectedly. Seeking consolation, Mockett is guided by a colourful cast of Zen priests and ordinary Japanese who perform rituals that disturb, haunt and finally uplift her.
I’ve been a street musician, set up kindergartens, worked in special needs education, and run wood-fired showers in a field for meditation retreats. I’m also associate professor of sociology at the National University of Ireland Maynooth. I became a Buddhist partly out of interest in a very different culture and started wondering how Buddhism got from Asia to the West. I think about this through my own experience of teaching meditation, being an activist for 35 years, living in five countries, and learning ten languages: what do you have to do to make an idea come alive in a different culture?
I love this warm-hearted and rich account of the first Americans to become Buddhist: the romantics who fell in love with Asian cultures, the rationalists who thought of Buddhism as a science or philosophy of human existence, and the esotericists who sought magical powers and powerful initiations. From Lafcadio Hearn’s celebration of “old Japan” to Countess Canavarro who set up a nun’s order in Sri Lanka, via Theosophists, vegetarians, and atheists, this book is a fantastic collection of people’s lives which were both transformed by meeting Buddhism and yet remained distinctively American even in their new form.
This work examines 19th-century America's encounter with one of the world's major religions. Exploring the debates about Buddhism that followed upon its introduction to the USA, the author shows what happened when the transplanted religious movement came into contact with America's established culture and fundamentally different Protestant tradition. The text, first published in 1992, traces the efforts of various American interpreters to make sense of Buddhism in Western terms. Tweed demonstrates that while many of those interested in Buddhism considered themselves dissenters from American culture, they did not abandon some of the basic values they shared with their fellow Victorians.…
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