Here are 19 books that Ghostways fans have personally recommended if you like
Ghostways.
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Like most people, I started to think about the end of the world during the COVID-19 pandemic. Instead of learning how to bake sourdough bread, I read stories and made art about the apocalypse. The true and catastrophic experiences of people throughout history interested me so much that the project turned into a book. My background in printmaking and illustration has formed my approach to visualizing narrative scenes using crisp black and white linocut prints. My current position as a studio art professor has given me practice in providing information concisely. I try to entertain as much as inform.
Prefer something a bit more visual as the world falls apart? Stanley Donwood fills a book with full-page black and white linocut illustrations, the same medium I use for my illustrations. Without relying on any text, Donwood is able to use classic sequential art techniques to move us through the continual destruction of a wild and devolving island habitat. You may recognize his work from his decades-long collaboration with Radiohead, but his distinct style of storytelling and art stands alone.
A wild seascape, a distant island, a full moon. Gradually the island grows nearer until we land on a primeval wilderness, rich in vegetation and huge, strange beasts. Time passes and man appears, with clubs, with spears, with crueler weapons still-and things do not go well for the wilderness. Civilization rises as towers of stone and metal and smoke choke the undergrowth and the creatures that once moved through it. This is not a happy story, and it will not have a happy ending.
Working in his distinctive, monochromatic linocut style, Stanley Donwood achieves with his art what words cannot…
“Big Butt.” That’s all you need to know about me. It was the first song I wrote and recorded on a dusty cassette tape in 1986. I was 10 years old and an obsessive Prince fan. On the back of his records, he wrote some variation of “written, recorded, produced and performed by Prince.” Those words empowered me to be an artist. More specifically, here’s what I wrote as a 10-year-old: “When I grow up, I want to be a rock star like Prince.” Five years later, I started writing poetry, and all of the poems I wrote felt like songs. Music is the fuel for all that I create.
I’ve always loved mysterious musicians. Musicians who seem otherwordly. Musicians who make magic in the studio and take you to magical places.
I used to never want to know the process behind that magic. But as I get older, I’ve enjoyed learning about the human behind the magician.
Thom Yorke is a wizard. I’ve been a fan since 1993, so it’s fascinating to take a look at some of his process in the Kid A Mnesia book. It’s gorgeous. Weird. And yes… magical.
Stanley Donwood’s art is fantastic, and is just as important as the music. I heard the albums differently after flipping through these pages.
Whilst these records were being conceived, rehearsed, recorded and produced, Thom Yorke and Stanley Donwood made hundreds of images. These ranged from obsessive, insomniac scrawls in biro to six-foot-square painted canvases, from scissors-and-glue collages to immense digital landscapes. They utilised every medium they could find, from sticks and knives to the emerging digital technologies.
The work chronicles their obsessions at the time: minotaurs, genocide, maps, globalisation, monsters, pylons, dams, volcanoes, locusts, lightning, helicopters, Hiroshima, show homes and ring roads. What emerges is a deeply strange portrait of the years at the commencement of this century. A time that seems an…
I’ve always been fascinated by people, especially people who don’t follow the herd, who lurk on the edges of society, who are strongly individual. Their opinions often seem wiser than those of society and the media, and I find it refreshing to climb into their shoes… That’s why my fictional characters might be obsessively making harps, counting everything in sight, or embarking on a mission to save penguins! The books I’ve listed here contain a range of eccentrics. Molly The Maid, Harold Fry, Iona Iverson, Noman Foreman, and Janice are all marvellous characters who made me laugh, cry and ponder. I hope you’ll enjoy them as much as I did.
Again, here is a fantastic cast of characters: the bold Mrs. B, the swearing Fox terrier, Decius, and the unassuming protagonist, Janice. Quiet, kind, thorough, outwardly unremarkable, Janice is a cleaner. She is also a wonderful listener. What a joy it is when, with a little help from her friends, she finally unlocks her own story and transforms her life.
Here’s the moment when Janice grasps how much hope can be found in stories: "She looks around at the shelves of books, every one of which she has handled, and she begins to think there may be a way. A way of finding that hope. She is, after all, a collector of stories and a storyteller. Maybe she could tell her story as she has told other stories?"
'I absolutely loved it! So different, clever, funny and charming' Sunday Times bestseller Katie Fforde
'Funny, wise, moving and full of lovely moments...The characters are endearing and unforgettable' Hazel Prior, author of the Richard & Judy Book Club Pick Away with the Penguins
'Janice is a wonderful woman whose authenticity pulls you along...the breadth and originality of supporting characters makes this debut an immersive delight' Dorset Magazine
'Absolutely spellbinding...a warm-hearted, thoughtful, funny and yet deeply poignant' Celia Anderson, author of 59 Memory Lane
'A treasure of a book. Beautiful, emotional and heartfelt with a cornucopia of characters you'll love spending…
Nature writer Sharman Apt Russell tells stories of her experiences tracking wildlife—mostly mammals, from mountain lions to pocket mice—near her home in New Mexico, with lessons that hold true across North America. She guides readers through the basics of identifying tracks and signs, revealing a landscape filled with the marks left by browsing deer, predatory weasels, and inquisitive bears, skunks, and raccoons. Master tracker Kim A Cabrera provides photos and illustrations.
Winner of the prestigious John Burroughs Medal, Russell also writes about community, a sense of place, and a renewed connection with the nonhuman world. She explores the health of…
What Walks This Way: Discovering the Wildlife Around Us Through Their Tracks and Signs
Did a red fox pass this way? Could that be a bobcat print there in the dirt? Do those tracks belong to a domestic dog or a coyote? Combining lyrical memoir with an introduction to wildlife tracking, What Walks This Way explores the joys of learning to recognize the traces of the creatures with whom we share our world.
The nature writer Sharman Apt Russell tells stories of her experiences tracking wildlife-mostly mammals, from mountain lions to pocket mice-near her home in New Mexico, with lessons that hold true across North America. With wit and compassion, she guides readers through…
I have spent my life both in the classroom (as a university professor) and out of it as a passionate, committed reader, for whom books are as necessary as food and drink. My interest in poetry dates back to junior high school, when I was learning foreign languages (first French and Latin, and then, later, Italian, German, and ancient Greek) and realized that language is humankind’s most astonishing invention. I’ve been at it ever since. It used to be thought that a writer’s life was of little consequence to an understanding of his or her work. We now think otherwise. Thank goodness.
This is where it all started. The beginning of modern criticism.
Samuel Johnson was the first and greatest English literary critic, whose life and work were memorably recorded by his friend James Boswell.
Johnson himself, an exemplary, even obsessive, man of letters, wrote these 52 short biographies of figures, many still canonized today (John Milton, John Dryden, Jonathan Swift, William Congreve, but no women, alas) and he shows with sympathy and good sense how an understanding of a writer’s life helps us to understand his work as well.
Johnson was luminous. His prose is dazzling. He was a prodigious writer and thinker.
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.
As a child, I spent summers looking for adders on the Common and winters walking through snowstorms pretending to be a Hobbit in Tolkien's Middle Earth. My travels and studies taught me the importance of respecting different cultures and our planet. Glasgow Libraries gave me my first storytelling work in 1992, and I have a Master's degree in Scottish Folklore. I live in Scotland, sharing stories through writing and storytelling. Having collected hundreds of traditional folktales about our ancestors' wisdom and folly, I co-authored my first book, Dancing With Trees, Eco-Tales from the British Isles, to reflect our need to understand nature's wisdom and help us live sustainably on Earth.
This book is like a plump pie filled with seasonal treats, one delicious slice for every month of the year.
Rooted in Somerset, England, Maudsley skilfully presents folklore, beliefs, and happenings that pay homage to Britain and Ireland's nature, rural culture, and changing seasons. He carefully includes folk customs and stories from Wales, Scotland, and Ireland.
However, this book's natural juice and joy lie in Maudsley's knowledge of rural traditions and stories he shares in his work with Common Ground, an environmental and community organisation based in England. There are rhymes, songs, and food & drink recipes, all intricately woven into each month, season, and local harvest.
Everyone interested in living harmoniously with the natural world will enjoy this celebratory description of calendar customs and living traditions.
Telling the Seasons takes us on a journey through the twelve months of the year with stories, customs and celebrations. Drawing on the changing patterns of nature and the rich tapestry of folklore from the British Isles, it is a colourful guide into how and why we continue to celebrate the seasons.
Here are magical myths of the sun and moon, earthy tales of walking stones and talking trees and lively legends of the spirits of each season. Original drawings, sayings, songs, recipes and rhymes, combine into a 'spell-book' of the seasons. Martin Maudsley tells tales around the year to…
I'm a woman of four and seventy years who thankfully doesn’t yet resemble that person to those who haven’t met me. I'm a mother of two who both have their own businesses in the fields of their natural talents, I've been Deputy Treasurer to the State of Kansas, written 22 books but think younger than I did at 20, and am enjoying the best sex life to date! Life is precious and should not be limited to us based on our age, but on our interests, knowledge, and what we have to offer. Writing about that which I've experienced and the recorded history of family are my passions and hopefully for my readers as well.
I recommend Lost Memoirs for finally giving us a love story from an author we all have enjoyed since 5th grade. A true artist in “putting us in her life,” Syrie James accomplishes this while giving us readers the feeling of friendship with Jane Austen within these pages of her lost memoirs...
This book is of the recently found letters and diaries of Jane Austen of Pride and Prejudice and Sense and Sensibility fame in not only books, but movies made over the years. It begins with the Austen Family Tree, which revealed that Jane had not only her sister, Cassandra, but six brothers, all either clergymen or military men with titles and at least a modicum of wealth. This was quite enlightening to me, who has read her forever, but somehow I’d missed this important aspect of her life, which gives her insights into the minds of men, better…
Hidden in an old chest in her brother's attic, Jane Austen's memoirs are uncovered after hundreds of years, bricked up behind an old wall. Written shortly before her death, one volume was preserved immaculately, and its contents both shocked and thrilled readers. Detailing a love affair the author was apparently determined to keep secret, Jane's memoir offers readers untold insights into her mind and heart. Many rumours abound about a mysterious gentleman said to be the love of Jane's life - finally, the truth may have been found.
I love a little humor from romantic trysts or tales of woe of that one love that got away. Divulged conversations and gossip on the therapy couch can be fascinating (massage work relaxes the body and mind). Clients worldwide find choosing their ideal partner a lottery. Inspiration struck me to look more closely at how marriage choices are made through the heart or the mind. We all search for the perfect soul mate. Learning how others met was intriguing by chance or manipulated. Clearly showing, fate did seem to be at play in most cases. I love creating escapism to let your wild romantic dreams be a possibility.
Adored this novel. Set in Dorset within the film industry, this is one story that, if you like a romantic genre, it's endearing. Highlighting every situation in life comes down to stereotypical characters. The drama queen, the hopeless romantic, the dashing hero. It looks at how our self-esteem and parenting affect us so much in terms of communication skills later in life.
When romance is involved, we always think we know best for ourselves and others. The obvious is never on our radar. This demonstrates the ethos of friendships: how the hero we aspire to and fall for can come in many disguises.
For Jane Austen fans, this will intrigue you as you step into the creation of some of her characters within the storyline. It is a relaxing and enjoyable read for romancers amongst us. Lyme Regis may well be deluged with visitors.
'Have not been able to put this novel down! A lovely story brought to life with characters you want to meet. Loved every page.' Reader review
The sparkling follow-up to A Weekend with Mr Darcy from Victoria Connelly - set to become the Richard Curtis of the chick-lit world!
Die-hard romantic, Kay Ashton, uses her inheritance to open a B&B in the seaside town of Lyme Regis and is dumbstruck when the cast and crew of a new production of Persuasion descend, needing a place to stay. Kay can't believe her luck - especially when she realises that heart throb…
I’ve been a journalist for much of my life and have been passionate about history since I was a child. Ever since I visited a castle at age five, I’ve loved imagining the past and naturally ended up doing a History degree at Oxford. I love fact-based stories and am always meticulous in my research so that I can bring my readers with me on a journey of discovery. But what always brings history to life for me is focusing on the characters, real or imagined, who’ve made history themselves.
I fell in love with the three-year-old Cristabel Seagrove from the first page. I laughed with her, cried with her, and spent many years with her as she navigated her way into adulthood in the company of her equally engaging siblings.
The characters who inhabit their Dorset stately home before and during the Second World War are both engaging and infuriating. It’s an absolute gem of a book.
'A tour de force' Sarah Winman, author of Still Life
This is the story of an old English manor house by the sea, with crumbling chimneys, draping ivy and a library full of dusty hardbacks. It's the story of the three children who grow up there, and the adventures they create for themselves while the grown-ups entertain endless party guests.
This is the story of a whale that washes up on a beach, whose bones are claimed by a twelve-year-old girl with big ambitions and an even bigger imagination. An unwanted orphan who…
For decades, I have been identified as a poet-farmer—I have a friendship with the earth forged through many seasons of cultivation, husbandry, and harvest. Enrolled in an MFA program abroad in creative writing, I found my way to Ireland, Oxford, and eventually to Cornwall, England, where I learned the art of cliff meadow farming. Returning to America, I became part of an agricultural revival called Community Supported Agriculture. I continued to write and teach poetry, enlivened by literature and the silt-loam soil of the Long Island peninsula. The language of the garden and the language of poetry and prose in sympathy with the earth, for me, are inseparable.
I have admired Macfarlane’s exquisite prose through book after book, though this book, his second, holds a special place in my heart.
Having lived for 10 years in the UK—on a rather wild peninsula—I have traveled through some of the landscapes the author describes with a passion that is personal, universal, precise, and magical. I share with Macfarlane a love for what he calls “the lost words,” as well as a reverence for words he has “found” in this book: beechwood, moor, river-mouth, ridge, and holloway.
I am drawn instantly to a writer who begins a book with, “The wind was rising, so I went to the wood.” It was a joy to travel with this eloquent writer as he rediscovers wildness, a search I imagine as possible, day by day.
"The Wild Places" is both an intellectual and a physical journey, and Macfarlane travels in time as well as space. Guided by monks, questers, scientists, philosophers, poets and artists, both living and dead, he explores our changing ideas of the wild. From the cliffs of Cape Wrath, to the holloways of Dorset, the storm-beaches of Norfolk, the saltmarshes and estuaries of Essex, and the moors of Rannoch and the Pennines, his journeys become the conductors of people and cultures, past and present, who have had intense relationships with these places. Certain birds, animals, trees and objects - snow-hares, falcons, beeches,…
When I started writing historical mysteries, I made my sleuth posh so she would have the spare time and the spare money to go racketing about solving crimes. But I’m not posh (at all) and so, when I’m thinking about earlier times, I never imagine I’d be in the fringed flapper dress, or on the fainting couch. I always assume I’d be down in the basement, grating a block of lye soap to scrub the soot off something. I think that’s why I’m so endlessly interested in how the grunt work gets done.
There was no such thing as YA when I was the right age for it. I went straight from the school stories of Enid Blyton to bonkbusters, bodice-rippers, and sweeping historical sagas the size of building bricks. The Suffolk trilogy was always my favourite of those, because its sweep was so stupendous. (Book oneopens in the 1300s and Book three ends well into the twentieth century.) The Town House world is so physical, so brutal, so strange to modern eyes. The food, the clothes – my God, the plumbing! – the relentless scrabble to survive for all but the very rich, make this novel and, to some extent, its two sequels a completely immersive read. I particularly love that Lofts pays as much attention to the lowly folk who keep the place going as to the owners of the manor house.
The first volume of a trilogy set in Suffolk and spanning five centuries of a family's history. In 1391 Martin Reed was bound to the soil by the feudal system, but his resentment flared in open defiance and, encouraged by the woman he loved, he broke free to begin a new life.
