16 books like Ghostways

Prefer something a bit more visual as the world falls apart? Stanley Donwood fills a book with full-page black and white linocut illustrations, the same medium I use for my illustrations. Without relying on any text, Donwood is able to use classic sequential art techniques to move us through the continual destruction of a wild and devolving island habitat. You may recognize his work from his decades-long collaboration with Radiohead, but his distinct style of storytelling and art stands alone.

I’ve always loved mysterious musicians. Musicians who seem otherwordly. Musicians who make magic in the studio and take you to magical places. 

I used to never want to know the process behind that magic. But as I get older, I’ve enjoyed learning about the human behind the magician. 

Thom Yorke is a wizard. I’ve been a fan since 1993, so it’s fascinating to take a look at some of his process in the Kid A Mnesia book. It’s gorgeous. Weird. And yes… magical. 

Stanley Donwood’s art is fantastic, and is just as important as the music. I heard the albums differently after flipping through these pages.

Again, here is a fantastic cast of characters: the bold Mrs. B, the swearing Fox terrier, Decius, and the unassuming protagonist, Janice. Quiet, kind, thorough, outwardly unremarkable, Janice is a cleaner. She is also a wonderful listener. What a joy it is when, with a little help from her friends, she finally unlocks her own story and transforms her life.

Here’s the moment when Janice grasps how much hope can be found in stories: "She looks around at the shelves of books, every one of which she has handled, and she begins to think there may be a way. A way of finding that hope. She is, after all, a collector of stories and a storyteller. Maybe she could tell her story as she has told other stories?"

This is where it all started. The beginning of modern criticism.

This book is like a plump pie filled with seasonal treats, one delicious slice for every month of the year.

Rooted in Somerset, England, Maudsley skilfully presents folklore, beliefs, and happenings that pay homage to Britain and Ireland's nature, rural culture, and changing seasons. He carefully includes folk customs and stories from Wales, Scotland, and Ireland.

However, this book's natural juice and joy lie in Maudsley's knowledge of rural traditions and stories he shares in his work with Common Ground, an environmental and community organisation based in England. There are rhymes, songs, and food & drink recipes, all intricately woven into each month, season, and local harvest.

Everyone interested in living harmoniously with the natural world will enjoy this celebratory description of calendar customs and living traditions.

I recommend Lost Memoirs for finally giving us a love story from an author we all have enjoyed since 5th grade. A true artist in “putting us in her life,” Syrie James accomplishes this while giving us readers the feeling of friendship with Jane Austen within these pages of her lost memoirs...

This book is of the recently found letters and diaries of Jane Austen of Pride and Prejudice and Sense and Sensibility fame in not only books, but movies made over the years. It begins with the Austen Family Tree, which revealed that Jane had not only her sister, Cassandra, but six brothers, all either clergymen or military men with titles and at least a modicum of wealth. This was quite enlightening to me, who has read her forever, but somehow I’d missed this important aspect of her life, which gives her insights into the minds of men, better… show more.

I fell in love with the three-year-old Cristabel Seagrove from the first page. I laughed with her, cried with her, and spent many years with her as she navigated her way into adulthood in the company of her equally engaging siblings.

The characters who inhabit their Dorset stately home before and during the Second World War are both engaging and infuriating. It’s an absolute gem of a book. 

I love a classic, gothic haunted house story with an unexpected twist, and Priory delivers. When Oliver Hardacre returns to his namesake home, located outside the gloriously atmospheric Yorkshire town of Whitby, he opens the door to his past. The narrative is told from Oliver’s modern perspective and his mother’s point of view in the 1970s, when Oliver and his brother were children at Hardacre Priory. Replete with dark, twisted secrets and multi-layered, complex characters, Wright’s sentient, menacing estate comes alive under her masterful touch. This is a short read, easily finished in one sitting. Crack it open on a foggy morning, with a spot of tea and a blanket to cut the chill.

There was no such thing as YA when I was the right age for it. I went straight from the school stories of Enid Blyton to bonkbusters, bodice-rippers, and sweeping historical sagas the size of building bricks. The Suffolk trilogy was always my favourite of those, because its sweep was so stupendous. (Book one opens in the 1300s and Book three ends well into the twentieth century.) The Town House world is so physical, so brutal, so strange to modern eyes. The food, the clothes – my God, the plumbing! – the relentless scrabble to survive for all but the very rich, make this novel and, to some extent, its two sequels a completely immersive read. I particularly love that Lofts pays as much attention to the lowly folk who keep the place going as to the owners of the manor house. 

When I started writing about Alice de Bryene, basing my initial research on a single year of household accounts, I found this book inspiring. I wanted to explore Dame Alice’s family, her relationships with the wider community, and get an idea of what motivated her, even though it’s considered impossible to write medieval biography – there are just too few primary sources to construct a life. However, Blood and Roses demonstrates it can be done. The Pastons were different from Dame Alice – they came from humbler origins, were determined to ascend the social ladder, maintained voluminous correspondence, which illuminated their familial concerns, and many were feisty women. Castor’s work helped me find my own way to tell a compelling story about a more settled, unassuming Suffolk widow and her busy household.