Fans pick 100 books like Eat, Poop, Die

I am fascinated with the relationship between our individual behaviors and the social structures and institutions in which we live—and how these influence each over time. I think this sort of understanding is important if we want to consider the kind of world we want to live in, and how we might get there from where we are. I take insights from many disciplines, from physics and biology to the cognitive and social sciences, from philosophy and art to mathematics and engineering. I am currently a professor of cognitive and information sciences at the University of California, Merced, and an external professor at the Santa Fe Institute. 

I’ve been fascinated with the natural world for as long as I can remember, spending many happy hours in my childhood exploring forests, splashing in creeks, and hiking in parks with my family. Devouring books from the local library and participating in workshops at our local science center fed my interest and built a strong foundation in science. As I’ve grown older, I’ve become more and more fascinated by the tension between science’s goal to neatly classify and nature’s riotous complexity. It’s the exceptions, the grey, that keep me interested and draw in my students. I am an experienced science teacher and award-winning author of books for teachers and kids.

I’m a comic fan first, then a comic creator. I grew up on the classics—Calvin and Hobbes and The Far Side and excitedly watched as new comics popped up online. I love comic strips and have rows of collections lining my bookshelves. The coolest part of starting my own series has been becoming a member of a cartoonist community that I have always been a huge fan of.  

I’m secretly eight years old inside. I love fascinating animal and science stuff, especially cool, weird, and gross facts. Readers of my children’s books see this passion in action. My best-selling and award-winning nonfiction animal books have sold more than 3 million copies worldwide since 2000. I focus particularly on reaching reluctant, struggling, and English-language-learning readers by packing my books with lots of action and high-interest topics to keep them turning pages. I’m recommending these top-five narrative nonfiction animal books for adults because these authors have influenced my research and thinking—and because they’re terrific stories!

I am an award-winning children’s author who has always been fascinated by the natural world. My many published children’s books include ones about animals and ocean life. Scholastic Book Clubs and the Children’s Book of the Month Club have featured my work, and translations of my fiction and nonfiction titles can be found in several languages, including Spanish, Japanese, and Hebrew. My National Geographic title Ocean Counting was named an Outstanding Science Trade Book by the National Science Teachers Association and Walrus Song has been named a Junior Library Guild Gold Standard Selection.

I am writing this list because I am a sea monster. I’m the sort of sea monster who loves merpeople, pirates, sharks, dolphins, octopuses, shipwrecks, and…did I miss anything? Oh yes, piranhas. Some people have pointed out that I look like a regular adult human, but really it’s just a trick of the light. I like to make stories, draw pictures, and build miniature environments for stop motion animated films. My typical day is spent gluing miniature flowers to miniature rocks, or screwing miniature chairs to miniature floors. It’s the sort of job that makes you feel like magic is around every corner. Because it is, probably.

I have lived primarily in Vermont, but my relationship to a remote portion of Maine wilderness is the one geographical consistency in my 81 years. Trained as an academic, I did have literary influences, but my chief influences derived from my early decades among men and women whose arduous existences in the great North Woods preceded electricity, power tools, and modern household conveniences. These men and women had to make their own entertainment, and they did so by way of storytelling, and their stories became a kind of community property. Whatever the genres of my 24 books, I have sought to emulate the timing and precision that these masters commanded. 

I never wrote anything longer than a 5-minute song before I was forty-five years old! My life has been spent on the road as a performing songwriter, dancing and playing, and (after our own twins were born) teaching kids to do the same. But one night I woke up from a dream I couldn’t wrangle into song length, and by the end of the day, I had written four chapters of The Locke Box. I naturally wrote songs as I wrote the book. I got curious about who else was doing that. So here’s a short list…

I'm just a curious person. I have always been fascinated by literally everything. Everything is jaw-dropping: whether it's lying under a dark sky and marveling at the fact that what you see is the past (the time it takes for light from distant stars to reach your retina) or that your feelings for loved ones boil down to biochemistry, or thinking that intelligence is everywhere—from bacteria to plants and fungi, to Homo sapiens. As a university professor, I only understood later in life that I needed to leave that “ivory tower,” listen to non-academics, and read popular books that, in their apparent simplicity, can reach further and deeper.

I love writing about food, and it appears as a motif in nearly every comic I've ever drawn. Comics are an exceptional medium for discussing food – a talented artist can render a drawing into something that looks delicious, but they can tie it into a story that gives the dish meaning or connects to a particular character's inner life. With Meal I had the opportunity to tell a story about a kind of cuisine that delights me, but that most people know very little about – and I turned to my favorite comics about food for inspiration on how to translate that joy from the plate to the page.