Here are 21 books that Chanel fans have personally recommended if you like
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Ever since I was a child, growing up in Gloucestershire, England, I have been passionate about fashion and made and designed my own clothes. I originally wanted to be a fashion designer but feared my drawing wasn’t good enough so studied journalism at the London College of Fashion and went to work for Condé Nast Publications. I later became a newspaper journalist but my love of fashion never went away - I did a millinery course with designer Edwina Ibbotson and a bag designing course at my alma mater. Since then, I have written many articles on fashion and the Royals as well as a number of books.
I have always wanted to dress like a Parisienne and there is no greater inspiration than Karl Lagerfeld’s in-house model.
He chose the French supermodel, designer, and perfumer as his muse because she bore an uncanny resemblance to Coco Chanel. This book inspired me to write my book and taught me that for the French, less is more.
A brand-new book of fashion secrets by New York Times best-selling author, model, and Parisienne extraordinaire, Ines de la Fressange.
Ines de la Fressange’s personal style is chic yet relaxed in every situation. While a navy-and-white- striped nautical top with slim, cropped jeans and flats is a classic French look, it’s harder to pinpoint how Parisians unfailingly blend elegance and allure with such ease. In this sequel to her best seller Parisian Chic, the world’s favorite style icon demonstrates how to achieve her quintessentially Parisian look throughout the year.
Her style secrets start with the building blocks of wardrobe staples—an…
Ever since I was a child, growing up in Gloucestershire, England, I have been passionate about fashion and made and designed my own clothes. I originally wanted to be a fashion designer but feared my drawing wasn’t good enough so studied journalism at the London College of Fashion and went to work for Condé Nast Publications. I later became a newspaper journalist but my love of fashion never went away - I did a millinery course with designer Edwina Ibbotson and a bag designing course at my alma mater. Since then, I have written many articles on fashion and the Royals as well as a number of books.
I think Dior has been my favourite designer since I studied fashion journalism at the London College of Fashion and discovered his iconic 1947 New Look.
I remember going to the Golden Age of Couture exhibition at the V&A in 2007 and being mesmerised by his designs - I now have one of the installations hanging on my dressing room wall.
This book captures the highlights of the museum’s 2019 exhibition Christian Dior: Designer of Dreams, which celebrated the House of Dior from its foundation in 1947 to the present day.
I went home determined to - one day - own a piece of Dior.
Capturing the highlights of the major Victoria and Albert Museum exhibition, Christian Dior: Designer of Dreams, this stunning souvenir celebrates the House of Dior from its foundation in 1947 to the present day. Haute-couture gowns by Christian Dior and the illustrious creative directors who followed him -Yves Saint Laurent, Marc Bohan, Gianfranco Ferre, John Galliano, Bill Gaytten, Raf Simons and Maria Grazia Chiuri-are showcased here, each described by Oriole Cullen and atmospherically photographed by Laziz Hamani.
Ever since I was a child, growing up in Gloucestershire, England, I have been passionate about fashion and made and designed my own clothes. I originally wanted to be a fashion designer but feared my drawing wasn’t good enough so studied journalism at the London College of Fashion and went to work for Condé Nast Publications. I later became a newspaper journalist but my love of fashion never went away - I did a millinery course with designer Edwina Ibbotson and a bag designing course at my alma mater. Since then, I have written many articles on fashion and the Royals as well as a number of books.
After the death of Lee Alexander McQueen in 2010, I was fortunate to meet his sister Janet and do an interview with her for the Mail on Sunday.
I was later invited to the launch of the V&A’s exhibition Savage Beauty alongside Lee’s brothers and sisters. This book reminds me of Lee’s extraordinary talent and a very special evening.
Celebrating the astounding creativity and originality of designer Alexander McQueen, who relentlessly questioned and confronted the requisites of fashion
"An authoritative and moving insight into the legacy of the British designer."-Carola Long, Financial Times
"McQueen's brilliance is celebrated in this sumptuous tome."-Harper's Bazaar
"Excellent."-Huffington Post
Arguably the most influential, imaginative, and provocative designer of his generation, Alexander McQueen both challenged and expanded fashion conventions to express ideas about race, class, sexuality, religion, and the environment. Alexander McQueen: Savage Beauty examines the full breadth of the designer's career, from the start of his fledgling label to the triumphs of his own…
Ever since I was a child, growing up in Gloucestershire, England, I have been passionate about fashion and made and designed my own clothes. I originally wanted to be a fashion designer but feared my drawing wasn’t good enough so studied journalism at the London College of Fashion and went to work for Condé Nast Publications. I later became a newspaper journalist but my love of fashion never went away - I did a millinery course with designer Edwina Ibbotson and a bag designing course at my alma mater. Since then, I have written many articles on fashion and the Royals as well as a number of books.
As a former journalist on Tatler and Vogue magazines, I was desperate to go and see the 2016 exhibition Vogue 100 at the National Portrait Gallery.
Not only was it a trip down memory lane but it included two photographs of the Princess of Wales in the exhibition - I was the first person to write a biography of the then Kate Middleton. This book is a reminder of a stunning exhibition and fun day out.
Since its founding in 1916, British Vogue has acted as a cultural barometer, placing fashion in the context of art, literature, and politics. The magazine has captured the zeitgeist of each decade-the austerity and optimism that followed two world wars, the swinging London scene of the sixties, the radical seventies, the image-conscious eighties-and continues to be on the cutting edge of design and photography.
Decade by decade, Vogue 100 presents the greatest moments in the magazine's history-the photography, illustrations, and essays that recorded the fashion and taste of the time. Complete with essays that detail the rich history of each…
As a professional organizer since 1999, I’ve realized that the problem isn’t so much that we are disorganized, but that we are out-matched. We have too much stuff, it is too cheap and we are too busy and we can’t keep up. If you really want to stay organized, you have to examine your relationship to stuff. Why we want what we want and buy what we buy. Less but better!
Przybryszewski,
a history professor at Notre Dame, had me from the start where she says she’s
probably the only person to have spoken to the Supreme court wearing a ’suit
that won a blue ribbon at a country fair.” Taking American fashion back to the
Home Economics taught at Land Grant Universities and subsequently, at high schools, Przybryszewski argues that knowing how to sew was not just a
practical skill, but also made us better consumers.
Making our own clothes
might have seemed like drudgery, but it was empowering and now that most of us
don’t have those skills, we’re literally slaves to fashion… we can’t tell
high-quality from low quality, we can’t put in pockets when we need them… and
nothing, nothing is ever our exact size. This is a book that will make you want
to learn to make your own clothes… or at least cast a far…
As a glance down any street in America quickly reveals, American women have forgotten how to dress. We chase fads, choose inappropriate materials and unattractive cuts, and waste energy tottering in heels when we could be moving gracefully. Quite simply, we lack the fashion know-how we need to dress professionally and flatteringly.As historian and expert dressmaker Linda Przybyszewski reveals in The Lost Art of Dress , it wasn't always like this. In the first half of the twentieth century, a remarkable group of women,the so-called Dress Doctors,taught American women how to stretch each yard of fabric and dress well on…
I’m a law professor and the son of a very well-dressed man. My father was a university Dean, a community organizer, a Presbyterian minister, and a social worker. But he also trained as a tailor and knew clothing—both how it is (or should be) constructed and also how it communicates. I became interested in the importance of clothing because of his influence. Then, in law, I noticed a lot of disputes that involved clothing: high school dress codes, workplace dress codes, dress codes used on public transportation. I wanted bring these two together to give a better idea of why we still fight and struggle over clothing.
I’ve long felt more powerful, confident, and chic wearing a well-cut suit. But why? Sex and Suits expressed and explained my own vague intuitions about the power of significance of clothing. Hollander explains that the suit is perhaps the most ubiquitous symbol of modernity. Discussing the evolution of fashion—particularly men’s fashion—she shows how the suit is both a practical, streamlined, and unassuming garment and the ultimate status symbol.
Since the dawn of western fashion in the Middle Ages, women's dress has never stopped evolving, yet menswear has seen far fewer style revolutions. At the centre of the male wardrobe is the suit: relatively unchanged since the 17th century, its cut and cloth suggest athleticism, seriousness, sexuality and strength - qualities which contrasted with the perceived superficiality and frivolity of female dress, and eventually led to the adoption of the suit into the female wardrobe where it remains to this day.
In Sex and Suits brilliant essayist and art critic Anne Hollander charts the development of men's and women's…
There are days when it seems like all I do is imagine what the future holds. I love reading “wonder tales,” as I’ve heard Margaret Atwood call them – novels that imagine how our world might change or fantasize about completely different realms. At the same time, they reflect on conditions in our world today. That’s what I do with my own creative writing. I was trained to think about the future as a journalist, talking with media executives about how their content and technology are evolving. My stories have appeared in Asimov's; they’ve been selected by the Writers Lab for Women; and my novel The Juice was published in February.
This novel represents a sharp turn for me. Until I snapped up Zero History in an airport bookstore many years ago, the science fiction I’d read seemed like dry, intellectual exercises. The characters didn’t have depth. They never made me laugh (or cry). But Zero History unleashed a passion in me for speculative fiction, and eventually, it turned my own writing in that direction as well. To this day, it’s one of my all-time favorite novels. While it’s the third book in a William Gibson trilogy, it is entirely complete on its own. There’s a pop culture, cool vibe about it as the story taps into the lives of three people with unusual gifts – which a global marketing magnate dearly wants to use in various ways.
THE THIRD NOVEL IN THE BLUE ANT TRILIOGY - READ PATTERN RECOGNITION AND SPOOK COUNTRY FOR MORE
Hubertus Bigend, the Machiavellian head of global ad-agency Blue Ant, wants to uncover the maker of an obscurely fashionable denim that is taking subculture by storm. Ex-musician Henry Hollis knows nothing about fashion, but Bigend decides she is the woman for the job anyway.
Soon, though, it becomes clear that Bigend's interest in underground labels might have sinister applications. Powerful parties, who'll do anything to get what they want, are showing their hand. And Hollis is…
As a failed fashion designer, the history of twentieth-century fashion, represented both visually and in the form of narrative text, make up the bulk of my ever-increasing library of fashion books. In order to write about fashion, either as a biographer of one of the great designers or cutting-edge photographers, it is crucial to acknowledge what was deemed as desirable in a previous generation and a previous context. As Yves Saint Laurent famously said, "Fashion fades, Style is eternal." Fashion in its broader sense has never existed in a vacuum and an understanding of fashion history and fashion imagery, that so clearly evokes a specific era, is the very best way to appreciate the cyclical nature of this creative business.
Meticulously researched by brilliant fashion journalist Alicia Drake, this book charts the bitchy, high octane rivalry of two mega egos of the industry, Yves Saint Laurent and Karl Lagerfeld. As a journalist working today in an era of horrendous consumerism known as ‘fast fashion’ this detailed account of how both men were instrumental in shifting the established codes of a refined haute couture system into a faster-paced ready-to-wear market in the 1970s is illuminating. It also documents the evolution of couturier as a celebrity, detailing how YSL used an image of himself to promote his aftershave in 1971, a revolutionary idea of self-promotion at the time, and now a very necessary part of the ‘selfie’ obsessed generation of creatives working in fashion.
In 1950s Paris, Yves Saint Laurent and Karl Lagerfeld were friends, the rising stars of the fashion world. But by the late sixties, the city was invaded by a new mood of liberation and hedonism, and dominated by intrigue, infidelities, addiction and parties. Each designer created his own mesmerizing world, so vivid and seductive that people were drawn to the power, charisma and fame, and it was to make them bitter rivals. "The Beautiful Fall" is a dazzling expose of an era and the story of the two men who were its essence and who remain its most singular survivors.
As a teacher of US women’s history and educational history, I have long been interested in women’s colleges—in their faculties, administrators, students, alumnae, goals, and achievements. Most recently, as the biographer of a woman educator (a dean of Barnard College in the early 20th century), I became more deeply involved with the literature on single-sex schools. Major books focus on the older women’s colleges, the “Seven Sisters,” but devote attention to other colleges as well. I am impressed with the talents of historians, with their skill at asking questions of their subjects, with the intensity of mission at the women’s schools, and with changing styles of campus culture.
A landmark in fashion history, this riveting book captures the way that generations of young women shaped campus style at elite women’s colleges, the significance of clothes among women collegians, and the impact that women college students had on style in general. Photos and text suggest the semiotics of saddle shoes and Shetland sweaters, of blazers and Bermuda shorts. Clothes on campus, the book reveals, embody status and aspiration. Cool and savvy, college women steadily affected trends in the fashion industry.
Elite and prestigious, the Seven Sisters Style is synonymous with a collective sheen of exclusivity, intelligence, and a way of dressing that would become a marker of national pride and status all over the world. From jeans and baggy shirts, bermuda shorts to blazers, soft Shetland sweaters to saddle shoes, not to mention sleek suiting, pearls, elegant suitcases and kidskin gloves for weekend trips to neighboring Ivies and crinolines, kitten heels and cashmere for parties and dances, the women of the Seven Sisters perfected a flair that spoke to a splendidly aspirational lifestyle, filled with travel and excitement. Recently, it…
My fascination with Audrey Hepburn formed at an early age. My mother used to regale me with stories about taking trips to her local theater to watch My Fair Lady or seeing models at mall fashion shows sporting Audrey’s mod-inspired hairstyle from How to Steal a Million. Hearing these memories made Audrey feel familiar, like a distant relative and not an untouchable Hollywood movie star. As a child, I watched her movies, and over time, I began collecting books, vintage magazines, and photographs. In 2010, I created my website, Rare Audrey Hepburn, with the intention of sharing my discoveries with fellow Audrey fans.
The names Audrey Hepburn and Hubert de Givenchy are inextricably linked. Their union transformed the bond between two industries: fashion and film. This book wasn’t just a reference source for me; it has been a point of inspiration since it first arrived in my library many years ago.
I am a longstanding admirer of Givenchy and his timeless creations. His legacy is a testament to his dedication to quality construction, clean lines, and unique details. This book is an intimate look into Hubert’s life narrated in his own words and told through stunning photos showcasing his beautiful clothes and his ornately decorated homes. Each page makes it more evident why Audrey and Hubert weren’t just friends but fashion soulmates.
The private life of this famous Parisian stylist is presented through newly published photos of Givenchy's homes, along with a review of his painting, art, and furniture collections, and examines how his private life has influenced his fashion design.
