Here are 100 books that Antique Woodworking Tools fans have personally recommended if you like
Antique Woodworking Tools.
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Born in London, I apprenticed under cabinetmaker Hugh Harris before moving to New York to study at Juilliard. Subsequently pursuing a career as a professional musician, recording and playing with groups including Van Morrison, Razmataz, and Full Tilt Boogie, I built a house in Woodstock, NY. In addition to operating my own custom-design furniture-making shop, and lecturing and teaching extensively from coast to coast, I’ve written and illustrated many more books on woodworking. I’ve served as Contributing Editor to Fine Woodworking (1985–1999), and Popular Woodworking (1987–1996), and as Editor-in-Chief of Woodwork Magazine (1991–1994) before becoming a featured speaker and presenter at the National Woodworking Shows.
Published in 1881 this is an absolutely fundamental book for the beginner. Amply illustrated, you will learn important details such as how to hold tools and what to expect from them as well as how basic joints are formed and made. Focused on wooden tools this is information not commonly reproduced in more contemporary books.
Born in London, I apprenticed under cabinetmaker Hugh Harris before moving to New York to study at Juilliard. Subsequently pursuing a career as a professional musician, recording and playing with groups including Van Morrison, Razmataz, and Full Tilt Boogie, I built a house in Woodstock, NY. In addition to operating my own custom-design furniture-making shop, and lecturing and teaching extensively from coast to coast, I’ve written and illustrated many more books on woodworking. I’ve served as Contributing Editor to Fine Woodworking (1985–1999), and Popular Woodworking (1987–1996), and as Editor-in-Chief of Woodwork Magazine (1991–1994) before becoming a featured speaker and presenter at the National Woodworking Shows.
The most prolific woodworking writer of the twentieth century, Charles Hayward spans the era that started with hand tools and saw the introduction of the first electric tools thus making clear the advantages of the traditional methods. Profusely illustrated with drawings of joints, tools, and actual techniques, this is truly one of the most complete books on the basics of traditional woodworking.
This book is intended to appeal to all those who want ot know the basic essentials of wood work and of furniture making in particular. It is written by a practical cabinet maker of many years' experience and is thus on thoroughly sound, approved lines. The author starts with the elementary processes - handling tools and cutting joints, passes on to the more specialized work of drawer and door making, veneering, finishing, etc., and closes with a series of attractive designs for things to make with full working drawings and cutting lists. Apprentices, students, and the man-in-the-street should find the…
Born in London, I apprenticed under cabinetmaker Hugh Harris before moving to New York to study at Juilliard. Subsequently pursuing a career as a professional musician, recording and playing with groups including Van Morrison, Razmataz, and Full Tilt Boogie, I built a house in Woodstock, NY. In addition to operating my own custom-design furniture-making shop, and lecturing and teaching extensively from coast to coast, I’ve written and illustrated many more books on woodworking. I’ve served as Contributing Editor to Fine Woodworking (1985–1999), and Popular Woodworking (1987–1996), and as Editor-in-Chief of Woodwork Magazine (1991–1994) before becoming a featured speaker and presenter at the National Woodworking Shows.
Photographs and detailed line drawings cover virtually the entire history of European furniture construction. Not merely a catalogue this book goes into minute detail about construction of the finest furniture that was ever made by hand from clockcases to bedsteads. It explains stylistic details as well as actual methods.
Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.
Born in London, I apprenticed under cabinetmaker Hugh Harris before moving to New York to study at Juilliard. Subsequently pursuing a career as a professional musician, recording and playing with groups including Van Morrison, Razmataz, and Full Tilt Boogie, I built a house in Woodstock, NY. In addition to operating my own custom-design furniture-making shop, and lecturing and teaching extensively from coast to coast, I’ve written and illustrated many more books on woodworking. I’ve served as Contributing Editor to Fine Woodworking (1985–1999), and Popular Woodworking (1987–1996), and as Editor-in-Chief of Woodwork Magazine (1991–1994) before becoming a featured speaker and presenter at the National Woodworking Shows.
From witchets to moulding planes, from Roman tools to eighteenth-century American tools, this was my first "bible" on the subject. A more thorough grounding — with amazing photographs — would be hard to find. Reading this book puts two millennia of woodworking into a useful perspective. Once read it will illustrate in greater detail every other book on the subject. Totally essential.
Classic reference describes in detail hundreds of implements in use in the American colonies in the 18th century. Over 250 illustrations depict tools identical in construction to ancient devices once used by the Greeks, Egyptians, and Chinese, among them axes, saws, clamps, chisels, mallets, and much more. An invaluable sourcebook.
Azby Brown is a widely published author and authority on Japanese architecture, design, and environment, whose groundbreaking writings on traditional Japanese carpentry, compact housing, and traditional sustainable practices are recognized as having brought these fields to the awareness of Western designers and the general public. His creative work spans many media and has been widely exhibited internationally. In 2003 he founded the KIT Future Design Institute in Tokyo, focussing on cognitive and cultural issues surrounding the human hand and its use in the creative process, conducting collaborative research with neuroscientists and perceptual psychologists. A native of New Orleans, he has lived in Japan since 1985 and is currently on the sculpture faculty of Musashino Art University in Tokyo.
This book, first published in 1995, is a detailed how-to guide that answers a lot of questions about how carpentry is practiced in contemporary Japan. The drawings and plans are fabulously informative. It does not focus on tool use per se, but beautifully conveys the structural logic and reasoning that lie behind the joints and connections themselves. I keep it handy as a reference.
As the authors of 27 hand-illustrated books, we are acutely aware of the time and skill required for good rendering. We are old-schoolers ourselves, having cut our teeth on “how-to” books before computers came into vogue. Our readers often tell us that a computer drawing does not have the same appeal and clarity as hand drawing. We are able to ‘talk’ a reader through the process of building something with our drawings. We have also found that the best illustrated books often have the best content!
Watson is both a talented artist and woodworker. He combines those skills in a number of books, but our favorite is Hand Tools. Everyone needs at least some hand tools in their shop, and they should know how to use them properly. Watson’s book contains 450 beautiful hand-drawn illustrations, in pencil, that beg to be framed and hung on the wall. The writing is close behind.
For those who would like to have the benefit of a woodworker's extensive experience with hand tools, this is the book to own. Crammed with practical information, it is the next best thing to looking over a craftsman's shoulder as he works with his tools, asking questions and getting straight answers in plain language, seeing how each tool is held and manipulated to get the best work out of it. From bit brace, chisel, and mallet to saws, specialized planes, drawknife, and spokeshave, Aldren Watson describes in detail the actions of the tools basic to good woodworking. All the procedures…
I have been fascinated by traditional carpentry since exploring the soaring timbers in roofs of medieval tithe barns around my home in Somerset. At the start of my woodworking journey, I soon learnt that building big was good. This led me into restoring ancient barns and roofs, where I learnt many of the skills I still use today. With the help of the books I have listed, I soon turned to building new oak framed buildings. Over the past 35 years I have had the pleasure of making many fabulous structures and working with some great carpenters and apprentices.
This is a beautifully written and illustrated book that captures the essence of traditional woodland craftsmanship.
As a carpenter, I was enthralled by Ben’s descriptions of sustainable woodland management practices and his detailed instructions on how to make everything from baskets to pole barns using only the timber from his wood.
His passion for the craft shines through on every page, and if you are into truly hand-made carpentry then this is the book for you.
Accompany woodsman Ben Law as he celebrates the amazing diversity of craft products made from materials sourced directly from the woods. Including brooms, rakes, pegs, spoons, chairs, baskets, fencing, yurts and even a caravan, the items are hewn from freshly cut green wood, shaped by hand and infused with a simple, rustic beauty. Detailed instructions and advice are given for each craft, along with essential knowledge about tools and devices. With fascinating information on the history, language and traditions of the crafts, coppice management and tree species, this book teaches about all aspects of the low-impact woodland way of life.
Jeff Miller is one of the country’s leading furniture designer/craftsmen. He is also a dedicated teacher and a prolific writer, with over 40 articles and 4 books (with a fifth in preparation). Jeff has exhibited furniture in shows from coast to coast, and has a piece in the permanent collection of the Chicago History Museum. Jeff’s work is heavily influenced by his former career as a professional musician, and he strives to make each of his pieces feel musical in some way.
Jeff is a runner and – despite the hindrance of living in the flat mid-west – an avid skier. A substantial chunk of his time is taken up by dialysis treatments, but he tries not to let that slow him down too much.
Chris has a very personal and very persuasive approach to woodworking. In this book, he uses the discussion of a tool chest and its contents to explain his take on the basic tools needed to work with wood by hand, as well as his philosophy of working wood this way. The book is funny, compelling, and an essential read for anyone interested in hand tools and working with them.
When I am too exhausted, ill or busy to work in my shop, I will shuffle down the stairs to my 15' x 25' workshop and simply stand there for a few minutes with my hands on my tools. To be sure, I thought I was a touch nuts because of this personality quirk. But after reading the oral histories and diaries of craftsmen from the last 300 years, I found it's actually a common trait among artisans. I am drawn, married or perhaps addicted to the things that allow me to coax wood into new shapes. At the same…
Jeff Miller is one of the country’s leading furniture designer/craftsmen. He is also a dedicated teacher and a prolific writer, with over 40 articles and 4 books (with a fifth in preparation). Jeff has exhibited furniture in shows from coast to coast, and has a piece in the permanent collection of the Chicago History Museum. Jeff’s work is heavily influenced by his former career as a professional musician, and he strives to make each of his pieces feel musical in some way.
Jeff is a runner and – despite the hindrance of living in the flat mid-west – an avid skier. A substantial chunk of his time is taken up by dialysis treatments, but he tries not to let that slow him down too much.
This is a beautiful and thoughtful book. And much like others on this list, it offers up a personal take on woodworking. Mike feels that shop time should be devoted to engagement in the work, and offers up strategies for achieving that goal. He also offers beautiful projects, from simple to fairly advanced, that foster learning a slew of techniques for accurate work. The book also includes a discussion of design and its role for the woodworker.
The Why and How of Woodworking reflects the growing appreciation for the handmade, a movement toward simplifying and uncluttering. There is a growing understanding of the need to fill our lives with meaningful and useful objects. How can woodworkers answer that call? Instagram sensation Mike Pekovich explains how to make work that is worth the time and effort it takes to make it, work that makes a difference, and work that will add to the quality of our lives. . Explains the basics of woodworking, from choosing lumber with care, cutting joinery accurately, and preparing and finishing the surfaces. .…
I have been designing and building furniture professionally since before 1976. From the beginning I’ve had an avid interest in what might be called “appropriate technologies”— when to use a hand tool or power tool — that is, for a specific use, which one gives the best results for the least time and effort? If you read the journals of 18th Century woodworkers you’ll find they were unbelievably fast —using only hand tools. I believe that by the 1970s much of that knowledge and many of the tools themselves had been lost. I set out to rediscover them.
This is on many people’s lists—and for good reason: an essential book, it will give you a solid foundation on which to build your knowledge and skill set, most specially if you are just starting out, though there is much to learn here for even the more experienced woodworker. Frid’s training contains the practical knowledge of centuries of woodworking passed through an apprenticeship system as it began its transition into the 21st Century, adapting power tools, new materials, and ways of working that will give you the information that will let you build almost anything. He wrote 2 more books in the set, also valuable, but if you can only afford one, get this one.
As a tribute to Tage Frid who passed away in 2004, combined with the 30th anniversary of The Taunton Press, this three-volume slipcase set is the most complete, authoritative guide to woodworking for readers of all skill levels. The books in the slipcase include: ""Book 1: Joinery,"" ""Book 2: Shaping, Veneering, Finishing,"" and ""Book 3: Furnituremaking,"" The techniques illustrated in these books are demonstrated step by step, with clarity and organization that allows readers to understand and carry out virtually any woodworking project. This is a limited edition.
