67 books like A Question of Standing

Taking the story from the endgame of the Cold War to the dawn of the War on Terror is this extraordinary book on the rise of Islamist terrorism and the CIA’s efforts to defeat it prior to 9/11. Coll’s research, based on interviews with a vast range of senior officials, is dazzling, yet it never overwhelms a narrative that combines human interest and geopolitical sweep seamlessly. No less impressive is his accomplishment in documenting not just the U.S. and Afghan perspectives but the Saudi and Pakistani as well, all in the same painstaking detail. If this whets the appetite for more of the same, Coll’s Directorate S resumes his account of the intelligence wars in Afghanistan, providing necessary background to understanding the failure of the U.S. occupation there.

The history of the CIA features many fascinating personalities and there are several excellent spy biographies, Thomas Powers on Richard Helms, for example, or Randall Woods on William Colby. But the most complex and compelling of all figures in the Agency’s past must surely be the legendary head of counterintelligence, James Angleton. Again, there are numerous works on Angleton and his obsessive hunt for a top-level Soviet agent in the CIA, but I enjoyed and benefited most from Tom Mangold’s Cold Warrior, an astonishingly detailed and penetrating portrayal of America’s real-life George Smiley.

The best book on the founding period of the CIA, the 1940s to the 1960s. Thomas is the only non-Agency employee to have been granted access to still-classified CIA historical studies, making this work an invaluable compendium of previously secret information. It’s also a wonderfully rich evocation of the rarified social world of the early CIA – East Coast, WASP, Ivy League – and a moving biographical portrait of a generation of intelligence officers whose early careers began in youthful idealism but all too often descended into disillusionment, disgrace, and even suicide. The gold standard of CIA history books.

This book, about the CIA’s secret funding of art and culture in the Cold War battle for hearts and minds, caused a big stir on its publication in 2000. Written by a young British researcher, it scathingly criticized the Agency’s cultural operations (a source of some pride among intelligence veterans), arguing that they compromised and undermined the very artistic values they were supposed to defend. Several writers on the same subject since, myself included, have argued with aspects of her work, but Saunders’ research and storytelling are second to none. A harsh but hugely informative and entertaining account of one of the most intriguing chapters in the history of the Cold War.

The world is complicated and confusing, but Harari organizes this complexity into 21 issues covering such diverse topics as liberty, community, war, ignorance, and meaning.

The book is a collection of self-standing essays that can be read independently. The prevailing message is that we can understand the world in which we live, though, at the same time, we cannot always make reliable decisions today or confidently predict the future because we fundamentally don't know what's going on.

Finally, the book offers a warning: modern technology, coupled with artificial intelligence, may challenge human freedom if we lose control of the powerful and evolving forces of hi-tech and AI.

War is the realm of uncertainty. Clausewitz sums this up by referring to the "fog of war".

Military commanders must confront this uncertainty, making far-reaching decisions when the fog of war obscures their understanding of the situation and the implications of their actions.

The book contains concise professional and historical biographies of 6 generals of the IDF, serving from early 1973 (prior to the Yom Kippur War) to 2013. The studies focus on decisions made – or not made – by these generals, the uncertainties that they confronted, and the military, political and social constraints they faced.

An interesting aspect is the personal and individualistic nature of the decision-making process. While military activity has a long history and much theory, it is more of an art than a science. The art of war, and of preventing war, is very personal, and it differs from one general to another. Some generals… show more.

This is a very readable account of Hannibal and his exploits, though it’s perhaps a somewhat idealized, romantic, and heroic portrayal of the man. Nonetheless it’s a great read.

The book follows Hannibal’s many military exploits in Carthage, Sicily, Spain, and many more, up to Cannae, Rome, and his ultimate fall from power and exile.

One sees the continual tension between three factors: Hannibal’s military genius in making military decisions despite deep uncertainty about his own capabilities and about the adversary's intentions, the military genius of his opponents, and the ruthless hand of uncertainty in human history. Hannibal’s life illustrates all three factors.

The author presents a reasoned rational explanation of historical events: Agents act rationally from self-interest. History makes sense.

As I read the book, I was challenged to ask: how rational is human behavior? What does rationality mean in a world that we hardly understand because it is fraught with uncertainty?

Uncertainty and surprise are important in history: What will be the next revolutionary invention? Who will be the next charismatic leader? What new ideology will sweep away conventions? Does history really make sense? Can we really make rational decisions when we face deep uncertainty about the world?

Sandy Grimes and Jeanne Verterfeuille were part of the CIA team that identified Aldrich Ames, perhaps the most damaging spy in the agency’s history. Not only is the book a riveting account of the detective work that went into Ames’ arrest, it provides a wealth of information about the valuable agents and operations that he betrayed, and the incalculable damage he caused, including the loss of GRU General Dmitriy Polyakov, the highest-ranking spy run by the U.S. during the Cold War.

Almost criminally neglected, McCarry is the greatest American espionage writer. After serving for ten years as an elite deep-cover agent for the CIA, no one could better write of the “long, twilight struggle” of the Cold War. McCarry doesn’t write thrillers, but spare, character-driven stories about spies and the morally treacherous world in which they work. The Secret Lovers is an absorbing tale of betrayal and a relentless, perilous search for truth. McCarry’s masterpiece.