Here are 94 books that The Nashville Sound fans have personally recommended if you like
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As a lifelong country music fan and musician, I absolutely love to read about the lives of country music stars. I began reading about the history of country music when I was twelve years old out of my interest in such performers as Hank Williams, Patsy Cline, Ernest Tubb, and especially Jimmie Rodgers. There are quite a few really good books, so it was difficult to narrow down to five. But I think these can set anyone well along the road to learning about this uniquely American music and the colorful lives of its performers.
This memoir by Charlie Louvin of performing with his brother, Ira, distills country musicâs unique midcentury flavor.
Growing up singing Sacred Harp harmonies, the Louvin brothers eventually made it onto the stage of the Grand Ole Opry. But being on top of the world could not keep Iraâs demons from dragging him down amid alcoholism and violence that lead to his wife shooting him and a tragic demise.
The beautiful and tragic saga of the Louvin Brothers - one of the most legendary country duos of all time - is one of America's great untold stories. Charlie Louvin was a good, god-fearing, churchgoing singer, but his brother Ira had the devil in him and was known for smashing his mandolin to splinters onstage, cussing out Elvis Presley, and trying to strangle his third wife with a telephone cord. "Satan is Real" is the incredible tale of Charlie Louvin's sixty-five-year career, the timeless murder ballads of the Louvin Brothers, and the epic tale of two brothers bound together byâŚ
As a lifelong country music fan and musician, I absolutely love to read about the lives of country music stars. I began reading about the history of country music when I was twelve years old out of my interest in such performers as Hank Williams, Patsy Cline, Ernest Tubb, and especially Jimmie Rodgers. There are quite a few really good books, so it was difficult to narrow down to five. But I think these can set anyone well along the road to learning about this uniquely American music and the colorful lives of its performers.
Diane Diekman is an outstanding writer, her biography of Marty Robbins winning the 2013 Best Book on Country Music Award.
Great as that book is, her biography of Faron Young best captures the distinct colorful feel of midcentury country music. Its subject was a rounder from Louisiana, a contemporary of Hank Williams who really did live out a fast life.
As one of the best-known honky tonkers to appear in the wake of Hank Williams's death, Faron Young was a popular presence on Nashville's music scene for more than four decades. The Singing Sheriff produced a string of Top Ten hits, placed over eighty songs on the country music charts, and founded the long-running country music periodical Music City News in 1963. Flamboyant, impulsive, and generous, he helped and encouraged a new generation of talented songwriter-performers that included Willie Nelson and Bill Anderson. In 2000, four years after his untimely death, Faron was inducted into the Country Music Hall ofâŚ
As a lifelong country music fan and musician, I absolutely love to read about the lives of country music stars. I began reading about the history of country music when I was twelve years old out of my interest in such performers as Hank Williams, Patsy Cline, Ernest Tubb, and especially Jimmie Rodgers. There are quite a few really good books, so it was difficult to narrow down to five. But I think these can set anyone well along the road to learning about this uniquely American music and the colorful lives of its performers.
Patsy Clineâs story is one for the ages, and Ellis Nassour brings it to life in this book.
This one has all the tragic elements of country musicâPatsy Cline endured heartbreak, abuse, car wrecks, and so many more challenges. And she channeled all of it into some of the greatest music ever.
Earthy, sexy, and vivacious, the life of beloved country singer, Patsy Cline, who soared from obscurity to international fame to tragic death in just thirty short years, is explored in colorful and poignant detail. An innovatorâand even a hell-raiserâCline broke all the boysâ club barriers of Nashvilleâs music business in the 1950s and brought a new Nashville sound to the nation with her pop hits and torch ballads like âWalking After Midnight,â âI Fall to Piecesâ and "Crazy.â She is the subject of a major Hollywood movie and countless articles, and her albums are still selling 45 years after herâŚ
Tap Dancing on Everest, part coming-of-age memoir, part true-survival adventure story, is about a young medical student, the daughter of a Holocaust survivor raised in N.Y.C., who battles self-doubt to serve as the doctorâand only womanâon a remote Everest climb in Tibet.
As a lifelong country music fan and musician, I absolutely love to read about the lives of country music stars. I began reading about the history of country music when I was twelve years old out of my interest in such performers as Hank Williams, Patsy Cline, Ernest Tubb, and especially Jimmie Rodgers. There are quite a few really good books, so it was difficult to narrow down to five. But I think these can set anyone well along the road to learning about this uniquely American music and the colorful lives of its performers.
This book is particularly special to me. I have always been a huge Jimmie Rodgers fan and have loved Nolan Porterfieldâs biography of him.
As important as Porterfieldâs biography is, Barry Mazorâs Meeting Jimmie Rodgers shows the full impact of Rodgers's music while also updating his life story with newly-discovered information. This book, maybe more than any other, inspired me to write my book.
In the nearly eight decades since his death from tuberculosis at age thirty-five, singer-songwriter Jimmie Rodgers has been an inspiration for numerous top performers-from Woody Guthrie, Lead Belly, Bill Monroe and Hank Williams to Elvis Presley, Johnny Cash, Dolly Parton, Bob Dylan, and Beck. How did this Mississippi-born vaudevillian, a former railroad worker who performed so briefly so long ago, produce tones, tunes, and themes that have had such broad influence and made him the model for the way American roots music stars could become popular heroes? In Meeting Jimmie Rodgers, the first book to explore the deep legacy ofâŚ
My research and writing about music, particularly country and other Southern genres, began with the "Louisiana Hayride", a radio barn dance in the post-World War II era that launched both Hank Williams and Elvis Presley to prominence. From there, I turned to the long-running PBS music showcase Austin City Limits, which now names a huge music festival as well. In both projects, understanding music encompassed larger contexts of region, media, and meaning, all of which bear on understanding Dolly Parton as a musician and songwriter; as Appalachian; as a recording, TV, and movie star; and as a global cultural icon. Iâve never known life without Dolly Parton in it. Of this, Iâm glad.
This book is a classic. Along with the Smithsonian Collection of Classic Country recordings and Bill Maloneâs Country Music, U.S.A., my own interest in writing about country music began here.
When a senior scholar advised that country music lacked ârespectabilityâ as an academic topic, this book was among the small set of works that sealed my confidence to do what I wanted and figure it would all work itself out (Dolly does what she wants, too!).
In compiling biographical profiles of women in country music, this book also filled in a whole portion of history typically glossed over in most country music writing up until that point. It likewise planted seeds for future research and writing on the history of women in the genre, which continues to bear fruit today.
From country's earliest pioneers to its greatest legends, this work documents the lives of the female artists who have shaped the music for over 200 years. Through interviews, photographs, and primary texts, this work weaves a complex tapestry of personalities and talent. It gets to the heart of the special bond female artists have with their audiences. People seeking to understand the context out of which mega-stars such as Shania Twain, Faith Hill, and the Dixie Chicks emerged should look no farther than this guide. Some of the women discussed include Dolly Parton, Wanda Jackson, Patsy Montana, Alison Krauss, MarthaâŚ
Iâm a student of biography. Artists, musicians, and comedians are what I read about. I crave to know what makes a great artist tick, how their ideas develop, and why they choose to pursue their craft at huge personal expense. Iâm motivated to write more of my own. These biographies are informative, entertaining, and engaging reads, well worth your time. Itâs a challenging and frustrating process to tell an artistâs story. Yet their roots, their influences, and how they shake up popular culture make for greater insight into our humanity. Artists take risks and Iâm always impressed by the boldness of their vision.
I love to read biographies that are detailed, critical, and smart. Considering the number of biographies available about music legend Hank Williams, Ribowskyâs informative style and sensible writing strips away the veil of myth and gets down to contextual facts. His biography of Williams tells the story most people already know, yet he creates a fresh, vibrant tale of a truly great musician, troubled by poor health, an oppressive mother, and a drinking problem that took him to the edge. Ribowsky puts all of Williamsâs quirks into perspective by writing a well-rounded and empathetic biography that leaves all others in the dust.
After he died in the back seat of a Cadillac at the age of twenty-nine, Hank Williams-a frail, flawed man who had become country music's first real star-instantly morphed into its first tragic martyr. Having hit the heights with simple songs of despair, depression and tainted love, he would become in death a template for the rock generation to follow.
Mark Ribowsky weaves together the first fully realised biography of Williams in a generation. Examining his music while re-creating days and nights choked in booze and desperation, he traces the rise of this legend-from the dirt roads of Alabama toâŚ
Truth told, folks still ask if Saul Crabtree sold his soul for the perfect voice. If he sold it to angels or devils. A Bristol newspaper once asked: âAre his love songs closer to heaven than dying?â Others wonder how he wrote a song so sad, everyone who heard itâŚ
Iâm a journalist whose work is often heard on NPR's national news magazines, and read in publications such as The New York Times, New York Magazineâs Vulture, BBC Culture, Wired, and Bandcamp. I'm most interested in stories about people, communities, and scenes that have been overlooked, forgotten, seen through a distorted lens, or perhaps never seen at all. Iâm on a mission to get to a deeper understanding of whatâs at stake in the way we see music and art- and the way we see ourselves.
Nashville-based singer-songwriter Margo Price is the real deal.
Her beginnings were humble, and her struggles have been many. Her memoir takes you on the road with her through bad low-paying, low-attended early gigs, drinking, and drugs. Price's marriage/creative partnership is tender and beautiful, yet becomes fragile as it shoulders the unbearable loss of a newborn son.
Through it all, you can feel Priceâs grit and determination to survive with her soul intact, making it in an industry that pressures artists to conform to its priorities and sets them up to fail when they resist- or simply try to be themselves.
Priceâs music is the soundtrack to her courageous story in progress. In the best possible way, this book reads like the liner notes: honest, heartfelt, and profound.
"[An] engaging and beautifully narrated quest for personal fulfillment and musical recognition...This is a fast-paced tale in which music and love always take center stage...A truly gifted musician, Price writes about her journey with refreshing candor."-Kirkus, starred review
"Brutally honest...a vivid and poignant memoir."-The Guardian
Country music star Margo Price shares the story of her struggle to make it in an industry that preys on its ingenues while trying to move on from devastating personal tragedies.
When Margo Price was nineteen years old, she dropped out of college and moved to Nashville to become aâŚ
Beyond a passion for yachting and flying, sharing adventures in memoir is my true passion. For better or worse, the soul cannot return from a hair-raising adventure as the same person. From roller skating across France as a teen, to sinking ships, being circled by pirates, or surviving an airplane crash, writing these stories brings true action to the pages. Writing memoir also forces me to learn and share life lessons so others wonât have to do it the hard way. Reading true adventures and memoirs lets me share the soul of my fellow travelers for a moment, and live that adrenaline high from the comfort of a reading chair.
Amazing true adventures are the heart and soul of memoir. As Jimmy Buffet and his crew plan a seaplane adventure to celebrate his 50th birthday down Latin America, across to Colombia, and further into the Caribbean, I was ready to read the depth of stories the likes of which might inspire so many of my favorite songs. The adventure was lost on me when he followed the seaplane by jet, meeting the crew in Costa Rica. Further south, they ran into âtrouble in Cartagena.â As a boat captain and pilot with Colombian pirate experience, I was looking for stories of real, relatable trouble. Good stories, but the grit I was looking for from a Jimmy Buffet adventure wasnât there.
For the millions of fans of Jimmy Buffett's music as well as his bestselling books, Tales From Margaritaville and Where Is Joe Merchant?, here is the ultimate Jimmy Buffett philosophy on life and how to live it. As hard as it is to believe, the irrepressible Jimmy Buffett has hit the half-century mark and, in A PIRATE LOOKS AT 50, he brings us along on the remarkable journey which he took through the Southern hemisphere to celebrate this landmark birthday.
Jimmy takes us from the legendary pirate coves of the Florida Keys to the ruins of ancient Cartegena. Along theâŚ
As the Director of the Center for Texas Music History at Texas State University, Iâm excited to stay on top of all thatâs being done in the field of Texas Music and let me assure you that it is a great way to spend oneâs days. Texas music and culture reflect the stateâs diverse and contested past, and every month, it seems that there is not only a new artist appearing on the stage to sing her or his truth but a writer helping us to understand how those truths fit into the larger narratives of Texas history.
This is one of the books that had me inserting an unsolicited âdid you know that...â into just about every conversation I had while reading it. Terry Allen is a singular visual and musical artist whose story exemplifies what a rich and contrarian place Texas is.
I knew something of what I might find in a Terry Allen biography, and yet thereâs so much more: 1950s Lubbock wrestling promoters and Thai psychedelic bands, David Byrne and Marcel Duchamp, and, most compellingly, the lifelong love of partners Terry and Jo Harvey Allen. I cannot imagine many authors up for the task.
Brendan Greaves expertly delivers as one of those rare characters who understands that Allenâs roles in fine art and country music are not only on equal footing but of a piece. Greaves also oversaw the masterful reissue of Allenâs iconic albums Juarez and Lubbock on Everything, which makes it allâŚ
Drawing on hundreds of interviews with Allen himself, his family members (including actor and poet Jo Harvey Allen, his wife and artistic partner of more than sixty years), and his many notable friends, colleagues, and collaborators (from musicians like David Byrne and Kurt Vile to artists such as Bruce Nauman and Kiki Smith); full access to the artist's home, studio, and voluminous journals and archives; and over twenty years of collaboration and friendship with Allen, author Brendan Greaves limns a revealing portrait, as deeply researched as it is intimate, as provocative as it is poetic, of a singularly multivalent storytellerâŚ
I'm a Mexican writer and illustrator based in Los Angeles. I was always a bookish kid! Growing up I loved reading contemporary books, mostly about fearless girls trying to change the world! In my career, Iâve had the privilege to work creating cover artwork for a lot of middle-grade books, which in turn leads me to read a lot of really great stories. As a bonus, as the industry has become more diverse, so have the stories of outstanding girls, making the middle-grade space even more amazing than it was when I was a kid.
This is an odd one out, because itâs in audiobook form. Margarita is a part of her uber-famous country star sister and gets thrown into the limelight when the label gets into hot water for not being inclusive enough. This audible original truly shines with its amazing story and wonderful music! Personally, I liked the way the story tackles Margaritaâs struggles to figure out her place within Latin culture and processing the feelings of what that means for her.
This middle grade story has it all: humor, heart, and country music - including original songs!
Margarita McCoy plays banjo and sings backup in her stepsister Stephanie McCoyâs wildly popular country music band.
Margarita isnât particularly passionate about music, but she loves Stephanie and would do anything to help her - and that includes being thrust into the media spotlight after an article in the New York Times calls out country music for its lack of diversity. Since Margaritaâs father is Mexican American, the McCoys' record label wants to use her to show that they arenât as whitewashed as theâŚ