100 books like Oscar Charleston

Peterson was a magazine writer in the 1960s who became curious about those Black baseball teams he saw play in the Pennsylvania town where he grew up. He set out with his tape recorder to track down and interview many Negro League figures, and dove into library newspaper collections to find the facts to back up their reminiscences. First published in 1970 and still in print, this is the first comprehensive history of Black professional baseball, the history of which was in serious danger of being lost to modern memory when the Negro Leagues were put out of business in the 1950s following Major League integration. Many of us who write about Black ball read this book first.

Spivey and I share the same goal—to reach a broad audience, both scholarly and general. His book is for readers who love baseball and love history—those with a passion for the game who are not scared off by complex arguments or endnotes. Baseball intellectuals—the huge group of readers embodied by George Will, Ken Burns, and Doris Kearns Goodwin—constitute the central audience. But baseball buffs also care about the history of the game and will want to read this book. Spivey, a history professor, writes accessibly and avoids “insider history”—even in the sections and chapters focused primarily on the sordid past of American race relations. It is a deftly-executed, balanced treatment of Paige and one of the most meticulously researched biographies ever written about an athlete.

Like many academics before me who dared to combine their passion for baseball with their passion for history, I am deeply indebted to Jules Tygiel, whose death a few years ago took from the historical profession one of its ablest practitioners. Unlike many others, I remain inspired not just by his pioneering work on Jackie Robinson, race, and baseball history but by his teaching and mentoring as well. While an undergraduate at San Francisco State University in the mid-1980s, I benefited enormously from several of his stimulating and rigorous classes in American history and from his advice, insight, and encouragement in long conversations in his office. I still think of him not as a baseball historian but as my history professor. This book legitimized baseball history in the world of academia.

The Negro Leagues, like all organized sports leagues, were showcases for the stars of the game – Satchel Paige, Josh Gibson, Oscar Charleston, and the like. But, like all the other leagues, they were businesses, too. Sports entrepreneurs, most of them African American, invested in all-Black teams that formed a “shadow” alternative to Major League Baseball where the players, and most of the owners, too, were not welcome due to segregation. Lanctot, a history professor comfortable with deep and extensive research, chronicles the successes and failures of the Black leagues, which were almost always existing on a financial knife’s edge, until the integration of pro ball in 1946 spelled their death.

I thought I should include at least one kids’ sports book since I have written 28 of them.  But honestly, We Are the Ship by Kadir Nelson could be included in any list of great sports books.

Nelson is a talented artist who has illustrated dozens of children’s books and whose work has appeared in art galleries and on New Yorker magazine covers.

The art in We Are the Ship is wonderful but it is Nelson’s writing that is the surprise.  Adopting the voice of an aging baseball player who saw it all, Nelson tells the story of the Negro Leagues of the 1920s and 30s.

We Are the Ship is a magical combination of sports history, great art, and superb storytelling that will captivate any reader.  

I can give this book the greatest compliment I can give any children’s book: I wish had written it.

Henry Aaron’s career spanned the Negro Leagues, the Civil Rights movement, baseball’s expansion era, the turbulent ’60s, and the freaky ’70s, all while dealing with intractable racism, especially as he neared Babe Ruth’s home run record. Aaron’s autobiography, I Had a Hammer, is certainly worth reading, but author and NPR correspondent Howard Bryant is the right man to put Aaron’s life and career in historical perspective. The Last Hero is an intelligent and incisive social history of the second half of the twentieth century, as well as a stirring account of a heroic baseball life. Incidentally, Bryant’s next book is a biography of Rickey Henderson, which promises more of this goodness. I can’t wait.

This book is wonderful. While it isn’t your typical self-improvement book, reading it made me want to be a better person. Buck O’Neil’s attitude is amazing despite all of the hardships he endured. He is an inspiration to everyone. No matter where we are or when we are born, we are all  "right on time,” and hopefully striving to serve a purpose for a greater good. A good attitude and lots of gratitude are so important for our self-awareness journey and Buck had it in truckloads. Please read this book. 

I couldn’t resist recommending this book, mainly because it is such a clever title! How can you suddenly, unexpectedly, become a restaurant manager? It is a brilliant story that lots of readers can identify with, the way you might suddenly find yourself in a role that you did not plan to take on. 

As well as telling a personal story, it outlines all the pitfalls of working out how to be the best manager you can be, and the lessons in how to deal with staff and customers in order to be a successful restaurant manager. Lots of tips, questions, and suggested rules to help you along the way.  

Mamie Peanut Johnson loved baseball, and she was a good player. Really good. A pitcher.

Regardless of how good she was, because she was Black, Mamie was barred from playing on the All-American Girls’ Pro Baseball League. That might have stopped other players, but not Mamie! She didn’t let adversity, or the color of her skin, or gender stop her. 

Instead, when a chance to pitch for the Negro Leagues’ Indianapolis Clowns, a men’s professional team, came her way, Mamie stepped right up, thus becoming the first female pitcher to play professional baseball. 

Because it’s the amazing story of how a supremely gifted and charismatic young Black man overcame his impoverished background and the racism endemic in the United States to break the color barrier in the national sport—baseball, and became an iconic figure in the struggle for civil rights. Rampersad’s unprecedented access to Robinson’s papers allowed him to paint a detailed, intimate, and moving portrait of a courageous and defiant man.