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Having taught college courses on and written books about theatre, film, and popular music for over forty years, I have great respect for those who write about the popular art form known as musical theatre. As a theatergoer, I've watched the Broadway (and Off-Broadway) musical develop, change, and sometimes decline. It seems musicals are more popular today than ever before; they certainly are more diverse. I grew up with the traditional Rodgers and Hammerstein model and have seen musicals take on new forms over the years.
It is an exciting art form that deserves to be written about.
An early and still one of the best works on the subject, Green'sThe World of Musical Comedy is the book that introduced generations of musical theatre fans to the art form. It was first published in 1960 and that first edition was my first encounter with the great songwriters and musicals of the American theatre. Green later revised and updated the book and the fourth edition stops at 1980 but the book remains in print. I still recommend it as the best way to discover the classic works in the world of musicals.
Acclaimed through three editions for its uniquely informative and entertaining style, this fourth edition of Stanley Green's World of Musical Comedy updates and enlarges the theatrical scope to include such recent shows as A Chorus Line, Barnum, They're Playing Our Song , and Annie . In a format that provides biographies of all the leading figures in the musical's development, Stanley Green manages to convey the spirit of the Broadway stage, its musical make-believe, and yet remain objective about the creative swings in its history and the careers of its individual creators. Everyone is here: Victor Herbert, Sigmund Romberg, Jerome…
Having taught college courses on and written books about theatre, film, and popular music for over forty years, I have great respect for those who write about the popular art form known as musical theatre. As a theatergoer, I've watched the Broadway (and Off-Broadway) musical develop, change, and sometimes decline. It seems musicals are more popular today than ever before; they certainly are more diverse. I grew up with the traditional Rodgers and Hammerstein model and have seen musicals take on new forms over the years.
It is an exciting art form that deserves to be written about.
Mordden has written books about musicals from several decades of the Twentieth Century but my favorite remains Make Believeabout the 1920s. Too few American musicals from that decade are still performed today. Show Boat and No No Nanette are two memorable exceptions. So most of the shows in the book are not familiar to theatergoers. But Mordden brings these musicals to life with his vivid writing and enthusiasm for what was a Golden Age for the art form.
The 1920s represented a turning point in the history of the Broadway musical, breaking with the vaudeville traditions of the early twentieth century to anticipate the more complex, sophisticated musicals of today. Composers Jerome Kern, George Gershwin, Cole Porter, Richard Rodgers, and their contemporaries revitalized the musical with the sound of jazz and other new influences. Productions became more elaborate, with dazzling sets, tumultuous choreography, and staging tricks, all woven into tightly constructed story lines. These dramatic changes of the 1920s ushered in the "golden age" of the American musical theater. Ethan Mordden captures the excitement and the atmosphere of…
Having taught college courses on and written books about theatre, film, and popular music for over forty years, I have great respect for those who write about the popular art form known as musical theatre. As a theatergoer, I've watched the Broadway (and Off-Broadway) musical develop, change, and sometimes decline. It seems musicals are more popular today than ever before; they certainly are more diverse. I grew up with the traditional Rodgers and Hammerstein model and have seen musicals take on new forms over the years.
It is an exciting art form that deserves to be written about.
This weighty reference book is not something to be read from cover to cover but, for browsing or looking up a plot or commentary on Broadway musicals, it is still the leader in its field. Bordman published his Chronicle in 1978 and he revised it up until his death, critic Richard Norton helping on the fourth edition. The coverage is impressive: musicals from the late 1700s up to 2010. The writing is concise and to the point. This book discusses shows you're not likely to find in any other book or website.
Hailed as "absolutely the best reference book on its subject" by Newsweek, American Musical Theatre: A Chronicle covers more than 250 years of musical theatre in the United States, from a 1735 South Carolina production of Flora, or Hob in the Well to The Addams Family in 2010. Authors Gerald Bordman and Richard Norton write an engaging narrative blending history, critical analysis, and lively description to illustrate the transformation of American musical theatre through such incarnations as the ballad opera, revue, Golden Age musical, rock musical, Disney musical, and, with 2010's American Idiot, even the punk musical.
Having taught college courses on and written books about theatre, film, and popular music for over forty years, I have great respect for those who write about the popular art form known as musical theatre. As a theatergoer, I've watched the Broadway (and Off-Broadway) musical develop, change, and sometimes decline. It seems musicals are more popular today than ever before; they certainly are more diverse. I grew up with the traditional Rodgers and Hammerstein model and have seen musicals take on new forms over the years.
It is an exciting art form that deserves to be written about.
If you are looking for a highly opinionated and passionate account of the Broadway musical and the changes it has undergone over the decades, this book is for you. Grant does not pull his punches and the general tone is one of despair at the decline in the quality of musicals. But the book is well researched and offers many provocative ideas which the die-hard musical fan will find fascinating. It's the kind of work that you want to read after you have a solid knowledge of American musical theatre and you want to have your traditional ideas challenged.
Winner of the ASCAP–Deems Taylor Award (2005)Many of today’s Broadway shows, from Rent to The Lion King, have become commercial hits, but do they have the cultural importance or the dramatic and musical artistry of such enduring productions as Oklahoma!, Show Boat, or Kiss Me, Kate? Mark N. Grant traces the transformation of singing and melody, libretto and lyric writing, dance rhythms, sound design, and choreography and stage direction through three distinct eras: the formative period (1866–1927), the golden age (1927–1966), and the fall (1967 to the present). He explores how and why the unsophisticated genre of pre-1927 musical comedy…
I have been a Broadway fan since I discovered the 60’s vinyl cast albums my parents collected. Seeing them in person added another level to the magic, and after every show, while still basking in the creative spark, I’m already planning my next visit! Sharing a list of books instead of a playlist is my way of sharing a deeper view of the world we Broadway fans love so much. It’s also the list I used as the basis for my research, while writing my new series (which follows the journey of a fictional Broadway musical from script to opening night)!
I don’t think I could put together a list of books for next-level Broadway lovers without a Sondheim entry. There are many books to choose from but this one sweeps you off your feet and into the world of creating a Broadway classic. “Behind the scenes” doesn’t even begin to cover this journey into not only the Pulitizer award-winning show but also the intergenerational friendship between Sondheim and Lapine. That relationship and their creative collaboration are curated through script notes, personal photos, and sketches, giving you a glimpse into genius Broadway minds.
Sunday in the Park with George is such a layered work on its own but this book takes you another step into the mix, with a backstage view of how it came to be. My brain was firing in a million directions when I was finished with this one. This book, like the rest of this list, enhances…
A behind-the-scenes look at the making of the iconic musical Sunday in the Park with George
Putting It Together chronicles the two-year odyssey of creating the iconic Broadway musical Sunday in the Park with George. In 1982, James Lapine, at the beginning of his career as a playwright and director, met Stephen Sondheim, nineteen years his senior and already a legendary Broadway composer and lyricist. Shortly thereafter, the two decided to write a musical inspired by Georges Seurat's nineteenth-century painting A Sunday Afternoon on the Island of La Grande Jatte.
Through conversations between Lapine and Sondheim, as well as most…
I have been a Broadway fan since I discovered the 60’s vinyl cast albums my parents collected. Seeing them in person added another level to the magic, and after every show, while still basking in the creative spark, I’m already planning my next visit! Sharing a list of books instead of a playlist is my way of sharing a deeper view of the world we Broadway fans love so much. It’s also the list I used as the basis for my research, while writing my new series (which follows the journey of a fictional Broadway musical from script to opening night)!
The true-life story of the ’70s and ’80s in New York City and the world of theatre—when the Great White Way was basically slated to become a parking lot—as it is saved by a colorful host of characters (and a boardroom coup!) is just begging for a musical of its own. Until that happens, we will have to be content with this page-turning book from a saucy and witty theatre columnist, which chronicles the entire amazing ride of how Broadway was reborn.
Along the way, we get a thorough probing of Broadway history and the highs, lows, and everything in between including some scandal, gossip, and shocking reveals. See? How is this not a musical already?! Riedel is a dramatic and verbose writer who holds back nothing, thankfully. Recommendation: Don’t expect to be using a bookmark too often. I couldn’t put this book down.
"A vivid page-turner" (NPR) detailing the rise, fall, and redemption of Broadway-its stars, its biggest shows, its producers, and all the drama, intrigue, and power plays that happened behind the scenes.
"A rich, lovely, debut history of New York theater in the 1970s and eighties" (Kirkus Reviews, starred review), Razzle Dazzle is a narrative account of the people and the money and the power that turned New York's gritty back alleys and sex-shops into the glitzy, dazzling Great White Way.
In the mid-1970s Times Square was the seedy symbol of New York's economic decline. Its once shining star, the renowned…
As a brainy, bullied Queer theater kid, I was 14 before I ever saw anyone like myself onstage or onscreen. Then—Wham—in June of 1980 I sawA Chorus Lineon Broadway and Fame at the movies. But there weren’t any books that showed the theater life as it was actually lived. When I published my love letter to my high school theater friends in 2004, no one had written a novel about our kind. Today, as someone who’s managed to make a living as a writer-director of musicals, I strive to share the whole truth with the young artists I mentor.
As a teacher of History and Musicals at NYU, I’ve seen how theatre students are most interested in the shows they know, which typically means those produced in their lifetime. So I try to meet them where they are and then journey backwards into the past. While Singular Sensationmoves forward in time from the 1990s, it shows how the Broadway we know today came to be. And who could resist reading about Patti LuPone throwing a floor lamp out her dressing room window when Andrew Lloyd Webber fired her fromSunset Boulevard? So I hope you’ll come back for more and read Riedel’s equally dishy yet informative Razzle Dazzle, which is about Broadway in the 1970s, when someone could mug you at knifepoint in broad daylight on 42nd Street (and, in my case, did).
The extraordinary story of a transformative decade on Broadway, featuring gripping behind-the-scenes accounts of shows such as Rent, Angels in America, Chicago, The Lion King, and The Producers-shows that changed the history of the American theater.
The 1990s was a decade of profound change on Broadway. At the dawn of the nineties, the British invasion of Broadway was in full swing, as musical spectacles like Les Miserables, Cats, and The Phantom of the Opera dominated the box office. But Andrew Lloyd Webber's Sunset Boulevard soon spelled the end of this era and ushered in a new wave of American musicals,…
As a former Human Resources executive I’m fascinated by the history of women in the workforce, especially in jobs that have traditionally been held by men. I was first drawn into the topic as a writer of WWII novels. Through memoirs, autobiographies, and oral history interviews I learned firsthand about women who entered the workforce to take the place of men who were serving in combat or the defense industry. In an effort to spotlight the women of this era as well as those who have gone before, many of my protagonists hold unusual jobs such as spy, war correspondent, pilot, doctor, restaurant owner, and gold miner.
Having worked for a jewelry designer in the Washington, DC area, The Gem Thief caught my eye. The story took me back to my days in the shop (good memories!), and the author has obviously done her research, because her accuracy is impeccable. I liked all of the characters, but I bonded with one of the secondary characters so much that I felt we could be friends in “real life.” I’ve been to New York City often, so I also enjoyed revisiting the city. The book was both comfortable because of all the associations to “past lives,” and exciting as I turned pages wondering what would happen next.
2018 HONORABLE Mention for Romance Forward INDIES Winners Gracie Miller is a small-town girl who has landed her dream job in New York City. As jewelry designer for one of the most prestigious jewelers in the world, she completed a particularly stunning piece, a custom setting for a large pink diamond. But when her billionaire client Mrs. Katsaros comes to repair a minor issue with the setting, Gracie is horrified to realize it is not the ring she created. Someone has forged her design, and the priceless diamond is gone.
Mrs. Katsaros has no desire to bring media attention to…
Reseda, California plays an important part in my novels. I grew up there in a middle-class Jewish family, and we experienced the turmoil of the 1960s and 1970s. My parents got divorced, and my brother and I were raised by our working mom until she became paralyzed by a stroke. I found refuge in writing. I wrote The Remainders in 2016 during a tumultuous time when issues of family conflict, homelessness, and the growing cruelty of society came into focus. Still, I believe decency and compassion will prevail. The books I write and enjoy reading seek to find light in the darkest of circumstances.
If you want to understand the struggle Jews like me face in modern America, read this classic novel.
Two Jewish boys—one secular and the other expected to follow in his father’s footsteps as a Chasidic rabbi—grow up in 1940s Brooklyn against the backdrop of World War II and the founding of Israel. It shows the conflict we face between family expectations and assimilating in a country where we don’t feel fully welcome.
A coming-of-age classic about two Jewish boys growing up in Brooklyn in the 1940s, this “profound and universal” (The Wall Street Journal) story of faith, family, tradition, and assimilation remains deeply pertinent today.
“Works of this caliber should be occasion for singing in the streets and shouting from the rooftops.” —Chicago Tribune
It’s the spring of 1944 and fifteen-year-olds Reuven Malter and Danny Saunders have lived five blocks apart all their lives. But they’ve never met, not until the day an accident at a softball game sparks an unlikely friendship. Soon these two boys—one expected to become a Hasidic rebbe,…
As a brainy, bullied Queer theater kid, I was 14 before I ever saw anyone like myself onstage or onscreen. Then—Wham—in June of 1980 I sawA Chorus Lineon Broadway and Fame at the movies. But there weren’t any books that showed the theater life as it was actually lived. When I published my love letter to my high school theater friends in 2004, no one had written a novel about our kind. Today, as someone who’s managed to make a living as a writer-director of musicals, I strive to share the whole truth with the young artists I mentor.
Joe Keenan’s madcap farces made me want to write my own. They’re the kind of books that make you laugh so hard you just have to read lines from it to the person sitting next to you (preferably someone you know because strangers on mass transit don’t appreciate that kind of thing). As zany as they are, his novels are rooted in the real, doing-whatever-you-can-to-make-it lives of theater people. So they’re not as far-fetched as you might think. Life in New York City really can be that wildly glamorous. And hilarious.
The witty duo from Blue Heaven invade the entourage of a tasteless real estate/media magnate, attempt to turn his talentless wife into a chanteuse, and vie for the affections of a suave magazine editor, in this deftly delicious comedy of bad manners, financial skullduggery, and romantic infighting.
