Here are 99 books that Make Believe fans have personally recommended if you like
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Having taught college courses on and written books about theatre, film, and popular music for over forty years, I have great respect for those who write about the popular art form known as musical theatre. As a theatergoer, I've watched the Broadway (and Off-Broadway) musical develop, change, and sometimes decline. It seems musicals are more popular today than ever before; they certainly are more diverse. I grew up with the traditional Rodgers and Hammerstein model and have seen musicals take on new forms over the years.
It is an exciting art form that deserves to be written about.
An early and still one of the best works on the subject, Green'sThe World of Musical Comedy is the book that introduced generations of musical theatre fans to the art form. It was first published in 1960 and that first edition was my first encounter with the great songwriters and musicals of the American theatre. Green later revised and updated the book and the fourth edition stops at 1980 but the book remains in print. I still recommend it as the best way to discover the classic works in the world of musicals.
Acclaimed through three editions for its uniquely informative and entertaining style, this fourth edition of Stanley Green's World of Musical Comedy updates and enlarges the theatrical scope to include such recent shows as A Chorus Line, Barnum, They're Playing Our Song , and Annie . In a format that provides biographies of all the leading figures in the musical's development, Stanley Green manages to convey the spirit of the Broadway stage, its musical make-believe, and yet remain objective about the creative swings in its history and the careers of its individual creators. Everyone is here: Victor Herbert, Sigmund Romberg, Jerome…
Having taught college courses on and written books about theatre, film, and popular music for over forty years, I have great respect for those who write about the popular art form known as musical theatre. As a theatergoer, I've watched the Broadway (and Off-Broadway) musical develop, change, and sometimes decline. It seems musicals are more popular today than ever before; they certainly are more diverse. I grew up with the traditional Rodgers and Hammerstein model and have seen musicals take on new forms over the years.
It is an exciting art form that deserves to be written about.
Musical theatre fans delight in reading about the famous and not-so-famous disasters in the genre. Mandelbaum covers nearly 200 of these musical flops that opened (and often quickly closed) on Broadway between 1950 and 1990. It is a lively read, well researched, and has plenty of "what were they thinking?" attitude. Not much copy is given to one musical (except the title musical Carrie) but the coverage is comprehensive. A favorite among musical theatre fans,Not Since Carrie was the inspiration for Mark Robinson and myself when we continued Mandelbaum's chronicle with our own Musical Misfires.
Not Since Carrie is Ken Mandelbaum's brilliant survey of Broadway's biggest flops. This highly readable and entertaining book highlights almost 200 musicals created between 1950 and 1990, framed around the notorious musical adaptation of Carrie, and examines the reasons for their failure. "Essential and hilarious," raves The New Yorker, and The New York Times calls the book "A must-read."
Having taught college courses on and written books about theatre, film, and popular music for over forty years, I have great respect for those who write about the popular art form known as musical theatre. As a theatergoer, I've watched the Broadway (and Off-Broadway) musical develop, change, and sometimes decline. It seems musicals are more popular today than ever before; they certainly are more diverse. I grew up with the traditional Rodgers and Hammerstein model and have seen musicals take on new forms over the years.
It is an exciting art form that deserves to be written about.
This weighty reference book is not something to be read from cover to cover but, for browsing or looking up a plot or commentary on Broadway musicals, it is still the leader in its field. Bordman published his Chronicle in 1978 and he revised it up until his death, critic Richard Norton helping on the fourth edition. The coverage is impressive: musicals from the late 1700s up to 2010. The writing is concise and to the point. This book discusses shows you're not likely to find in any other book or website.
Hailed as "absolutely the best reference book on its subject" by Newsweek, American Musical Theatre: A Chronicle covers more than 250 years of musical theatre in the United States, from a 1735 South Carolina production of Flora, or Hob in the Well to The Addams Family in 2010. Authors Gerald Bordman and Richard Norton write an engaging narrative blending history, critical analysis, and lively description to illustrate the transformation of American musical theatre through such incarnations as the ballad opera, revue, Golden Age musical, rock musical, Disney musical, and, with 2010's American Idiot, even the punk musical.
Having taught college courses on and written books about theatre, film, and popular music for over forty years, I have great respect for those who write about the popular art form known as musical theatre. As a theatergoer, I've watched the Broadway (and Off-Broadway) musical develop, change, and sometimes decline. It seems musicals are more popular today than ever before; they certainly are more diverse. I grew up with the traditional Rodgers and Hammerstein model and have seen musicals take on new forms over the years.
It is an exciting art form that deserves to be written about.
If you are looking for a highly opinionated and passionate account of the Broadway musical and the changes it has undergone over the decades, this book is for you. Grant does not pull his punches and the general tone is one of despair at the decline in the quality of musicals. But the book is well researched and offers many provocative ideas which the die-hard musical fan will find fascinating. It's the kind of work that you want to read after you have a solid knowledge of American musical theatre and you want to have your traditional ideas challenged.
Winner of the ASCAP–Deems Taylor Award (2005)Many of today’s Broadway shows, from Rent to The Lion King, have become commercial hits, but do they have the cultural importance or the dramatic and musical artistry of such enduring productions as Oklahoma!, Show Boat, or Kiss Me, Kate? Mark N. Grant traces the transformation of singing and melody, libretto and lyric writing, dance rhythms, sound design, and choreography and stage direction through three distinct eras: the formative period (1866–1927), the golden age (1927–1966), and the fall (1967 to the present). He explores how and why the unsophisticated genre of pre-1927 musical comedy…
As a longtime arts educator who has worked predominantly with kids ages 3 to 12, I initially set out to find books that could inspire them about theatre. For many years I have searched for the perfect books that achieve this and have used all of these books in my teaching.
This book is a whimsical, colorful, and delightful introduction to the women who have made the American Musical Theatre great. Kids learn all about such talented ladies as Audra McDonald, Liza Minnelli, Chita Rivera, Bernadette Peters, Lea Salonga, and Kristin Chenoweth, to name a few.
"It's an incredible honor to be included in this amazing book of the greatest talent the Broadway stage has ever known!" —AUDRA McDONALD, six-time Tony Award-winning actress
From Audra McDonald to Liza with a "Z," here is a showstopping alphabet book featuring your favorite leading ladies of the Broadway stage!
Step into the spotlight and celebrate a cavalcade of Broadway's legendary ladies. Start with "A" for six-time Tony Award winner Audra McDonald, then sing and dance your way through the alphabet with beloved entertainers like Patti LuPone, Bernadette Peters, Chita Rivera, Lea Salonga, Kristin Chenoweth, Kelli O'Hara, and Liza Minnelli!…
Pop culture is my life, and I like my characters to be well-versed in it. There's no reason to pretend otherwise, as what we consume informs who we are as people. Plus, there’s something beautiful in something everybody collectively knows. I’ve worked hard to make pop culture not just an interest but a career path. I currently program films for the Seattle International Film Festival, work as a playwright and performer, cover film, theatre, and burlesque for The Ticket at the Seattle Times, am a frequent guest on podcasts such asFilm at Fifty,and assist at various arts organizations all over the greater Seattle area.
Writer William Goldman, most popular for penning The Princess Bride, Butch Cassidy and the Sundance Kid, and All the President’s Men,embeds himself in the Broadway world, seeing every show in the 1967-1968 season; to quote the This Had Oscar Buzzpodcast, this book is the autopsy. It’s an enormously accessible book about American theatre, with a murderers’ row of interview subjects at Goldman’s disposal and the author’s ability to translate gossip into hard journalistic data. Even the more economics-based chapters, such as a fascinating one on how most plays live or die on presales to well-connected women’s social groups (a.k.a. “Theatre-Party Ladies”), are as breezy as Goldman’s Oscar-winning screenplays. (Content Warning: The book contains some unfortunate and dated language.)
Playwright/novelist/screenwriter Goldman analyzes Broadway from the perspective of the audiences, playwrights, critics, producers and actors. “Very nearly perfect... It is a loose-limbed, gossipy, insider, savvy, nuts-and-bolts report on the annual search for the winning numbers that is now big-time American commercial theatre.” –Christopher Lehmann-Haupt, The New York Times
Just like my Upstagedheroine, my first stage experience was playing Mr. Jacey Squires in The Music Man. Both of my parents were singers and really, there’s never been a time when music—and the friends I made through music—haven’t been an important part of my life. Love of the arts can bring kids together in surprising ways. The characters in these books face varied challenges, home lives, and predicaments. But for all of them, it’s the support of friends, a dose of courage, and inspiration from the arts that get them through. That’s why I’ve chosen these five wonderful, readable, un-put-downable books.
I don’t have words for how masterful this book is. (I know, I’m a writer, I’m supposed to have words). I’m constantly blown away by Schmidt’s writing. The novel, set in 1968, is the story of fourteen-year-old Doug Swieteck, whose abusive father moves the family to a new town. Doug’s first-person voice is so alive and original. He tells you a lot, but not everything. And what he’s hiding is revealed in scenes that will stay with me forever, among them one in PE class, and another when Doug’s brother returns from Vietnam. On every page, you sense Doug’s emotional armor, but also his vulnerability. His growth as a person and an artist makes it one of my favorite books of all time.
Beloved author Gary D. Schmidt expertly blends comedy and tragedy in the story of Doug Swieteck, an unhappy "teenage thug" first introduced in The Wednesday Wars, who finds consolation and a sense of possibility in friendship and art.
At once heartbreaking and hopeful, this absorbing novel centers on Doug, 14, who has an abusive father, a bully for a brother, a bad reputation, and shameful secrets to keep. Teachers and police and his relatives think he's worthless, and he believes them, holding others at arm's length. Newly arrived in town, he starts out on the same path—antagonizing other kids, mouthing…
I’m a writer, forever tap-tap-tapping away on my computer, looking to create that lyrical rhythm on the page that I feel in my heart. I’m also usually singing, whether it’s made up ditties to my dogs, 80s indie pop, or Broadway showtimes. Bottom line, I’m a storyteller, and nothing thrills me as much as a great tale well told, either on the page, on the stage, or around a table. Here are a few stories I’ve loved along the way that include a nod to Broadway, another love of mine long before I was hired to write the book for Legally Blonde the Musical.
I’d take this book with me if banished to a deserted island.
It’s a comprehensive account of the modern musical from London’s West End to the influence of Show Boat and beyond. Beautifully researched, it’s filled with fantastic timelines and gorgeous art, this is a get-lost-for-days sort of giant tome.
Of course, I didn’t choose it because they feature Legally Blonde and also include my quote: “I’ve also been a blonde… and I’ve also been underestimated.” No, not at all.
Musicals: The Definitive Illustrated Story showcases the complete history of the musical on stage and screen, from its origins in ancient Greece to early twentieth century dance halls and vaudeville to the golden age of cinema productions to the record-breaking Broadway musicals of today.
Packed with historical insights, memorabilia, behind-the-scenes gossip, and artifacts, Musicals: The Definitive Illustrated Story takes you on the ultimate behind-the-scenes tour of the best-loved musicals, such as Chicago, Les Misérables, The Lion King, The Phantom of the Opera, The Sound of Music, and many more.
In all, Musicals: The Definitive Illustrated Story features more than 140…
I have been a Broadway fan since I discovered the 60’s vinyl cast albums my parents collected. Seeing them in person added another level to the magic, and after every show, while still basking in the creative spark, I’m already planning my next visit! Sharing a list of books instead of a playlist is my way of sharing a deeper view of the world we Broadway fans love so much. It’s also the list I used as the basis for my research, while writing my new series (which follows the journey of a fictional Broadway musical from script to opening night)!
The true-life story of the ’70s and ’80s in New York City and the world of theatre—when the Great White Way was basically slated to become a parking lot—as it is saved by a colorful host of characters (and a boardroom coup!) is just begging for a musical of its own. Until that happens, we will have to be content with this page-turning book from a saucy and witty theatre columnist, which chronicles the entire amazing ride of how Broadway was reborn.
Along the way, we get a thorough probing of Broadway history and the highs, lows, and everything in between including some scandal, gossip, and shocking reveals. See? How is this not a musical already?! Riedel is a dramatic and verbose writer who holds back nothing, thankfully. Recommendation: Don’t expect to be using a bookmark too often. I couldn’t put this book down.
"A vivid page-turner" (NPR) detailing the rise, fall, and redemption of Broadway-its stars, its biggest shows, its producers, and all the drama, intrigue, and power plays that happened behind the scenes.
"A rich, lovely, debut history of New York theater in the 1970s and eighties" (Kirkus Reviews, starred review), Razzle Dazzle is a narrative account of the people and the money and the power that turned New York's gritty back alleys and sex-shops into the glitzy, dazzling Great White Way.
In the mid-1970s Times Square was the seedy symbol of New York's economic decline. Its once shining star, the renowned…
I have been a Broadway fan since I discovered the 60’s vinyl cast albums my parents collected. Seeing them in person added another level to the magic, and after every show, while still basking in the creative spark, I’m already planning my next visit! Sharing a list of books instead of a playlist is my way of sharing a deeper view of the world we Broadway fans love so much. It’s also the list I used as the basis for my research, while writing my new series (which follows the journey of a fictional Broadway musical from script to opening night)!
I don’t think I could put together a list of books for next-level Broadway lovers without a Sondheim entry. There are many books to choose from but this one sweeps you off your feet and into the world of creating a Broadway classic. “Behind the scenes” doesn’t even begin to cover this journey into not only the Pulitizer award-winning show but also the intergenerational friendship between Sondheim and Lapine. That relationship and their creative collaboration are curated through script notes, personal photos, and sketches, giving you a glimpse into genius Broadway minds.
Sunday in the Park with George is such a layered work on its own but this book takes you another step into the mix, with a backstage view of how it came to be. My brain was firing in a million directions when I was finished with this one. This book, like the rest of this list, enhances…
A behind-the-scenes look at the making of the iconic musical Sunday in the Park with George
Putting It Together chronicles the two-year odyssey of creating the iconic Broadway musical Sunday in the Park with George. In 1982, James Lapine, at the beginning of his career as a playwright and director, met Stephen Sondheim, nineteen years his senior and already a legendary Broadway composer and lyricist. Shortly thereafter, the two decided to write a musical inspired by Georges Seurat's nineteenth-century painting A Sunday Afternoon on the Island of La Grande Jatte.
Through conversations between Lapine and Sondheim, as well as most…
