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I am a historian of the Cold War and early post-Cold War period, focusing on Soviet/ Russian foreign policy in Afghanistan and in the Middle East in the 1970s and the 1980s. These are exciting topics on which an increasing number of new documents are released each year. I have a research project and lecture about these issues at the University of Zurich in Switzerland. But academia is my second career. Before my Ph.D., I worked as an aid worker, including for two years in the Middle East. I was in the region during the height of the Syrian crisis, notably running humanitarian multi-sector needs assessments.
I love how this book takes a familiar story and twists it in unexpected ways. In this classic of nonfiction on the Middle East, Scott Anderson tells the real story of Lawrence of Arabia.
I love how he does so by combining sound research with a writing style that makes the book read like a novel. Ten years after reading the book, I still remember its protagonists–T.E. Lawrence (obviously), the German agent of influence, the American oilman, and a Romanian-born Zionist agronomist. Their fates collide and unfold as the reader sees the Modern Middle East take shape.
The Arab Revolt against the Turks in World War One was, in the words of T.E. Lawrence, 'a sideshow of a sideshow'. Amidst the slaughter in European trenches, the Western combatants paid scant attention to the Middle Eastern theatre. As a result, the conflict was shaped to a remarkable degree by a small handful of adventurers and low-level officers far removed from the corridors of power.
At the centre of it all was Lawrence. In early 1914 he was an archaeologist excavating ruins in the sands of Syria; by 1917 he was battling both…
I have spent my working life as a journalist, author and storyteller, aiming to uncover complexity that sheds new light on stories we think we know. I got my training at the Wall Street Journal and the New York Times—and from the wonderful editors of my twelve books. An Innocent Bystander, my book that deals with the Middle East, began as the story of a hijacking and a murder of an American citizen. But as my research widened, I came to see this story couldn’t be told without understanding many perspectives, including the Israeli and the Palestinian, nor could the political be disentangled from the personal.
In novels and non-fiction, Israeli author David Grossman has spent much of his career writing about the failed struggle for peace between Israelis and Palestinians.
This series of essays, written over a period of years, chronicles moments of goodwill and hope on both sides, constantly undermined by sectarian passion and extremist opposition to peace.
In Death as a Way of Life, David Grossman, one of Israel's great fiction writers, addresses urgent questions regarding the middle east in a series of passionate essays and insightful articles.
Writing not only as one of his country's most respected novelists and commentators, but as a husband and father and peace activist bitterly disappointed in the leaders of both sides, Grossman asks: What went wrong after Oslo? How can Israelis and Palestinians make peace? How has the violence changed their lives, and their souls?
I have spent my working life as a journalist, author and storyteller, aiming to uncover complexity that sheds new light on stories we think we know. I got my training at the Wall Street Journal and the New York Times—and from the wonderful editors of my twelve books. An Innocent Bystander, my book that deals with the Middle East, began as the story of a hijacking and a murder of an American citizen. But as my research widened, I came to see this story couldn’t be told without understanding many perspectives, including the Israeli and the Palestinian, nor could the political be disentangled from the personal.
Oslo is a theatrical rendering of the behind-the-scenes negotiations that led to the Oslo Accords in 1993.
This Tony-Award-winning play takes a perhaps unreasonably optimistic view of potential peace. Nor will reading (or better yet, seeing) this play satisfy a serious researcher’s desire for historic detail. But it lays out the emotional stakes with humanity and humor, not qualities one usually dares to associate with the conflict in the Middle East.
Winner of the 2017 Lucille Lortel Award for Outstanding Play
Winner of the 2017 New York Drama Critics Circle Award for Best Play
“Oslo is a wonderful and moving work that portrays how real diplomacy works. The play shows us what can happen when men and women on opposite sides of what is perceived as an intractable divide strive to create a shared humanity.” – Ban Ki-moon, former Secretary-General of the United Nations
“A disarmingly funny masterpiece.” – Huffington Post
“So human and so funny. Oslo is gripping, compelling, and compulsively…
I have spent my working life as a journalist, author and storyteller, aiming to uncover complexity that sheds new light on stories we think we know. I got my training at the Wall Street Journal and the New York Times—and from the wonderful editors of my twelve books. An Innocent Bystander, my book that deals with the Middle East, began as the story of a hijacking and a murder of an American citizen. But as my research widened, I came to see this story couldn’t be told without understanding many perspectives, including the Israeli and the Palestinian, nor could the political be disentangled from the personal.
My Promised Land is beautifully written, a story deeply informed by the author’s family history and the body of knowledge he built as an influential Israeli journalist.
Shavit loves the place of his birth but doesn’t retreat from hard questions. He tells a powerful, poignant story of a state-created out of tragedy and the brutal reality of what Jewish statehood has wrought for yet another disinherited group.
There are no easy answers, and Shavit offers none. But he presents the complexities and frustrations with intellectual rigor and literary grace.
NEW YORK TIMES BESTSELLER • NAMED ONE OF THE BEST BOOKS OF THE YEAR BY THE NEW YORK TIMES BOOK REVIEW AND THE ECONOMIST
Winner of the Natan Book Award, the National Jewish Book Award, and the Anisfield-Wolf Book Award
An authoritative and deeply personal narrative history of the State of Israel, by one of the most influential journalists writing about the Middle East today
Not since Thomas L. Friedman’s groundbreaking From Beirut to Jerusalem has a book captured the essence and the beating heart of the Middle East as keenly and dynamically as My Promised Land. Facing unprecedented internal…
I began studying the Israeli-Palestinian relationship as an idealistic Brandeis University student living in Jerusalem in 1969, when I directly encountered the Palestinian problem and the realities of the occupation. Trained at Berkeley to be a political scientist I devoted my life to finding a path to a two-state solution. In 2010 I reached the tragic conclusion that the “point of no return” toward Israeli absorption of the occupied territories had indeed been passed. Bored with the ideas that my old way of thinking was producing, I forced myself to think, as Hannah Arendt advised, “without a bannister.” Paradigm Lostis the result.
Yoram Peri’s expertise on the historical entanglements of the military and political sectors in Israel is unrivaled. Based on personal interviews with all major players Peri goes behind the scenes to show the real meaning of the standard Israeli formula that the “Arab problem” should be seen “through the gunsight.” He describes how different generals, even those open to an accommodation with the Palestinians and opposed to settlers, were either stymied or transformed into saboteurs of the Oslo peace process. This pattern he attributes to the hegemonic psychology, standard operating procedures, processes of socialization, and political demands, associated with the way the Israel Defense Forces are organized and integrated into Israeli politics. Particularly vivid is his portrayal of upper-echelon Israeli military frustration at its forced withdrawal from Lebanon and how that resulted in the IDF’s extraordinarily violent and destructive treatment of the Gaza Strip.
A dramatic shift of power has taken place within Israel's political system; where once the military was usually the servant of civilian politicians, today, argues Yoram Peri, generals lead the way when it comes to foreign and defense policymaking.
Ilan Pappé is a professor with the College of Social Sciences and International Studies at the University of Exeter. He was formerly a senior lecturer in political science at the University of Haifa. He is the author of The Ethnic Cleansing of Palestine, The Modern Middle East, A History of Modern Palestine: One Land, Two Peoples, and Britain and the Arab-Israeli Conflict.
This lexicon of the destroyed Palestinian villages of 1948 illustrated to a wide readership the scope and meaning of the Nakba, the Palestinian catastrophe. In short installments, a whole history that is wiped out is reconstructed as part of the struggle against denial.
This authoritative reference work describes in detail the more than 400 Palestinian villages that were destroyed or depopulated by Israel in 1948. Little of these once-thriving communities remains: not only have they been erased from the Palestinian landscape, their very names have been removed from contemporary Israeli maps. But to hundreds of thousands of Palestinians living in their diaspora, these villages were home, and continue to be poignantly powerful symbols of their personal and national identity.
I started out like most travelers, attracted to new places and to meeting people whose worlds were different from my own. Typically, this meant tried-and-true destinations in Europe until a book project required me to visit an utterly daunting place, the West African nation of Liberia during a civil war. I was in no way prepared for the experience and it changed everything. Seeing how people behave when faced with extreme circumstances profoundly altered my view of the world. Everything was magnified. Though I still enjoy a cup of espresso on the Piazza Navona, there is nothing like traveling to a forbidden zone and meeting someone destined to be a lifelong friend on the roof of a bombed-out building. It opens the world in ways that are challenging and scary, but also incomparably rewarding.
The perilous distances traveled in this intense, genre-bending novel are likewise abbreviated – sometimes measured in meters, between Israel and Palestine, but they are as fraught with peril as any thousand-mile survival trek. Based on the author-embellished experiences of two men, one of whom is Israeli, the other Palestinian, who also appear as themselves in factual passages, the book mixes fiction and nonfiction to magnify the drama of traveling back and forth between two adjacent, lethally fractious zones. An unexpected friendship develops between the two men after each loses a daughter to terror violence perpetrated by the other side, which alters their views as they repeatedly crisscross the boundary line.
Despite the book’s comparatively confined settings, the effect is of near-constant, life-changing motion as the two struggle to bridge a seemingly impassible gap in search of the truth. It works. Words of praise like “staggering” and “transformative” barely hint at…
A NEW YORK TIMES BESTSELLER
LONGLISTED FOR THE BOOKER PRIZE
SHORTLISTED FOR THE DUBLIN LITERARY AWARD
SHORTLISTED FOR THE PRIX FEMINA AND THE PRIX MEDICIS
SHORTLISTED FOR THE GOLDSBORO BOOKS GLASS BELL AWARD
WINNER OF THE PRIX DU MEILLEUR LIVRES ETRANGER
WINNER OF THE 2020 NATIONAL JEWISH BOOK AWARDS
CHOSEN AS A BOOK OF 2020 BY THE SUNDAY TIMES, OBSERVER, GUARDIAN, i PAPER, FINANCIAL TIMES, NEW STATESMAN, SCOTSMAN, IRISH TIMES, BBC.COM, WATERSTONES.COM
'A wondrous book. It left me hopeful; this is its gift' Elizabeth Strout
'An empathy engine ... It is, itself, an agent of change' New York Times Book…
In books, essays and reportage, I've been writing about Israel and the conflict since moving from the U.S. to Israel in 1982. Even as I write from within my Israeli consciousness, I have tried to understand and convey other perspectives. For Israelis and Palestinians, there is nothing abstract about this conflict; it is, instead, a matter of life and death. My writing is an attempt to simultaneously convey the passions of this conflict and offer an empathic voice for all those caught in this seemingly hopeless situation.
In this extraordinary memoir, Yousef Bashir describes growing up in Gaza during the Second Intifada of the early 2000s. At age 15, an Israeli soldier shot him in the back. Paralyzed, Yousef was sent to an Israeli hospital, where he gradually recovered, making Israeli friends in the process. That experience of “love and pain” helped transform him into a peace activist. Yousef is one of the Palestinians who wrote a response to my book, Letters to My Palestinian Neighbor. (His letter appears in the epilogue.) I know of no better window into the Palestinian experience than this beautiful, wrenching book.
A Palestinian-American activist recalls his adolescence in Gaza during the Second Intifada, and how he made a strong commitment to peace in the face of devastating brutality in this moving, candid, and transformative memoir that reminds us of the importance of looking beyond prejudice, anger, and fear.
My father is Palestinian, my mother English. I am a typical diaspora Palestinian, having moved many times. I’m intrigued by what this highly politicized nationality–being Palestinian–does to peoples’ emotions, their desire to be accepted and thrive, their sense of community, their ability to deal with the challenges and joys of political engagement as well as the difficulties of not being political if they choose not to be. Being Palestinian is an extreme case of what humans can be forced to endure as political and social animals. Living under military occupation gives rise to huge sacrifices and pure heroism in the most quotidian way. Acts that deserve recognition.
Azem takes a premise here and runs with it. How about, she asks, if all the Palestinians just disappeared, what would the reaction be?
The heart of the novel is the grandmother character, who dies as the book opens and the other Palestinians vanish and I wanted more recollections of her, more of her dialogue. Set mainly between Jaffa and Tel Aviv, the fusing of the two names irritates the grandmother, who says it’s "just like someone being up your ass. You don’t see them, and they never let go."
There are sharp cameos here of Israeli-Palestinian relations, from buyers and sellers to torturers and prisoners, pimps and sex workers. I found the conclusion to be too bleak, but the writing is good, and the observations are sharp.
What if all the Palestinians in Israel simply disappeared one day? What would happen next? How would Israelis react? These unsettling questions are posed in Azem's powerfully imaginative novel. Set in contemporary Tel Aviv forty eight hours after Israelis discover all their Palestinian neighbors have vanished, the story unfolds through alternating narrators, Alaa, a young Palestinian man who converses with his dead grandmother in the journal he left behind when he disappeared, and his Jewish neighbor, Ariel, a journalist struggling to understand the traumatic event. Through these perspectives, the novel stages a confrontation between two memories. Ariel is a liberal…
Conflict resolution and intergroup relations are my passions. Perhaps because I’m a child of the Holocaust. My parents and I arrived in the U.S. as stateless refugees. The Holocaust primed me to explore why religion inspires so much hate. My career as a criminologist got me interested in the link between religion and violence. My refugee roots led me to an International Rescue Committee report on the Syrian crisis. That report hit me hard and felt very personal because it echoed my own family’s suffering in the Holocaust. I saw an opportunity to build bridges between enemies—Israel and Syria, Jews and Muslims—while also saving lives.
I was blown away by this narrative of the Israeli-Palestinian conflict from the Palestinian perspective. Sari Nusseibeh is the scion of one of the oldest and most distinguished Palestinian families. So important are they that the Nusseibehs hold the keys to the Church of the Holy Sepulcher and are charged with opening the Church each day. Despite the fact that Sari and his family lost so much when Israel declared statehood in 1948, I was moved by the absence of malice in what I found to be a balanced account of “the Nakbah.” After reading the book, I was eager to meet Sari, who was at the time president of Al Quds University. My husband and I did get to spend a day with him on campus, where we learned even more about the Palestinian side of the conflict.
These extraordinary memoirs give us a rare view into what the Arab-Israeli conflict has meant for one Palestinian family over the generations. Nusseibeh also interweaves his own story with that of the Palestinians as a people, always speaking his mind, and apportioning blame where he feels it due. Hated by extremists on both sides, his is a rare voice.
"This autobiography? carries the passion that might embolden ordinary Israelis and Palestinians to bypass the politicians and establish the peace that all but the armoured men desperately want." The Independent
"Nusseibeh's formidable achievement? leaves a drop of despair, because of how…
