Fans pick 100 books like Jokes for the Gunmen

This is a slim volume that is playful, sweet, and natural in tone, although the setting, Gaza, is never associated with the playful, the sweet, and the whole regime that governs it is as far from being natural as is feasibly possible. 

I had not read a voice like Heba’s before, warm yet wise beyond her years and full of humor, intelligence, and originality. There is an excellent playlist that ranges from Nina Simone to Mashrou’ Leila, which covers aspects of her life, from fluffy slippers to political debates to the love of family and women. ‘Late capitalism is the bane of my life,’ Hayek writes, ‘sometimes it feels as though these algorithms have encrypted my very brain.’

As a teenager in Gaza, she uses Google Maps to explore cities she cannot access, but when homesick in exile later, in Europe or the US there is an equivalent way of… show more.

What I love in Hiller’s writing is the no-glory honesty of growing up in settings of omniscient violence where the last wish of the protagonists is to be heroic. They are vulnerable young men trying to get by, to do the right thing, to find calm.

This book and its sister book, Shake Off, are some of the finest works of fiction set during political conflict and war that I have read. Hiller’s gracious enough as to refrain from indulging in the gratuitous or the showy, but these are finely crafted thrillers. They are both equally gripping, taking the reader through worlds rarely seen by English language readers.

Azem takes a premise here and runs with it. How about, she asks, if all the Palestinians just disappeared, what would the reaction be?

The heart of the novel is the grandmother character, who dies as the book opens and the other Palestinians vanish and I wanted more recollections of her, more of her dialogue. Set mainly between Jaffa and Tel Aviv, the fusing of the two names irritates the grandmother, who says it’s "just like someone being up your ass. You don’t see them, and they never let go."

There are sharp cameos here of Israeli-Palestinian relations, from buyers and sellers to torturers and prisoners, pimps and sex workers. I found the conclusion to be too bleak, but the writing is good, and the observations are sharp. 

At a time of death and destruction in Gaza, this book is one of the only volumes that brings to the English language reader some of the voices from inside a small strip of land that has been under siege by land, sea, and air for sixteen years.

Although the quality of the writing is variable, I found that the rawness of the collection made the writers seem more intimate. With some gutsy writing by women and tender pieces by men, the anthology subverts assumptions and provides a wide heterogeneity of voices to the fore. 

Gate of the Sun is one of the most acclaimed novels about the so-called “question of Palestine.”

Although fictional, it hews closely to real life; the author Elias Khoury, a Lebanese writer, was informed by the extensive time he spent talking to Palestinian refugees in various camps. The book is set in Shatila refugee camp in Lebanon and has an epic scope, weaving together different characters’ experiences of displacement and exile and spanning six decades from the 1930s to the 1990s.

Along the way, we engage with some of the most pivotal moments in recent Palestinian history: the original displacement of 1948 (known as the Nakba); the Arab defeat of 1967; the 1982 massacre in Sabra and Shatila camps. Epic in every sense.

As a journalist I have often reported on the Palestinian refugees in my home country Lebanon. I visited the refugee camps and spoke to its residents, and every time I leave the place with stories of what they have behind when they had to flee the historic land of Palestine in 1948 and later in 1967. The old keys and deeds to their homes that had been passed on from one generation to another, stay witness to their conviction of their right to return. This book is about those people and their narratives. It is about Palestinians’ collective memory of loss, that has been kept alive mostly through the spoken word. This book is a narrative documenting those narratives. It captures the essence of what it means to be Palestinian. 

This is the book that made me want to learn more and more about Palestinian refugee experiences.

On first publication it was groundbreaking in various ways. Way before it was commonplace for researchers and activists, the author Rosemary Sayigh spent time living in a Palestinian refugee camp and learning directly from her interactions with people there.

She also took an unconventional approach to understanding Palestinian history; instead of engaging with formal historical narratives, she was interested in how people experienced history. To do this she focused primarily on listening to the experiences of refugee women.

As a result, her work became significant in the field of oral history as well as Palestinian studies. The Palestinians presents the refugees’ history on this basis, and is all the more memorable for it. 

I listened to this book because I wanted to understand more about the history and people of Palestine as the 2023-24 war between Israel and Hamas was escalating to ever more deadly heights.

Abulhawa is a renowned Palestinian author, and this book was an international bestseller back in 2010, but I knew nothing of it at the time. I found the novel, a family saga stretching several generations from 1941 to 2022, so immediate, eye-opening, and moving that it was as if I were reading about the current war in real-time.

I loved it so much that I bought the actual book to keep forever. 

In this groundbreaking book, leading Arab and Jewish intellectuals examine how and why the Holocaust and the Nakba are interlinked without blurring fundamental differences between them. While these two foundational tragedies are often discussed separately and in abstraction from the constitutive historical global contexts of nationalism and colonialism, The Holocaust and the Nakba explores the historical, political, and cultural intersections between them. The majority of the contributors argue that these intersections are embedded in cultural imaginations, colonial and asymmetrical power relations, realities, and structures. Focusing on them paves the way for a new political, historical, and moral grammar that enables a joint Arab-Jewish dwelling and supports historical reconciliation in Israel/Palestine.

This book does not seek to draw a parallel or comparison between the Holocaust and Nakba or to merely inaugurate a “dialogue” between them. Instead, it searches for a new historical and political grammar for relating and narrating their… show more.

Refugees of the Revolution is an ethnographic study of Shatila refugee camp, which is notorious as the site of a 1982 massacre and has become central to Palestinian nationalist narratives.

In the early 21st century, Allan spent time living in Shatila, originally wanting to research the nationalist discourse there. Instead, she came away with a much more complex study of the refugees’ complex struggles, in both the political and the quotidian sense. In taking an unconventional approach, Allan has something in common with Sayigh, even though they were writing 40 years apart.

For these reasons Refugees of the Revolution is particularly interested to read as a follow-up to Sayigh’s The Palestinians, which is my first pick above.