98 books like Images and Oracles of Austin Osman Spare

A warm, down-to-earth amateur biography of Spare, which is also a memoir of the author’s friendship with him. A mildly eccentric man who went on to run a secondhand bookshop in Hastings, Letchford sought Spare out in 1937, when he was a twenty-one-year-old shop assistant, after reading about him in a newspaper, and went on to become his most loyal friend.

At the opposite pole to Grant (they only met at Spare’s deathbed), this is Spare the canny, opinionated Cockney and South Londoner, but there is not much magic in it. Spare valued both Grant and Letchford, although he had a couple of rows with Grant. In the end, he might have felt closer to Letchford, leaving him “first choice” of pictures in his will and Grant second.

Grant met Spare in 1949 through his wife Steffi, who had read a ‘human interest’ feature about him in a magazine. Based on Grant’s diary, this book records the real Spare in the pubs of South London and the West End before Grant semi-fictionalized him.

Grant had a sense of humour, and after introducing Spare to witchcraft revivalist Gerald Gardner, he watched him try to outdo Gardner in boasting about witchcraft, then went home and wrote that it was “screamingly funny.”

This is a substantial tome, beautifully produced and illustrated, with plenty of time-travelling period detail. Steffi remembers when pubs had live pianists, often playing ‘The Harry Lime Theme’ from The Third Man: “It seemed the signature tune of Spare at that period, and hearing it now fills me with nostalgia.”

This complete compendium of Spare’s exhibition catalogues has been put together by the great Robert Ansell, a pioneering figure in Spare research. Running from 1907 to 1955, complete with their catalogue essays and some related bits of ephemera, the facsimile catalogues slowly change in their period feel and give the real trajectory of Spare’s career, all the way through to his late shows in pubs.

The book has a generous additional colour section of pictures, and it is all surprisingly readable and even vivid: “Not long now!” says the flyer for an upcoming exhibition in the Mansion House Tavern pub in south London: “The show you’ve been waiting for!” 

This is a marvellous little book that delves into Spare’s engagement with fortune-telling by cards, particularly the story of his 1930s ‘Surrealist Racing Forecast Cards,’ which he sold through a small ad in the Exchange and Mart magazine.

They are quintessentially Spare, perhaps more than the recently discovered Spare tarot (juvenilia, in comparison, from before he went beyond conventional occultism). Along with previously unseen photos and Spare’s own essay "Mind to Mind and How" (“By a Sorcerer”), the heart of the book is Gavin’s "A Few Leaves from the Devil’s Picture Book." 

This was a milestone in Spare research, back when what little was known about him was unreliable, and it is also a beautiful piece of writing–I borrowed a line from it to close my own book on him. 

Weighing in at somewhere over 300,00 words across over 700 pages, this is the most comprehensive Crowley biography. Stylistically is it no great treat for the reader, but it was obviously a staggering amount of work and demands respect: assembling this much material is an achievement. The effect—with generous backup detail on minor figures—is often like a gigantic Wikipedia entry. Kaczynski is one of the Crowley faithful, and he tends to look on the bright side. Consequently the book can be rather pious, as well as occasionally naive (Kaczynski quotes Freud’s supposed lauding of occult artist Austin Osman Spare, for example—one of Spare’s tall tales—as if he really said it, to which you can only say “As if…”). Still a very useful work of reference. 

Lobsang Rampa was a Tibetan Monk that took over the body of an Englishman in order to accomplish his destiny in teaching Westeners the Wisdom of the Ancients.

I found this book at 18 years old while searching for the meaning of life, needing to know that what I experienced and could do was not an overactive imagination. As I read the book, a great calmness settled into my soul. All the information related was confirmation that I knew all these concepts already. Now I had the terminology to go with it. It was such an exciting discovery.

If you wish to learn ancient knowledge in a nutshell, this is the book to start with.

This was the first occult book I ever bought, so it holds a special place in my heart. The title alone, drew me to it and I was not disappointed. The book is full of all kinds of spells and information on herbs, amulets and talismans, ceremonial magic, Satanism & Witchcraft, potions, and many other wicked goodies. I love old occult books and this one, first published in 1970, started my occult library which has continued to grow. 

This pick is for the history nerds like me. This book provides, in a single volume over ten selections from foundational tarot books from the last two hundred years. This book is definitely for the enthusiast who wants to go back to the study texts that are out of print or to go back to the beginning of occult Tarot. This book includes ‘old school’ fortunetelling techniques not seen in a long time. I love some old fashion fortunetelling techniques. This is also a recently published book, so you can show off a fresh hot big book on Instagram to make the followers go “ooooo.” 

An atmospheric biography—a book you can curl up with—by British occultist King (not to be confused with the more ‘literary establishment’ Francis King, a respected gay novelist; our man sometimes called himself Francis X King to distinguish between them). King was a quietly eccentric character who had been traumatized by his experiences in the Korean War, and at one stage sold ice cream on Bournemouth beach. Steeped in the Golden Dawn tradition, his other books include works on alchemy, Western esotericism, tantra, and more, and he was a friend of Crowley’s friend Gerald Yorke, who also wrote on those subjects. I’ve always had a soft spot for their charmingly old-school, gentlemanly style of bygone British occult scholarship.

Lumley is steeped in both the occult detective and the Lovecraftian tradition, and it shows most clearly in this set of pulpy occult detective stories featuring his cerebral-yet-tough Titus Crow, and involving wild flights of fancy in time and space that also arguably show some influence from Doctor Who. We get a lovely creepy origin story here, and several vignettes, but the highlight is the longer tale of the mysteries of the wyrm, and festering, crawling things in an ancient manor house and its library. It fairly oozes supernatural evil and is one of my favorite things.