100 books like Hitler and the Power of Aesthetics

The Faustian Bargain is all about the art world inside Germany in the 1930s and 1940s. Petropoulos chronicles the artists, art dealers, art professors, art journalists, and many others who were forced to live under Hitler’s cultural rules, which forbade modernist art of any kind. Some profited from this arrangement, others subtly fought against it. This is an inside look at a culture choked and suppressed by its own leadership.

First recommended to me by a renowned authority on European history, this big book is far and away the most comprehensive study of the origins of World War II that I read while preparing to write my own book. Watt not only traces the rise of Hitler and the absolutely ruthless steps he took to make himself master of Germany throughout the 1930s; Watt also shows exactly how Roosevelt maneuvered his way around American isolationists who were dead set against any American involvement in the new war. On top of that, Watt shows how Britain and every other European country outside Germany were responding to the prospect that within twenty years of a war that had taken 20 million lives and wounded 21 million more, Europe was facing the unthinkable: a second World War. 

As the title suggests, this is a compendium of American visitors’ impressions of Nazism in the 1930s. Their reactions varied from confusion to rage to applause, but Nagorski notes that, sooner or later, most came to the realization that Germany was “a society undergoing a horrific transformation in the name of a demented ideology,” and feared the implications for humanity. Another useful reminder of the essential role of solid, independent journalism, and of the methods by which seemingly decent people and entire societies can be devoured by hatred and tribalism. It seems, sadly, that we need a lot of reminding about such things…

This is not a full biography – the biography Steinert wrote later in her career is not available in English – but many of the ideas in Steinert’s biography can also be found in this earlier work, which has faded into posterity slightly but can be read with great profit. Here, Steinert is concerned to give texture to a hitherto often two-dimensional image of German society and its attitudes to Hitler’s War. The result is an interesting, differentiated account of public opinion in Nazi Germany. In many respects, it was pioneering and opened up questions surrounding the relationship between state and society that other historians went on to explore further in the 1980s. Steinert’s Francophone background, and perhaps the fact that she was a female writer working in a profession that was then very male-dominated, probably account for the fact that her work is less well-known in the English-speaking world… show more.

This book fascinated me with its title, a contradiction in my Dutch mind. It proved to be a rewarding and intriguing read.

I loved to be on the other side and be in the mind of the child, affected by the cruel history of WW2, and feel how to make a life afterward. It made me grateful for my own life in Canada. 

There’s an expression among investigative journalists: follow the money. That’s exactly what the historian Andrew Roberts has done in this highly original and brilliant history of World War 2, full of economic insights.

How about this, for instance? “Hitler’s anti-Semitism  .. did nothing to aid Germany’s chances of winning the war, and possibly a great deal to retard them. The Holocaust was a mistake, tying up railway stocks … but above all denuding Germany of millions of potentially productive workers and potential soldiers.”

In other words, if railway trucks heading east through Germany had been full of soldiers heading for the eastern front instead of hapless Jews heading for Auschwitz and death, then Hitler’s invasion of Russia might have stood a better chance of success.

So if following the money strikes you as an essential way of getting to the truth, even when the subject is the economics of war,… show more.

Giles Milton is an extraordinary historian whose history books read like novels. Wolfram tells the story of a young German soldier who was only nine years old when Hitler came to power, raised by free-thinking parents who were not Nazi supporters, his formative years living under the most brutal regimes in history. This book explores a subject this is often ignored, ordinary German people trying to live normal, decent lives and who suffered the consequences of Hitler’s war. "I’d rather be anywhere else in the world," Wolfram writes to his parents from the fighting in Ukraine in 1942. This is a story of a decent young man caught up in the German war machine, and it is a reminder that people on all sides of the war suffered. 

There are dozens of excellent books about Germany and Germans in the wake of defeat – I could mention Giles MacDonogh’s After the Reich, or R.M. Douglas’s Orderly and Humane – but Douglas Botting’s book is by far the most engaging history of the subject that I’ve ever read. It was written in the 1980s, so it is not quite as up-to-date as the more recent histories, but what it lacks in cutting-edge research it more than makes up for in narrative immediacy. It is impossible not to be moved by Botting’s descriptions of postwar chaos, of orphans hiding in the ruins, of lawlessness, starvation, desperation and retribution. An absolute classic.

Joseph Goebbels was the Minister for Propaganda in Hitler’s Nazi Germany, and is one of the central characters in my latest novel. I recommend Longerich’s biography of this complex man in its own right, and not just because I plundered it for information when writing my novel.

Scholarly but written in a lively style, the book will appeal to anyone interested in what made the ‘master of the dark arts of propaganda’ tick. Drawing heavily on Goebbels’ own diaries (which run to an astonishing twenty-nine volumes), Longerich has written the definitive history of this complex and fascinating man, who was so attracted to Nazi ideology that he ultimately lost his soul to evil.

I found this book uniquely moving, gripping, and enlightening.

With his diary, Klemperer, a German Jew, captures the increasingly brutal atmosphere of Nazi Germany and what persecution felt like in everyday life. I admire the sharpness with which he describes the various Germans he encountered–and the range of their reactions–as the deportations and mass murder got under way.

It is a remarkable testimony to the good and evil in humanity.