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My fascination with Audrey Hepburn formed at an early age. My mother used to regale me with stories about taking trips to her local theater to watch My Fair Lady or seeing models at mall fashion shows sporting Audrey’s mod-inspired hairstyle from How to Steal a Million. Hearing these memories made Audrey feel familiar, like a distant relative and not an untouchable Hollywood movie star. As a child, I watched her movies, and over time, I began collecting books, vintage magazines, and photographs. In 2010, I created my website, Rare Audrey Hepburn, with the intention of sharing my discoveries with fellow Audrey fans.
The names Audrey Hepburn and Hubert de Givenchy are inextricably linked. Their union transformed the bond between two industries: fashion and film. This book wasn’t just a reference source for me; it has been a point of inspiration since it first arrived in my library many years ago.
I am a longstanding admirer of Givenchy and his timeless creations. His legacy is a testament to his dedication to quality construction, clean lines, and unique details. This book is an intimate look into Hubert’s life narrated in his own words and told through stunning photos showcasing his beautiful clothes and his ornately decorated homes. Each page makes it more evident why Audrey and Hubert weren’t just friends but fashion soulmates.
The private life of this famous Parisian stylist is presented through newly published photos of Givenchy's homes, along with a review of his painting, art, and furniture collections, and examines how his private life has influenced his fashion design.
My fascination with Audrey Hepburn formed at an early age. My mother used to regale me with stories about taking trips to her local theater to watch My Fair Lady or seeing models at mall fashion shows sporting Audrey’s mod-inspired hairstyle from How to Steal a Million. Hearing these memories made Audrey feel familiar, like a distant relative and not an untouchable Hollywood movie star. As a child, I watched her movies, and over time, I began collecting books, vintage magazines, and photographs. In 2010, I created my website, Rare Audrey Hepburn, with the intention of sharing my discoveries with fellow Audrey fans.
When I was brainstorming the outline for my book, I knew from the outset that I wanted to explore Audrey’s noteworthy friendships, including the larger-than-life luminary Diana Vreeland. Diana transformed the way the general public saw fashion. During her time at Harper’s Bazaar and Vogue her influence was seen on every page, from the creative backdrops, to the imaginative themes, to her vibrant use of color.
This book by Eleanor Dwight beautifully captures the true essence of Vreeland. Dwight navigates Vreeland’s journey with glamorous photos that are grounded by her elegant narrative. It goes without saying that Diana was more than a footnote in Audrey’s life. She was a friend, an admirer, and a collaborator.
Diana Vreeland has been called the fashion editor of the twentieth century. An epic self-mythologizer, she had an incredible aura of glamour, a great eye, and a genius for life. Diana Vreeland reveals the growth of her professional prowess and gives an account of her personal history, at the same time as it brings to life Mrs. Vreeland's pizzazz, humour, and flamboyant personality. A dynamic cast of characters accompanies Diana Vreeland's story. There are more than 300 illustrations, photographs, and drawings, many by the best fashion photographers of her time such as Louise Dahl Wolfe, Irving Penn, Cecil Beaton, and…
My fascination with Audrey Hepburn formed at an early age. My mother used to regale me with stories about taking trips to her local theater to watch My Fair Lady or seeing models at mall fashion shows sporting Audrey’s mod-inspired hairstyle from How to Steal a Million. Hearing these memories made Audrey feel familiar, like a distant relative and not an untouchable Hollywood movie star. As a child, I watched her movies, and over time, I began collecting books, vintage magazines, and photographs. In 2010, I created my website, Rare Audrey Hepburn, with the intention of sharing my discoveries with fellow Audrey fans.
This book is mouthwatering! Readers might be surprised to learn that Audrey met Avedon at the very start of her career. After she was discovered by Colette in 1951, Audrey sailed to New York to begin rehearsals for Gigi. In New York, donning her Gigi costume, Audrey was photographed by Avedon for the first time. Their friendship in front and behind the camera would blossom over the years, and in 1956, Audrey would star in the movie musical Funny Face, loosely based on Avedon’s life at Harper’s Bazaar.
Avedon’s genius is brilliantly highlighted in this visual biography. Avedon Fashion chronicles Avedon’s career with stunning fashion photographs and celebrity portraits, including memorable black and white shots of Audrey. This book grabs you from the moment you set eyes on the brightly colored cover.
Avedon Fashion 1944-2000 encompasses seven decades of extraordinary images by Richard Avedon, the most influential fashion photographer of the 20th century.This comprehensive volume offers a definitive survey, from Avedon's groundbreaking early photographs for Harper's Bazaar through his constantly inventive contributions to Vogue, Egoiste, and The New Yorker. Each carefully selected image represents an artistic collaboration with significant models, stylists, and designers. Avedon Fashion accompanies the first major exhibition to survey this body of work, at the International Center of Photography in May 2009. With critical essays by Carol Squiers, curator at the ICP, and photography critic Vince Aletti, as well…
My fascination with Audrey Hepburn formed at an early age. My mother used to regale me with stories about taking trips to her local theater to watch My Fair Lady or seeing models at mall fashion shows sporting Audrey’s mod-inspired hairstyle from How to Steal a Million. Hearing these memories made Audrey feel familiar, like a distant relative and not an untouchable Hollywood movie star. As a child, I watched her movies, and over time, I began collecting books, vintage magazines, and photographs. In 2010, I created my website, Rare Audrey Hepburn, with the intention of sharing my discoveries with fellow Audrey fans.
In many ways, this book is a precursor to Audrey Hepburn in Paris. Both books were conceived by Audrey’s son, Luca Dotti. I used Audrey at Home as a guide while writing my book. I was moved by Luca’s personal anecdotes and the private photos from his family albums.
Although the two books differ in subject—one is about Audrey’s home life, and the other is about her fashionable career—one concept I borrowed was the exploration of the woman behind the actress. Luca’s book changed the field for Audrey biographies. By inviting us into the intimate setting of his mother’s kitchen, we are given access to a rarely-shown side of Audrey. This book tenderly examines the actress, the mother, the wife, and the friend.
New York Times Bestseller Enter Audrey Hepburn's private world in this unique New York Times bestselling biography compiled by her son that combines recollections, anecdotes, excerpts from her personal correspondence, drawings, and recipes for her favorite dishes written in her own hand, and more than 250 previously unpublished personal family photographs. Audrey at Home offers fans an unprecedented look at the legendary star, bringing together the varied aspects of her life through the food she loved-from her childhood in Holland during World War II, to her time in Hollywood as an actress and in Rome as a wife and mother,…
I started making movies at age 13; to make a movie, you need a script, so I became a screenwriter by default. A dozen low-budget movies (and a couple of TV scripts) later, I started writing fiction: Two mystery series, (The Eli Marks mysteries and The Como Lake Players mysteries), four stand-alone novels, plus a couple of filmmaking “How To” books followed. Over the years, I’ve always searched out the best ideas on how to write, and how to write well. If I were to teach a course on writing, the five books I’ve listed would comprise the reading list.
Rejection is a big part of the writer’s life (less so now that self-publishing has taken off, but it still rears its ugly head more times than you might expect).
Actors know all about rejection and the late Charles Grodin had more than his share. While this is technically a memoir, it’s also a handbook on how to deal with and process all the forms of rejection you might encounter on your journey. As an additional incentive to read it, please know that Charles Grodin is a terrific writer and a funny, funny man. You’ll learn while you laugh.
Here is an actor's autobiography that transcends genre. Grodin writes about his share of catastrophic setbacks with candor and liberating humor. He dispenses invaluable advice about the art of surviving in the celluloid jungle. Photos.
I’m a writer, forever tap-tap-tapping away on my computer, looking to create that lyrical rhythm on the page that I feel in my heart. I’m also usually singing, whether it’s made up ditties to my dogs, 80s indie pop, or Broadway showtimes. Bottom line, I’m a storyteller, and nothing thrills me as much as a great tale well told, either on the page, on the stage, or around a table. Here are a few stories I’ve loved along the way that include a nod to Broadway, another love of mine long before I was hired to write the book for Legally Blonde the Musical.
Full disclosure, Darcie was a producer on Legally Blonde and was president of MGM On Stage. Darcie was a real character, and she also dripped with worship for the theater.
This book is a meticulously researched love letter to the fusion of film and theater, filled with phenomenal photos and teeming with love. Chronicling West Side Story, Gypsy, Chicago, and beyond, it’s a great coffee table book you’ll actually want to read.
Fans of musicals will sing when a division president of MGM and industry insider presents her entertaining, illuminating insights on exactly what happens when stage meets screen.
Tom Santopietro is the author of eight books, including the New York Times Editor’s ChoiceConsidering Doris Day, The Importance of Being Barbra, Sinatra in Hollywood, Why To Kill a Mockingbird Matters, and The Godfather Effect. A frequent media commentator and interviewer, he lectures on classic films and over the past thirty years has managed more than two dozen Broadway shows.
Film historian and professor Jeanine Basinger covers the entire history of the movie musical with scholarship, laugh-out loud asides, and a love of film that shines through on every page. No one knows more about film than Basinger but she wears her knowledge lightly, inviting the reader to join in the fun.
Irresistible and authoritative, The Movie Musical! is an in-depth look at the singing, dancing, happy-making world of Hollywood musicals, beautifully illustrated in color and black-and-white--an essential text for anyone who's ever laughed, cried, or sung along at the movies.
Leading film historian Jeanine Basinger reveals, with her trademark wit and zest, the whole story of the Hollywood musical--in the most telling, most incisive, most detailed, most gorgeously illustrated book of her long and remarkable career. From Fred Astaire, whom she adores, to La La Land, which she deplores, Basinger examines a dazzling array of stars, strategies, talents, and innovations in…
I’ve been interested in classic Hollywood movies for as long as I can remember, starting especially with the MGM musicals, the comedies of Abbott and Costello, and anything by Alfred Hitchcock. When I became a musicologist, I started to understand more about how the music of these films contributed to my interest in them, so it seemed like a natural research project for me to explore the music in more depth. I slowly realized that what made the films of the 1950s unique was the combination of new styles of acting with new styles of music. The films continued to suck me in and now my interest has resulted in this book.
There are quite a few books out there on movie musicals, many of them full of holes and poorly researched.
Griffin’s is one of the most comprehensive, focusing not just on the famous MGM musicals like Singin’ in the Rain that get the most attention these days, but also on the lesser-known musicals that were hugely popular in their time. In this book you’ll learn about largely forgotten stars like Alice Faye and Jane Powell, and see how they fit into the history of the genre.
Griffith closely examines the whole history of movie musicals from the earliest days of sound film up to the present, without the value judgments that often obscure the history.
A History of the American Musical narrates the evolution of the film musical genre, discussing its influences and how it has come to be defined; the first text on this subject for over two decades, it employs the very latest concepts and research.
The most up-to-date text on the subject, with uniquely comprehensive coverage and employing the very latest concepts and research
Surveys centuries of music history from the music and dance of Native Americans to contemporary music performance in streaming media
Examines the different ways the film musical genre has been defined, what gets counted as a musical, why,…
As a screenwriter I’ve always enjoyed noir stories, whether books or movies. Stories where the characters are not your squeaky-clean “good guys.” I like to see “ordinary” people; people who are flawed (like all of us), or maybe with a shady past, who are swayed or manipulated by dire circumstances into doing something they would not ordinarily do. I enjoy stories with unique, interesting characters that are not your run-of-the-mill private eyes, and whose moral compass might be a bit off. I particularly like stories where characters are forced to become investigators because of a situation they are thrust into, whether by accident or by their own dubious actions.
Set in the seventies, a sexy female celebrity journalist sets out to find the reason for the break-up of a singing/comedy duo alá Lewis and Martin and uncovers a gruesome murder. Full of sex, drugs, and behind-the-scenes entertainment business debauchery, this story is told in a masterful way that is funny, frightful, suspenseful, and disturbing. A truly unique noir tale where no one comes away clean. Just how I like it. And written by my good friend and former employer, Rupert Holmes. The same guy that gave us “Escape, The Pina Colada Song” and the Broadway hit The Mystery of Edwin Drood.
O’Connor, a vivacious, free-spirited young journalist known for her penetrating celebrity interviews, is bent on unearthing secrets long ago buried by the handsome showbiz team of singer Vince Collins and comic Lanny Morris. These two highly desirable men, once inseparable (and insatiable, where women were concerned), were driven apart by a bizarre and unexplained death in which one of them may have played the part of murderer. As the tart-tongued, eye-catching O’Connor ventures deeper into this unsolved mystery, she finds herself compromisingly coiled around both men, knowing more about them than they realize and less…
As a brainy, bullied Queer theater kid, I was 14 before I ever saw anyone like myself onstage or onscreen. Then—Wham—in June of 1980 I sawA Chorus Lineon Broadway and Fame at the movies. But there weren’t any books that showed the theater life as it was actually lived. When I published my love letter to my high school theater friends in 2004, no one had written a novel about our kind. Today, as someone who’s managed to make a living as a writer-director of musicals, I strive to share the whole truth with the young artists I mentor.
Everything that can wrong in live theatre happened to Spiderman: Turn Off the Dark—and on the biggest scale possible. How Glen Berger, the only non-rich and famous person on the creative team ofThe Lion Kingdirector Julie Taymor and U2 rockers Bono and The Edge, managed to tell all without being sued is a mystery. Maybe it’s because the fights, failures, and firings are all just another day at work on Broadway—as are the accidents. Every outrageous incident Berger relates I have personally experienced in the musicals I’ve written—from on Broadway to Off-Off-Broadway and around the globe. ReadingSong of Spider-Man prepared me for the worst, from producers applying Mafia-style pressure to witnessing an actor plummet to the stage like a dead weight.
As you might imagine, writing a Broadway musical has its challenges. But it turns out there are challenges one can't begin to imagine when collaborating with two rock legends and a superstar director to stage the biggest, most expensive production in theatre history. Renowned director Julie Taymor picked playwright Glen Berger to co-write the book for a $25 million Spider-Man musical. Together-along with U2's Bono and Edge-they would shape a work that was technically daring and emotionally profound, with a story fuelled by the hero's quest for love...and the villains' quest for revenge. Or at least, that's what they'd hoped…