Here are 100 books that 18 Tiny Deaths fans have personally recommended if you like
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I was frustrated by stories of gilded-age women who floundered around and were pitied because of the limitations society put on them. I thought the heroine of House of Mirth was not heroine but a loser. It seemed to me there must be other women out there who weren’t just sitting around bemoaning their predicament. Since I’m a mystery writer I was especially pleased to find some women who were out there doing things, even in criminology. Finding Frances Glessner Lee was the icing on the cake when I learned that she is known as the Mother of Forensic Science. Had to be great stories there.
Ida B. Wells was a journalist. She was also an organizer of an anti-lynching campaign.
She’s a wonderful example of a woman who ignored the limitations the world of the time set on her to do what she felt was needed. She and others collected accounts of lynchings, many of them from white newspapers and published them to force society to confront the fact that they were happening.
As a young woman she sued a railroad for physically ejecting her from a carriage because she was African American. She won.
She’s just a great example of a young woman bucking the system. I’m so glad my feminine forebearers did!
"She fought a lonely and almost single-handed fight, with the single-mindedness of a crusader, long before men or women of any race entered the arena; and the measure of success she achieved goes far beyond the credit she has been given in the history of the country."-Alfreda M. Duster
Ida B. Wells is an American icon of truth telling. Born to slaves, she was a pioneer of investigative journalism, a crusader against lynching, and a tireless advocate for suffrage, both for women and for African Americans. She co-founded the NAACP, started the Alpha Suffrage Club in Chicago, and was a…
I write historical mysteries, and developed an interest in early forensics when I was a police officer. I have worked in private industry, as a civilian police worker, and in a department connected to the Home Office. Historical mysteries particularly appeal to me as they present a different, and very specific, challenge. There’s no lab to process evidence, and everything needs to be double-checked for anachronisms, even down to the colour of light from gas lamps in different areas. Extensive research acted as the foundation for developing the characters in The Innocents Mystery Series. I like my mysteries twisty, complex, and intricate; through a fog of history and a touch of light humour.
Europe was at the forefront of the revolution in forensic science in the 19th century. Way ahead of the UK, and decades ahead of the USA. While most of the pioneers were doctors, Gross was a lawyer. He made the language of the law more accessible. Written over a hundred-and-fifty years ago as a textbook, the style will appeal more to the academic reader and researcher of historical forensics. The Kindle version hasn’t been transcribed well, but is a fascinating window on the past nevertheless.
This Indian and Colonial edition, while omitting some portions of the original which would be of no use to the practical worker, for example, the slang words of Bohemian gipsies, thus contains much new and interesting matter, the better to adapt the book for India and the Colonies, and also to bring the last German edition of 1904 thoroughly up to date. These new passages, derived from the writings of specialists, the latest criminal intelligence, and the somewhat extensive experience of the adap tors as criminal lawyers, are interwoven with the text.
I write historical mysteries, and developed an interest in early forensics when I was a police officer. I have worked in private industry, as a civilian police worker, and in a department connected to the Home Office. Historical mysteries particularly appeal to me as they present a different, and very specific, challenge. There’s no lab to process evidence, and everything needs to be double-checked for anachronisms, even down to the colour of light from gas lamps in different areas. Extensive research acted as the foundation for developing the characters in The Innocents Mystery Series. I like my mysteries twisty, complex, and intricate; through a fog of history and a touch of light humour.
For any fans of vintage murder mysteries this book is a must-read. This is a thorough examination of the poisons used by Agatha Christie, giving details of the availability, interactions with the human body, how toxins can be detected now, and at the time the books were written. As a reader or a writer, this book will make murder by poison less of a mystery, and more of a trail of clues.
Shortlisted for the BMA Book Awards and Macavity Awards 2016
Fourteen novels. Fourteen poisons. Just because it's fiction doesn't mean it's all made-up ...
Agatha Christie revelled in the use of poison to kill off unfortunate victims in her books; indeed, she employed it more than any other murder method, with the poison itself often being a central part of the novel. Her choice of deadly substances was far from random - the characteristics of each often provide vital clues to the discovery of the murderer. With gunshots or stabbings the cause of death is obvious, but this is not…
I write historical mysteries, and developed an interest in early forensics when I was a police officer. I have worked in private industry, as a civilian police worker, and in a department connected to the Home Office. Historical mysteries particularly appeal to me as they present a different, and very specific, challenge. There’s no lab to process evidence, and everything needs to be double-checked for anachronisms, even down to the colour of light from gas lamps in different areas. Extensive research acted as the foundation for developing the characters in The Innocents Mystery Series. I like my mysteries twisty, complex, and intricate; through a fog of history and a touch of light humour.
Anyone who has been involved in the investigation of crime will tell you that establishing the time of the offence is vital. It’s always been surprisingly hard in the case of murder. This well-written book takes the reader through the advances and pitfalls in estimating the time of death accurately. It’s a superb work, full of scientific detail, and fascinating details which make this book a must for every crime writer.
When detectives come upon a murder victim, there's one thing they want to know above all else: When did the victim die? The answer can narrow a group of suspects, make or break an alibi, even assign a name to an unidentified body. But outside the fictional world of murder mysteries, time-of-death determinations have remained infamously elusive, bedeviling criminal investigators throughout history. Armed with an array of high-tech devices and tests, the world's best forensic pathologists are doing their best to shift the balance, but as Jessica Snyder Sachs demonstrates so eloquently in Corpse, this is a case in which…
I write historical mysteries, and developed an interest in early forensics when I was a police officer. I have worked in private industry, as a civilian police worker, and in a department connected to the Home Office. Historical mysteries particularly appeal to me as they present a different, and very specific, challenge. There’s no lab to process evidence, and everything needs to be double-checked for anachronisms, even down to the colour of light from gas lamps in different areas. Extensive research acted as the foundation for developing the characters in The Innocents Mystery Series. I like my mysteries twisty, complex, and intricate; through a fog of history and a touch of light humour.
This is exactly the kind of book I find fascinating, with real-life historical mysteries being explored and researched using cutting-edge scientific methodologies. It covers so many aspects of forensics, from facial reconstruction to DNA. If you are the kind of person who loves seeing famous people from history analysed for poisons, seeing mummies facing the same medical problems as we do, and wonder if a skull found in an attic belongs to a king, then this is the book for you.
Did Richard the Lionheart really die from just a crossbow wound, or was there foul play? Who are the two infant children buried in Tutankhamen's tomb? Could a skull found in a tax collector's attic be the long-lost head of Henri IV? In When Science Sheds Light on History, Philippe Charlier, the "Indiana Jones of the graveyards," travels the globe with his forensics team to unravel these and other historic mysteries. To get answers, Charlier looks for clues in medical records, death masks, fingerprints, and bloodstains. He even enlists the help of perfume experts to smell and identify embalming materials.…
I was frustrated by stories of gilded-age women who floundered around and were pitied because of the limitations society put on them. I thought the heroine of House of Mirth was not heroine but a loser. It seemed to me there must be other women out there who weren’t just sitting around bemoaning their predicament. Since I’m a mystery writer I was especially pleased to find some women who were out there doing things, even in criminology. Finding Frances Glessner Lee was the icing on the cake when I learned that she is known as the Mother of Forensic Science. Had to be great stories there.
A book of photographs that show the Nutshell Studies in great detail.
This book inspired me to learn more about the wealthy woman who spent so much time creating these hugely detailed crime scenes.
Why? It took more research to learn that she had developed a passion for teaching investigators to follow the old saying "convict the guilty, clear the innocent, and find the truth in a nutshell.”
It seems to me this is what the investigator is always trying to do in mystery stories, like the 9 I had already written in my Emily Cabot Mysteries. If a picture is worth a thousand words, these pictures suggest a lot of stories.
The Nutshell Studies of Unexplained Death offers readers an extraordinary glimpse into the mind of a master criminal investigator. Frances Glessner Lee, a wealthy grandmother, founded the Department of Legal Medicine at Harvard in 1936 and was later appointed captain in the New Hampshire police. In the 1940s and 1950s she built dollhouse crime scenes based on real cases in order to train detectives to assess visual evidence. Still used in forensic training today, the eighteen Nutshell dioramas, on a scale of 1:12, display an astounding level of detail: pencils write, window shades move, whistles blow, and clues to the…
I was frustrated by stories of gilded-age women who floundered around and were pitied because of the limitations society put on them. I thought the heroine of House of Mirth was not heroine but a loser. It seemed to me there must be other women out there who weren’t just sitting around bemoaning their predicament. Since I’m a mystery writer I was especially pleased to find some women who were out there doing things, even in criminology. Finding Frances Glessner Lee was the icing on the cake when I learned that she is known as the Mother of Forensic Science. Had to be great stories there.
Hull House was the famous settlement house on the West Side of Chicago where a group of mostly women attempted to change the lives of their immigrant neighbors by living among them.
Although the work brought cultural and artistic opportunities to the poor, the women also began to work on political and legal issues. Changes to juvenile justice and occupational health laws as well as labor laws came out of the work of women who couldn’t even vote at the time.
That they were able to have such influence is intriguing.
Twenty Years at Hull House, the acclaimed memoir of social reformer Jane Addams, is presented here complete with all sixty-three of the original illustrations and the biographical notes.
A landmark autobiography in terms of opening the eyes of Americans to the plight of the industrial revolution, Twenty Years at Hull House has been applauded for its unflinching descriptions of the poverty and degradation of the era. Jane Addams also details the grave ill-health she suffered during and after her childhood, giving the reader insight into the adversity which she would re-purpose into a drive to alleviate the suffering of others.…
I was frustrated by stories of gilded-age women who floundered around and were pitied because of the limitations society put on them. I thought the heroine of House of Mirth was not heroine but a loser. It seemed to me there must be other women out there who weren’t just sitting around bemoaning their predicament. Since I’m a mystery writer I was especially pleased to find some women who were out there doing things, even in criminology. Finding Frances Glessner Lee was the icing on the cake when I learned that she is known as the Mother of Forensic Science. Had to be great stories there.
This book introduced me to some women who had an impact on criminology, as Frances Glessner Lee did later.
They moved between Hull House and the University of Chicago and worked hard to change laws and improve the justice system. They worked in prisons and courthouses.
I got ideas for my Emily Cabot Mysteries from this book, as one woman was amazed to find when she got to do graduate work at the university that she could work with actual police officials to do the sociological studies.
These women found that when they pushed they could make an impression and actually activate some change in society. Again, I’m grateful to those women who came before me and knocked down closed doors.
This study examines the careers of the first four American women to be trained as social scientists in the research universities of late 19th-century USA. The efforts of these women to institutionalize their approach to social analysis and investigation resulted in the first graduate school of social work to be affiliated with a major research university - the University of Chicago. The book looks at the impact of late 19th-century social science on reform and finds that the research universities were important intellectual determinants of the welfare state.
When I started writing mysteries, beginning with St. Martin’s Malice Award-winning Southern Fried,I wanted to get the medical, investigative, and courtroom details right. What better resource than good first-hand accounts from professionals who do those things every day? I must admit that, over several decades now, I’ve fallen down the rabbit hole. Real life is full of stories that, if told as fiction, would leave readers rolling their eyes in disbelief. The gruesome and cruel don’t interest me. I’m drawn to the storytellers who can capture the worst moments and turn them into finely written, compelling, accurate stories, showing us the complexity of life.
Journalist and award-winning crime writer Val McDermid is known for her gritty novels. In Forensics, she draws on her connections to introduce us to forensic crime fighting around the world. The best part for me: she introduced behind-the-scenes elements to cases I thought I already knew. And she is a novelist. She knows how to tell a good story.
In the course of researching her best-selling books, McDermid has become familiar with many branches of forensics, and now she uncovers the history of this science and the people who make sure that for murderers, there is no hiding place. Forensic scientists can unlock the mysteries of the past and help serve justice using the messages left by a corpse, a crime scene, or the faintest of human traces. Now available in paperback, Forensics goes behind the scenes with some of these top-level professionals and their groundbreaking research, drawing on original interviews and firsthand experience on scene with top forensic…
I’ve always been fascinated with crime and crime fiction. From my early obsession with the novels of Raymond Chandler to my embarrassingly late discovery of Agatha Christie. I directed epsiodes of Sherlock Holmes with Jeremy Brett for Masterpiece theatre, which was a dream come true. But it frustrates me when television dramas tread roughshod over forensic science, making absurd claims for what can be done, when the truth, as mundane as it often can be, is so much more fascinating. To this end I have just graduated with an Mlitt from the University of Dundee in Crime Fiction and Forensic Investigation. I hope this will lend my books an air of authenticity and dramatic drive.
What is compelling about this book is that the author has worked on some of the most famous cases in the UK. Some like Stephen Lawrence, Rachel Nickell, and Damilola Taylor are still very much in the public consciousness.
She details the difficulties in the case and how she worked methodically on them. The Guardian said, "Her ability to reconstruct violent events in her mind and to see how forensic science can be used to reveal a suspect would leave even Sherlock Holmes in awe."
'Fascinating. A book that will be essential reading for every aspiring crime writer' Guardian
'Offers a chilling glimpse into her life's work. Fascinating stuff.' Sunday Times
'Compelling' Daily Mirrror
__________
By the time I arrived at the wood yard in Huddersfield on a bitterly cold night in February 1978, the body of the 18-year-old victim had already been taken to the mortuary. __________
Never before has criminal justice rested so heavily on scientific evidence. With ever-more sophisticated and powerful techniques at their disposal, forensic scientists have an unprecedented ability to help solve even…
