Fans pick 59 books like Kaiulani

In 1931, Thalia Massie, the bored wife of a naval officer stationed in Honolulu, accused six nonwhite islanders of gang rape.

The trial loosed a storm of racist hatred and sexual hysteria nationwide (Hearst papers, I’m looking at you). But the evidence was scant – for one thing, she almost certainly had not been raped – and the trial ended in a hung jury.

Outraged that she hadn’t been believed, Thalia’s husband, mother, and friends then kidnapped and murdered one of the Native Hawaiian defendants as an “honor killing.” Caught in the act, the Massies got Clarence Darrow to defend them. 

He lost at trial but, scandalously, the all-white killers were released within hours. During the two years these events played out, racial divisions in Hawaiʻi became re-aligned – the concept of “locals” was born, embracing all nonwhite ethnic groups for the first time, and all in opposition to haoles… show more.

In this unusual novel, still in print after a century, Hula is a bewitching teenager raised on a Maui cattle ranch and proficient on horseback, among other talents. 

She attracts male attention, some acceptable by standards of the time (today she seems awfully young for her older suitors), and some markedly inappropriate even then. Drama ensues against a period-piece Maui backdrop: almost no cars on the island, few roads, and day-long steamer trips along the coast for sea travel from one town to another. 

The literary style and point of view, with the author hopping from one character’s head to another, often in a single paragraph, can at once surprise and delight modern readers. Armine von Tempski, who grew up on Maui, set other novels there, but Hula, her first, remains uniquely intriguing – especially for Maui lovers!  

In Hawaiʻi as elsewhere, bodies can end up in shallow graves – or so Hawaiʻi detective fiction would have it. 

When skeletal remains turn up, Mimi Charles, forensic anthropologist, sets out to recover them and unlock their secrets for the (naturally) less-expert Big Island police. The author is a forensic anthropologist herself, with plenty of real-world cases in Hawaiʻi and on the mainland to her credit, and she knows that in post mortem-focused mysteries, every forensic detail counts. 

She constructs an ingenious plot, in which a rare and boisterous dog plays a key part. Unlike more cautious authors who won’t dare to let their characters speak Hawaiian pidgin, Lasswell Hoff confidently sprinkles in just the right (and intelligible) amount. 

There’s a final and unique plot twist that makes the reader stop and marvel: How did the author manage to bring us here?  

Murders in academia are a special genre within the universe of detective fiction, but Frankie Bow – the pen name of a highly amused and amusing university professor – has created her own delightful franchise, extended into a series of eleven short, light-hearted, and gently satirical volumes featuring Professor Molly Barda as a sardonic sleuth, one who voices her observations almost as aphorisms. 

Although The Musubi Murder is number two in the series, set at the faintly ludicrous Mahina State University ("Where Your Future Begins Tomorrow"), it’s a good place for the reader to start following Professor Molly. Musubi itself may not be addictive for everyone (it’s cooked Spam secured to sushi rice by a strip of seaweed), but Frankie Bow’s mystery series surely is.

When I was growing up, all I learned about my home was the year Hawaiʻi became a state.

My mother forbid me from speaking local pidgin at home because of the prevailing stereotype that locals were uneducated, unrefined, and not able to understand the complexities of the wider world.

Television and film portrayed people from Hawaiʻi as pagans needing saving from themselves, who drank and sinned themselves to death unless saved by white foreigners. In more ways than one, the loss of the Hawaiian Kingdom was placed on the shoulders of leaders too weak and simple-minded to maintain and protect it.

Hawai’i’s Story challenges that. Written by Queen Liliʻiuokalani after she was imprisoned and overthrown by a group backed by U.S. Marines and intended to aid in the fight against annexation, this memoir reveals a Hawaiian Kingdom that is the most literate nation in the world at the time and… show more.

I truly enjoy historical fiction that presents a culture or era from a different point of view. This one is set in early twentieth-century Hawaii. It features a girl, Letty, returning from a boarding school on the mainland. Letty’s devoted to animals, and she is one of the first female veterinarians in history. She jumps into the ocean to save a horse. Her healing powers are strengthened by her connection to the ancient Hawaiian land. The undercurrent of power gives this novel a fantasy feel, but it doesn’t lose its historical aspect. Then Letty learns the price of her healing power—her kisses can kill. Even worse, she’s attracted to the man who owns the horse she saved. 

Samuel Manaiakalani Kamakau (1815–1876) was one of the most important and prolific Hawaiian scholars of the nineteenth century. His history of the ruling chiefs of Hawai‘i begins with the high chief ʻUmi, eight generations before Kamehameha I, who established the Hawaiian Kingdom in 1795, and continues to the death of Kamehameha III in 1854. Ruling Chiefs, published in 1961, was translated from Hawaiian newspaper articles that appeared in the 1860s and 1870s. The stories include Captain James Cook’s arrival in 1776, the coming of Western missionaries, and the changes that followed. All of the writings of Kamakau are highly recommended, including The People of Old, The Works of the People of Old, and The Tales and Traditions of the People of Old.

Hawaiian Antiquities, published in 1903, was translated into English from the nineteenth-century writings of David Malo (1795–1853). Malo was a major scholar of Old Hawai‘i who spent his life among the courts of the kings and chiefs, where he learned traditional practices and oral traditions. His writings cover a wide range of topics, including cosmogony, origins and genealogy, social classes, geography (land, sea, and sky and clouds, winds, and rains), the calendar (seasons, months, and days), flora and fauna, fishing and farming, houses and canoes, food and clothing, sports and games, religious worship and observances, healing practices and necromancy, and traditions about the ancient kings of Hawai‘i.

Hawaiian Fishing Traditions celebrates famous Hawaiian fishermen. Fish was the main source of protein. The first story, by Moke Manu, tells of Kū‘ula-kai, who became deified as a god of fishermen because of his power to control fish. He built the first fishpond, in Hāna, Maui, to supply the chief and people with food. His son ‘Ai‘ai, featured in the second story, continued his father’s good work by locating offshore fishing grounds and teaching the people how to catch fish, practice conservation, and distribute the catch with generosity. Also included are the stories of other legendary fishermen and of battles with man-eating sharks. Two articles in the appendix describe the vast array of traditional fishing methods; a third article gives an anthropological account of the worship of shark gods.

Bamboo Ridge Press was established in 1978 to publish the multiethnic literature of Hawai’i. In this selection the best of its first eight years, the writers, of various ancestries, celebrate their families, cultures, and traditions, but also the cultures and traditions of others—a Hawaiian poet writes about a Tang fisherman; a poet of Chinese-Japanese ancestry and a writer of Puerto Rican ancestry reflect on Hawaiian activism; a white poet features bodhisattvas and Kuan Yin while another dedicates her song to a Hawaiian musician. Native Hawaiian writers are underrepresented in this collection published during a renaissance of Hawaiian culture, but a year earlier, in 1985, Bamboo Ridge also published Mālama: Hawaiian Land and Sea, an anthology of Native Hawaiian writers.