Here are 100 books that For the Love of My Mother fans have personally recommended if you like
For the Love of My Mother.
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Aged eighteen and living in London, my mother fell in love with an older man and was soon pregnant. Fearful of repercussions, she kept the pregnancy secret from her Catholic parents and continued to keep this secret for many years. This was something I’d always known, but it was only recently that I decided to investigate what happened to so many girls who went to the wrong people for help. What I found was devastating, and it gave me a greater understanding of the choices my mother made. I'm a writer who often draws on autobiographic material for my novels, plays, and stories. I like to feel a subject is truly mine.
I came across this memoir while researching Irish mother and baby homes for my own novel. June Goulding was a young midwife in the 1950s when she was hired by the Sacred Heart Convent in Cork. Here she found girls, some as young as 13, punished for the sin of being pregnant, forced to work, tarring roads, scrubbing floors, and rearing their children until they were handed over for adoption – in exchange for a donation to the church – often without their consent. Thirty years later, haunted by what she was party to, Goulding tells the story of how she tried to relieve the suffering of these unfortunate women.
'I promised that I would one day write a book and tell the world about the home for unmarried mothers. I have at last kept my promise.'
In Ireland, 1951, the young June Goulding took up a position as midwife in a home for unmarried mothers run by the Sacred Heart nuns. What she witnessed there was to haunt her for the next fifty years. It was a place of secrets, lies and cruelty. A place where women picked grass by hand and tarred roads whilst heavily pregnant. Where they were denied any contact with the outside world; denied basic…
I am first generation American - my mother is from Ireland and my father is from Germany. I’ve always had an interest in my heritage and developed a passion for genealogy. My curiosity led me to researching Industrial Schools and Mother Baby Homes in Ireland. I’ve read many books about these institutions and also wrote a book of my own based on stories of former residents of St. Joseph’s Industrial School in Ballinasloe, Galway.
Fear of the Collar is Patrick Touher’s personal account of his experience in the Artane Industrial School. Artane was the largest Industrial School in Ireland and operated from 1870 – 1969.
At times Artane housed nearly 1,000 boys and was known to be self-sufficient – with the “inmates” making their own clothes, shoes, and the boys produced and grew their own food.
Touher takes the reader through the daily military-like regiment and discipline imposed upon young boys being cared for by the Christian Brothers. His story will evoke an array of feelings. It is important to read the epilogue as you will be in awe of the man Patrick Touher has become despite the harshness of his childhood.
Sent to an Industrial School in Dublin at the age of seven, Patrick Touher was forced into a tough regime of education and training, prayer and punishment, strict discipline and fearful nights. No allowances were made for emotion, sentiment or boyhood worries, and anyone who disturbed the routine was severely punished. Artane demanded absolute obedience, absolute submission; Patrick's was an education in cruelty and fear.
Patrick Touher spent eight long years in Artane Industrial School. Run by the Christian Brothers, the school has become synonymous with the widespread abuse of children in Ireland in the 1940s and 1950s which is…
I am first generation American - my mother is from Ireland and my father is from Germany. I’ve always had an interest in my heritage and developed a passion for genealogy. My curiosity led me to researching Industrial Schools and Mother Baby Homes in Ireland. I’ve read many books about these institutions and also wrote a book of my own based on stories of former residents of St. Joseph’s Industrial School in Ballinasloe, Galway.
In her book Belonging: A Memoir of Place, along with her personal journey, Corless shares her research and activism work towards justice for the lost babies of the Tuam Mother Baby Home. Her book is an excellent resource to learn about the institutions where unmarried mothers paid their penance and gave birth to their “illegitimate” children. Her book includes heart-wrenching accounts from former residents.
I’ve had several exchanges with Catherine since 2010 when she responded to a query I had posted regarding the Tuam Mother Baby Home. Catherine Corless has brought worldwide attention to a scandal she uncovered: 796 missing burial records of children born in the Tuam Mother Baby Home.
ONE WOMAN, THE SECRETS OF A SMALL TOWN, AND A QUEST FOR JUSTICE THAT ROCKED A NATION.
Catherine Corless could not have known where her interest in local history would lead her, as she began researching the Tuam Mother and Baby Home in Galway in 2010. Uncovering no less than 796 missing burial records of children born there, the stark truth of their place of rest became clear: a disused sewage tank on the old home site, where two boys had once stumbled upon bones.
But who were these lost children, and what had happened to them in the care…
I am first generation American - my mother is from Ireland and my father is from Germany. I’ve always had an interest in my heritage and developed a passion for genealogy. My curiosity led me to researching Industrial Schools and Mother Baby Homes in Ireland. I’ve read many books about these institutions and also wrote a book of my own based on stories of former residents of St. Joseph’s Industrial School in Ballinasloe, Galway.
Moira J. Maguire has written a book that could be used by academics yet still fascinates a curious reader. Precarious Childhood in Post-Independence Ireland gives a full view of the system implemented to care for needy children. The study examines the roles of religion and state involved in providing services. Maguire references documents and quotes from reports to give the reader an authentic view of how destitute, abused, and illegitimate children were cared for.
This fascinating study reveals the desperate plight of the poor, illegitimate, and abused children in an Irish society that claimed to cherish and hold them sacred, but in fact marginalized and ignored them. It examines closely the history of childhood in post-independence Ireland, and breaks new ground in examining the role of the state in caring for its most vulnerable citizens.
Maguire gives voice to those children who formed a significant proportion of the Irish population, but have been ignored in the historical record. More importantly, she uses their experiences as lenses through which to re-evaluate Catholic influence in post-independence…
I love great writing and great storytelling too. As a child I liked nothing more than when my father made up bedtime stories for me. As I’ve gotten older, I’ve come to appreciate how writers work exceptionally hard not just at getting the plot of a story right but in the words they chose. Being Irish, I love to support the wealth of enviably good writers that seem to spill out from these shores. In each of these books you will find love and loss and laughter. It never fails to make me smile when abroad to see one of these guys on the shelves of the bookshops I visit.
Set over three generations of the one family, this is the story of their fight for survival. What I love here is not just the prose, because there is no one finer than O’Callaghan, but also because it touches on the depopulation of Ireland’s small islands during the famine and the small island to which he refers has a very significant family connection for me. Partly based on O’Callaghan’s own family, Life Sentences tells an epic story of working-class life in Ireland from famine right through to modern-day. It is an unforgettable tale of love, abandonment, and reconciliation.
An unforgettable tale of love, abandonment, hunger and redemption, from a rising star of Irish fiction
'O'Callaghan is one of our finest writers . . . and this is his best work yet' JOHN BANVILLE
*****
At just sixteen, Nancy leaves the small island of Cape Clear for the mainland, the only member of her family to survive the effects of the Great Famine. Finding work in a grand house on the edge of Cork City, she is irrepressibly drawn to the charismatic gardener Michael Egan, sparking a love…
I’m a bright bubbly person with a dark, sinister imagination. As an Irish journalist turned fiction writer, the thrillers I write reflect some of the challenging crime scenes I’ve reported from. While the whodunnit element in crime-writing is extremely important, equally, I prefer to have my readers fascinated with the whydoneit. I love writing about dark pasts, buried secrets, simmering resentments, and how they shape my characters in such a way that creates delicious unease and urgency. I like to use settings like tiny Irish villages to enhance the often insular nature of locals protecting their own. The picturesque settings in my books create mood and tension and which include the landscape as character.
Towering headlands, windswept beaches, derelict houses. Ruined churches. Author Andrea Carter admits that her entire Innisowen mystery series is inspired by place – landscape and buildings which gives her novels atmosphere and depth.
Her latest offering is Death Writes, set in the stunning Northern Irish location of Glendara.
In Glendara, preparations are underway for Glenfest, Glendara's literary festival. Phyllis Kettle, the local bookshop owner, is especially pleased to have persuaded Gavin Featherstone, the local best-selling recluse writer, to take part.
The festival begins, and an eager crowd awaits Featherstone's appearance on stage. He is unexpectedly engaging, but when he stands to read from his new book, he stumbles and keels over on the platform.
Solicitor and local woman Benedicta O Keefe discovers that she holds Featherstone's will at the office, drafted by her predecessor. Soon, she's drawn into a complicated legal wrangle over the man's estate involving his family…
I’m a bright bubbly person with a dark, sinister imagination. As an Irish journalist turned fiction writer, the thrillers I write reflect some of the challenging crime scenes I’ve reported from. While the whodunnit element in crime-writing is extremely important, equally, I prefer to have my readers fascinated with the whydoneit. I love writing about dark pasts, buried secrets, simmering resentments, and how they shape my characters in such a way that creates delicious unease and urgency. I like to use settings like tiny Irish villages to enhance the often insular nature of locals protecting their own. The picturesque settings in my books create mood and tension and which include the landscape as character.
Ideas of neglect and abandonment as well as isolation run throughout Where I End, a tense shocking literary debut from the Irish writer and journalist. This story is about an incapacitated mother being cared for by her teenage daughter.
I loved the desolation White created on the remote island inspired by Inis Meáin. With cliffs on one end, a sandy beach on the other, White describes how she was walking one day with her husband when she felt an explicable sense of dread.
“It wasn’t just wild and windswept and any of those clichés, it was actually more the stillness and the strangeness of it. And I noticed it was really getting to my husband as well, this kind of dread seeping up into us from the rocks and the sky and the ocean.”
This feeling is translated directly into the centre of the book, where the borders between landscape…
'My mother. At night, my mother creaks. The house creaks along with her ...' Aoileann has never left the island. Her silent, bed-bound mother is the survivor of a private disaster no one will speak about. Aoileann desperately wants a family, and when artist Rachel and her baby move to the island, Aoileann finds a focus for her relentless love.
I am a Wolfhound parent and the author of books about this majestic breed. I have studied everything I could find about the Wolfhound since I first lost my heart to one many years ago, meeting breeders and owners alike to learn everything I could about their temperament and health. I have attended many dog shows and symposiums to further my knowledge of my breed. Having shared my life with this dog, unlike any other, I devour books written by other Wolfhound owners.
This is one of my special favorites. I know Amanda personally and knew and grew to love the real Millie and Bridie.
Arohuani is a magical kingdom ruled by Irish Wolfhound Queen Millie. When a dark force rises in the land, her daughter, Princess Bridie leads an army of wolfhounds to defeat the evil. This is one of my favorite books because it transports the reader to a world ruled by gently, loving hounds. I reread it yearly.
In the magical kingdom Arohanui, ruled by the wise and gentle Wolfhounds of the royal house of Kuri te Aroha, a dark force rises. The queen's daughter Bridie commands the guard of the only passage into the kingdom but as vigilant as she and her ladies are, evil finds its entry into their stronghold. They must forge unexpected alliances with others of their kind, along with the magical and unusual creatures of the kingdom, if they are to defeat this evil.
The Battle for Arohanui will be fierce, from the mountains, across the plains and to the shores of the…
I am a writer of psychological thrillers. I have a keen interest in psychology and how events and experiences in our childhood shape who we become. When I work on a new book, I always build a detailed profile of my characters’ childhoods – and as I write thrillers, these are often challenging ones with issues like narcissistic parents or siblings, coping with grief, mental illness, or bullying. My plot will always be at least partly driven by the secrets my characters form in their childhood or early life, and so I also really value this depth in the psychological thrillers I read.
This is a story about three brothers. It starts with the funeral of one of them (you don’t know which) and goes back over their lives to unravel the mystery. They are all very different and none of them are likeable, and yet I found myself invested in all of them, trying my hardest to like them despite what they did – to each other and more widely. The book explores some serious issues around mental health and addiction, and I felt Nugent did this incredibly well – with both sympathy and clearly lots of research. The story is also told very skillfully. It uses multiple characters and jumps between timelines but reads very smoothly.
As an experienced teacher I was fascinated by how writing personal stories helped to develop confidence as well as oral and written self-expression at different levels of complexity in children across the primary school age range. This encouraged me to embark on a MA in creative writing where I wrote an extended autobiographical piece that focused on how the relationship between my father and myself affected my childhood. I continued this research into my doctoral studies in Irish autobiography. I explored the history of Irish autobiography, memory, and identity formation. This research provided the context to write my own childhood memoir I Am Patrick.
In 1899, the Irish novelist, Hannah Lynch wrote her memoir Autobiography of a Child. She caused controversy in Ireland and abroad by attempting to represent her childhood up to the age of twelve narrated through the child’s voice, a strategy I adopted but from the ageing child’s point of view where the language and thought process become more complex as I grow older. Her use of adult reflection upon the child’s unstable memory demonstrates an original understanding of the child’s point of view and its representation. Hannah uncovered the inescapable cycle of harsh treatment by her parents within a large family and the physical abuse by nuns at school. Her book reinforces the unreliability of memory for autobiography and helped me to accept that total veracity is not possible.
It is a powerful first-person narrative follows the story of a young Irish girl from her earliest memory to around twelve years of age, tracing the shaping of "the Dublin Angela" into "the English Angela" and ultimately Angela of Lysterby, "the Irish rebel." This tale is told from the perspective of her older self, now "a hopeless wanderer" with youth and optimism behind her. The narrative opens with a startling sketch of Angela's mother, "a handsome, cold-eyed woman, who did not love me," before relating fragmented memories of an idyllic time spent in rural Kildare while "put out to nurse"…
