62 books like Cinema Arthuriana Essays

There have been too many novels featuring the story of King Arthur to count; this is my favorite. I found it (and the following two books in the series) really captured the idea of who Arthur was, why he was needed, and why he did what he did at the time for me.

It was the first Cornwell novel I read, and he has become my favourite novellist. I think he writes battle scenes better than anyone–he puts you in the middle of the action and makes you feel the visceral nature of combat (especially in his Arthurian and medieval books). If anyone is looking for a place to start with Arthurian fiction but doesn’t know where to begin, I wouldn’t hesitate to recommend this book and series. 

This book is the go-to for nearly everything you need to know about Arthurian legend. I use it and return to it time and time again to explore different elements of the Arthurian story. Not to mention, the history of Malory and the book itself are just as fascinating to me.

Writing at the end of the fifteenth century, Malory’s work was really the starting point for anything Arthurian–and even though I find the earlier works on Arthur’s history are just as enthralling. Any translation is fine, and many editions (I have about eight) have notes on different elements of Arthurian history and legend and where they may have originated. I have followed many such notes down multiple captivating paths.

More than any other source, Geoffrey of Monmouth’s book is responsible for our modern fascination with King Arthur. I read this for the first time at school and have returned to it again and again.

Written in Latin in the twelfth century, Monmouth claimed to have access to secret books that no other author had read–I found that intriguing all by itself. When he wrote, three of his exact contemporaries were also writing works on King Arthur, and there seems to have been a literary ‘Arthur business’ in the 1130s–why? (It was a period of great disruption in England, and she may have needed a new savior!). Although he goes way beyond the realms of history, I still find Geoffrey charming and inspiring.

Even richer than the tradition of Arthurian films are musical adaptations of King Arthur, stretching back, at least, to the seventeenth century. As it says on the lid, this book explores how King Arthur has been approached in the wide realm of music. I love operas, musicals, and orchestral music, and Arthur is a consistent subject and theme.

Whether Camelot or Spamalot, putting Arthur’s story on stage or to music brings out aspects of his story that words or images alone cannot, and the musical Arthurs are some of the most nuanced versions of the man. I’ve returned to this book and the works it explores many times–often writing about Arthur myself while listening to music about him or featuring him.  

Mark Twain’s King Arthur time travel novel led to numerous others.

While Twain’s novel is more of a veiled attempt to depict his own time, other authors have depicted Camelot as a utopian place and asked what the world would be like if it had not fallen. In The Forever King, a young boy, Arthur Blessing, turns out to be a reincarnated King Arthur. He travels back in time to Camelot to try to restore its past glory.

He failed in the past, but with the help of the Holy Grail, he is determined not to fail again. The novel led to two sequels. Like all these time travel novels, the goal is to change the past to create a better future. But utopias are always hard to achieve.

Merlin as the Antichrist?! 

Robert de Boron was a medieval French writer of romances who made Merlin a central figure in the story of the Arthurian world and almost the inventor of the quest for the Holy Grail.

Medieval romances are a bit of a niche read, but I want to tell everyone about this version of Merlin. The Romance of Merlin actually starts in Hell, with the demons plotting to win the ongoing battle against God by bringing about the birth of Antichrist. 

The chosen demon expresses squeamishness at the idea of seducing a human woman but does his duty – and the result is Merlin! 

These stories helped make Merlin the time-travelling superhero of later romances, and the prophet who influenced Joseph of Arimathea’s decision to come to Britain with the Grail.  

Arthur Rex tells the same story as Le Morte D’Arthur, but in a radically different way. Where Mallory idolizes the knights and nobles of Arthur’s court, Thomas Berger paints them in the most unflattering light possible. Everyone is a cretin, a sex maniac, or both, and their backwards morals are used as clever mirrors of our own modern moral failings. Arthur Rex is probably the funniest version of the Arthurian Legend that I’ve read. It’s got its tongue firmly lodged in its cheek. Even so, the ending managed to make me cry, so props to Berger for capturing the full range of emotions with this one.

The first printing of this book in c.1470 laid the foundation for our popular, very British myths about Arthur and the Round Table.

I was absorbed by the legends of this great king and his knights; of his desire to bring honour and peace to our island. I at once fell in love with the young king, then wept over his demise when he discovered his wife’s affair with Sir Lancelot.

The thread flowing though these stories, and which eventually leads Arthur to his end, is one of striving for honour above all things. I was so inspired that I drew up an ancestral tree from its pages, so I could see at a glance where the knights linked together with their great leader. I still have that work.

I read this book so many years ago, but it has stayed with me. It struck me then, as it does now, as revolutionary in that it was one of the first retellings of the Arthurian myth from the female perspective.

I took a class on Arthurian Literature in university, and the tales of the period are obviously male-dominated. But The Mists of Avalon showed me a way into the female characters in the tale, and they are fascinating.

Maybe this is cheating, but it’s still a book set during a war, albeit a fantastical one.

But come on: Arthur, Guinevere, Lancelot, Merlin, Nimue, Pellinore, Gawain, Mordred, the Round Table–I may never have read a more powerful scene (or seen such, in the play) as when Arthur cheers for Lancelot to ride and save Guinevere from a fire which Arthur himself set!

Moving, with great, classic prose typical of the time and White’s contemporaries C.S. Lewis and Tolkien.