Fans pick 100 books like Black Political Activism and the Cuban Republic

Anyone interested in learning about any part of the history of Cuba should start with Ada Ferrer’s magnificent, Pulitzer Prize-winning Cuba: An American History. Ferrer is one of the premier historians of Cuba in the world, and an excellent writer as well. In Cuba, she begins with her own birth on the island, and then spans the history of her homeland from Columbus to COVID, covering major topics, trends, and events in between, and thoroughly engaging the reader throughout. The text is sophisticated but accessible, expansive but detailed—it is first-rate scholarship while simultaneously emotionally rewarding. I both laughed out loud and cried on various occasions while reading Ferrer’s book, and I learned a great deal, even though I am a scholar of Cuban history myself. The book will provide vital context to the reader of 1930s Cuban history.

Robert Whitney’s classic work on popular politics in Cuba from 1920 to 1940 is a must for the reader interested in the history of Cuba’s 1930s, especially Cuba’s “other revolution,” the Revolution of 1933. The book covers an absolutely crucial time in the island’s political evolution, and yet this time period is too often glossed over between interest in the Cuban Wars of Independence on the one hand and the Cuban Revolution of 1959 on the other. Whitney’s book, however, follows the politics of the island from the high corruption of 1920, through anti-dictatorial and anti-imperialist struggles, to the triumphant (if short-lived) arrival of constitutional democracy in 1940. An important scholar of Fulgencio Batista, Whitney traces the Cuban leader’s political twists and turns during the era, beginning with his critical role as a revolutionary in the 1933 uprising.

Samuel Farber grew up in Cuba and has been a prolific commentator on the island’s history and current events for decades. Although Revolution and Reaction is an older book, it is still a vital source for understanding Cuba’s Revolution of 1933 and its aftermath. Written less than two decades after the Cuban Revolution of 1959, Farber’s book begins from the premise that analysis of that revolution was oversimplified because observers lacked sophisticated, complex understanding of the island’s decades leading up to that event. In particular, he identifies the Revolution of 1933 as “a major turning point,” and sets out to “analyze the interplay of… structural conditions and historical processes and events” surrounding and following that conflagration. In addition to this overarching analysis, Farber offers discussions of various critically important organizations and constituencies of Cuba’s popular politics.

This refreshing book uncovers the reality behind Cuba’s so-called raceless Revolution. Benson traces early, state-led campaigns against racism, both their accomplishments and missteps. She reveals that in response to the new government’s claims to have eradicated racial discrimination, some Afro-Cubans rejected this Pollyanna rhetoric and mobilized for true racial equality. But Benson doesn’t just examine domestic racial policies and debates; she also delves into transnational exchanges between Cubans, exiled Cubans, and African Americans—rightfully situating Afro-Cubans within postcolonial, global movements against anti-Blackness. 

This is only a biography in the loosest sense, one of Afro-Cubans from the year slavery was abolished until an ugly racial massacre that claimed thousands of innocent victims. In 1892, José Martí famously declared that “There is no racial hatred because there are no races.” The following year he wrongly predicted that “In Cuba, there will never be a racial war.” Cuba’s independence myth was founded on the idea that there would be no white or black Cubans, only Cubans. Yet in 1912, two Afro-Cuban politicians, Pedro Ivonet and Evaristo Estenoz, both veterans of Cuba’s independence struggle, some of their followers, and thousands of Afro-Cubans in the wrong place at the wrong time, were massacred in a frenzy of racial hatred.

Drawing on vivid “coolie” testimonies and slave narratives, this book shows how Chinese contract laborers worked alongside African slaves in the final decades of slavery in the nineteenth century, forming cross-cultural ties and engaging in bitter rivalries as well as other experiences in between. The book features the voices of both sets of groups, including complicated commentary by slaves on the lot of so-called coolies. A powerful read, it brings to life the personal experiences of members of these groups of people during a brutal era of history.

Lincoln Cushing was born in pre-revolutionary Cuba to a State Department official with the U.S. Information Agency. I first met Lincoln at a conference on the Global Sixties and he later introduced me to his extensive poster and political graphics collection. This book, one of several by Cushing on political posters, documents Cuba’s extraordinary post-revolutionary poster art, which became renowned the world over in left-wing circles. Cushing has in-depth knowledge of the printing processes involved and was granted direct access to many of the most well-known graphic artists who stayed in Cuba to collaborate with the regime. If you’re looking for the best book discussing Cuba’s revolutionary poster art tradition, this is it.

What I appreciated most about this book is the clarity of the images and the close attention to historical detail that Cushing provides. He organizes the book thematically, focusing especially on the posters produced by OSPAAAL… show more.

To some, Cuba is a plucky, embargo-defying success story, with top educational and medical systems – the latter of which ensures Cubans live longer on average than Americans. Hoffman’s biography of Oswaldo Payá lays bare the regime’s darkest depths. As a young man, Payá was harassed and persecuted for his Catholic faith. He later devised the Varela Project, which sought to legally change Cuba’s 1976 constitution and allow democratic freedoms. Payá remained an outspoken critic of Cuba’s one-party state and refused to leave despite constant threats from state security agents. In 2012, they ran his car off the road and he was killed in the ensuing crash.  

This elegant, edited volume—with contributions from historians across North America, Cuba, and the UK—takes a Cuba-centric approach to the Revolution. The contributors confront and challenge triumphalist narratives about the period and refuse to situate 1959 as a definitive moment of rupture. The chapters explore a range of subjects, including material culture, dance, the Mariel boatlift, and the archive itself to reveal how a variety of actors have perceived and responded to state power. No less impressive is the Introduction, which offers a nuanced exploration of the historiography of the Revolution over the past six decades.

It was here that I first discovered Camilo Cienfuegos—whom I write about in my book. Camilo was the last of 82 men to board a small yacht, the Granma, which sailed, in November of 1956, from Tuxpan, Mexico to the south shore of Cuba. Fifteen men survived the landing and made their way up into the Sierra Maestra to start the Revolution. This is one of the hemisphere’s most remarkable stories, and Szulc’s book remains the definitive work on Fidel Castro and his campaign to unseat Fulgencio Batista.