Here are 100 books that The Artless Word fans have personally recommended if you like
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As a student fifty years ago I struggled with architecture. I have spent my whole career as an architect and teacher trying to understand how it works. All my books are intended to convey that understanding to others as clearly as I can. I believe that architecture is a universal language of place-making, simply and directly expressed in the traditional architectures of different cultures around the world, and lifted into the realms of poetry by some gifted individuals. For many years I taught at the Welsh School of Architecture in Cardiff, Wales. I am currently Professor Emeritus at The University of Dundee in Scotland.
All of my recommendations are about the ways modern architects have learnt from traditional architecture. The first appeared when I began working on the first edition ofAnalysing Architecture back in the 1990s. It is Kevin Nute’s exploration of the ideas that Frank Lloyd Wright gleaned from encounters with traditional Japanese architecture in the late nineteenth and early twentieth centuries. Nute’s book influenced my perception of architectural creativity as not fitting neatly into separate historical/stylistic categories, but as a realm of possible cross-fertilisation across cultures.
This book is the first thorough account of Frank Lloyd Wright's relationship with Japan and its arts. It presents significant new information on the nature and extent of Wright's formal and philosophical debt to Japanese art and architecture.
Eight primary channels of influence are examined in detail, from Japanese prints to specific individuals and publications, and the evidence of their impact on Wright is illustrated through a mixture of textual and drawn analyses.
As a student fifty years ago I struggled with architecture. I have spent my whole career as an architect and teacher trying to understand how it works. All my books are intended to convey that understanding to others as clearly as I can. I believe that architecture is a universal language of place-making, simply and directly expressed in the traditional architectures of different cultures around the world, and lifted into the realms of poetry by some gifted individuals. For many years I taught at the Welsh School of Architecture in Cardiff, Wales. I am currently Professor Emeritus at The University of Dundee in Scotland.
This book focuses on Japanese traditional architecture and its influence on present-day architects. By drawing a line from traditional Shinto architecture to the work of the modern architect Tadao Ando it shows that rather than being distinct categories, modern and traditional architecture share a historical continuum, and that, in a way, great architectural ideas never die. It also brings to attention approaches to space and light that any architect might beneficially explore in contemporary design.
This thorough and meticulous study of Japanese architecture is based on thirty years of field research by the architect and urban planner, Gunter Nitschke. A major anthropological survey, it traces the imperial, religious and domestic architecture in connection with the rituals and rites of Japanese society from Shinto to the modern day in the form of architecture by the renowned Tadao Ando. This collection of essays explores two threads of the evolution of Japanese architecture: the styles and the rituals which have perservered through the centuries, maintaining a traditional stronghold, and the styles and rituals which have adapted to the…
As a student fifty years ago I struggled with architecture. I have spent my whole career as an architect and teacher trying to understand how it works. All my books are intended to convey that understanding to others as clearly as I can. I believe that architecture is a universal language of place-making, simply and directly expressed in the traditional architectures of different cultures around the world, and lifted into the realms of poetry by some gifted individuals. For many years I taught at the Welsh School of Architecture in Cardiff, Wales. I am currently Professor Emeritus at The University of Dundee in Scotland.
Konstantinidis was a leading modern architect in Greece. Filled with his own sketches and photographs, he put this book together to illustrate his debt to the traditional architecture of his own country. It implies a line of shared relationship with landscape and materials going back thousands of years, to Callicrates and Ictinus (architects of the Parthenon) and beyond. I like that this book includes pictorial sketches and plans of traditional buildings, as well as constructional details showing the uses of materials readily available from the land.
As a student fifty years ago I struggled with architecture. I have spent my whole career as an architect and teacher trying to understand how it works. All my books are intended to convey that understanding to others as clearly as I can. I believe that architecture is a universal language of place-making, simply and directly expressed in the traditional architectures of different cultures around the world, and lifted into the realms of poetry by some gifted individuals. For many years I taught at the Welsh School of Architecture in Cardiff, Wales. I am currently Professor Emeritus at The University of Dundee in Scotland.
Illustrated with many of the sketches made by Le Corbusier during his legendary 1911 ‘Journey to the East,’ when he travelled from northern Europe down to the Middle East, Kortan’s book examines the lessons possibly the greatest architect and urban designer of the twentieth century learnt from the traditional Ottoman architecture of Istanbul and Anatolia, including its poetic relationship between inhabitation and spatial organisation. This book is in Turkish, English, and French.
All these books have reinforced my understanding of architecture as a universal language of place-making shared by all cultures around the globe, and as the richest and endlessly fascinating expression of our relationship with the world in which we find ourselves…
Books are my passion; architecture relates to my profession. The combination, for me, is pure joy. I get such pleasure building my personal library of architecture, design, art, and photography books. After having been a magazine editor and writer, I founded Taylor & Company in 1994, to promote the value of architecture and design. My respect for architects is deep—they create something that must function in all ways and are still able to express themselves creatively. The books I’ve selected are all written by architects, giving me an extra layer of admiration for their talents to express themselves in other media.
For an architect to take an incisive, unflinching look at his own profession is refreshing and enlightening. Francis-Jones positions architecture’s strengths and failings in reflection to society, politics, equity, aspiration, ecology, power, and defiance. As a promoter of architects and what they do, I’m happy to see a title that places architecture in a broader scope, and in the same breath as other creative expressions, such as film, music, and literature. He raises questions and observations about the nature of architects and architecture that make one think: Is there any truth in architecture? Why are we driven to build so tall? Why do architects feel so sad, overwhelmed, and helpless? Conversely, within its rubric of architecture, Truth and Liesis a book about us—about how people engage and disengage from society and the consequences that ensue.
"'Truth and Lies in Architecture' delves deep into the soul of architects and their work." - Naser Nader Ibrahim, Amazing Architecture
This is a collection of provocative essays that journey into the vexed circumstance of contemporary architectural practice. The nature of the great cultural, social, political, environmental, and consumerist challenges facing the contemporary architect are explored, interpreted, and questioned, while drawing connections from architecture theory, philosophy, science, literature, and film sources in an attempt to negotiate the territory between the truth and lies in architecture.
These essays written by a leading Australian architect represent a level of comprehensive critical awareness…
My passion as a teacher and writer is to help students and others interpret, understand and enjoy architecture and the built environment, and to help them respond in their own designs to the complexities of place, people, and construction. I have chosen five well-established books on analysing architecture that are highly illustrated, avoid jargon, can be explored rather than needing to be read sequentially cover-to-cover, and have lasting value. They offer guidance for beginning students and a checklist for the experienced. They are books to be kept handy and repeatedly consulted. Of course, analysing existing architecture is invaluable in designing new architecture. I hope you enjoy them.
I remember Geoffrey Baker’s lectures about space, movement, and light in Le Corbusier's buildings from my own student days.
His infectious enthusiasm is captured in his book, with his own clear sketches and diagrams.
Baker’s analysis has been a lasting influence on my own work, encouraging me to experience moving around and through architecture, and where this is not possible to imagine that experience from drawings and photographs.
Check out Baker’s Design Strategies in Architecture: An Approach to the Analysis of Form, too.
This unique appraisal of the famous Swiss architect's major works have now been expanded to include two more buildings. The Villa Shodhan and the Pavilion Suisse round out the coverage of Le Corbusier's significant works. The author critically examines Le Corbusier's achievements helping student and professional alike to appreciate the elements of successful design. The narrative and fine illustration cover the key buildings from each of the four developmental stages of his work, making it an excellent guide for practicing architects and students.
I am a design-obsessed George Washington University (Washington, DC) professor, author, architect, interior designer, sketcher, modernist, city lover, traveler, and University of Michigan alumni who writes about topics on architecture and interior design for people of all ages and backgrounds. Everyone lives in the built environment, but not everyone understands it. For example, sketching is one of the best ways to understand a piece of furniture, interior, or building. You will never see the object the same way after you draw it! All of the books on this list are approachable, interesting, fun, and most importantly inspiring. Enjoy!
This small format hardback is a really enjoyable read, as it asks a lot of good questions about architecture that will really get you thinking and curious about the topics. Each question is answered quickly (in a sentence), and then in a longer format, but still very digestible. It’s a great gift for any architecture lover.
This entertaining and informative book explores the world of architecture through a series of 101 questions and answers that cover a wide range of issues on its practice and theory. There are historical questions, such as "Who was the first architect?" and "Are all churches architecture?" as well as ones that relate to contemporary activity, such as "Have computers changed architecture?" and "How small can a home get?." There are also many that are intriguing and irreverent, such as "Why do architects want to paint the world white?" and "Is Dubai a city?". For each of the questions there is…
My lifelong search for how contemporary architecture can be as loved and graceful as the buildings and environments of our heritage have made me create numerous books, lectures, and films on matters I find crucial. But every new text seems to create more questions than answers. Perhaps it is better to build the talk? Architecture has dimensions, such as time, that make the reading richer than most books. But that brings you back to interpretation. It seems as books and buildings will be impossible to separate. At least for me.
Sometimes the best books are not the ones that make you take notes, but the ones that make you think new thoughts.
Fisher’s book is one of these thought-provoking pamphlets where the best moments of reading are when you let the book rest on your lap and reflect upon how his thoughts on practicing architecture can reflect on your own work. This happens to me as I read about the revival of the language of brick and mortar.
I’ve lived in cities all my adult life and currently divide my time between Paris and Philadelphia. And while those two cities are strikingly different places, they have in common the fact that they are both great walking cities –- urban centers that can be explored on foot and easily enjoyed by pedestrians. Walking cities, I believe, provide not only an ideal context for today’s tourists but also a model for a future in which urban dwellers become less reliant on automobiles and urban centers more open to foot traffic than to vehicular pollution and congestion. The books I’ll recommend deal in various ways with the building and rebuilding of visionary cities, and of Paris in particular.
This book focuses on the role of modern architecture in Paris, and by “modern,” Dennis has in mind the architecture created during the reinvention of Paris in the seventeenth and eighteenth centuries. Dennis provides the best introduction to a crucial factor in Paris’s essence: the particular kind of residential architecture that became characteristic of the cityscape in the seventeenth and eighteenth centuries: the hôtel or townhouse. Great architecture helps make a city great, and in Paris in particular, much of the greatest modern architecture was originally residential – grand townhouses built for the wealthiest Parisians.
Today, most of these townhouses have become museums, government ministries, foreign embassies. With its focus on the relation between public and private space in the city and the ways in which residential architecture can and should function in relation to the streets and the public space in which it is embedded, Dennis’s work is essential…
The "tyranny of the private realm" is destroying our cities. Modern architecture, with its insistence on the mute object and its rejection of the conventions of street and square, has abdicated civic responsibility and eschewed the urban forms that express and promote it. In this eloquent and extensively illustrated study of the evolution of a modern conception of space, Michael Dennis explores the social, psychological, and especially the formal transformations that that led architects to trade the city of public space for a city of private icons. The French hôtel, an aristocratic town house developed largely in Paris between 1550…
As a practicing architect, and an avid reader—in a variety of subjects and genres, not just architecture—I love finding patterns and connections between seemingly dissimilar phenomena. Patterns conform to principles, and principles are the fountainhead of wisdom that never runs dry. I will be the first to admit that, even after forty years of absorbing these and other kindred principles, I’m still far from consistent in applying them. And, like the others I cite, my own work suffers from that inconsistency. I commiserate with all architects who are similarly struggling to design buildings that exemplify even a few of the principles in these books. And that is why I chose them.
Over his lifetime, Alexander’s controversial approach to architecture incited widespread criticism, yet it is precisely these unique and thought-provoking ideas that make The Nature of Order an essential read. Beyond his sometimes obscure writing style and lackluster built examples, Alexander's deep commitment to architecture as a complex layered system of patterns—an idea he first popularized in his hippy-architects bible, A Pattern Language—is still palpable in this four-volume magnum opus.
I found the second volume, where he offers a guide for how to “create life” through patterns, most pertinent to this list. Here he distills his earlier work down to fifteen essential patterns that lead to architecture as a living structure. There is gold to be mined here, for those in search of some semblance of order in the chaotic current of modern architecture.
Christopher Alexander's masterwork, the result of 27 years of research, considers three vital perspectives: a scientific perspective; a perspective based on beauty and grace; a commonsense perspective based on our intuitions and everyday life.
