Why am I passionate about this?
In 2011, when my all-girl garage band began gigging around Chicago, I couldn’t tell you how many times I heard people call us “riot grrrl.” We weren’t riot grrrls; we were far too late for the movement. But for so many people, riot grrrl was the only reference point they had for scary, brash female musicians. The truth is, women were involved in the movement’s origins in every part of the world. I believe we must understand that riot grrrls weren’t the first women of punk. My book Hit Girls: Women of Punk in the USA, 1975-1983 details the stories of lesser-known but highly influential women who helped create punk and its adjacent genres.
Jen's book list on music and memoirs about rule-breaking women
Why did Jen love this book?
When I was 15, Liz Phair’s album Exile in Guyville completely turned me on to indie rock. Until then, everything I heard was baked for the radio. Liz’s dry, quivering voice, slipping in and out of key, singing candidly about sex and the unspeakable aspects of relationships, challenged the boys club and spoke to me in a way that Courtney Love and Shirley Manson hadn’t. I think it was her ability to tell a story, or maybe it was that nothing seemed “over-produced.” Either way, many years later, this book gave me important insights on the way Chicago indie-rock functioned in the ‘90s and how much bullshit Liz Phair had to put up with just for being herself.
1 author picked Liz Phair's Exile in Guyville (33 1/3) as one of their favorite books, and they share why you should read it.
Although Exile in Guyville was celebrated as one of the year's top records by Spin and the New York Times, it was also, to some, an abomination: a mockery of the Rolling Stones' most revered record and a rare glimpse into the psyche of a shrewd, independent, strong young woman. For these crimes, Liz Phair was run out of her hometown of Chicago, enduring a flame war perpetrated by writers who accused her of being boring, inauthentic, and even a poor musician. With Exile in Guyville, Phair spoke for all the girls who loved the world of indie rock but…
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