I am the author ofOut of the Shadows: Six Visionary Victorian Women in Search of a Public Voice,and also the co-author (with Emma Claire Sweeney) of A Secret Sisterhood: The Literary Friendships of Jane Austen, Charlotte Brontë, George Eliot, and Virginia Woolf. A historian and writer, I am interested in shining a light on lesser-known stories about the lives of women of the past and hopefully bringing them to wider public attention.
I wrote...
Out of the Shadows: Six Visionary Victorian Women in Search of a Public Voice
Out of the Shadows tells the stories of six enterprising nineteenth-century women, whose apparent ability to contact the dead brought them fame, fortune, and astonishing social and political influence.
The Fox sisters inspired some of the era’s best-known political activists and set off a transatlantic séance craze. Emma Hardinge Britten delivered controversial speeches to crowds of thousands while seemingly in a trance. Former childhood clairvoyant Victoria Woodhull, a Wall Street trailblazer, became America’s first female presidential candidate. And Georgina Weldon, whose beliefs nearly saw her confined to an asylum, went on to establish herself as a successful campaigner against archaic lunacy laws. Drawing on diaries, letters, and rarely seen memoirs and texts, Out of the Shadowsilluminates a radical history of unusual female power.
The fiction of Barbara Pym is full of the kind of much-put-upon single women that society has tended to overlook. In her second published novel, Excellent Women, Pym’s heroine Mildred Lathbury, a clergyman’s daughter, describes herself as just the sort of person one can depend on in ‘the great moments of life—birth, marriage, death, the successful jumble sale, the garden fête spoilt by bad weather.’ Mildred’s church-focused, 1950s existence might sound rather quaint, but, trust me, anyone assuming that the life she leads is miles away from their own will quickly be dispelled of that notion. The human issues and emotions Pym explores can be markedly progressive and have more than enough power to move the hearts of today’s readers.
Cover design by Orla Kiely Mildred Lathbury is one of those 'excellent women' who is often taken for granted. She is a godsend, 'capable of dealing with most of the stock situations of life - birth, marriage, death, the successful jumble sales, the garden fete spoilt by bad weather'. As such, though, she often gets herself embroiled in other people's lives - and especially those of her glamorous new neighbours, the Napiers, whose marriage seems to be on the rocks. One cannot take sides in these matters, though it is tricky, especially when Mildred, teetering on the edge of spinsterhood,…
Though separated from Mildred Lathbury’s world by a vast gulf of space and time, Sayaka Murata’s 2016 novel unexpectedly occupies some of the same territory. Murata’s protagonist Keiko Furukura is a single woman in her thirties in a society that prizes marriage as the only real happy ending for women. Unlike Mildred, who does a little part-time work and otherwise survives on a small inheritance, Keiko has found a way of supporting herself financially and emotionally by working at one of Tokyo’s many convenience stores—that is, until things start to go wrong. Keiko’s fellow novel characters regard her as a social misfit and, as such, she often finds herself ignored. But to me she was unforgettable, and I’m sure you’ll think so too.
Well over a century after his reign of terror, Jack the Ripper remains a household name, his identity the subject of endless public debate. In her group biography of the ‘Canonical Five’—the five women most widely regarded as the Ripper’s victims—Hallie Rubenhold takes a different approach. Instead of spilling yet more ink on attempts to unmask this Victorian serial killer, she focuses instead on the women whose lives were brutally taken away. I loved the way that Rubenhold’s justifiably angry narrative transformed Mary Ann Nichols, Annie Chapman, Elizabeth Stride, Catherine Eddowes, and Mary Jane Kelly from a homogenous group of victims, to women from different backgrounds, who lived strikingly different lives, and whose names deserve to be more than mere footnotes to the story of a notorious villain.
THE #1 SUNDAY TIMES BESTSELLER WINNER OF THE BAILLIE GIFFORD PRIZE FOR NONFICTION 2019 'An angry and important work of historical detection, calling time on the misogyny that has fed the Ripper myth. Powerful and shaming' GUARDIAN
Polly, Annie, Elizabeth, Catherine and Mary-Jane are famous for the same thing, though they never met. They came from Fleet Street, Knightsbridge, Wolverhampton, Sweden and Wales. They wrote ballads, ran coffee houses, lived on country estates, they breathed ink-dust from printing presses and escaped people-traffickers.
What they had in common was the year of their murders: 1888.
Franny Moyle’s biography of Constance Wilde reveals her subject to be much more than the long-suffering spouse of a more famous husband. Instead, in Constance we meet a fascinating woman, very much in tune with intellectual concerns of the day: an enthusiast for ‘rational dress,’ campaigner for women’s rights, and member of the secretive society the Hermetic Order of the Golden Dawn, dedicated to the study of the occult. I was fascinated to learn that she was also a writer, and worked closely with her husband Oscar on several literary projects. Moyle more than convinced this reader that Constance is someone who deserves to be much better known.
In the spring of 1895 the life of Constance Wilde changed irrevocably. Up until the conviction of her husband, Oscar, for homosexual crimes, she had held a privileged position in society. Part of a gilded couple, she was a popular children's author, a fashion icon, and a leading campaigner for women's rights. A founding member of the magical society the Golden Dawn, her pioneering and questioning spirit encouraged her to sample some of the more controversial aspects of her time. Mrs Oscar Wilde was a phenomenon in her own right.
But that spring Constance's entire life was eclipsed by scandal.…
In Wide Sargasso Sea, Jean Rhys takes up the story of the ‘mad’ first wife of Mr. Rochester in Charlotte Brontë’s Jane Eyre. Rhys asks readers to reconsider the circumstances that left this much caricatured literary figure languishing in her husband’s attic, thereby reminding them of the shocking ease with which ‘difficult’ individuals could once be hidden away. It’s an issue that particularly interests me since one of the women I write about in my most recent book, Georgina Weldon, narrowly escaped being incarcerated by her husband for supposed insanity. Rhys’s fictional story is sadder than Weldon’s, and in setting it down she asks important questions about the unjust treatment of women who have lacked social power throughout the course of history.
Wide Sargasso Sea, a masterpiece of modern fiction, was Jean Rhys's return to the literary center stage. She had a startling early career and was known for her extraordinary prose and haunting women characters. With Wide Sargasso Sea, her last and best-selling novel, she ingeniously brings into light one of fiction's most fascinating characters: the madwoman in the attic from Charlotte Bronte's Jane Eyre. This mesmerizing work introduces us to Antoinette Cosway, a sensual and protected young woman who is sold into marriage to the prideful Mr. Rochester. Rhys portrays Cosway amidst a society so driven by hatred, so skewed…
Desperate to honor his father’s dying wish, Layken Martin vows to do whatever it takes to save the family farm. Once the Army discharges him following World War II, Layken returns to Missouri to find his legacy in shambles and in jeopardy. A foreclosure notice from the bank doubles the threat. He appeals to the local banker for more time—a chance to rebuild, plant, and harvest crops and time to heal far away from the noise of bombs and gunfire.
But the banker firmly denies his request. Now what?
Then, the banker makes an alternative proposition—marry his unwanted daughter, Sara Beth, in exchange for a two-year extension. Out of options, money, and time, Layken agrees to the bargain.
Now, he has two years to make a living off the land while he shares his life with a stranger. If he fails at either, he’ll lose it all.
Desperate to honor his father's dying wish, Layken Martin vows to do whatever it takes to save the family farm.
Once the Army discharges him following World War II, Layken returns to Missouri to find his legacy in shambles and in jeopardy. A foreclosure notice from the bank doubles the threat. He appeals to the local banker for more time-a chance to rebuild, plant, and harvest crops and time to heal far away from the noise of bombs and gunfire.
But the banker firmly denies his request. Now what?
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