10 books like No One Here Gets Out Alive

I’m an Australian author, staring down the barrel of middle age. I’ve been writing about music for the past 30 years. I’ve written 25 books; my subjects have included Keith Urban, the Bee Gees, Angus and Malcolm Young, Daniel Johns of Silverchair, among others. During my career, I’ve also had interesting encounters with such legends as Aretha Franklin, Patti Smith, Bob Dylan and Helen Reddy. I live (currently in lockdown, yet again) with my very tolerant wife, my two children, and a house full of animals. (Real animals, that is, not the kids.)

Music has obsessed me since I got my first record player, around age five, and learned how to play the stack of used Beatles records that seeded my collection. I could probably pick a favorite music book from every decade of my life, and this list isn’t far off.

I’m an Australian author, staring down the barrel of middle age. I’ve been writing about music for the past 30 years. I’ve written 25 books; my subjects have included Keith Urban, the Bee Gees, Angus and Malcolm Young, Daniel Johns of Silverchair, among others. During my career, I’ve also had interesting encounters with such legends as Aretha Franklin, Patti Smith, Bob Dylan and Helen Reddy. I live (currently in lockdown, yet again) with my very tolerant wife, my two children, and a house full of animals. (Real animals, that is, not the kids.)

I’m an Australian author, staring down the barrel of middle age. I’ve been writing about music for the past 30 years. I’ve written 25 books; my subjects have included Keith Urban, the Bee Gees, Angus and Malcolm Young, Daniel Johns of Silverchair, among others. During my career, I’ve also had interesting encounters with such legends as Aretha Franklin, Patti Smith, Bob Dylan and Helen Reddy. I live (currently in lockdown, yet again) with my very tolerant wife, my two children, and a house full of animals. (Real animals, that is, not the kids.)

Is there any better foreplay than great wordplay? Not in my book! After years of studying the romcom repartee gospel according to Nora Ephron and Nancy Meyers, I know this much is true: what’s said on the lips is first sparked in the hips! As a rom-com writer recently crowned “the Queen of Banter” by a reader (blush), I bow to the greats who taught me that witty banter is a symptom of unrealized or unsatisfied attraction. And as a lover of skillfully-written sparring, I squirm with delight whenever a sly remark, slick comeback, or sexy euphemism makes potential paramours pop. Want to enchant her? Use banter!

Julian David Stone is an author, screenwriter, photographer, and filmmaker. He shot dozens of the 1980s greatest acts by sneaking his photography equipment into concerts such as Prince, U2, the Police, David Bowie, R.E.M., the Ramones, Elvis Costello, the Talking Heads, the Grateful Dead, Joan Jett, and many, many more. Other work include screenplays for Disney, Paramount, Sony, and MGM. He is also the writer and director of the hit cult comedy feature film, Follow the Bitch, which has played to packed houses all around the country and received numerous awards.

My Indiana singing group was transplanted and reformed into a popular rock band In mid-60s California. We survived San Francisco's East Bay dive bars, thrived in the City's North Beach topless clubs, appeared in several Hollywood rock clubs, opened a showroom/lounge at Caesars Palace, and performed for two years at the Flamingo Hotel. We were discovered by big-name managers, signed to a famous producer, recorded in the best studios, and released several records with a well-known record label. Though we didn't quite make it to the top rung, we checked all the boxes in our journey. In the 70s, I became a personal manager in Hollywood and eventually opened and operated a Sunset Boulevard recording studio. My two books are a passionate retelling of my musical journey. As I worked on them, I turned to memoirs of other musicians and singers for inspiration. These are a few of them.

Peter Guralnick has been called "a national resource" by critic Nat Hentoff for work that has argued passionately and persuasively for the vitality of this country’s intertwined black and white musical traditions. His books include the prize-winning two-volume biography of Elvis Presley, Last Train to Memphis and Careless Love; Searching for Robert Johnson; Sweet Soul Music; and Dream Boogie: The Triumph of Sam Cooke. His 2015 biography, Sam Phillips: The Man Who Invented Rock ‘n’ Roll, was a finalist for the Plutarch Award for Best Biography of the Year, awarded by the Biographers International Organization. His most recent book is Looking to Get Lost: Adventures in Music and Writing.

Julian David Stone is an author, screenwriter, photographer, and filmmaker. He shot dozens of the 1980s greatest acts by sneaking his photography equipment into concerts such as Prince, U2, the Police, David Bowie, R.E.M., the Ramones, Elvis Costello, the Talking Heads, the Grateful Dead, Joan Jett, and many, many more. Other work include screenplays for Disney, Paramount, Sony, and MGM. He is also the writer and director of the hit cult comedy feature film, Follow the Bitch, which has played to packed houses all around the country and received numerous awards.

As a goth chick from the American South, I’m obsessed with stories of old evil from the past finding its way into the present. I even live in a haunted house, a disintegrating Craftsman built in 1901. Our ghosts are very cozy, two cat-loving maiden ladies who were co-presidents of the local temperance society. We’ve given up on keeping liquor in our liquor cabinet; bottles cracking and leaking, glassware broken for no reason. And we’ve gotten so used to seeing and hearing their famous cat, Tom, we barely react anymore—a huge orange tabby tomcat who runs past our feet and jumps on the foot of our bed.