As a writer, reader, and human, I’m drawn to complex stories about motherhood. It’s something we can choose, or something that can be forced upon us. Our relationships with our own mothers shape our entire lives. For my book She’s Not Home, I spent a lot of time deepening Sheryl, the mother’s, character. Early versions of the manuscript received criticism for her being too easily villainize. Too two-dimensional. Readers wanted a complex, heartbreaking character. I went to a very painful place to give Sheryl a richer voice. Here are a few books I love that also face the pain and complexity of motherhood and mothering head-on.
Seemingly abandoned by her own mother after the loss of her brother, eighteen-year-old Agnes confronts what it means to be a mother when she becomes pregnant in her first year of college.
This is such a heartfelt book. A lot of the story is told through Agnes’ diary-like letters to her absent mom. I love this form because at Agnes’ age I wrote many undelivered letters to loved ones. Iskandrian captures so many complex feelings in deceptively simple lines, many of which I highlighted to read again later.
This is a poignant story about motherhood, family bonds, and the ways female friends can mother each other in times of need.
It's the early 1990s, and as a new college student, Agnes is caught between the broken home she leaves behind and the wilderness of campus life. What she needs most is her mother, who has disappeared once and for all, and her brother, who left the family tragically a few years prior. As Agnes tries to find her footing, she writes letters to her mother to conjure a closeness they never. But when she finds out she is pregnant, Agnes begins to contend with what it means to be a mother and, in some ways, what it means to be…
Gosh, I can’t even tell you all the mothering-related reasons I love this book without giving away spoilers.
Suffice it to say,Little Fireshas at least two complex mother characters with a lot to say about our responsibilities to our children and ourselves. I thought of Elena Richardson a lot when writing Sheryl’s character in my book.
Even when we sacrifice most of ourselves to do everything “right” as mothers, the end result can still be calamity and loss. It doesn’t get much gnarlier than that.
"Witty, wise, and tender. It's a marvel." -Paula Hawkins, author of The Girl on the Train and A Slow Fire Burning
"To say I love this book is an understatement. It's a deep psychological mystery about the power of motherhood, the intensity of teenage love, and the danger of perfection. It moved me to tears." -Reese Witherspoon
From the bestselling author of Everything I Never Told You and Our Missing Hearts comes a riveting novel that traces the intertwined fates of the picture-perfect Richardson family and the enigmatic mother and daughter who upend their…
I love the way this book peels back the layers of a mother’s choices and the scrutiny she faces for them.
Hillary Jules, the mother at the center of this story, does things some might find unforgivable. And yet we see, through both her and the woman who becomes a surrogate mother figure to one of her children, how we cannot know the full depth of another’s story.
This book reminded me how dangerous it can be to judge from the outside with phrases like “I would never.” Those judgments came much easier before I became a mother myself.
"Beautifully written...a great book club pick!" -- Mary Alice Monroe, New York Times bestselling author
A deeply felt family narrative that examines the fine line between selfishness and what passes for love.
After nearly two hundred years of housing retardants, as they were once known, the Beechwood Institute is closing the doors on its dark history, and the complicated task of reassigning residents has begun. Ella Jules, having arrived at Beechwood at the tender age of eight, must now rely on the state to decide her future. Ella’s aging parents have requested that she be returned to her childhood home,…
I don’t even think I was through the first chapter before I cried over this book.
Mary Louise Kelly writes frankly and poignantly about the nature of time as it pertains to raising children. She does not apologize for being good at her job, nor for the essential part of herself who needs to be immersed in it.
At the same time, she is unsparingly vulnerable about the tradeoffs: the times, good and bad, she has missed with her kids. As a writer who couldn’t stop writing to be a full-time parent if I tried, Kelly’s words resonated with me from the first page to the last.
This memoir is a gift to ambitious, big-hearted moms everywhere.
“This voice-driven, relatable, heartfelt and emotional story will make any parent tear up.” ―Good Morning America, “15 Delightful Books Perfect for Spring Reading”
Operating Instructions meets Glennon Doyle in this new book by famed NPR reporter Mary Louise Kelly that is destined to become a classic―about the year before her son goes to college―and the joys, losses and surprises that happen along the way.
The time for do-overs is over.
Ever since she became a parent, Mary Louise Kelly has said “next year.” Next year will be the year she makes it to her…
April, the young woman at the center of the book, strikes out on her own without a mother to guide her. She finds surrogates in some older female friends, but even as she seems to settle down with a found family you can see she doesn’t understand herself as worthy of unconditional love.
Faced with becoming a mother herself, April doubts she is up to the task. She also doubts she deserves the friends who stand ready to support her. This is a moving story about the people who will love us no matter what we’re going through.
Little River, New York, 1994: April Sawicki is living in a motorless motorhome that her father won in a poker game. Failing out of school, picking up shifts at Margo's diner, she's left fending for herself in a town where she's never quite felt at home. When she "borrows" her neighbor's car to perform at an open mic night, she realizes her life could be much bigger than where she came from. After a fight with her dad, April packs her stuff and leaves for good, setting off on a journey to find a life that's all hers.
Sheryl already lost one daughter by being the fun parent. She’s determined to do it right with her other daughter, no matter how much Mariana whines about one chance for a normal night. No misbehavior, no stoner friends, and no parties. Sheryl knows real tragedy—and she’s not about to make the same mistake twice.
But all Mariana wants is to escape the shadow of her sister Sheena. She’s tired of being seen as the daughter that survived and missing out on experiences she shouldn’t have to fight for—like senior homecoming. So when Mariana discovers the truth about how Sheena died, she runs away. For the first time, Mariana is faced with the reality of making her own choices, while Sheryl is left to contend with losing another daughter.
My book is fantastical historical fiction about two characters who're wrestling with the monstrosity of their grief.
It takes you into London high society, where Ambrose tries to forget about how much he misses Bennett and how much he dreads becoming as cold as their Grandfather. It takes you to the family's country manor house, where Mattie isolates and old ghosts start to come out of the woodwork.
It's a story about loss and depression; it's a story about friends who don't let you walk through the valley of death alone.
Ambrose Bancroft returns to London society with his younger sister, hoping they'll leave ghosts of memory behind. They have only each other left. While Ambrose attempts to draw Mattie out, dragging her to balls and threatening to seek suitors for her, his sister recoils from his meddling. Finally, when Ambrose compels her to attend art class before she's ready, Mattie paints something horrific enough to banish them from society in public disgrace.
At Linwood Manor, Mattie and Ambrose aren't as alone as they think. Taking advantage of Mattie's desperate need to find freedom, a vanishing room lures Ambrose's sister into…
