Homecoming

By Kate Morton,

Book cover of Homecoming

Book description

'Captivating . . . a sweeping yet intimate tale of motherhood and belonging, loss and longing' - Mail on Sunday

'It is a treat; it is a big deep dive, twisty turny yarn. It is fantastic' - Graham Norton, broadcaster and bestselling author of Home Stretch

From the bestselling author…

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Why read it?

4 authors picked Homecoming as one of their favorite books. Why do they recommend it?

This gorgeous and page-turning novel is mostly set in Australia, a place I’ve never been in real life, but Kate’s novel transported me there through imagery and language. I feel like I could walk straight into that setting and feel as if I’d been there before. 

The story is about a young journalist named Jess who is in search of a story. Jess is summoned back to Sydney, where her beloved grandmother is ill in the hospital. What Jess discovers there about a baffling murder in the small town of Tambilla will upend her life. 

From Patti's list on transporting you to another land.

I think of some authors as sink-into-the-writing types, and Kate Morton is one of them. I like the stories, I like her writing style, and I like the way things work out in the end. Even when it’s sad, it’s satisfying. 

In The Homecoming, the puzzle at the beginning is intriguing enough to fuel the rest of the book, and the resolution reached at the end brings satisfaction. People make mistakes, but life goes on, and someday, an explanation will bring resolution. I treasure authors who create that feeling of what I call “comfort reading.“ It’s what I try…

As a novelist myself, reading novels is often a workman’s holiday. Recognizing the tropes and guessing the ending way too soon. That doesn’t happen with Kate Morton’s Homecoming, though.

The characters were as complex as my own family members, and the story unraveled in unexpected ways.

Reading this book was like enjoying a luscious hard candy that melts on the tongue slowly, and in layers. The ending was oh-so-perfect and not at all expected. 

Book cover of Dulcinea

Ana Veciana-Suarez Author Of Dulcinea

New book alert!

Why am I passionate about this?

I became fascinated with 16th-century and 17th-century Europe after reading Don Quixote many years ago. Since then, every novel or nonfiction book about that era has felt both ancient and contemporary. I’m always struck by how much our environment has changed—transportation, communication, housing, government—but also how little we as people have changed when it comes to ambition, love, grief, and greed. I doubled down my reading on that time period when I researched my novel, Dulcinea. Many people read in the eras of the Renaissance, World War II, or ancient Greece, so I’m hoping to introduce them to the Baroque Age. 

Ana's book list on bringing to life the forgotten Baroque Age

What is my book about?

Dolça Llull Prat, a wealthy Barcelona woman, is only 15 when she falls in love with an impoverished poet-solder. Theirs is a forbidden relationship, one that overcomes many obstacles until the fledgling writer renders her as the lowly Dulcinea in his bestseller.

By doing so, he unwittingly exposes his muse to gossip. But when Dolça receives his deathbed note asking to see her, she races across Spain with the intention of unburdening herself of an old secret.

On the journey, she encounters bandits, the Inquisition, illness, and the choices she's made. At its heart, Dulcinea is about how we betray the people we love, what happens when we succumb to convention, and why we squander the few chances we get to change our lives.

 I have been a huge fan of Kate Morton since I read The Forgotten Garden.

I love stories that take place in more than one time period, with a character from the present solving a mystery from the past. Kate Morton does this again in Homecoming. Set in Australia, a young woman comes home to look after her grandmother and learns of a horrible crime involving her family back in 1959.

I have written stories featuring multiple time periods in two of my historical novels.

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