Bernie Wrightson's Frankenstein
Book description
Few works by comic-book artists have earned the universal acclaim and reverence that Bernie Wrightson's illustrated version of Mary Wollstonecraft Shelley's Frankenstein was met with upon its original release in 1983. Twenty-five years later, this magnificent pairing of art and literature is still considered to be one of the greatest…
Why read it?
3 authors picked Bernie Wrightson's Frankenstein as one of their favorite books. Why do they recommend it?
This book is an endearing and beloved classic, and deservedly so. Here, the marriage of its exquisite prose with black-and-white illustrations from one of the greatest artists who ever lived is truly something to behold. If you’re like me, you’ll spend quite a bit of time gazing in awe at Wrightson’s composition, lighting, and brush strokes.
If all of this wasn’t enough, the book features an introduction by Stephen King!
From Micky's list on horror that will haunt you to the grave.
The late great Bernie Wrightson was a comic book genius of my childhood whose artistic merits were probably overlooked due to the media he chose to work in. This volume, illustrating the classic gothic masterpiece of horror, hopefully went some way towards righting that wrong. The glorious and intricate black and white illustrations are a marriage between the horror comic books of my youth and the woodcuts of Gustav Doré a hundred years earlier. I remember being staggered by them in my teens and making my own poor attempts at replicating them in college life drawing. Sorry, Bernie.
From Norm's list on illustrated books for ‘grown-ups’.
Well, this is a bit of a two-fer. Along with world-building and satire, I also like stories of unintended consequences and human hubris and the story of Frankenstein’s monster is the touchstone for all subsequent works based on those themes. But why this edition, as opposed to others? Because of Wrightson’s powerful and masterful illustrations. This is not a graphic novel, per se; the story has not been converted into panels and dialog balloons. Instead, the text is punctuated by full-page, black-and-white, pen-and-ink illustrations of key scenes in the text. The drawings have a chiseled quality and often include a…
From David's list on lovable monsters dealing with existential dread.
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