Rites of Spring

By Modris Eksteins ,

Book cover of Rites of Spring: The Great War and the Birth of the Modern Age

Book description

Named "One of the 100 best books ever published in Canada" (Literary Review of Canada), Rites of Spring is a brilliant and captivating work of cultural history from the internationally acclaimed scholar and writer Modris Eksteins.

A rare and remarkable cultural history of World War I that unearths the roots…

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Why read it?

3 authors picked Rites of Spring as one of their favorite books. Why do they recommend it?

My life is divided between before reading this book and after. Nothing has changed the way that I understand the world or altered how I experience art and reality like this book.

Eksteins is a historian with the gifts of an artist. He intertwines World War I with Njinsky’s inelegant movements and Stravinsky’s discordant sounds and somehow creates an interpretation, an understanding of the past that can only come through artful means. I’ve had to buy three copies of this book because I wore out the first two. I expect I’ll soon be needing a fourth copy.

From Jeannie's list on understanding why art matters.

This book is beautiful even as its subject is ugly: how the shock of the Great War led inexorably in Germany to the rise of Hitler.

I loved the aesthetics of this book. Eksteins begins by transporting us back to Paris, sitting us in the audience on opening night in May 1913 for Stravinsky's ballet The Rites of Spring, which caused mayhem because of the wild dance techniques and jarring music. Eksteins then takes us on a journey through the culture of Weimar Germany as Berlin seized the title of Europe's cultural capital from Paris.

I was enraptured by the…

From Elliot's list on war and collective memory.

Another timeless classic. Inspired by Fussell’s The Great War in Modern Memory, Modris Eksteins produced a daring new attempt to explain the First World War in cultural terms over a decade later. Rites of Spring took analysis of the cultural meaning of the war in another direction in terms of understanding what was true and how such understandings impacted the material world. Whereas Fussell had shown how Anglophone culture had been changed by the war, Eksteins implied that the artistic imagination was in some sense responsible for the war. Whereas Fussell focused upon memoirists who had fought, Eksteins chose…

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