Here are 100 books that The Man in the High Castle fans have personally recommended if you like
The Man in the High Castle.
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I am a professional artist and musician, and I owe a huge debt to Philip K. Dick. I started to read his works at a very young age (I believe I’ve read most everything he’s written at least twice), and my love of his work has continued throughout my life and he has been the greatest inspiration to my music, writing, and art. I felt so influenced and indebted that a created a comic book to honor him and to tell my stories and ideas that have populated my imagination as a result of his books.
I consider myself a very spiritual person and I believe that it is a person’s responsibility to question what it means to be spiritual in order to better understand one’s own faith.
As I am, Philip K. Dick was obviously obsessed with wanting spiritual answers. Valis is very entertaining, but it also made me question all that I believe in a way that expanded and made my spirituality stronger.
It began with a blinding light, a divine revelation from a mysterious intelligence that called itself VALIS (Vast Active Living Intelligence System). And with that, the fabric of reality was torn apart and laid bare so that anything seemed possible, but nothing seemed quite right.
It was madness, pure and simple. But what if it were true?
I am a lecturer in Global Environmental Politics at the University of Edinburgh. My work is driven by the conviction that we need more thorough and realistic maps of possible futures in an increasingly turbulent and uncertain world. Ever since learning about the intersections between climate, energy, and economic crises, I have been fascinated by the question of how our future will unfold and how we might create more just and liveable futures from the wreckage of the present world. And I have been driven to bring down artificial disciplinary divides in order to integrate knowledge across the sciences and humanities in ways that can illuminate the possible pathways ahead.
The recent Octavia Butler renaissance means that the book needs no introduction. It remains a prescient, gripping, ominous, yet inspiring narrative that transports us into a future ravaged by climate change and neo-fascism.
The book is ruthlessly brutal in its account of what a collapse trajectory would look like in a future “United States” (existing in name and memory only). It anticipated a Trump-like figure coming to power well before this was remotely considered by mainstream American political scientists.
While dark, the book is also inspiring in that it shows how the breakdown of our current world could seed the emergence of new movements of mutual aid, solidarity, and earth-based spiritualities.
The extraordinary, prescient NEW YORK TIMES-bestselling novel.
'If there is one thing scarier than a dystopian novel about the future, it's one written in the past that has already begun to come true. This is what makes Parable of the Sower even more impressive than it was when first published' GLORIA STEINEM
'Unnervingly prescient and wise' YAA GYASI
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We are coming apart. We're a rope, breaking, a single strand at a time.
America is a place of chaos, where violence rules and only the rich and powerful are safe. Lauren Olamina, a young woman with the extraordinary power to…
I began writing speculative fiction because I was fascinated by its potential as a laboratory to imagine the world that could be. It’s a narrative form that allows us to play with revolutionary changes in society without any real people getting hurt. And it compels the author to do the hard work of imagining how others experience life in the real world as well as the imaginary one. The best SF novels balance their speculations with a grounding in the observed world, entertaining us with propulsive wonder while filling our minds with new ideas and fresh perspectives that linger long after we put the book down.
After her most famous work of speculative fiction, The Handmaid’s Tale, was adapted for a popular television series in 2017, Atwood wrote a sequel of sorts and a book that, to me, is more interesting and engaging than the remarkable story it builds on.
It takes the form of a truth-and-reconciliation investigation of the theocratic coup that turned the U.S. into the Republic of Gilead. It turns the epilogue to The Handmaid’s Tale—often criticized as a Wizard of Oz-like cop-out at the end of an otherwise unflinching novel—into the launching point for a text that digs in much deeper, with profound wisdom and a clear-eyed species of hope.
BOOK OF THE YEAR: Daily Telegraph, Evening Standard, Stylist, Sunday Times, Financial Times, Guardian, The Times, Observer, Red
Margaret Atwood's dystopian masterpiece, The Handmaid's Tale, is a modern classic. Now she brings the iconic story to a dramatic conclusion in this riveting sequel.
More than fifteen years after the events of The Handmaid's Tale, the theocratic regime of the Republic of Gilead maintains its grip on power, but there are signs it is beginning to rot from within. At this crucial moment, the lives of…
Maximilian Tundra is about to have an existential crisis of cosmic proportions.
When a physical duplicate of him appears in his living room, wearing a tight-fitting silver lamé unitard and speaking with an English accent, Max knows something bad is about to happen. Bad doesn’t cover it. Max discovers he’s the only human being who can prevent the end of the world, and not just on his planet! In the multiverse, infinite Earths will be destroyed.
★★★★★ "Funny, yet deep, this is definitely worth venturing into the multiverse for."
Amazing Stories says: "Snarky as Pratchet, insightful as Stephenson, as full of scathing social commentary as Swift or Voltaire, and weirdly reminiscent of LeGuin, Alpha Max is the only multiverse novel you need this month, or maybe ever."
Maximilian Tundra is about to have an existential crisis of cosmic proportions.
When a physical duplicate of him appears in his living room, wearing a tight-fitting silver lamé unitard and speaking with an English accent, Max knows something bad is about to happen. Bad doesn’t cover it. Max discovers…
I’m of Indian ethnicity and Japanese nationality, so it felt natural to write a book that drew inspiration from both cultures without being adjacent to either one. Like me, my book is a mixed bag. It features an original mythology with a unique religion and mythical beasts that you’ve (hopefully) never seen before. It’s also pretty heavy on themes and tries to provide some context to questions that baffled me as a kid: Why do bad things happen to good people? Why do war and violence exist? I can’t say that I’ve answered those questions, but I hope I’ve provided a multifaceted perspective into the conversation around them.
I loved that this book doesn’t oversimplify challenging themes for a young audience. It mingles magic, action, and fascinating worldbuilding with some heavy philosophical and ethical undercurrents in a unique and compelling way.
The protagonist, Lyra, was a bit of a brat (in the best way), and I loved her mix of naivety and intelligence. I especially enjoyed the portrayal of dust as a conscious particle, and the most fascinating aspect for me was the study of its mysteries.
While I can’t
comment on the specific religious undertones—I am not Christian and
harbor no negative feelings against the church—I did appreciate the
overarching conversation around religion as an institution.
The first volume in Philip Pullman's groundbreaking HIS DARK MATERIALS trilogy, now a thrilling, critically acclaimed BBC/HBO television series. First published in 1995, and acclaimed as a modern masterpiece, this first book in the series won the UK's top awards for children's literature.
"Without this child, we shall all die."
Lyra Belacqua and her animal daemon live half-wild and carefree among scholars of Jordan College, Oxford.
The destiny that awaits her will take her to the frozen lands of the Arctic, where witch-clans reign and ice-bears fight.
Her extraordinary journey will have immeasurable consequences far beyond her own world...
I, Ira Nayman, have been writing stories set in the multiverse for almost twenty years, first with the Alternate Reality News Service set of books, then with my Transdimensional Authority/Multiverse novels and, most recently, with multiverse triptychs (the spark for The Dance). One of the things that I recently realized about my writing is that a lot of it focuses on the factors that shape our lives and make us the people we are. My ongoing fascination with the multiverse is because it is a great vehicle for exploring this idea by showing us how our lives could have turned out if circumstances or our choices had been different.
Bigolas Dickolas Wolfwood famously rocketed this book to the top of the bestseller list four years after its publication. Whatever you’ve heard about this inventive epistolary time travel romance, I promise you that it lives up to that hype. It won me over immediately with its lyrical prose, clever sci-fi conceit, and charged romantic tension between dueling protagonists.
I love dystopian fiction, but there’s something even more impressive about well-written utopian fiction. I’m even more impressed when authors remember that our various visions of utopia can be in conflict with one another and with our own individual connections and desires. Time War weaves poetry out of the multiverse and had me sobbing over two women who would rather burn down every world than lose each other.
WINNER OF The Hugo and Nebula Awards for Best Novella, the Reddit Stabby Award for Best Novella AND The British Science Fiction Association Award for Best Novella
SHORTLISTED FOR 2020 Theodore Sturgeon Memorial Award The Ray Bradbury Prize Kitschies Red Tentacle Award Kitschies Inky Tentacle Brave New Words Award
'A fireworks display from two very talented storytellers' Madeline Miller, author of Circe
Co-written by two award-winning writers, This Is How You Lose the Time War is an epic love story spanning time and space.
Among the ashes of a dying world, an agent of the Commandant finds a letter. It…
At one time, whenever I heard "science fiction," my mind would jump to spaceships, aliens, and dystopian worlds. So, when it came to categorizing my time travel novel, I was surprised to learn that I’d unwittingly penned a sci-fi book. I initially resisted this classification since my story has more of a domestic thriller vibe, and the characters only travel a few years, not centuries, through time. However, I’ve since accepted that time travel is science fiction. The books on my list prove that sci-fi doesn’t necessarily mean hardcore science. It can have a more universal appeal, exploring themes of love, loss, and destiny without a time machine or extraterrestrial in sight.
Being someone who often ponders life's "what ifs," I was quick to snap this novel up. The plot revolves around a suicidal woman, Nora Seed, who finds herself in a mysterious library between life and death, where each book serves as a portal to a different version of her life had she made alternative choices.
Though the story shares thematic elements with traditional time travel narratives—such as the exploration of alternate realities—it’s not time travel in the strictest sense. Instead, it has a dreamlike quality that offers a clever means to explore the deeply personal and relatable concept of self-discovery.
As Nora samples all the different lives she could’ve lived, I couldn’t help but reflect on my own life choices and the paths I didn't take…and be grateful for the ones I did.
The #1 New York Times bestselling WORLDWIDE phenomenon
Winner of the Goodreads Choice Award for Fiction | A Good Morning America Book Club Pick | Independent (London) Ten Best Books of the Year
"A feel-good book guaranteed to lift your spirits."-The Washington Post
The dazzling reader-favorite about the choices that go into a life well lived, from the acclaimed author of How To Stop Time and The Comfort Book.
Somewhere out beyond the edge of the universe there is a library that contains an infinite number of books, each one the story of another reality. One tells the story of…
It’s Saturday, 5 p.m. If you could peer back in time to the late ’60s, you’d find me plunked in front of our new colour RCA Victor, a Swanson TV dinner steaming before me, and the theme…da-da-DAAA-da-da-da-da-DAAAA, announcing my favourite show: Star Trek. I absorbed the logic of Mr. Spock, the passion of Dr. McCoy, and the fantastical world of Klingons, wormholes, and warp drives. Add to that a degree in history and English, and it set the stage for my passion to read and write in genres of science fiction and magical realism. I hope you find these books as stimulating and thought-provoking as I did.
The Chrysalids – my inaugural dive into science fiction in the late sixties – hooked me from the first paragraph.
Wyndham creates a dystopian world of post-nuclear destruction where genetic mutations abound, and if discovered, culled from a civilization steeped in a stark biblical ideology. The Chrysalids track protagonist David Strorm as he safeguards his six-toed friend, Sophie, and ultimately connects with a band of telepaths offering new world hope.
I loved this book because of its adolescent hero and his defiance against a society that was morally corrupt.
In the community of Waknut it is believed mutants are the products of the Devil and must be stamped out. When David befriends a girl with a slight abnormality, he begins to understand the nature of fear and oppression. When he develops his own deviation, he must learn to conceal his secret.
As an author who is also a patent attorney and an engineer, I often deal with projects that are the closest thing to science fiction. That is one of the driving forces behind my urge to write science fiction. However, I very much prefer realistic stories that may potentially come true to hard science fiction with intergalactic travel, robots all over, and time machines (although I have written space opera and a few other hardcore SF tales, and must admit having had fun with them). Still, I like realistic science fiction much more. It leaves more room for character development, and I find myself engrossed in it more easily.
This story of alien invasion is hauntingly realistic and frighteningly fun. It has one of the most original plots I have ever seen and, despite the absurdity of the events recounted in it, this book has a ring of truth to it. You read something utterly preposterous and murmur to yourself, “this might happen!” After reading it, you will start looking at events around you differently.
The aliens wouldn't kill ... They'd take over earth and let man survive -- if he could. A few people tried to tell that Earth was being taken over by alien beings in the shape of bowling balls, talking dogs, dolls that walked like men. The trouble was, no one believed them.
As an author who is also a patent attorney and an engineer, I often deal with projects that are the closest thing to science fiction. That is one of the driving forces behind my urge to write science fiction. However, I very much prefer realistic stories that may potentially come true to hard science fiction with intergalactic travel, robots all over, and time machines (although I have written space opera and a few other hardcore SF tales, and must admit having had fun with them). Still, I like realistic science fiction much more. It leaves more room for character development, and I find myself engrossed in it more easily.
Robert Heinlein excels himself in this story narrated in the first person by a young woman, who is not really a human but rather a synthetic person but one you can relate to. Published in 1982, when much of the technology it describes was not yet in the realm of possibility, this book shows us an image of a chaotic world that may well be in our future. Serious issues sprinkled through this book’s pages are hidden between fun, fast action, a bit of licentious behavior, and some absurdity. Fun is guaranteed.
A CAEZIK Notable book. CAEZIK Notables is a series of speculative-fiction books marking important milestones in science fiction or fantasy. Each book published in the series has a new introduction highlighting the book’s significance within the genre.
“A charming protagonist in a story as sleekly engineered as a starship. This one should fly.”―Publishers Weekly
Friday is a secret courier and ardent lover. Employed by a man she only knows of as “Boss”, she is given the most awkward and dangerous cases, which take her from New Zealand to Canada, and through the new States of America’s disunion, all the way…
I’ve always been fascinated by the strangeness of human character when tested to the limit by overwhelming catastrophe. I’ve always wanted to write a story that brings into stark relief the courage, fear, ambition, tragedy, absurdity, and the ecstatic. In other words, a disaster. And if character is destiny, then an apocalypse maybe the best way to show us who we really are and where we’re going. My debut novel, Delirium focuses on these extremes of character. And after writing it I reached one indelible conclusion: that the human being is the most disturbed creature, but also the most hopeful.
Spare, grim, and minimalist. This is the kind of book I really like, a giant middle finger to the nice, safe suburban sensibilities.
With this disease, which kills all grasses and thus the basic food supply, the thin civilisational veneer is smashed to bits quickly and the England of tea, warm beer, and cricket on the village green is replaced with mass starvation, rapists, murderers, jungle law, atom bombs, and a Hobbesian all-against-all.
This is a story and writing gripping and direct that makes you square up to the fact that you would very likely set aside the moral for the necessary. And it forces you to ask the question: would you kill to save your family?
A thought experiment in future-shock survivalism' Robert MacFarlane
'Gripping ... of all science fiction's apocalypses, this is one of the most haunting' Financial Times
WITH AN INTRODUCTION BY ROBERT MACFARLANE
A post-apocalyptic vision of the world pushed to the brink by famine, John Christopher's science fiction masterpiece The Death of Grass includes an introduction by Robert MacFarlane in Penguin Modern Classics.
At first the virus wiping out grass and crops is of little concern to John Custance. It has decimated Asia, causing mass starvation and riots, but Europe is safe and a counter-virus is expected any day. Except, it turns…
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