I’d been writing for forty years before I could write about the biggest story in my life. My 25 non-fiction books about the American West—landscape, Native peoples, conservation—are a joy to research, photograph, and create. But I had unfinished emotional business: my mentally ill brother who left home when I was six, never to return. After everyone in my family was gone, it was finally safe. I began to recreate my brother’s life, reveling in research. I know how to do that. Opening myself emotionally to the heart of my family story took far longer. Empathy is a choice, and I’ve made my choice.
Robert Whitaker’s books inform my work. Both Mad in America and Anatomy of an Epidemic provided crucial policy background as I searched for my brother's personhood. Whitaker’s deep research and ferocious insistence that we rethink psychiatric care guided me into the world of mental illness, the history of treatment, and the controversy over forcing medication on unwilling people. I sympathize with Whitaker and the people who believe anti-psychotics make things worse. But I also meet many with diagnoses who believe in the mantra, “take your meds.” Best practices cannot be one-size (pill)-fits all. I end my own book by imagining the best possible world for mental health treatment—guided both by Whitaker and his most vehement critic, E. Fuller Torrey.
Schizophrenics in the United States currently fare worse than patients in the world's poorest countries. In Mad in America, medical journalist Robert Whitaker argues that modern treatments for the severely mentally ill are just old medicine in new bottles, and that we as a society are deeply deluded about their efficacy. The widespread use of lobotomies in the 1920s and 1930s gave way in the 1950s to electroshock and a wave of new drugs. In what is perhaps Whitaker's most damning revelation, Mad in America examines how drug companies in the 1980s and 1990s skewed their studies to prove that…
My research into the overlap between mysticism and schizophrenia has garnered one academic monograph on James Joyce, with another on Charlie Kaufman’s films and fiction due out in 2025 (both from Routledge). For 15 years, I’ve been a writing professor at New York University, and the two things I want to impart to my students are: 1) the courage to pursue a singular question or unique viewpoint and (2) the compassion to write clearly for the reader! All five books on my list don’t shy away from profound questions of what it is to be a complex spiritual being, but they always remain lucid and engaging for a general audience.
MacGregor’s book blew my mind when I first read it. This masterful history reveals the discovery of a secret treasure, one that eventually transformed the art world.
In the 19th and 20th centuries, mental asylums in Europe began experimenting with art therapy, allowing psychotic inmates access to drawing materials. Over seventeen chapters jam-packed with astounding images, MacGregor’s book tracks the evolution of what is now known as Outsider art and the profound effect it had (and continues to have) on avant-garde art.
I love MacGregor’s ability to marry the rigor of a scholar with a humane and sensitive commentary on the lives of these forgotten "schizophrenic masters.” This book inspired my own research into schizophrenic art and is my go-to source for inspiration on this theme.
This pioneering work, the first history of the art of the insane, scrutinizes changes in attitudes toward the art of the mentally ill from a time when it was either ignored or ridiculed, through the era when major figures in the art world discovered the extraordinary power of visual statements by psychotic artists such as Adolf Wlfli and Richard Dadd. John MacGregor draws on his dual training in art history and in psychiatry and psychoanalysis to describe not only this evolution in attitudes but also the significant influence of the art of the mentally ill on the development of modern…
I was an imaginative and sensitive kid – growing up in the confusing oppressions of the US south and raised by parents who are themselves trauma survivors. When I started to go into altered states, hear voices, withdraw in frightened isolation and drift towards strange beliefs, I was forcibly locked up at Langley Porter Psychiatric Hospital in San Francisco. I was drugged, put in restraints and solitary confinement, and told I was schizophrenic and would never live a normal life. Today I don’t take medication, work as a therapist teacher, and advocate, and have joined the international patients’ movement working to change an abusive and misguided mental health system. I am not anti-medication, but I see psychiatric meds for what they are – tranquilizers, not treatments, tools not solutions. We need compassionate approaches and caring communities for individuals suffering from a psychotic crisis like I was. I am also the author of the Harm Reduction Guide to Coming Off Psychiatric Drugs.
Hearing voices is considered a symptom of schizophrenia and can quickly lead to hospital lockup, medication, and being shunned by society as “mentally ill.” In this fascinating account, Smith reveals the truth about this experience we call “madness” – hearing voices is actually a normal human experience across history and culture. Poets, religious visionaries, people spending time alone or grieving – even Freud, Gandhi, actor Anthony Hopkins, singer Lady Gaga -- all heard voices, and anyone under the right kind of stress can hear voices. The problem only arises when people hear distressing voices and have nowhere to go for help other than being treated as ill by a doctor.
Psychiatry made the catastrophic mistake of calling homosexuality a mental disease, and for many decades LGBT people were abducted, confined in hospitals, drugged, tortured, and killed for the mental crime of being different. Today people who hear voices are also…
An inquiry into hearing voices-one of humanity's most profound phenomena
Auditory hallucination is one of the most awe-inspiring, terrifying, and ill- understood tricks of which the human psyche is capable. In the age of modern medical science, we have relegated this experience to nothing more than a biological glitch. Yet as Daniel B. Smith puts forth in Muses, Madmen, and Prophets, some of the greatest thinkers, leaders, and prophets in history heard, listened to, and had dialogues with voices inside their heads. In a fascinating quest for understanding, Smith examines the history of this powerful phenomenon, and delivers a ringing…
My literary interest began in childhood when my love for rhyme encouraged me to write limericks and poems. In 2009, my first novel, An Ordinary Life was published, which I considered to be a therapeutic exercise to see where it would lead, and here I am, much wiser, but still learning. Becoming an author has greatly enhanced my appreciation of the written word and how powerful it can be, hence, my book choices – a personal literary journey.
This book inspired me as an author and how to write with conviction.
The mental health element of the story was totally relatable, being a former worker in such a setting. I understood the hostility surrounding schizophrenia and the thoughts and feelings of the main character, a young boy who had the condition.
Skewed thinking and phobias can be isolating, where the sufferer can feel truly alone and this is the overwhelming sense throughout.
'A darkly quirky story of love, obsession and fear . . . a beautiful story hung around the enchanting and heartbreaking voice of teenager Greg' Anna James
Miss Hayes has a new theory. She thinks my condition's caused by some traumatic incident from my past I keep deep-rooted in my mind. As soon as I come clean I'll flood out all these tears and it'll all be ok and I won't be scared of Them anymore.
The truth is I can't think of any single traumatic childhood incident to tell her. I mean, there are plenty of bad…
Since I started reading, I gravitated to books with believable characters in real situations, because I could see myself in these stories. How would I cope in a family dealing with illness or death, breakups in relationships, money woes, and other crises that I read about? Realistic stories about family problems are relatable to everyone, and reading about them through the eyes of the children involved is so meaningful. That’s why when I started creative writing after I retired, I found my voice in the genre I loved to read as a kid. I write authentic stories about families presented with difficult issues for middle-grade readers (and adults).
One can’t read about families in crisis and not confront the devastation and stigma of mental illness. I think this theme resonates with many people, who are close to someone dealing with this illness, including me. In Where the Watermelons Grow, the consequences of mental illness in a family are stark as seen through the eyes of twelve-year-old Della, whose mother is on the verge of a serious breakdown. Della is thrust into new responsibilities for her baby sister and on the family farm. Despite this, Della is still a child who believes in magic and searches for a cure to heal her mother. Of course, there is no magical cure, but there is magic in understanding and acceptance.
Fans of The Thing About Jellyfish and A Snicker of Magic will be swept away by Cindy Baldwin's debut middle grade about a girl coming to terms with her mother's mental illness. An Oregon Spirit Award Honor book.
When twelve-year-old Della Kelly finds her mother furiously digging black seeds from a watermelon in the middle of the night and talking to people who aren't there, Della worries that it's happening again-that the sickness that put her mama in the hospital four years ago is back. That her mama is going to be hospitalized for months like she was last time.…
I love to write about crime. I have no idea why. I don’t have any real-life experience of crime. Honest. I enjoy setting books in the places that I love to visit. So Edinburgh, Amsterdam, Barcelona, and Nice all feature strongly here. And so far, the two novels I’ve written of which one is available on Amazon, have had strong female protagonists. I guess I find it interesting for a woman to take on a bunch of nasty men. And I studied art and the history of art at college, so everything I have written in terms of novels has been in the world of stolen art.
Linwood Barclay always grabs you from page one. He is the king of the page-turner for me. But with Trust Your Eyes, he created a character in Thomas Kilbride so engrossing and interesting, it ramped it up even higher for me. Throw in an ex-Olympic Romanian gymnast turned assassin and for me, it’s one of my favourite books ever.
What would you do if you witnessed a murder - but no one believed you . . .?
Another masterful suspense novel from the bestselling author of the Richard & Judy summer read winner, NO TIME FOR GOODBYE and FIND YOU FIRST
Map-obsessed Thomas spends his days and nights on a virtual tour of the world through his computer screen, believing he must store the details of every town and city in his head. Then one day, while surfing a street view program, he sees something that shouldn't be there: a woman being murdered behind a window on a New…
Psychiatric genetics is now entering its second century. Lifetimes of work, billions of dollars spent, and not a single finding that has benefitted a single patient anywhere in the world.
Moreover, these labors are a preposterous distraction from addressing the real causes of those complaints that fall under the diagnostic rubric of “mental illness” – abuse, trauma, loss, and so forth. It’s time to move on.
Schizophrenia is a widely investigated psychiatric condition, and though there have been claims of gene "associations," decades of molecular genetic studies have failed to produce confirmed causative genes. In this book, Joseph focuses on the methodological shortcomings of schizophrenia genetic research.
His findings have major implications not only on how we understand the causes of schizophrenia and other psychiatric conditions, but also on how we understand the causes of human behavior in general. Chapters explore the differing theoretical concepts of schizophrenia, molecular genetic research around schizophrenia, family, twin, and adoption studies, and non-medical prevention and intervention strategies. Prominent researchers and…
According to my mother, my first words were, “what’s that?” and I believe that’s indicative of the level of curiosity with which I try to approach life. That curiosity led me to write books about how we can better love ourselves and each other when depression is gumming up the works. Talking about mental illness is hard, and I aim to make it easier. I’m not a doctor or therapist. I am best described as a “sex writer with a theatre degree” and I like to say my work focuses on sex, mental health, and how none of us are broken.
It can be incredibly frustrating to try to talk about how broken the mental healthcare system is (especially in the United States). Most people have no frame of reference for it.
Similarly the impact mental illness can have on family and loved ones is, for many, uncharted territory. Enter No One Care About Crazy People.
Powers expertly weaves the history of mental healthcare in America together with the story of his family’s battles with schizophrenia. The result is a heartbreaking and beautiful and horrifying and eye-opening book that leaves you better equipped to have those frustrating conversations.
I’m not going to lie to you, this is a hard one to read. It hurts. That said, it is one of my all-time favorite books.
"Extraordinary and courageous . . . No doubt if everyone were to read this book, the world would change."---New York Times Book Review
New York Times-bestselling author Ron Powers' critically acclaimed narrative of the social history of mental illness in America paired with the deeply personal story of his two sons' battles with schizophrenia.
From the centuries of torture of "lunatiks" at Bedlam Asylum to the infamous eugenics era to the follies of the anti-psychiatry movement to the current landscape in which too many families struggle alone to manage afflicted love ones, Powers limns our fears and myths about mental…
The first time I learned that I was raised by a “bad” mother was when I was in the first grade. The teachers complained that my mother hadn’t shown up for parent-teacher conferences and never could get me to school on time. But I knew what they did not, that my mother worked a lot and was raising kids all her own and yet still had time to take us to the library to read books that were well beyond the ones at school. Because of my highly iterant life raised by a bookish and neglectful mother, I have always been interested in the relationship between children and their less-than-perfect mothers.
Not quite a tale of eating her young, but this book is a great one for restless new mothers grappling with the demands of motherhood and the pull of a life and dreams that were formed in the freedom of the childless years.
This is a dark book with enough raw and funny moments that you never question its premise. It’s a fun read and a great book for a new mother.
In this blazingly smart and voracious debut novel, an artist turned stay-at-home mom becomes convinced she's turning into a dog. • "A must-read for anyone who can’t get enough of the ever-blurring line between the psychological and supernatural that Yellowjackets exemplifies." —Vulture
One day, the mother was a mother, but then one night, she was quite suddenly something else...
An ambitious mother puts her art career on hold to stay at home with her newborn son, but the experience does not match her imagination. Two years later, she steps into the bathroom for a break from her toddler's demands, only…
I love historical fiction because it brings history and people from the past to life, showing us their struggles and their secrets—especially the women! Since my first historical novel, The Miracles of Prato, I've been paying attention to the women whose stories haven't been told. When I realized Hester Prynne is our first American historical feminist heroine—indeed, our American Eve and our original badass single mom—I knew I had to let her tell her story.
This new and acclaimed book about the first witch trial in America in 1651 Springfield, Massachusetts, reads like a novel in which two outsiders, Hugh Parsons and his vision-seeing wife Mary (who probably suffered from paranoid schizophrenia or post-partum psychosis) become the target of an entire town. Puritan laws and Old World medieval folk tales contribute to the sense of darkness and foreboding that prevail over the town and its inhabitants, reminding us that New England was a dark land, isolated and full of enemies, hungry and poor and primed to be swept up by diabolical accusations and actions. Read this for a deep understanding of the causes and consequences of the American witch trials.
*A TIMES, SUNDAY TIMES AND BBC HISTORY HISTORY BOOK OF THE YEAR 2021*
'The best and most enjoyable kind of history writing' Hilary Mantel
'A bona fide historical classic' Sunday Times
Simply one of the best history books I have ever read' BBC History
In the frontier town of Springfield in 1651, peculiar things begin to happen. Precious food spoils, livestock ails and property vanishes. People suffer fits and are plagued by strange visions and dreams. Children sicken and die. As tensions rise, rumours spread of witches and heretics, and the community becomes tangled in a web of spite, distrust…
