I believe that in our real world, most heroes are like any other human, exhibiting the struggles, the moral dilemmas, and the psychological battles any human would be. And that is what makes a hero so great. They rise above the internal and external struggles to become something better and something others can look up to. Heroes are not supposed to be Superman. They are Batman, struggling with the darkness of trauma and the weight of responsibility like everyone else.
Elric of Melnibone is an anti-hero. He is a bad guy who worships a god of chaos and delights in doing bad things. Pressured by family, a sense of duty, and a deep devotion to both his lover and his friends, he begins to question his life and his culture up until now. The lack of caring weighs on him as he vacillates between a world of evil and chaos and a world of law and goodness.
Feared by enemies and friends alike, Elric of Melnibone walks a lonely path among the worlds of the multiverse. The destroyer of his own cruel and ancient race, as well as its final ruler, Elric is the bearer of a destiny as dark and cursed as the vampiric sword he carries - the sentient black blade known as Stormbringer.
Containing the novel which perhaps did the most to propel Elric to the forefront of the fantasy genre, along with associated short stories and other material, this volume is a vital part of any fantasy reader's library. With an introduction by…
I find joy in niches and steampunk is not cut from the ordinary cloth. I was originally challenged to produce a story that incorporated magic into steampunk. The resulting character, Kassandra Leyden who can speak to the dead, brought to life an alternate history where a deadly plague made the British Empire emigrate to the Americas and begin anew. The style and fashion of steampunk in modifying the ordinary appeals to the maker in me. I am an avid renfaire attendee and create and sell garb, which now includes steampunk elements. I hope you enjoy these choices and discover what steampunk has to offer as a genre.
The subtitle to the work, “a Mad Victorian Fantasy” goes a long way to explaining the style of Infernal Devices which follows George Dower inheritor of his father’s clockwork business. Dower bumbles where his father was a genius but that doesn’t stop him from getting involved with time travelers, automaton doppelgangers, and fish people selkies. A romp full of purple prose from one of the progenitors of the term “steampunk.”
The classic Steampunk novel from the creator of the term itself - thirty years ago this month.
When George Dower's father died, he left George his watchmaker's shop - and more. But George has little talent for watches and other infernal devices. When someone tries to steal an old device from the premises, George finds himself embroiled in a mystery of time travel, music and sexual intrigue.
I’ve published eleven classic-style space opera novels, a novella, and many short stories. Before becoming a writer, I spent twenty years in US Air Force in space operations; even though my books are light on science, I really was a rocket scientist! Plus, I’ve read science fiction since I was barely a teen, starting with Heinlein and McCaffery, and am always looking for my next favorite author!
Diana Smythe is a survivor, and she’ll do almost anything to keep her dream of flying to the stars alive. But she won’t betray her friends, or give into bullies, which gets her into ever-deeper trouble. Good thing she’s super smart!
Star Compass is an excellent combination of steampunk and sci-fi. Anthea is a wonderful writer, her characters strong but flawed, and her worldbuilding amazing, combining Victorian mores with modern space flight.
Steampunk meets Space Opera in this captivating tale of adventure and romance from USA Today bestseller Anthea Sharp.
Diana Smythe was a child of the nobility… once. Now the streetrat known as Diver, she spends her days picking pockets, and her nights gazing at the galaxy overhead, dreaming of the day she’ll escape Earth for a brighter future among the stars.
Derek Byrne polices the grimy streets around the Southampton Spaceport, trying to keep the gangs in line and the gutters clear of riffraff. When his path crosses Diana’s, he sees beyond her masculine disguise and catches a glimpse of…
I grew up on the coast of South Carolina, where many of the Golden Age pirates were welcomed as business associates and charming guests by some of the most influential people of the day. They are, to this day, considered local heroes. I read everything I could lay hands on about them, fiction and histories, and I knew my first book would have to be about the pirate I always pretended I could be, if I’d only been born two hundred years ago.
This one’s a little different – pirates sail the clouds instead of the ocean. In a world where Haiti won its freedom at a devastating cost, a young Black woman wants to earn a place on an airship, but can’t seem to find any way to prove her worth to the sky pirates she longs to join. Until she learns about a weapon called the Black God’s Drums, that someone plans to use to wipe New Orleans off the map. Add in the whispers of an orisha with its own agenda and a possible romantic attraction to the peg-legged Captain Ann-Marie, and you’ve got everything a pirate might want.
In an alternate New Orleans caught in the tangle of the American Civil War, the wall-scaling girl named Creeper yearns to escape the streets for the air - in particular, by earning a spot on-board the airship Midnight Robber. Creeper plans to earn Captain Ann-Marie's trust with information she discovers about a Haitian scientist and a mysterious weapon he calls The Black God's Drums.
But Creeper also has a secret herself: Oya, the African orisha of the wind and storms, speaks inside her head, and may have her own ulterior motivations.
I’m a historian with a strong science background who paid my way through college and grad school as a network engineer and Perl programmer. My most recent work, like Nation of Deadbeats and my new book Oceans of Grain, are international financial histories of the world that look at the world through the lens of commodities, international trade, and labor.
Felix Gilman’s The Half-Made World is a brilliant steampunk allegory about what philosopher Jürgen Habermas calls the colonization of the life-world for a faithless utilitarian reason. Gilman imagines a war that pits defenders of wonder, magic, and voodoo against soulless drones seeking gain through environmental degradation. This is a common enough trope in science fiction but what brings it to another level is Gilman’s personification of wonder and magic in a sleazy, violent anti-hero who is frequently possessed by demons. Gilman embodies the colonizers of the world as monstrous, dragon-like railway engines who order men around using telegrams. The innocent reader who will decide the fate of the world is a brilliant, female doctor who is trying to cure herself of her opium addiction. Gilman’s understanding of the rhythm of nineteenth-century language is amazing. His characters each have unique voices and his beautiful prose suggests that Gilman has spent years…
The world is still only half-made. Between the wild shores of uncreation, and the ancient lands of the East lies the vast expanse of the West---young, chaotic, magnificent, war-torn.
Thirty years ago, the Red Republic fought to remake the West---fought gloriously, and failed. The world that now exists has been carved out amid a war between two rival factions: the Line, enslaving the world with industry, and the Gun, a cult of terror and violence. The Republic is now history, and the last of its generals sits forgotten and nameless in a madhouse on the edge of creation. But locked…
Since my first trip to Oz, Dad’s voice traveling me to sleep, I’ve been in love with fantastic worlds, from the microscopic to the intergalactic. I’m drawn to the observations of poets, astronomers, and metaphysicians, but there’s a special place in my heart for children’s authors. Someone once told me middle grade is the “sweet spot.” Readers start making independent choices, exploring stories that resonate with them. I’ve been teaching world-building to students and writers of all ages since 1998, and there is something magical about those 8-12 year-olds with their wild imaginations and eagerness to explore. I wrote my fantasy series for 10-year-old me, lost in such worlds.
Years ago, this book was handed to me as a gift with a knowing look, like a secret was about to be revealed to me. I gobbled it up and was literally walking to the book store while reading the last chapter so I could start reading the next book immediately.
I was surprised to find the series in the middle-grade section of the store because even though the protagonist is 11-year-old Lyra, the story is layered and sophisticated in a way that goes beyond most middle-grade books. Lyra’s world has a wonderful “out of time period” feel before any industrial or technological revolution.
Lyra is a clever protagonist, fierce and scheming, orphaned in an alternative version of our world where children are disappearing on a regular basis. In this world, every person is energetically tethered to a “daemon,” who is their companion for life. They can’t be too far…
The first volume in Philip Pullman's groundbreaking HIS DARK MATERIALS trilogy, now a thrilling, critically acclaimed BBC/HBO television series. First published in 1995, and acclaimed as a modern masterpiece, this first book in the series won the UK's top awards for children's literature.
"Without this child, we shall all die."
Lyra Belacqua and her animal daemon live half-wild and carefree among scholars of Jordan College, Oxford.
The destiny that awaits her will take her to the frozen lands of the Arctic, where witch-clans reign and ice-bears fight.
Her extraordinary journey will have immeasurable consequences far beyond her own world...
My life quest has been to find true magic. Once believing it could only be uncovered in ruins or cathedrals continents away, I ended up discovering it in my own backyard under the Big Sky. When I was young, I read everything science fiction and fantasy to feel like that magic was real and bask in worlds far different from my own. Now, as a professional editor and author based in the West… I still read everything science fiction and fantasy, but now I get paid to do it.
A serious Welcome To The Nightvale-styled western, Golgotha is like any other mining town… except full of writhing demonic worms desperate to possess you. So many legends and religions rub elbows in this saloon-heavy godforsaken place that it feels like any re-imagined version of a dark fantasy americana world, warts and all, is possible. Each character threatened to whisk me on a new journey. I mean, there’s a doctor who can keep severed heads alive? A boy with a mysterious green eye? An unkillable gunslinger sheriff? An angel running a casino? An assassin queen? What is even happening? But all this allowed my imagination to flourish. Instead of spelling out the reasoning for the clashing magic and lore, it reminded me why I love speculative fiction in the first place: the possibilities.
Nevada, 1869: Beyond the pitiless 40-Mile Desert lies Golgotha, a cattle town hiding more than its share of unnatural secrets. The sheriff bears the mark of the noose around his neck; a dead man whose time has not yet come. His half-human deputy is kin to coyotes. The mayor guards a hoard of mythical treasures. And a shady saloon owner, fingers in everyone's business, may know more about the town's origins than he's letting on. Golgotha has known many strange events, but nothing like the primordial darkness stirring in the abandoned silver mine overlooking the town. Bleeding midnight, an ancient…
Is there any genre so purely escapist as a portal fantasy adventure? I grew up on stories like these, devouring any book I could find that had a portal in it, from Alice in Wonderlandto The Chronicles of Narnia to Tunnel in the Sky. Books, in a way, are portals to other places and times, and as a child I wandered through the stacks of the local library, plumbing the depths of every strange world I could get my hands on. If you want to experience the long-lost thrill of falling into a story, few do it like those that take their characters through portals to other worlds.
Have you ever read a sequel that was betterthan the first novel?
The Subtle Knife is that book for me.
While it falls in the middle of the complete trilogy known asHis Dark Materials, The Subtle Knife takes the story in a new direction by centering it on a knife with the power to cut a path between worlds.
The series follows young Lyra, her daemon Pantalaimon, and Will, a boy she meets who happens to be from a parallel universe. The worldbuilding of this series is some of the best I’ve ever seen, and it truly sets these books apart.
The concept revolves around how Lyra and Pantalaimon are connected. They are two creatures who share a soul. Lyra’s a person, and Pantalaimon is her daemon (think “soul made manifest”) with the power to transform into a fox, hawk, lizard—or any animal he so chooses. At…
From the world of Philip Pullman's His Dark Materials - now a major critically acclaimed BBC series.
She had asked: What is he? A friend or an enemy? The alethiometer answered: He is a murderer. When she saw the answer, she relaxed at once.
Lyra finds herself in a shimmering, haunted otherworld - Cittagazze, where soul-eating Spectres stalk the streets and wingbeats of distant angels sound against the sky.
But she is not without allies: twelve-year-old Will Parry, fleeing for his life after taking another's, has also stumbled into this strange new realm.
I love Steampunk because it combines history and imagination. My academic studies were in history, and I love exploring the multitude of ways humans have navigated the big events as well as how they lived their ordinary lives in circumstances very different from our own. The world of the imagination has been my joy ever since I first stepped into Narnia. So bringing history and imagination together is blissful for me, and Steampunk is the epitome of this creative mashup. That said, I also love Steampunk because it lets me dress up in some sensational clothes, including my top hat and the early 20th century tails I bought in a flea market in Paris.
A Transatlantic Tunnel, Hurrah! is an outlier, if you like. I call it ‘proto-Steampunk’ as it was published before the term was coined in the early 1980s. Regardless, it could be a template for Steampunk when it arrived. In some ways, it’s an alternate history, and it has steam-powered contraptions, big engineering projects, a Victorian tone that still incorporates our modern gaze, cameo appearances by real historical figures, and a rip-roaring narrative. Its rollicking diction is uplifting, and it mirrors the gorgeous stiff upper lip tone of much Victorian fiction to heart-warming effect. It plays with the manners, morals, and decorum of the times to create a world that isn’t the nineteenth century as it was, but as it should have been. The edition I have, purchased many years ago, has a foreword by the notoriously curmudgeonly Auberon Waugh where he admits that he ‘cried like a baby at the…
An early classic of steampunk and neo-Victoriana, Harry Harrison’s A Transatlantic Tunnel, Hurrah!
The time is the 1970s―sort of. The place is Earth―in a way. The project: build a tunnel over four thousand miles in length, intended to sustain a pressure of one thousand atmospheres while accommodating cargo and passengers traveling in excess of a thousand miles per hour. The Transatlantic Tunnel will be the greatest engineering feat in the history of the British Empire, a structure worthy of Her Majesty’s Empire in this, the eighth decade of the twentieth century.
I'm a long-time role-player/gamemaster and reader of SFF, and I've read, created, and played (and written!) a lot of stories.Good stories come from good characters. We all know that. But part of what makes characters good is that they're believable, and to me their believability is inextricable from the worlds they come from. A world-build—setting, weather, technology, magic, science, cultures, and languages—should BE as much of a character as the protagonist(s). While I admit a fond nostalgia for ye olde semi-Euro-medieval setting, I lovea world-build that challenges or surprises me, and I love the characters and stories that come out of those worlds. I hope you do too.
Shapeshifting lizard people. Oh. You want me to say something else?
How about... a world like no other, peopled by all manner of beings (but no humans, which is honestly a delight). The setting is so fantastic, but also so meticulously designed—every settlement and civilization feels organic, fully realized, and unlike anything else. But what about the story—?
Moon doesn't know where he's from, but he knows he's the only shapeshifter he's ever met, and the only person with wings...and worse, he thinkshe's part of the terrible Fell, a species that seems to be invasive and hostile and looks a lot like him.
Then he meets another Raksura, and learns how wrong he's been about everything, including himself.
Nominated for the 2018 Hugo Award for Best Series. "Wells...merrily ignores genre conventions as she spins an exciting adventure around an alien hero who anyone can identify with."-Publishers Weekly, Starred Review
Moon has spent his life hiding what he is - a shape-shifter able to transform himself into a winged creature of flight.
An orphan with only vague memories of his own kind, Moon tries to fit in among the tribes of his river valley, with mixed success. Just as Moon is once again cast out by his adopted tribe, he discovers a shape-shifter like himself . . . someone…
