From a very early age, I was interested in both magical stories (untrue) and life writing (true). As a writer, I love combining the two. In both fairy tales and memoirs, somebody goes into the woods and comes out wiser. At both Harvard and Oxford, I teach writing courses on Mythic Memoir. I tell my two children as many fairy tales as I know, and then I make up more. In 2022 I published my first collection of personal essays, Awake with Asashoryu, eleven short memoirs from my life, each with a myth or fairy tale at the heart.
A list like this cannot be complete without Kingston, who uses in her book a literary technique called “perhapsing”—defined by Lisa Knopp as “the use of speculation in creative nonfiction”—in which Kingston uses myth and the question “what if” to imagine what might’ve happened in the stories she half-knows about her family.
NATIONAL BOOK CRITICS CIRCLE AWARD WINNER • NATIONAL BESTSELLER • With this book, the acclaimed author created an entirely new form—an exhilarating blend of autobiography and mythology, of world and self, of hot rage and cool analysis. First published in 1976, it has become a classic in its innovative portrayal of multiple and intersecting identities—immigrant, female, Chinese, American.
“A classic, for a reason” – Celeste Ng via Twitter
As a girl, Kingston lives in two confounding worlds: the California to which her parents have immigrated and the China of her mother’s “talk stories.” The fierce and wily women warriors of…
This book is so much fun and so light-hearted. It’s a perfect example of cozy fantasy romance.
It starts at the moment when our group of heroes slay the evil overlord; instead of following the usual fantasy content of battles and enemy attacks, it follows the friends as they inexpertly struggle to run the country they just inherited by accident, all while the new king secretly pines for his best friend.
It’s quirky and delightful, and it helped me escape the darkness of the real world for a few hours each day.
Carry On meets Arthurian legend in this funny, subversive young adult fantasy about what happens after the chosen one wins the kingdom and has to get married to keep it...and to stay alive.
Arek hadn't thought much about what would happen after he completed the prophecy that said he was destined to save the Kingdom of Ere from its evil ruler. So now that he's finally managed to (somewhat clumsily) behead the evil king (turns out magical swords yanked from bogs don't come pre-sharpened), he and his rag-tag group of quest companions are at a bit of a loss for…
Murakami is a remarkably skilled
story weaver. His plots are engaging, even when they’re unbelievable. But this time
his novel rings painfully true by addressing a less frequented theme: the loss
of a friend group.
Gone is the magical realism that haunts many of his other
works. Instead, we follow one seemingly real person on his quest to discover
why, years ago, his core group of high school friends suddenly, inexplicably
cut him off. I’ve been blessed to still have daily contact with my three
closest friends from childhood well into middle age. Perhaps the thought of
losing that connection made this book that much more compelling.
One of the most revered voices in literature today gives us a story of love, friendship, and heartbreak for the ages.
Colorless Tsukuru Tazaki and His Years of Pilgrimage is the remarkable story of a young man haunted by a great loss; of dreams and nightmares that have unintended consequences for the world around us; and of a journey into the past that is necessary to mend the present.
A New York Times and Washington Post notable book, and one of the Financial Times, St. Louis Post-Dispatch, Slate, Mother Jones, The Daily Beast,…
Dr Dee has designs for a British Empire that will dominate the world for ages to come ushering in Revelation, and with the aegis of the Angels, he has the power to make it a reality.
But, two elements are missing, and through blackmail and occult ritual, infamous swordswoman Captain Lament Evyngar and her giant Dutch comrade are forced to journey to the war-ravaged Spanish Netherlands on a quest that will reveal the truth about strange entities that use humans to fight out their eternal conflicts and in doing so alter Lament and the course of history forever.
Infamous swordswoman Captain Lament Evyngar awaits execution in the Tower of London, charged with heresy and attempted regicide, but all is not as it seems. Unwittingly entangled in the schemes of the Angels, she recounts her tale to the Queen's sorcerer, Dr Dee, who is more than a little responsible for her predicament.
Dr Dee has designs for a British Empire that will dominate the world for ages to come, and with the aegis of the Angels, he has the power to make it a reality. But, two elements are missing, and through blackmail and occult ritual, Lament and her…
Three biographical facts that well equip me to write about both monsters and mental health: I am a psychologist who researches, writes, and teaches about emotions, learning, and quality of life. I am also someone who suffers from panic disorder. I am also someone who enjoys interacting with the world of the dark and spooky, in part to tame my internal fears. I think that many of us use fiction in general and horror in particular as a sandbox of sorts—a safe place where we can expose ourselves to our fears, to test out scenarios, and to explore hidden parts of our psyche.
In my book I frequently draw upon monsters in fiction to understand our complicated relationship with both our own messy, unpredictable embodied minds and the uncertain, often-terrifying world that we operate these embodied minds within.
This haunting book of short stories is a great example of grappling with the complexities of our lives through a monstrous lens in order to better understand the human condition.
An NPR, Book Riot, Chicago Public Library, Tor.com, South China Morning Post,Ms. Magazine, and Shelf Awareness Best Book of 2022
2023 Pacific Northwest Book Prize Winner & Longlisted for the 2023 Joyce Carol Oates Prize
A BuzzFeed, WIRED, LitHub, ALTA, and PureWow Best Book of Winter
"The strange and wonderful define Kim Fu’s story collection, where the line between fantasy and reality fades in and out, elusive and beckoning." ―The New York Times Book Review
In the twelve unforgettable tales of Lesser Known Monsters of the 21st Century, the strange is made…
I am new to this author, but I
look forward to reading her future books. Embers on the Wind is a story where
time intersects, and generational families intertwine. It is part Black magical
realism and part historical fiction.
This tale, which expertly portrays both
the Black and the White experience with a delicate sense of balance, reminds us
that the atrocities of slavery are still a part of the American fabric.
Even though years separate now from then, the fabric of time has held onto
those memories, whether in actual ghostly form or the collective
consciousness. Rosenberg is a brilliant literary fiction writer, and Embers on
the Wind will last with me for years to come.
The past and the present converge in this enthralling, serpentine tale of women connected by motherhood, slavery's legacy, and histories that span centuries.
In 1850 in Massachusetts, Whittaker House stood as a stop on the Underground Railroad. It's where two freedom seekers, Little Annie and Clementine, hid and perished. Whittaker House still stands, and Little Annie and Clementine still linger, their dreams of freedom unfulfilled.
Now a fashionably distressed vacation rental in the Berkshires, Whittaker House draws seekers of another kind: Black women who only appear to be free. Among them are Dominique, a single mother following her grand-mere's stories…
Ruth Emmie Lang's novel about two daughters searching for their mother brought me to a surprising place in the natural world. Zadie and Finn's mother was obsessed with birds. This story came at the exact right time. Like many people during the pandemic, I took up casual backyard bird watching.
Lang's main characters end up meeting people with all kinds of connections to the universe, not only birds. It's quite magical.
Five years ago, Nora Wilder disappeared. The older of her two daughters, Zadie, should have seen it coming, because she can literally see things coming. But not even her psychic abilities were able to prevent their mother from vanishing one morning.
Zadie's estranged younger sister, Finn, can't see into the future, but she has an uncannily good memory, so good that she remembers not only her own memories, but the echoes of memories other people have left behind. On the afternoon of her graduation party, Finn is seized by an "echo" more powerful than anything she's experienced before: a woman…
I was born in New Jersey to an American mother and an Iranian father. I spent the first twenty years of my life living both in Tehran and New York, striving to fit and blend into whatever culture I happened to occupy at a given moment. I whined about this, wishing I was one thing or another. But after the 1979 Islamic Revolution erupted and my family was permanently exiled, I learned the true meaning of being careful about what you wish for. To connect with my lost Persian heritage, I began to write about it, and to write about living in the diaspora. It’s how I make sense of the world.
Five Iranian women of very different backgrounds come together in a lush Persian garden outside Tehran. We learn their stories, their dreams, their hopes. The central theme is as the title suggests: what would a world without men be like? How would life away from the narrow gender-defined roles of an oppressive patriarchal system work? If you like magical realism, there is plenty here, and it’s beautifully rendered. Because of her writing, the author spent many years in prison under the Islamic Republic. Yet she never stopped writing. I think she should be considered for the Nobel Prize in literature. This novel was also made into a film.
From an outspoken Iranian author comes a “charming, powerful novella” that is banned in Iran for its depiction of female freedom (Publishers Weekly).
“Parsipur is a courageous, talented woman, and above all, a great writer.” —Marjane Satrapi, author of Persepolis
This modern literary masterpiece follows the interwoven destinies of five women—including a wealthy middle-aged housewife, a prostitute, and a schoolteacher—as they arrive by different paths to live together in an abundant garden on the outskirts of Tehran. Drawing on elements of Islamic mysticism and recent Iranian history, this unforgettable novel depicts women escaping the narrow confines of family and society,…
I’m a historian of early American history and a professor at Southern Methodist University in Dallas. I came to my love of history through reading fiction as a child, and I’m still an avid reader of good stories of all kinds. Asking new questions about history requires imagination, and writers of good historical fiction provide brilliant ways to engage the past. They offer something real and human that transcends the need to footnote or fact check, so I turn off my historical accuracy meter when I read books like these. My list encapsulates some of my favorite novels for when I want to be a time traveler from my couch.
I’ve always wanted to go to New Zealand, and I picked this up mostly because of that desire. (Also, TBH, because a reviewer said this was a book people would either be too scared to start or would never put down, and I took that as a challenge.)
Despite these pretty simple reasons for starting—and finishing—the book, The Luminaries has become one of my all-time favorite novels.
Set in the mid-1860s, Catton tells the story of Scotsman Walter Moody. He travels to New Zealand’s southern island and finds himself immediately intertwined in more than one mystery. He serves as the reader’s guide to the numinous web of lies, swindles, murders, and ambitions that surround the town of Hokitika.
Catton weaves the place into a muddy and pungent microcosm of Britain’s global empire. Her characters, especially the suicidal prostitute Anna Wetherell, take the reader into a more diverse, beautiful, and intriguing…
'A breathtakingly ambitious mystery ... as beautiful as it is triumphant.' Daily Mail
An astonishing, epic story of promise, deceit and desperation in New Zealand's gold rush.
'What brings a fellow down here, you know, to the ends of the earth - what sparks a man?'
It is 1866, and Walter Moody has come to make his fortune upon the New Zealand goldfields. On arrival, he stumbles across a tense gathering of twelve local men, who have met in secret to discuss a series of unsolved crimes. A wealthy man has vanished, a prostitute has…
I went back to this classic recently after a gap of many years and loved it even more. This is a serious philosophical novel that is also a grimly funny satire on Stalinist Russia. It was published long after the author's death.
The devil, posing as a stage magician, comes to Moscow, accompanied by various demonic minions, and proves to be more dangerous than any politician. People don’t believe in him, which leaves him free to create havoc, especially among the literary elite.
The mayhem includes such gems as bureaucrats being transformed into empty suits and the staff of the Branch Office of the Theatrical Commission involuntarily finding themselves singing The Song of the Volga Boatmen.
This is a novel that a certain contemporary Russian leader is allegedly afraid of. I can understand why.
'Bulgakov is one of the greatest Russian writers, perhaps the greatest' Independent
Written in secret during the darkest days of Stalin's reign, The Master and Margarita became an overnight literary phenomenon when it was finally published it, signalling artistic freedom for Russians everywhere. Bulgakov's carnivalesque satire of Soviet life describes how the Devil, trailing fire and chaos in his wake, weaves himself out of the shadows and into Moscow one Spring afternoon. Brimming with magic and incident, it is full of imaginary, historical, terrifying and wonderful characters, from witches, poets and Biblical tyrants to the beautiful, courageous Margarita, who will…
I write and read realistic fiction. I’m not a fan of fantasy, sci-fi, ghost stories, or magical (other than, you know, Tolkien). I don’t want to have to suspend a lot of belief and buy into an alternate reality. And yet, and yet. . . . All these books have a little element of something going on, and they each grabbed me and kept my attention, and I didn’t roll my eyes once. The supernatural is just a little extra kick and, in every case, as believable as it can possibly be.
Going into it, I have to say that the cohort of talking animals was a bit much for a realist like me.
But I kept reading as the animals inhabit the dreams of a young neuroscientist who is dealing with personal issues while trying to complete her graduate studies. I realized that the animals became what people couldn’t be for her at this precise time. Maybe they were figments of her imagination. It doesn’t matter in the end. They enlightened her struggles and got her through.
By the time I finished reading the book, I looked at them the way I look at talking animals in really good children’s books: they do the work, say the things, and be the “people” that human characters couldn’t manage nearly as well.
Frankie Conner, first-year graduate student at UC Berkeley, is finally getting her life together. After multiple failures and several false starts, she's found her calling: become a neuroscientist, discover the cause of her depression and anxiety, and hopefully find a cure for herself and everyone like her.
But her first day of the program, Frankie meets a mysterious group of talking animals who claim to have an urgent message for her. The problem is, they're not willing to share it. Not yet. Not until she's ready.
While Frankie's new friends may not have her highly evolved, state-of-the-art, exalted human brain,…
