I was born and raised in Northern California, right on the banks of the Sacramento River. While I didn’t realize it growing up, it was an epicenter for outdoor adventures. Along with skiing, snowboarding, hiking, wakeboarding, and camping, I always read a lot. My dad was worried that I would have no sense of direction because I was always in the back of our van or RV reading a book. That led to writing…and I had my first article published in a wakeboarding magazine when I was 15 years old. Traveling always took a backburner to reading, but now it’s front and center of my writing.
I love to eat, travel, and write about it, and no one did that better than Anthony Bourdain. Weirdly enough, I only got into his TV shows after I read his books and I still like his books a lot more.
It’s such a shame that he isn’t around anymore to produce amazing work, but fortunately more stories can be told through his colleagues and friends…which is where Tom Vitale comes in. Tom traveled extensively with “Tony” filming places for his TV series and shares crazy behind-the-scenes stories about what happened during that time and what his working relationship was like with Bourdain.
I was captivated and laughing out loud listening to this audiobook as we drove through Thailand.
In the nearly two years since Anthony Bourdain's death, no one else has come close to filling the void he left. His passion for and genuine curiosity about the people and cultures he visited made the world feel smaller and more connected. Despite his affable, confident, and trademark snarky TV persona, the real Tony was intensely private, deeply conflicted about his fame, and an enigma even to those close to him. Tony's devoted crew knew him best, and no one else had a front-row seat for as long as his director and producer, Tom Vitale.
I have been passionate about journalism since I was a teenager, when I became the co-editor of my high school newspaper. My career as a full-time journalist began decades ago, at a small family-owned newspaper in Berkshire County, Mass., and continued through staff writer positions at The Cape Cod Times, Providence Journal and now at OceanStateStories.org, the new non-profit news outlet based at Salve Regina University’s Pell Center in Newport, R.I., that I co-founded and now direct. So I have the long and inside view of American journalism!
This landmark book by the Iranian-American writer Azar Afisi is an account of the oppression of the Islamic Revolution in her native Iran and an ode to the liberating power of literature and truth.
In her book, Nafisi recounts the experiences of a group of students she worked with as a professor of English at the University of Tehran. She was dismissed from that professorship in 1981 for refusing to cover her hair and 16 years later, emigrated to America, where she teaches, writes, and is an internationally respected voice for press and personal freedoms.
When Azar Nafisi was fired from Tehran University (where she was teaching English literature) because she refused to wear a veil, she gathered a group of her female students and resumed her classes at home, privately and discreetly. There, a group of young women discussed, argued about and communed with Shakespeare, Jane Austen, Henry James, Nabokov and others in the canon of English writers. The surreal picture of reading "Lolita", weighing the sexuality of Jane Austen or the American authenticity of Gatsby in the severe aftermath of Iran's Islamic Revolution was not lost on either Nafisi or her students. The…
As a kid, I always wanted to be a Secret Service agent. As an adult, I became one. The job introduced me to the classified and shadowy world of national security. I traveled the globe, working in places I'd only read about in novels and meeting people who seemed like well-written characters from a book. When I was assigned as a liaison agent to the Joint Terrorism Task Force, I attended numerous FBI and CIA schools—even the facility known as The Farm. But through it all, I read! When I retired and had time to think about what I did, I figured I'd try writing.
For me, Argo is one of those rare finds in spy books. It is a book about an actual intelligence operation that went as planned, written by a living CIA intelligence officer who took part in it.
One of the hallmarks of intelligence operations is making the enemy believe what you want them to think. Misinformation and disinformation comprise a large part of the work, but sometimes, it all comes down to good old-fashioned deception. That's what makes Argo work.
And, hey, any book good enough to be made into a movie that wins an Oscar for Best Picture is worth my time.
Argo by Antonio Mendez and Matt Baglio - the declassified CIA story behind the Oscar-winning film
WINNER OF 'BEST PICTURE' AT THE ACADEMY AWARDS, THE BAFTAS AND THE GOLDEN GLOBES
Tehran, November 1979. Militant students stormed the American embassy and held sixty Americans captive for a gruelling 444 days. But until now the CIA has never revealed the twist to the Iran Hostage Crisis: six Americans escaped.
The escape plot was run by Antonio Mendez, head of the CIA's extraction team and a master of disguise. Mendez came up with an idea so daring and potentially foolish that it seemed…
Walking the rims of remote crater lakes in Uganda to map a tiny piece of terra incognita was a big childhood dream coming true. I then went from a geography master to studies of conflicts, development & journalism. This brought me to the DRC, India, and Nepal, where I covered war, aid, and revolution. Since 2009 I combine professional environmentalism with freelance journalism, publishing books, and giving lectures. With a great global team of researchers and activists I co-created the largest database of environmental conflicts in the world, which doubled as fieldwork for my book Frontlines.
As a geographer specialized in conflicts, the title in itself is enough to pick it up. But the reason for reading and rereading this book is that even after two readings, I'm still torn between defending or debunking the controversial author. Like him, I feel frustrated by the neglect of physical geography in so many discussions of the conflicts in this world and Kaplan really opens eyes and puts things in a much needed context. At other times, his determinism and his “America first” undertone irritates me. But to understand the world better, this and his book Monsoon. The Indian Ocean and the Future of American Power are truly eyeopeners.
NEW YORK TIMES BESTSELLER • In this “ambitious and challenging” (The New York Review of Books) work, the bestselling author of Monsoon and Balkan Ghosts offers a revelatory prism through which to view global upheavals and to understand what lies ahead for continents and countries around the world.
In The Revenge of Geography, Robert D. Kaplan builds on the insights, discoveries, and theories of great geographers and geopolitical thinkers of the near and distant past to look back at critical pivots in history and then to look forward at the evolving global scene. Kaplan traces the history of the world’s…
After college I joined the CIA. They assigned me to the Iran-Iraq military account so I had a front-row seat for the Persian Gulf War. I went on to do two tours at the NSC and a quick stop at DoD in between, all working on Middle East political and security issues. I was unexpectedly thrown out by Bush II in 2001 and so had to flee to the think tank world. I’ve since written ten books on the political-military affairs of the Middle East and am now working on my eleventh, a history of the U.S. and Iraq since 1979 titledThe Iraq Wars.
Wick Murray is one of America’s greatest military historians and Kevin Woods was the leader of the team sent by the U.S. government to exploit the documents and taped conversations captured by U.S. forces in Iraq after 2003. Murray was a key member of that team and they also interviewed many former Iraqi generals. Finally, they also managed to unearth some Iranian accounts of the war—some from the Iraqi intelligence archives. Not surprisingly, this is a terrific account of the war, one that brings in all kinds of new material, especially from the Iraqi side. Their narrative description hits all of the key points of a very long, complex conflict, their insights and analysis are spot on, and the addition of the new material from the Iraqi side makes this the definitive work on the subject at least until comparable materials come to light from the Iranian side.
The Iran-Iraq War is one of the largest, yet least documented conflicts in the history of the Middle East. Drawing from an extensive cache of captured Iraqi government records, this book is the first comprehensive military and strategic account of the war through the lens of the Iraqi regime and its senior military commanders. It explores the rationale and decision-making processes that drove the Iraqis as they grappled with challenges that, at times, threatened their existence. Beginning with the bizarre lack of planning by the Iraqis in their invasion of Iran, the authors reveal Saddam's desperate attempts to improve the…
I'm an Iranian-American who left the country with my family after the Islamic Revolution. I'm watching the events unfold in Iran since the murder of Mahsa Amini with equal parts sadness and awe. Sadness for the loss of life and awe for the bravery of the young protestors in the country. My books will always have a nod to my culture of origin—whether about growing up in an immigrant household in my memoir, Americanized, or writing an Iranian-American character like Parisa in I Miss You, I Hate This. It's been fascinating to see people in America pay attention to what's happening in Iran and I wanted to share some books that'll help inform their perspective.
So back when I was a senior at UC Berkeley, I worked as an assistant at the Center for Middle Eastern Studies and totally fangirled over Tara Bahrampour when we hosted her as a guest speaker. She was basically who I wanted to be one day. What I love about her memoir is that it talks about growing up in America, and revisiting Iran—something I’ve never gotten to do but could imagine through Bahrampour’s eyes. I would have completely passed out if someone told me the day I met Tara that one day, I’d publish a book about being Iranian too. I’m not sure I would have attempted to write my memoir without having her as inspiration.
A compelling and intimate exploration of the complexity of a bicultural immigrant experience, To See and See Again traces three generations of an Iranian (and Iranian-American) family undergoing a century of change--from the author's grandfather, a feudal lord with two wives; to her father, a freespirited architect who marries an American pop singer; to Bahrampour herself, who grows up balanced precariously between two cultures and comes of age watching them clash on the nightly news.
I'm an Iranian-American who left the country with my family after the Islamic Revolution. I'm watching the events unfold in Iran since the murder of Mahsa Amini with equal parts sadness and awe. Sadness for the loss of life and awe for the bravery of the young protestors in the country. My books will always have a nod to my culture of origin—whether about growing up in an immigrant household in my memoir, Americanized, or writing an Iranian-American character like Parisa in I Miss You, I Hate This. It's been fascinating to see people in America pay attention to what's happening in Iran and I wanted to share some books that'll help inform their perspective.
An American Coup and the Roots of Middle East Terror by Stephen Kinzer. Honestly, if I was Ben Affleck I would have made a movie based on this book instead of Argo.Kinzer’s book exposes the United States and the UK’s role in creating the Iran of today by detailing Operation Ajax—or the coup that caused the downfall of elected Prime Minister Mohammad Mosaddegh. Spoiler alert: it had a lot to do with oil. What’s devasting is to picture what Iran would look like today without foreign intervention in the 1950s.
With a thrilling narrative that sheds much light on recent events, this national bestseller brings to life the 1953 CIA coup in Iran that ousted the country’s elected prime minister, ushered in a quarter-century of brutal rule under the Shah, and stimulated the rise of Islamic fundamentalism and anti-Americanism in the Middle East. Selected as one of the best books of the year by the Washington Post and The Economist, it now features a new preface by the author on the folly of attacking Iran.
I
love to travel and am fascinated by the world we live in and its astonishing
diversity of cultures. Iran is a country I’ve yet to visit, and this book is a
powerful, at times heart-wrenching account of life in the capital under a
harsh, repressive, and unforgiving theocracy.
Through collected accounts of real
citizens (names and details changed), Navai explores the extraordinary nature of
everyday existence in Tehran as people navigate the hypocrisies, treacheries, taboos, fatwas,
the morality police, the ever-watching and interfering government, and more. It is life in a world gone horribly wrong, covering varied tiers of society, where
in order to survive one has little choice but to lie, evade, conceal, pretend,
never sure who to trust and ever aware that you or your loved ones may be jailed, flogged,
raped or executed for what may be, to us, quite minor misdemeanors, if that.
'Phenomenal. An extraordinary insight into a country barely known - an often feared - by the West' Vogue
'Utterly compelling' Daily Mail
'Gripping, a dark, delicious unveiling . . . Deeply researched yet as exciting as a novel' Simon Sebag Montefiore
Welcome to Tehran, a city where survival depends on a network of subterfuge. Here is a place where mullahs visit prostitutes, drug kingpins run crystal meth kitchens, surgeons restore girls' virginity and homemade porn is sold in the sprawling bazaars; a place where ordinary people are forced to lead extraordinary lives.
I am a professor of politics and international relations with a focus on Iran. My passion for the country started while studying Persian or Farsi with an exceptional professor in graduate school. During that time, I had the privilege of traveling to Iran three times to study the language and conduct research on rural politics. This period coincided with the Green Movement uprising, a pivotal moment in the country. Since then, I have been enthralled by Iranian history, politics, and culture. Their richness and complexity make it a subject that can be studied and appreciated for a lifetime.
Importantly, this book reminds the reader that the Iranian Revolution and others are rare and unpredictable events in human history that breed chaos and uncertainty. The book systematically and convincingly debunks the conventional explanations for the revolution related to static structures and processes in the government, military, economy, society, and culture. Instead, the book argues that what ultimately turned the tide of the revolution was the agency of activists who purposively created and exploited these structures and processes, translated initial fear into intensified outrage, drew power in numbers, and became convinced that success in the form of regime change was possible.
The shah of Iran, Mohammad Reza Pahlavi, would remain on the throne for the foreseeable future: This was the firm conclusion of a top-secret CIA analysis issued in October 1978. One hundred days later the shah--despite his massive military, fearsome security police, and superpower support was overthrown by a popular and largely peaceful revolution. But the CIA was not alone in its myopia, as Charles Kurzman reveals in this penetrating work; Iranians themselves, except for a tiny minority, considered a revolution inconceivable until it actually occurred. Revisiting the circumstances surrounding the fall of the shah, Kurzman offers rare insight into…
I was born in New Jersey to an American mother and an Iranian father. I spent the first twenty years of my life living both in Tehran and New York, striving to fit and blend into whatever culture I happened to occupy at a given moment. I whined about this, wishing I was one thing or another. But after the 1979 Islamic Revolution erupted and my family was permanently exiled, I learned the true meaning of being careful about what you wish for. To connect with my lost Persian heritage, I began to write about it, and to write about living in the diaspora. It’s how I make sense of the world.
This is a historical novel that takes place in Isfahan during the 17th century, the height of that city’s artistic renaissance. Think: turquoise mosaics and sumptuous paisley textiles. The protagonist, a young girl whose fate changes when her father dies and leaves her without a dowry, is forced to work as a carpet weaver. Through hard work and study, she becomes a sought-after carpet designer at a time when Persian carpet design was at its pinnacle and an occupation relegated solely to men. There are some very well-crafted sex scenes, if you’re into that.
A sensuous and richly-imagined historical novel that centers on a skilled young carpet weaver, her arranged marriage, and her quest for self-determination in 17th-century Persia.
In 17th-century Iran, a 14-year-old woman believes she will be married within the year. But when her beloved father dies, she and her mother find themselves alone and without a dowry. With nowhere else to go, they are forced to sell the brilliant turquoise rug the young woman has woven to pay for their journey to Isfahan, where they will work as servants for her uncle, a rich rug designer in the court of the…
