As my debut novel demonstrated, I’m a massive fan of Gothic literature. Compelling stories are found in many genres, but rarely with such atmosphere and style. The freedom and enjoyment of writing in this category are unparalleled, offering an excuse to use language your editor would prefer to eliminate from contemporary fiction.
In a Glass Darkly is a collection of unusual Gothic tales. The shorter stories provide the foreboding inevitability of the genre, with atmospheric hauntings and ghostly floating eyes. Fans of M. R. James or H. P Lovecraft will appreciate these.
In addition, the collection features two novella-length stories. Carmilla, an early and influential vampire story, and "The Room At The Dragon Volant", which is a romance horror. Carmilla inspired many of the elements Bram Stoker used in Dracula. Both these longer stories are atmospheric and wonderfully picturesque in their descriptions of the people and places.
`the ideal reading...for the hours after midnight'
Thus Henry James described the style of supernatural tale of which Sheridan Le Fanu was a master. Known in nineteenth-century Dublin as `The Invisible Prince' because of his reclusive and nocturnal habits, Le Fanu was fascinated by the occult. His writings draw on the Gothic tradition, elements of Irish folklore, and even on the social and political anxieties of his Anglo-Irish contemporaries. In exploring sometimes inexplicable terrors, the tales focus on the unease of the haunted men and women who encounter the supernatural, rather than on the origin or purpose of the visitant.…
As a child, I listened to scary Korean folklore and then devoured all of Grimm’s fairy tales with their themes of good versus evil, disguise and betrayal, sacrifice, and magic. It’s not surprising that as I grew older, my reading tastes skewed toward darkness, mystery, madness, and the uncanny. There’s a penitential aspect to gothic stories, with their superstitious moralism, often with elements of the supernatural manifesting not as monsters but restless spirits—the repressed ghosts of a location’s history. I’ve always been intrigued by the idea of a place absorbing and regurgitating the histories and sins of its occupants, whether it be a town, a house, or both.
Most people are familiar with the movie, and I was, too, before I read the novel—which is shockingly good! Though published in 1967, the prose is modern and restrained.
Rosemary is betrayed by those she trusts, most heinously by her opportunistic husband, but she’s no passive victim; instead, she becomes ferocious. I give props to Levin for channeling the burgeoning feminist rage of the times, which he also did in his 1972 classic, The Stepford Wives. The dream/hallucination scene where Satan impregnates Rosemary and her confrontation with Guy the morning after is so well-written and horrific it made me want to stab him with a pitchfork.
'The Swiss watchmaker of the suspense novel' Stephen King
Rosemary Woodhouse and her struggling actor-husband, Guy, move into the Bramford, an old New York City apartment building with an ominous reputation and only elderly residents. Neighbours Roman and Minnie Castavet soon come nosing around to welcome them; despite Rosemary's reservations about their eccentricity and the weird noises that she keeps hearing, her husband starts spending time with them. Shortly after Guy lands a plum Broadway role, Rosemary becomes pregnant, and the Castavets start taking a special interest in her welfare.
As the sickened Rosemary becomes increasingly isolated, she begins to…
I’ve been reading Lovecraft, and those inspired by him, since I was in high school. I’ve always been fascinated by the idea that there could be a whole world just outside of sight that we never see, and once we do see we can never un-see. After I’d been writing for a few years a friend of mine suggested/demanded I write a story for him inspired by Lovecraft’s world. Mostly I started it to satisfy him but once the jar was open it all spilled out. I wove in real elements from history, including historical figures. This story ended up winning a major award, but there was still so much more to tell.
Okay, so maybe you didn’t exactly miss at least hearing about this novel, but many readers skip over the original Lovecraft stories as being too difficult to read which is a shame.
This is the where the elder god mythos truly began for me, the first of any Lovecraft story I ever read. Split into three sections this book is linked together around nightmares, cults, and a sleeping god.
Call of Cthulhu was where I learned that not every question in a story requires an answer, and that heroes can face overwhelming odds and lose in the end. It is bleak and the perfect introduction to this world.
One of the feature stories of the Cthulhu Mythos, H.P. Lovecraft's 'the Call of Cthulhu' is a harrowing tale of the weakness of the human mind when confronted by powers and intelligences from beyond our world.
Misery loves company, right? While I never wish ill on someone, I find comfort in knowing I’m not the only one going through a loss, slight, or rejection. Family dysfunction novels remind me that the petty problems I get caught up in are nothing compared to what they could be. Sure, fiction frequently elevates these troubles from drama to melodrama, but I still experience relief—even though it may only be in the smallest way—focusing on someone else’s struggles. Sometimes I even find a solution to my own paltry issues. Who wouldn’t want that? And what writer wouldn’t want to help readers in that way?
I read this book in high school and it messed. Me. Up. So much so that I remember it in vivid detail to this day and credit it with my desire to write dysfunctional family fiction.
I’d be hard-pressed in real life (thank God) to find a family suffering from issues ranging from incestuous relationships through moral superiority and unforgiving rigidity up to greed and murder… all of which feels like the tip of the iceberg.
Reading the tale of a family who has gone so far off the rails will, if nothing else, make you appreciate the mundane problems your own family has. And isn’t that why we read this genre?
The haunting young adult gothic romance classic that launched Virginia Andrews' incredible best-selling career.
Up in the attic, four secrets are hidden. Four blonde, beautiful, innocent little secrets, struggling to stay alive...
Chris, Cathy, Cory and Carrie have perfect lives - until a tragic accident changes everything. Now they must wait, hidden from view in their grandparents' attic, as their mother tries to figure out what to do next. But as days turn into weeks and weeks into months, the siblings endure unspeakable horrors and face the terrifying realisation that they might not be let out of the attic after…
Religion and horror have long appeared to me like the double helix of some mysterious, transcendental strand of DNA. This relationship has been lived out in my own life. I am simultaneously an author of supernatural horror stories, a critic and scholar of the field, and a student of religion and philosophy with a master’s in religious studies, a Ph.D. in leadership studies, and a lifetime of involvement in various Christian churches. As both a writer and a human being, I hold a special focus on the mutual implications of religion, horror, and creativity, which all seem to arise from and lead back to the same ultimate mystery.
Blatty’s classic novel is recommendable as much for its cultural impact, which is of course inextricably bound up with its legendary film adaptation, as for its own content. With the story of young Regan, a 12-year-old girl in the modern technological world who becomes possessed by an ancient demon, Blatty, a committed Roman Catholic, deliberately set out to communicate a vivid sense of supernatural evil to a modern, skeptical, jaded audience. Many people don’t realize that The Exorcistis actually a Christian novel. As Blatty himself later put it, if he could get people to believe, even fictionally/emotionally, in demons, they would also know what it feels like to live in a universe where God and angels are real. The result, regardless of your religious beliefs, is unforgettable.
Father Damien Karras: 'Where is Regan?' Regan MacNeil: 'In here. With us.'
The terror begins unobtrusively. Noises in the attic. In the child's room, an odd smell, the displacement of furniture, an icy chill. At first, easy explanations are offered. Then frightening changes begin to appear in eleven-year-old Regan. Medical tests fail to shed any light on her symptoms, but it is as if a different personality has invaded her body.
Father Damien Karras, a Jesuit priest, is called in. Is it possible that a demonic presence has possessed the child? Exorcism seems to be the only answer...
I hold degrees in history and social science with a focus on women’s history at the turn of the century. I’ve studied the hysteria pandemic and its lasting results for over a decade. As someone who struggles with depression, anxiety, and the effects of psychological abuse, I find I know these women all too well. As a writer, I’ve been inspired by other classic gothic novels like Wuthering Heights by Emily Bronte, The Haunting of Hill House by Shirley Jackson, and The Bell Jar by Sylvia Plath. In addition to writing novels, I’m also a blogger and marketing consultant in southern California where I live with my blind dog, Mr. Magoo.
The Yellow Wallpaper inspired my book and brand. Gilman not only defined the madwoman of Gothic literature by writing one of the most haunting and empowering stories of the 19th century, but she also lived it. Her experience inspired her story and exposed the horror of hysteria treatments. This story inspired me because I could relate to Gilman and her main character. Though hysteria is no longer a recognized condition and women have gained many more rights, ideologies left over from the hysteria panic still creep in our culture and generational memory. Women are still called crazy. The assumption that women are emotionally unstable is still used to discredit, invalidate and control women. In an era where women couldn’t fight for their rights as we do, Gilman found her power by embracing madness, and so do I.
Best known for the 1892 title story of this collection, a harrowing tale of a woman's descent into madness, Charlotte Perkins Gilman wrote more than 200 other short stories. Seven of her finest are reprinted here. Written from a feminist perspective, often focusing on the inferior status accorded to women by society, the tales include "Turned," an ironic story with a startling twist, in which a husband seduces and impregnates a naïve servant; "Cottagette," concerning the romance of a young artist and a man who's apparently too good to be true; "Mr. Peebles' Heart," a liberating tale of a fiftyish…
I’m a Canadian author and artist that loves to write and draw the darker side of fantasy. Ever since I was a child, I have adored mythology, horror, and the creatures and worlds that are present within the fantasy genre. The world of fantasy has unlimited imagination, and its lore and structure grow constantly, which gives endless ideas to us writers to create endless brilliant realms and the creatures that dwell within them.
The Essential Tales of H.P. Lovecraft is a collection of some of Lovecraft’s famous horror stories. "The Call of Cthulhu" is one that I truly enjoyed the most. If you are a fan of horror and otherworldly beings, then I believe that you would love this book as much as I do. The creatures and the ambiance that are present in his stories are fascinating, and just give a wonderful look into the many worlds of horror and the unknown that he created. His works are some of the things that inspired me to become a dark fantasy writer and a gothic-style artist.
Discover the true meaning of fear with these classic horror stories.
The Essential Tales of H.P. Lovecraft collects one of the author's most popular novellas, At the Mountain of Madness, and six of his most famous short stories, including The Call of Cthulhu, The Shadow Out of Time, The Dunwich Horror, The Colour of Space, The Shadow Over Innsmouth, and The Whisperer in the Darkness. These hair-raising tales have inspired generations of authors and filmmakers, including Stephen King, Alan Moore, Guillermo del Toro, and Neil Gaiman. This elegantly designed clothbound edition features an elastic closure and a new introduction.
Is there any genre so purely escapist as a portal fantasy adventure? I grew up on stories like these, devouring any book I could find that had a portal in it, from Alice in Wonderlandto The Chronicles of Narnia to Tunnel in the Sky. Books, in a way, are portals to other places and times, and as a child I wandered through the stacks of the local library, plumbing the depths of every strange world I could get my hands on. If you want to experience the long-lost thrill of falling into a story, few do it like those that take their characters through portals to other worlds.
Have you ever read a sequel that was betterthan the first novel?
The Subtle Knife is that book for me.
While it falls in the middle of the complete trilogy known asHis Dark Materials, The Subtle Knife takes the story in a new direction by centering it on a knife with the power to cut a path between worlds.
The series follows young Lyra, her daemon Pantalaimon, and Will, a boy she meets who happens to be from a parallel universe. The worldbuilding of this series is some of the best I’ve ever seen, and it truly sets these books apart.
The concept revolves around how Lyra and Pantalaimon are connected. They are two creatures who share a soul. Lyra’s a person, and Pantalaimon is her daemon (think “soul made manifest”) with the power to transform into a fox, hawk, lizard—or any animal he so chooses. At…
From the world of Philip Pullman's His Dark Materials - now a major critically acclaimed BBC series.
She had asked: What is he? A friend or an enemy? The alethiometer answered: He is a murderer. When she saw the answer, she relaxed at once.
Lyra finds herself in a shimmering, haunted otherworld - Cittagazze, where soul-eating Spectres stalk the streets and wingbeats of distant angels sound against the sky.
But she is not without allies: twelve-year-old Will Parry, fleeing for his life after taking another's, has also stumbled into this strange new realm.
I had the passion to write Necessary Deeds because: 1) as someone who'd spent 20+ years writing novels, dealing with untrustworthy literary agents, and book-doctoring other writers’ novels in order to pay rent, I'd come to know betrayal (“best friend” writers who stole drafts of mine and called them their own, novelists who backstabbed me after I helped them land agents and book contracts, and so on); 2) like many people who lived through the drug-and-alcohol-laced Eighties, I had a long relationship with someone that ended because they cheated on me. So I never doubted that, as I wrote Necessary Deeds, my heart knew well what motivated its characters.
Much as I enjoyed the film based on this novella by Stephen King (which I now understand is a standalone book—I read it as part of a story collection long ago), I enjoyed the novella more.
Why? Because of its extraordinarily likeable narrative voice, which has caused people worldwide to find themselves rooting for its narrator. How can you not want to know what’ll happen next to someone so candid and down-to-earth—who has experienced homicide and love so intensely? Especially when he wants intimacy yet also feels threatened by it.
In fact, just after I finished reading the Shawshank novella, I vowed to write a novel about someone in NYC who exuded those same attributes: candor, humility, and understated yet solid wisdom about murder and affairs of the heart. And after several years of writing with this goal, I finally tapped into the voice of Matt Connell, the narrator of…
The No. 1 bestselling author Stephen King's beloved novella, Rita Hayworth and Shawshank Redemption - the basis for the Best Picture Academy Award-nominee The Shawshank Redemption - about an unjustly imprisoned convict who seeks a strangely satisfying revenge, is now available as a standalone book.
There's a guy like me in every state and federal prison in America, I guess - I'm the guy who can get it for you.
And new convict Andy Dufresne wants two things from fellow prisoner Red: a small rock-hammer for carving stones and a giant poster of Rita Hayworth.
I grew up reading dark fiction, and the only two books I kept from that period were The Wicked Heart and Whisper of Death, both by Christopher Pike. Though both were categorized as horror, the first is a crime mystery that partly follows the murderer, while the latter feels like an episode out of The Twilight Zone. I never cared for pure horror, and a book doesn’t have to scare me for me to find them enjoyable. What I often wanted was a tangible sense of dread paired with insight into the human psyche, which I believe makes for a more potent reading experience.
The Monkey’s Paw is one of those short stories we either read or heard someone tell us about it. And so it goes overlooked. If you haven’t read it, do yourself a favor and read it. If you have read it, do yourself a favor and revisit it. It’s short, it’s available, it’s a horror classic, and it’s very likely what Stephen King had in mind when he wrote Pet Sematary.
Outside, the night is cold and wet. Inside, the White family sits and waits. Where is their visitor? There is a knock at the door. A man is standing outside in the dark. Their visitor has arrived. The visitor waits. He has been in India for many years. What has he got? He has brought the hand of a small, dead animal - a monkey's paw. Outside, in the dark, the visitor smiles and waits for the door to open.
