As a fantasy author, I have always been drawn to magic and alternative universes as a way of exploring the issues that seem unsolvable here on earth. We are so entrenched in our own ways of seeing the world that it can be hard to imagine looking at things from a different perspective, but twisting these ideas sideways and adding a dash of magic can remind us that everything exists in shades of grey. Teenagers are learning to think abstractly and explore their own relationships with ethics, and I have vivid memories of being drawn to moral ambiguity at that age.
At the beginning, readers are drawn into an exciting world where humans battle to save their desolate planet from an alien race. But in typical Brandon Sanderson fashion, good and evil are not clear-cut, and the conflict soon grows far more complex.
As the series progresses, the main character, Spensa, discovers that the battle for her planet is not as straightforward as she had once thought, and that the aliens she had fought were neither uniform nor uniformly evil. When she infiltrates an alien homeland in Book 2, Spensa is forced to question her original assumptions about who deserves to be saved—not just humans, but maybe also some alien races and even artificially intelligent beings.
Spensa's world has been under attack for hundreds of years. An alien race called the Krell leads onslaught after onslaught from the sky in a never-ending campaign to destroy humankind. Humanity's only defense is to take to their ships and fight the enemy in the skies. Pilots have become the heroes of what's left of the human race.
Spensa has always dreamed of being one of them; of soaring above Earth and proving her bravery. But her fate is intertwined with her father's - a pilot who was killed years ago when he abruptly deserted his team, placing Spensa's chances…
I have a PhD in cultural mythology and wrote my dissertation on heroine journeys, which became my book Jane Eyre’s Sisters: How Women Live and Write the Heroine Story. I've come to understand that the traditional hero quest story is usually about returning society to the way it used to be, before something threatened or changed it. In contrast, heroines (as long as they are not just gender-swapped heroes) tend to question how things have been and upset the status quo. First, the heroine must learn to discern what is good and right in the world and identify the old, rotten ways that must be discarded if all are to prosper.
Elizabeth Knox plunks her protagonists into the middle of an ongoing mystery that crosses the veil between this world and the world of Faerie, with no explanation, so the reader has to follow the same few clues that the heroine is given. I love an author who assumes that her readers are that intelligent! As she unravels the mystery, Taryn Cornick also must face up to the consequences of a great sin she once committed and do all she can to atone for it, while accepting that it may not be enough. Knox weaves in aspects of Dante’s Purgatorio, Celtic and Norse mythology, our current ecological crisis, and the psychology of trauma to create an epic fantasy that invites multiple re-readings.
A bewitching epic fantasy about a revenge killing, a mysterious scroll box that has survived centuries of fires, and the book that changed everything
"Intricately plotted and gorgeously written, The Absolute Book is a cinematic tale that is by turns dark and dreamlike, yet ultimately hopeful." --Deborah Harkness, New York Times bestselling author of A Discovery of Witches
"An instant classic . . . It is everything fantasy should be." --The Guardian
Taryn Cornick believes that the past--her sister's violent death, and her own ill-conceived revenge--is behind her, and she can get on with her life. She has written a…
If you’re at all like me, then finding time to sit down and read a book is incredibly challenging given how busy our everyday lives are. It seems like the only time I truly can dive into a book is on vacation. And so, all of the books I recommended I have either read on vacation or on an airplane. In my opinion, a good vacation book needs to be two things. It needs to be a quick read and it needs to be impossible to put down. When I sit down to write a book, I try to keep both of these in mind!
Obviously, this book is not going to be for everyone. Some might not be able to get past the fact that it is a Star Wars book based off of a video game from 2005. But, if you can get past that, then buckle up for a gripping tale of war and brotherhood. Set in the first weeks of the Clone Wars, Hard Contactfeels more like a Tom Clancy war thriller than a space opera. This entire series is gritty, grueling, gut-wrenching, and impossible to put down.
As the Clone Wars rage, victory or defeat lies in the hands of elite squads who take on the toughest assignments in the galaxy ... On a mission to sabotage a chemical weapon research facility on a Separatist-held planet, four clone troopers operate under the very noses of their enemies. The commandos are outnumbered and outgunned, deep behind enemy lines with no backup - and working with strangers instead of trusted team-mates. Matters don't improve when Darman, the squad's demolitions expert, gets separated from the others during planetfall. Even Darman's apparent good luck in meeting an inexperienced Padawan vanishes once…
Enter a captivating world where science fiction and thrilling suspense converge. After plummeting from the roof of Helix Unbound, Amanda awakens to a life devoid of memories. Desperately longing to fit in, yet sensing she harbors an extraordinary secret beneath her seemingly ordinary facade, she explores the unfamiliar world in an effort to find herself. But when a companion from her forgotten past becomes entangled in a serial killer’s deadly game, Amanda is thrust into a race against time to prevent a catastrophe of massive proportions.
Dive into this gripping techno-thriller series that explores the emotional turmoil of life, resilience in the face of tragedy, the ever-present specter of death, and the eternal struggle to find the inherent goodness within us all.
A genetically engineered child with no memory of her past. A killer with dreams of destruction. And the fate of a city hanging in the balance…
Enter a captivating world where science fiction and thrilling suspense converge. After plummeting from the roof of Helix Unbound, Amanda awakens to a life devoid of memories. Desperately longing to fit in, yet sensing she harbors an extraordinary secret beneath her seemingly ordinary facade, Amanda explores the unfamiliar world in an effort to find herself. And when a companion from her forgotten past becomes entangled in a serial killer’s deadly game, Amanda is thrust…
Plus, Tariq's
9, 11, and 17-year-old's favorite books.
Why did Tariq's
17-year-old love this book?
Writing for "young adults" is fraught with difficulty. Are they children who think like grown-ups or borderline adults with children's taste? Bentley Hart evades the problem by writing a book that neither talks down to nor seeks to educate his potential readers, instead treating them with respect and assuming that they will find what he does interesting. Which in the case of my teenage daughter proved correct; the story was fantastical and the characters completely relatable.
The “genre” of the modern Gnostic novel encompasses an especially eclectic range of works. With this book—a fantasy by turns dark, absurd, comic, frantic, and lyrical—David Bentley Hart joins a company that includes figures as diverse as Georges Bernanos, Anatole France, David Lindsay, Philip K. Dick, Patrick White, Umberto Eco, William Gaddis, Harold Bloom, Jorge Luis Borges, Vladimir Nabokov, John Crowley, and Philip Pullman. In Kenogaia, a clockwork universe, an oppressive global society of ever-present surveillance, and the coming of age of its protagonist, Michael Ambrosius, are all disrupted by the arrival of a mysterious child from beyond the stars.…
I am a fantasy and science-fiction author with a soft spot for books cut with a sharp sense of humour, impaled on the absurd, or littered with the brutal slaughter of conventions and tropes. I love crisp one-liners and surreal worlds, awkward anti-heroes, and kick-ass heroines who bring their own ruthless horde to the fight. If I were to pick out one feature of a book, film, or television show that really catches my attention it would be “Wow. Didn’t see that one coming.”
How could I not love a book that sets its tone with “My name is Bond, Shaman Bond”?
Bond, aka Eddie Drood, has all the latest magical gadgets to help suppress the forces of magical mayhem on behalf of the ancient and powerful Drood family (and yes there’s a pun there on Druid). This is what James Bond would have been if Ian Fleming had gone easy on the Martinis and tried a few magic mushrooms instead.
The book, and in fact the whole series, is inventive, witty, and in places outright insane, with every book title a parody of a Bond book or film.
(Also, Mr Green is a very nice man – we met him once over pizza at EasterCon several decades ago.)
New York Times bestselling author Simon Green introduces a new kind of hero, one who fights the good fight against some very old foes in the first novel in the Secret Histories series.
The name’s Bond. Shaman Bond. Actually, that's just his cover. His real name is Eddie Drood, but when your job includes a license to kick supernatural arse on a regular basis, you find your laughs where you can.
For centuries, his family has been the secret guardian of Humanity, all that stands between all of you and all of the really nasty things that go bump in…
A sequel that I enjoyed more than the original, which is a first for me.
The poetic story is about the war between good and evil, layered in a fantastical supernatural tale. The protagonist comforts the dying and prepares them for the afterlife while wrestling with his inner demons. The ultimate message is to embrace what makes us different.
Soon to be a major motion picture starring Ewan McGregor!
'By the end of this book your fingers will be mere stubs of their former selves . . . King's inventiveness and skill show no signs of slacking: Doctor Sleep has all the virtues of his best work' - Margaret Atwood, New York Times
An epic war between good and evil, a gory, glorious story that will thrill the millions of hyper-devoted readers of The Shining and wildly satisfy anyone new to the territory of this icon in the King canon.
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Following a childhood haunted by terrifying events at…
Since my first trip to Oz, Dad’s voice traveling me to sleep, I’ve been in love with fantastic worlds, from the microscopic to the intergalactic. I’m drawn to the observations of poets, astronomers, and metaphysicians, but there’s a special place in my heart for children’s authors. Someone once told me middle grade is the “sweet spot.” Readers start making independent choices, exploring stories that resonate with them. I’ve been teaching world-building to students and writers of all ages since 1998, and there is something magical about those 8-12 year-olds with their wild imaginations and eagerness to explore. I wrote my fantasy series for 10-year-old me, lost in such worlds.
Years ago, this book was handed to me as a gift with a knowing look, like a secret was about to be revealed to me. I gobbled it up and was literally walking to the book store while reading the last chapter so I could start reading the next book immediately.
I was surprised to find the series in the middle-grade section of the store because even though the protagonist is 11-year-old Lyra, the story is layered and sophisticated in a way that goes beyond most middle-grade books. Lyra’s world has a wonderful “out of time period” feel before any industrial or technological revolution.
Lyra is a clever protagonist, fierce and scheming, orphaned in an alternative version of our world where children are disappearing on a regular basis. In this world, every person is energetically tethered to a “daemon,” who is their companion for life. They can’t be too far…
The first volume in Philip Pullman's groundbreaking HIS DARK MATERIALS trilogy, now a thrilling, critically acclaimed BBC/HBO television series. First published in 1995, and acclaimed as a modern masterpiece, this first book in the series won the UK's top awards for children's literature.
"Without this child, we shall all die."
Lyra Belacqua and her animal daemon live half-wild and carefree among scholars of Jordan College, Oxford.
The destiny that awaits her will take her to the frozen lands of the Arctic, where witch-clans reign and ice-bears fight.
Her extraordinary journey will have immeasurable consequences far beyond her own world...
I write about flawed characters as a reflex. I’m more interested in exploring the journey of an alcoholic monster hunter with literal and figurative demons than a white knight. Throughout my life, I’ve seen the effects of substance abuse up close, and while difficult, it helped me find the humanity in flaws. I choose to write about those flaws with a humorous bend, because life is far too long to go through without jokes. As a result, I gravitate towards pithy antiheroes and dark comedy. To feel a character’s pain is human, to laugh in the midst of their darkest moments is divine.
Stephen King’s Dark Tower series might be uneven at the end, but the beginning is masterful.
Roland, a dusty old cowboy on the edge of reality, is the prototypical antihero. He doesn’t care much for other people, he’s got a dark past, and I wanted to follow every dusty step of his journey. The broken pieces of Roland are what make The Dark Tower series unique—that and some astral plane travelling shenanigans. With each dark deed or questionable decision, I wanted to know more about Roland and what led him to that point.
It’s difficult to stay grounded in a world with interdimensional travel and monsters, but I always felt like I had one foot planted in humanity through Roland.
The Dark Tower is now a major motion picture starring Matthew McConaughey and Idris Elba.
'The man in black fled across the desert, and the gunslinger followed.' The iconic opening line of Stephen King's groundbreaking series, The Dark Tower, introduces one of his most enigmatic and powerful heroes: Roland of Gilead, the Last Gunslinger.
Roland is a haunting figure, a loner, on a spellbinding journey toward the mysterious Dark Tower, in a desolate world which frighteningly echoes our own.
On his quest, Roland begins a friendship with a kid from New York named Jake, encounters an alluring woman and faces…
Popular social science books, at least the ones I have the chops to attempt, are either bromides that abrogate personal responsibility or childishly scandalous. Zipping back too far takes you to phrenology and social Darwinism.
This is a unique attempt to explain social ills based on animalistic compulsions that draws on other work in history, psychology, zoology, and sociology. It’s as eclectic and cross-disciplinary as the author, who hopped from music publishing to public relations to writing.
The Lucifer Principle is a revolutionary work that explores the intricate relationships among genetics, human behavior, and culture to put forth the thesis that “evil” is a by-product of nature’s strategies for creation and that it is woven into our most basic biological fabric.
In a sweeping narrative that moves lucidly among sophisticated scientific disciplines and covers the entire span of the earth’s, as well as mankind’s, history, Howard Bloom challenges some of our most popular scientific assumptions. Drawing on evidence from studies of the most primitive organisms to those on ants, apes, and humankind, the author makes a persuasive…
After reading The Princess Bride, I fell in love with William Goldman’s style of narration, with his frequent interjections, clarifications, and asides. The feel I got from the author speaking directly to me transformed simple third-person narration into engaging storytelling. From then on, I sought out books using this style and have built a small library in all genres deploying this unique voice. I’ve found it most common (and most effectively deployed) in fantasy, but there are also numerous examples elsewhere in the literary world.
One of the most popular children’s book series of the twentieth century, all of the books in the series feature the author speaking directly to the reader, detailing past events, reminding the reader of personality traits of the characters, and providing the reader with background details about the world the reader finds themselves in.
More so than the other books on the list, it’s clear the voice is that of C.S. Lewis though, rather than a seemingly separate narrator.
Don’t miss one of America’s top 100 most-loved novels, selected by PBS’s The Great American Read.
Experience all seven tales of C. S. Lewis's classic fantasy series, The Chronicles of Narnia, in one impressive paperback volume!
Epic battles between good and evil, fantastic creatures, betrayals, heroic deeds, and friendships won and lost all come together in this unforgettable world, which has been enchanting readers of all ages for over sixty years.
This edition presents the seven books—The Magician's Nephew; The Lion, the Witch and the Wardrobe; The Horse and His Boy; Prince Caspian; The Voyage of the Dawn Treader; The…
