If you’re at all like me, then finding time to sit down and read a book is incredibly challenging given how busy our everyday lives are. It seems like the only time I truly can dive into a book is on vacation. And so, all of the books I recommended I have either read on vacation or on an airplane. In my opinion, a good vacation book needs to be two things. It needs to be a quick read and it needs to be impossible to put down. When I sit down to write a book, I try to keep both of these in mind!
Obviously, this book is not going to be for everyone. Some might not be able to get past the fact that it is a Star Wars book based off of a video game from 2005. But, if you can get past that, then buckle up for a gripping tale of war and brotherhood. Set in the first weeks of the Clone Wars, Hard Contactfeels more like a Tom Clancy war thriller than a space opera. This entire series is gritty, grueling, gut-wrenching, and impossible to put down.
As the Clone Wars rage, victory or defeat lies in the hands of elite squads who take on the toughest assignments in the galaxy ... On a mission to sabotage a chemical weapon research facility on a Separatist-held planet, four clone troopers operate under the very noses of their enemies. The commandos are outnumbered and outgunned, deep behind enemy lines with no backup - and working with strangers instead of trusted team-mates. Matters don't improve when Darman, the squad's demolitions expert, gets separated from the others during planetfall. Even Darman's apparent good luck in meeting an inexperienced Padawan vanishes once…
A wonderful, surprising plot — the book starts off as one thing and becomes quite another by the end — married to memorable characters, honest emotions, and harnessed to
compelling prose that rocketed along like a bullet train.
When I finished it, I was
tempted to go back to page one and start all over again. It was a deeply satisfying reading experience and a
book that’s lingered in my mind and imagination.
NEW YORK TIMES BESTSELLER • “Next to impossible to put down . . . exciting, mysterious, and totally satisfying.”—STEPHEN KING
From the New York Times bestselling author of The Passage comes a riveting standalone novel about a group of survivors on a hidden island utopia—where the truth isn't what it seems.
Founded by the mysterious genius known as the Designer, the archipelago of Prospera lies hidden from the horrors of a deteriorating outside world. In this island paradise, Prospera’s lucky citizens enjoy long, fulfilling lives until the monitors embedded in their forearms, meant to measure their physical health and psychological…
I’m Vajra Chandrasekera, from Colombo, Sri Lanka. I’m a writer, and more importantly, a reader. My favourite kind of book is bigger on the inside, the kind that drops you into a world too big and too weird to really get a handle on, a world that’s strange in ways you feel you recognize, like how sometimes you wake up from a dream and think, I’ve dreamed about that place and those people before,but you can’t tell if you have, or whether you dreamed the memory, too. You read the book and look at the world and you ask yourself: Did I dream those people, that place? Or is this the dream?
You know how you go somewhere you’ve never been and you feel hollow in your bones, like you’re more fragile there, you might blow away in a strong wind or just melt down if this place doesn’t learn to recognize you?
Amatkais like that, and it’s about that. We follow someone trying to diligently do a perfectly normal market research gig in place where everyday objects must be clearly labelled and the labels reinforced constantly, otherwise they dissolve into slush.
She has to keep putting things in their place, but she’s not too good at that, because she’s always been out of place herself.
I mean, isn’t that exactly what life is like? And then it all falls apart.
ONE OF THE GUARDIAN’S BEST SCIENCE FICTION AND FANTASY BOOKS OF 2017
A surreal debut novel set in a world shaped by language in the tradition of Margaret Atwood and Ursula K. Le Guin.
Vanja, an information assistant, is sent from her home city of Essre to the austere, wintry colony of Amatka with an assignment to collect intelligence for the government. Immediately she feels that something strange is going on: people act oddly in Amatka, and citizens are monitored for signs of subversion.
Intending to stay just a short while, Vanja falls in love with…
I’ve always been surrounded by food culture. I grew up in a diner family. My parents started Lakey’s Cafe just before I was born. My first jobs as a kid were in that restaurant. After that, I worked in restaurants as a server for more than 10 years of my life. When the opportunity presented itself to throw in the napkin and become a writer, I did. My writing now as a professional writer centers around the food and beverage industry. One topic that I don’t see discussed enough is the role that food plays in science fiction and fantasy novels. Food in novels has a way of showing us something about ourselves.
You can’t get much more food-oriented in science fiction than a novel called The Hunger Games, and true to its name, food and food politics play a central role in the book’s theme. The book’s author, Suzanne Collins, uses juxtaposition and food politics throughout the series to highlight the difference between the haves and the have-nots. While all the books in the Hunger Games series highlight these discrepancies, it’s Collins’s second book Catching Fire where the differences are most pronounced. The feast in the Capitol, along with its potions to induce vomiting (and by extension, encourage more eating), stands out in particular: The reaction of the book’s main character, Katniss Everdeen, herself a poor girl from the Seam of District 12 makes this scene both comical and revolting.
The second book in the ground-breaking Hunger Games trilogy.
After winning the brutal Hunger Games, Katniss and Peeta return to their district, hoping for a peaceful future. But their victory has caused rebellion to break out ... and the Capitol has decided that someone must pay.
As Katniss and Peeta are forced to visit the districts on the Capitol's Victory Tour, the stakes are higher than ever. Unless they can convince the world that they are still lost in their love for each other, the consequences will be horrifying.
Then comes the cruellest twist: the contestants for the next Hunger…
I'm a writer and filmmaker based in Cairo for over a decade. I was inspired to move to Egypt when I visited during the 2011 Revolution and fell in love with the vibrance of the city. Since then Cairo has changed and I have lived through an extraordinary history with some difficult times but always with a sense of curiosity for stories. My book, Cairo’s Ultras, began as a documentary film project in 2012 and I have found many other interesting topics during my time in this enigmatic and fascinating place. I will publish a second book next year, called Decolonising Images, that looks at the photographic heritage and visual culture of Egypt.
Marwan Kraidy’s book is a deep dive into the cultural politics of the Arab Uprisings during 2011. Wonderfully written and cleverly organized this academic book looks at the ‘digital’ nature of these resistance movements and the use of art and media tools in the protests. The focus is on young Arabs who used the street to challenge authority and cutting-edge social media platforms to argue for social change. In the book political activism and a period of digital euphoria meet when places like Tahrir Square became the centre of the world. This is one of the most essential accounts of 2011 that offers a refreshing take on Facebook and Twitter as revolutionary agents that helped to bring down the military regime.
Uprisings spread like wildfire across the Arab world from 2010 to 2012, fueled by a desire for popular sovereignty. In Tunisia, Egypt, and Syria, protesters flooded the streets and the media, voicing dissent through slogans, graffiti, puppetry, videos, and satire that called for the overthrow of dictatorial regimes. Investigating what drives people to risk everything to express themselves in rebellious art, The Naked Blogger of Cairo uncovers the creative insurgency at the heart of the Arab uprisings. While commentators have stressed the role of texting and Twitter, Marwan M. Kraidy shows that the essential medium of expression was the human…
I’m a soldier, an author, and an army wife – the last fifteen years of my life have revolved around dealing with the fallout of the Iraq war, not only for my family but also as a soldier and a veteran. I write books because I wanted to read about people who stayed in the military after the war started. The best writing advice I ever got came from Robyn Carr who said, write the book that only you can tell. Wrestling with the legacy of a war that we as soldiers did not choose as we return home was something I deeply wanted to understand, both as an army officer and a novelist.
Lemmon’s book is about the reality of war for female soldiers (so obviously I’m biased)– when losing means not just going home to lick your wounds, but not having a home to go back to.
The Iraq War was a war of choice – the wars that the Daughters of Kobani are fighting are wars of necessity and survival. It’s not about dogma of saying women are just as good as men – it’s a powerful story about women who carry the same obligations of citizenship as the men around them and the drive and purpose to defend their home, their rights, and their families through violence if necessary.
It sits at the intersection of war and feminism in a way that everyone who cares about women’s rights absolutely must read.
The extraordinary story of the women who took on the Islamic State and won
"The Daughters of Kobani is an unforgettable and nearly mythic tale of women's power and courage. The young women profiled in this book fought a fearsome war against brutal men in impossible circumstances-and proved in the process what girls and women can accomplish when given the chance to lead. Brilliantly researched and respectfully reported, this book is a lesson in heroism, sacrifice, and the real meaning of sisterhood. I am so grateful that this story has been told." -Elizabeth Gilbert, author…
I believe comics are one of the very best storytelling mediums for stories with big imagination. Prose and film are amazing, but comics have artwork for every single moment of the story, artwork not bound by space, time, or budget. I’ve written and drawn 5 graphic novels published in 11 different languages. I’ve dedicated my entire life to the pursuit of imagination. The books I’ve recommended have given me endless enjoyment and inspiration, I hope they can do the same for you too.
In a post-apocalyptic world run by an oppressive American empire, we find Little Bird hiding in a hole. Though her mother was a great leader of the rebellion, Little Bird has found herself very lost, in a very cruel world - and she just might be the last chance that the freethinking people of the Western world have.
I love that this story takes familiar forces and fears of our modern life and cranks them up to eleven. With that in mind, the star of the show must be Ian Bertram’s artwork. All the huge ideas and themes created by Darcy are elevated to a startling degree by the way Ian is able to build this world visually. The iconography, the violence, the characterizations, it slaps you in the face page after page.
With the limitless scope of Star Wars and EAST OF WEST
paired with the sociopolitical explorations of A Handmaid's Tale and MONSTRESS,
LITTLE BIRD tells the story of a young resistance fighter battling against an
oppressive American Empire while searching for her own identity in a world on
fire. A gorgeously illustrated epic from Award-winning filmmaker DARCY VAN
POELGEEST and Angouleme-nominated artist IAN BERTRAM in which one girl
risks everything to save her people, their land, and the freedom they so
desperately deserve.
I feel compelled to write political works when I see an injustice, violation, corruption, or travesty that needs to be addressed. It's possibly the result of my heritage as a citizen of a British-colonized country and the child of parents from a Christian-colonized slice of a continent. As a journalist, I experienced censure and censorship by editors who wished to maintain their held beliefs about certain people, races, issues, and subjects. As a novelist, I was rejected by mainstream publishers for writing deemed too political. However, I made a commitment as a writer not to change my words to appease publishers or editors because it made them uncomfortable.
As most Western media, from CNN on down, parroted the Bush administration’s talking points on the Iraq War, intellectually curious Americans turned to blogs written by Iraqis who gave first-person accounts of the war. I was riveted by the blogs of a 24-year-old Iraqi woman, an engineer, who posted under the pseudonym Riverbend, “I’m female, Iraqi, and 24. That’s all you need to know. It’s all that matters these days anyway,” she wrote in her first post on Aug. 17, 2003.
From 2003 to 2004, Riverbend wrote prolifically about life under American Occupation. The blogs were compiled into this book in 2005. Riverbend cataloged and chronicled life in wartime—a litany of rations of food, water, gas, and electricity; bombings, raids, and kidnappings; and the emotional and financial toll on her family as their ordinary middle-class lives were destroyed by the war.
Intelligent and opinionated, Riverbend gave a comprehensive testimony on…
I am a disabled author and podcaster who loves fantasy, but wanted more out of the genre than the Eurocentric Lord of the Rings model. I grew up watching Aladdin, reading Egyptian mythology, and one of my most prized books is an illustrated Shahnameh. There are brilliant stories set in deserts and rainforests, with intense magic and danger, and I hope you’ll enjoy these as much as I do.
The Viper stalks at night. Esha the rebel’s highly trained assassin tasked with the murder of General Hotha and the undermining of King Vardaan’s rule. Kunal is an equally impressive soldier, the nephew of Hotha, and on the hunt for the Viper. When their paths cross, sparks fly, and loyalties are tested.
Y.A. is ahead of general fantasy for representation, both of BIPOC and LGBTQA*. The Tiger at Midnight is heavily inspired by Hindu mythology and Indian cultures, bringing an incredible setting to an excellent Y.A. story. And the cover is absolutely stunning.
The first book in an epic heart-pounding fantasy trilogy inspired by ancient Indian historyand Hindu mythology, perfect for fans of Sabaa Tahir and Renée Ahdieh.
* A Book Riot Most Anticipated Novel of 2019 * B&N Top 50 Most Anticipated Novels *
A broken bond. A dying land. A cat-and-mouse game that can only end in bloodshed.
Esha lost everything in the royal coup—and as the legendary rebel known as the Viper, she’s made the guilty pay. Now she’s been tasked with her most important mission to date: taking down the ruthless General Hotha.
As a writer of murder mysteries, it goes without saying I’m a fan of whodunits. But I’m also a fan of horror stories and those tales that keep me turning pages and looking into the shadows. So in my newest book, I wanted to combine the two. That is, mixing scares and thrills with a whodunit and adding a big dose of Latino culture and characters. In a lot of my work, I write about the culture with which I grew up. I also love to tap into the Mexican myths and folk stories I heard as a kid then revamping and retelling them into something new.
Talk about nonstop. The final book in the Hunger Game series sends Katniss Everdeen on one thrilling and scary journey after another. Through war zones, as the rebels fight Capitol forces and right into the heart of the Capitol, above and below ground. She and her crew face not only human fighters but the horrific engineered mutts and traps. Emotionally, it’s no picnic either because her Hunger Games partner Peeta has been brainwashed to kill her. Then there’s all the political intrigue. Whew. I stayed up into the night to read this because the story wouldn’t let go of me.
The final book in the ground-breaking Hunger Games trilogy. Against all odds, Katniss Everdeen has survived the Hunger Games twice. But now that she's made it out of the bloody arena alive, she's still not safe.
The Capitol is angry. The Capitol wants revenge.
Who do they think should pay for the unrest? Katniss.
And what's worse, President Snow has made it clear that no one else is safe either. Not Katniss's family, not her friends, not the people of District 12.
now a major feature film starring Jennifer Lawrence, Josh Hutcherson & Liam Hemsworth
