I am an astronomer and college professor who loves science fiction. For many years, I have kept a webpage recommending science fiction stories and novels that are based on good astronomy. I love explaining astronomy to non-scientists, and I am the lead author of OpenStax Astronomy, a free online textbook for beginners, which is now the most frequently used textbook for astronomy classes in the U.S. I actually learned English at age 11 by reading science fiction comics and then books for kids, After many decades as a fan, I have recently realized a long-held dream and become a published SF author myself.
I think this novel, by physicist Gregory Benford, is one of the best fictional representations of how science is really done and of the real world of scientists and graduate students.
It is also an early exploration of the concept of tachyons, particles that cannot move slower or as slow as the speed of light but always have to go faster. (These have been proposed only in theory, but what makes them exciting is that they would travel backward in time.) In the book, that property enables people in the future to communicate with us in their past.
Another thing I like about this book is that some of his characters are thinly disguised (or not disguised) versions of real astronomers of the time.
The year is 1998, the world is a growing nightmare of desperation, of uncontrollable pollution and increasing social unrest. In Cambridge, two scientists experiment with tachyons - subatomic particles that travel faster than the speed of light and, therefore, according to the Theory of Relativity, may move backwards in time. Their plan is to signal a warning to the previous generation.
In 1962, a young Californian scientist, Gordon Bernstein, finds his experiments are being spoiled by unknown interference. As he begins to suspect something near the truth it becomes a race against time - the world is collapsing and will…
Growing up, I was exposed to the same influences as most other SF writers of my generation – Clarke, Heinlein, and Asimov. But I was also exposed to the more nuanced, more psychologically realistic work of writers like Harlan Ellison, Norman Spinrad, Ursula K. LeGuin, and J.G. Ballard, none of whom shared the unquestioning techno-utopianism of an earlier generation of writers. They taught me not to automatically respect power or authority, and to always question ideas that might otherwise be taken for granted. It’s an approach that’s carried over into my own writing ever since.
I first read Pohl’s Jem when I was a kid, and his fatalistic, even cynical take on first contact and interstellar colonization, along with the works of Harlan Ellison, Philip K. Dick, and Ursula LeGuin, greatly informed my developing views on politics and society. A near-future Earth divided into three major power blocs discovers a world ripe for exploitation and populated by not one, but three, sentient species, It’s not long before each bloc is currying the favor of different species in order to set each against the other, with absolutely no one thinking beyond their own immediate needs or with any concern about the consequences of their actions.
A cynical and compelling tale of politics, exploitation and colonisation on another planet
The discovery of another habitable world might spell salvation to the three bitterly competing power blocs of the resource-starved 21st century; but when their representatives arrive on Jem, with its multiple intelligent species, they discover instead the perfect situation into which to export their rivalries.
Subtitled, with savage irony, 'The Making of a Utopia', JEM is one of Frederik Pohl's most powerful novels.
I’ve long been fascinated with the dark side of science and human behavior, and grew up on a combination of dystopian classics and horror fiction. When I started writing for publication, apocalyptic themes quickly emerged. As the world around us grows more fraught by the day, I find a strange sort of comfort in reading and writing fiction that doesn’t shy away from depicting the negative aspects of social media, genetic engineering, artificial intelligence, or any other technology that has the capacity to create manmade disasters beyond our understanding. And as a small-press author myself, I’m always on the lookout for books that didn’t get enough love.
The dystopia inBash Bash Revolution is a bit closer to reality than the others on this list: it’s set specifically in 2017, but in a world pushed far closer to the brink of nuclear war than ours, with a much more psychotic version of Donald Trump in charge. Main character Matthew Munson’s mad programmer of a father creates an AI that might save the world from its own destruction, but only by locking every person into a solipsistic nightmare run on video game technology. In a way this book is about choosing between an apocalypse and a dystopia, which is something you don’t see very often.
*SELECTED FOR GAME INFORMER'S FALL 2018 READING LIST*
A compelling coming-of-age artificial intelligence novel from Philip K. Dick Award-nominated author Douglas Lain.
Seventeen-year-old Matthew Munson is ranked thirteenth in the state in Bash Bash Revolution, an outdated video game from 2002 that, in 2017, is still getting tournament play. He's a high school dropout who still lives at home with his mom, doing little but gaming and moping. That is, until Matthew's dad turns up again.
Jeffrey Munson is a computer geek who'd left home eight years earlier to work on a top secret military project. Jeff has been a…
Science fiction and Fantasy have always been about exploring new ideas in novel ways—right from the beginning, Mary Shelley saw the story of Frankenstein as a chance to explore ideas of liberation and equality that, at the time, were too uncomfortable for mainstream stories. Since then many writers have found success by mashing up sf with other literary genres to discover the boundaries—and the gray areas—between them. In my latest book I explore the deep connection between horror (the fear of the unknown) and sf (the drive toward wonder). Some of my most cherished books have similarly charted these murky borderlands.
I love this book for its science fiction and magical realism. This generational saga of a small town on a recently terraformed Mars is both a love letter to and an evolution on Gabriel Garcia Marquez’sOne Hundred Years of Solitude.
McDonald wanted to capture the frontier magic of a whole new world in a way that wasn’t just moving the American West to space, and in the end he breathes new life into one of the oldest tropes of SF, the colony story.
Charming, fantastical, and witty, it shares its source material’s deep humanism even in the face of cynical realism. It may very well be my favorite novel of all time, and luckily for all of us, there’s an equally great sort of sequel, Ares Express.
It all started thirty years ago on Mars. By the time it was finished, the town of Desolation Road had been witness to every abnormality yet seen on the Red Planet. From Adam Black's Wonderful Travelling Chautauqua and Educational 'Stravaganza, to the Astounding Tatterdemalion Air Bazaar, nowhere else boasts such sights for the wandering lucky traveller.
Its inhabitants are just as storied. From Dr. Alimantando -- founder and resident genius -- to the Babooshka, a barren grandmother with a child grown in a fruit jar; from Rajendra Das, mechanical hobo whose way with machines bordered on the mystic, to the…
I’m a New Zealand philosopher who’s written a lot about the human enhancement debate. Philosophers are well known for their willingness to defend unpopular conclusions against all critics. Sometimes they engage in what I call “philosophical shit-stirring". You may think that’s a profanity but it’s actually a technical term. I’ve advocated some deliberately unpopular shit-stirring conclusions in the past. One of these is liberal eugenics - the idea that you can turn an evil like eugenics into something good by prefacing it with the feel-good term “liberal”. These dialogues are the beginning of a philosophical stock-take on what we should or might become.
This final work in Banks’ Culture sci-fi series is all about technologically advanced species making the decision to sublime – to depart the “real world” to reside in “higher dimensions”.
As I read the book I found my philosopher’s brain bullied to understand what subliming could possibly be. When techno-enthusiasts propose radical human enhancement are they effectively suggesting that we should sublime? When the aspiring trillionaires of AI are asked about the future in which they make AIs much smarter than us, they get vague about the details.
The throwaway line of OpenAI’s Sam Altman and Microsoft’s Satya Nadella is “all bets are off” after they achieve their stated goal of artificial superintelligence. Should we approach the future gifts of AI much in the way that Banks’s characters approach the offer of subliming?
The tenth Culture book from the awesome imagination of Iain M. Banks, a modern master of science fiction.
The Scavenger species are circling. It is, truly, the End Days for the Gzilt civilisation.
An ancient people, organised on military principles and yet almost perversely peaceful, the Gzilt helped set up the Culture ten thousand years earlier and were very nearly one of its founding societies, deciding not to join only at the last moment. Now they've made the collective decision to follow the well-trodden path of millions of other civilisations: they are going to Sublime, elevating themselves to a new…
I’m an award-winning and bestselling novelist known for writing in a wide variety of genres. My most popular work to date is Lovecraft Country, a supernatural horror novel that served as the basis for the acclaimed HBO series of the same name.
I also love books that combine thrilling adventure stories with the thoughtful exploration of ideas.
The protagonists of this haunting sci-fi/existential horror novel make contact with an alien species that, while highly intelligent, appears to lack any sense of self-awareness. This leads to the scary question: Are the aliens the weird ones in this scenario, or is human consciousness a unique mutation in a universe filled with zombies?
Two months have past since a myriad of alien objects clenched about the Earth, screaming as they burned. The heavens have been silent since until a derelict space probe hears whispers from a distant comet. Something talks out there: but not to us.Who should we send to meet the alien, when the alien doesn't want to meet?Send a linguist with multiple - personality disorder and a biologist so spliced with machinery that he can't feel his own flesh. Send a pacifist warrior and a vampire recalled from the grave by the voodoo of paleogenetics. Send a man with half his…
David Millett is a digital artist. He is an accomplished author, filmmaker, and producer of paper and eBooks. He loves writing, painting, filmmaking, composing, and performing music.
"Reason" is a science fiction short story first published in the April 1941 issue of Astounding Science Fiction and collected in I, Robot (1950), The Complete Robot (1982), and Robot Visions (1990). It is part of Asimov's Robot series and was the second of Asimov's positronic robot stories to see publication. It tells the story of Cutie, a new class of robot that was designed to autonomously run a space station, which supplies energy via microwave beams to an energy-starved Earth. Cutie comes to realize, because he is so perfect and his human companions are so imperfect, that humans could not have created him. The book explores what it means to be human.
From the writer whose name is synonymous with the science of robotics comes five decades of robot visions-36 landmark stories and essays, plus three rare tales-gathered together in one volume.
From Publishers Weekly
NAL launches its new SF imprint, ROC, with a collection of 18 of Asimov's ( Foundation ) robot stories. The earliest tales here, written from 1940 to 1960, remain among the most-loved in the field, the best being "Little Lost Robot," about a robot who obeys an order to "get lost." "The Bicentennial Man" (1976) about one robot's desires and efforts to be first free, then equal,…
I'm a Professor of Climate Science at University College London. My early career was spent as a ‘rocket scientist’ designing, building, and operating instruments to fly on sounding rockets and satellites to study the cosmos and the Sun. I established the UCL satellite Remote Sensing Group, with special attention to the polar regions. I then ran an international Global Change research programme that coordinated Earth science activities in 75 countries. Since then I've run the British Antarctic Survey, responsible for the UK’s research access to Antarctica, and the Science Museum in London. The museum’s collection traces the evolution of the industrial revolution, which started in the UK, and of which climate change is the unintended consequence.
What if we get it wrong? What if the scale and pace of our collective measures to address climate destabilisation and the biodiversity crisis remain insufficient?
Oreskes and Conway provide the imagined view of a historian of the “Second People's Republic of China” from 2393. His account describes how the political and economic elites of the early decades of the twenty-first century ignored or dismissed the clear warnings of climate catastrophe.
Soaring temperatures, rising sea levels, drought, and mass migrations resulted in “The Great Collapse of 2093”. Three centuries later as the world emerges from the “Penumbral Age’ it is a more subdued and thoughtful place.
By dramatizing an all-too-plausible ‘ghastly’ outcome, the authors seek to galvanise the energies of readers to rise from their armchairs and act. We should all strive to ensure that the book remains firmly on the shelves of fiction.
The year is 2393, and the world is almost unrecognizable. Clear warnings of climate catastrophe went ignored for decades, leading to soaring temperatures, rising sea levels, widespread drought and-finally-the disaster now known as the Great Collapse of 2093, when the disintegration of the West Antarctica Ice Sheet led to mass migration and a complete reshuffling of the global order. Writing from the Second People's Republic of China on the 300th anniversary of the Great Collapse, a senior scholar presents a gripping and deeply disturbing account of how the children of the Enlightenment-the political and economic elites of the so-called advanced…
I love to read. Reading since I was 3 years old, devouring book after book. As I grew, my taste expanded. Yet it was the sci-fi book, The Black Hole, by Disney that I discovered in second grade that captured my passion for writing and storytelling. I cannot count how many books I've read, but I can tell you the ones that have left a lasting impression on me. Because of that, I began to write my own stories. I've seven books written and published, the newest one releasing soon. While my tastes in books vary, only one thing remains consistent: finding the best books that capture me and hold me hostage!
This was my first introduction to a series that was started in the early 70s. I love Star Trek. And the author once wrote a few episodes of that show. This book steered away from stereotypes. And I fell in love with Marik, an alien taken from royalty to occupation to servitude within the system who conquered his home. Yet to see his rise through the ranks and how he became respected and honored…this is a book I’ve read countless times.
When the only child of the empire's heir is kidnapped, the U.S.S. Skipjack's captain must act fast, especially when he discovers that the child's alien father is his second officer.
As a scientist, I love hard science fiction, especially when the story makes me think about the true nature of reality or takes me on an adventure to places unknown. We’ve all read the classics from Clarke, Heinlein, Bear, or Asimov. But books written decades ago are becoming increasingly dated as society progresses into a new century. (Will people of the future really chain smoke? And why are all the characters men?) Never fear, modern hard sci-fi is alive and well. Here are five recent books that tell an intriguing, uplifting, or awe-inspiring story. Even better than the classics, it’s hard sci-fi for the 21st century!
Peter Cawdron has written a whole series based on various first-contact scenarios, each an independent novel.
Apothecary is one of my favorites. Set in 16th-century England, it follows a young apprentice named Anthony, who works at a London apothecary (a pharmacy). When his blind friend Julia is accused of witchcraft and set to burn at the stake, Anthony seeks help from a member of the aristocracy who harbors a deep secret about her arrival in this medieval land.
The story is accurate, fascinating, and fun, as superstition and primitive technology clashes with advanced alien science. But like all Peter Cawdron stories, at its heart Apothecary is a story of characters struggling to do what’s right.
