The most recommended bildungsroman books

Bunny is an American teenager in Azerbaijan. Her father is a diplomat. She grows up in a world where oil is everything, listening to the language of the adults around her as some want their share of the profits reaped by this energy source while (a few) others point out the inequities in this industry and its potential long-term effects on the world.

What is fascinating as well is how she herself becomes part of this same world when she is an adult, almost as if she cannot help but be subsumed by the vast structure of the oil industry.

I first saw the movie that this book was adapted into, Stand By Me, and the book works every bit as well.

When I was a kid, I had a deal with my parents that I could watch R-rated movies if I read the book first, but for some reason, this was one of the rare exceptions that was turned the other way around.

It’s just such a compelling read, and I wanted to start it over again as soon as I finished it.

This novel started it all, creating the character of Gidget who would ultimately appear in three feature films, two TV series, three made-for-TV movies, four more novels, and two novelizations of movies, plus kid cartoons, parodies, songs, and more. Gidget: The Little Girl with Big Ideas is based on the real-life experiences of screenwriter Kohner’s daughter Kathy, who found herself one of very few girls surfing in Malibu. The story is told in the voice of Gidget, nicknamed that because she is a diminutive girl. To be sure, the novel deals with her crush on Jeff, nicknamed Moondoggie, and her burgeoning sexual desire, but the novel does more than titillate. More importantly, the novel emphasizes Gidget’s passion for surfing, and especially the feeling of freedom that surfing provides. In the end, Gidget says her romance with Jeff may have been “a dream” but her romance with surfing is “for real:”… show more.

This is a gorgeous coming-of-age novel about a young, poor fisherman named Shinji who falls head over heels in love with a new girl on the island of Utajima. Japan’s most famous writer, Mishima, sets his romance in post-WWII where the innocence of Shinji and Hatsue is as pure and passionate as can be. The wind, the waves, the sea, the kiss that tastes of salt—all of nature intertwine with human life. The problem: Hatsue is actually the long-gone daughter of a major family who wants her to marry someone of equal social standing. With its humorous episodes, close descriptive imagery, and a plot that displays Mishima’s unabashed devotion to old-style traditions and customs, this little novel is one of my all-time favorites. 

The utopian dreams of the 60s died hard, and this beautiful novel captures the mood of the decade—and the forces that destroyed it. Set mostly in a back-to-the-land hippie community, the book centers on Bit, the first baby born to the settlers. It follows him through childhood and adolescence, and checks in on him on the cusp of middle age, a single father in New York City. Bit’s a sensitive soul, and I felt for him, especially when the story tracked his relationship with his first lover and later runaway wife, the self-destructive Helle. Groff’s expressive use of language, her feel for the natural world, and her deep sensitivity to the psychology of her characters marks this book as a classic not to be missed. 

This was the first series of heroic historical fiction I ever read. Forester’s narratives had the power to pull me into the stories as if I was serving alongside Horatio Hornblower.

The series follows the exploits of seventeen-year-old Midshipman Hornblower in 1794 as he rises in rank and responsibilities to flag rank by 1815. During the course of the series, we watch Hornblower mature from an unsure, bookish teenager to become a self-confident and bold commander. Forester’s ability to meld true historical events and personages into his narratives captured me from the start and is a quality that I strive to accomplish in my own writing. I read these books decades ago and still keep them on my bookshelf for when I need inspiration or want to understand how Forester resolved certain authorly issues.

I so easily identified with the lead character, Salim, who is caught between two cultures–his country of origin, Zanzibar, and his adopted country, England.

The author provides detailed and satisfying descriptions of Zanzibar in the 1960s and of London in the 1990s, portraying effectively how he is pulled by both and yet part of both. He confronts the vexed questions of ‘Who am I?’ and ‘Where is home?’

The colourful description of life in a Zanzibar village is delightful, reminding me so much of Mombasa, where I was born, especially as both places share the language, Kiswahili–which I still remember!

I actually only ranked this book four stars out of five initially (I’m a harsh marker), but I couldn’t get it out of my head. Imagine a cross between the Narnia series and the Harry Potter series, but all the main characters are Edmund/Malfoy types. People sometimes do heroic things, but there are no heroes here.

It’s all much more muddy. This is a fantasy novel set in the real world, at least to start with, but there are also heavy elements of horror, and I think that’s why it put barbs into my brain – the things that happen to important characters are traumatic, unforgettable, and often very sudden.

A book that stays with you, whether you want it to or not.

All of Johnson’s books are swoony and awesome, but I love that Jill works in the family business—just like Dakota and Leo do—fixing cars in her family’s auto shop. It’s not something you see a lot of girls doing in YA books, but it makes so much sense in her bigger struggle of being a “fixer” in her everyday life. I have no mechanical skills, but boy, do I relate to trying to fix things that were never really my problem to solve in the first place. Teens with complicated family dynamics will appreciate seeing themselves portrayed in an authentic, nuanced way. Johnson leaves the reader with a powerful but gentle message that when faced with impossible situations, sometimes you need to fix yourself first.      

Granted, nobody would call a castle a small space, but the world of 17-year-old Cassandra Mortmain—the narrator of this full-of-life novel-in-journal-form—is hemmed in by her father’s writer’s block and his innate dislike of neighbors, resulting in their family’s life of dwindling gentile poverty in a dilapidated rented castle.

Much of the novel’s long-lasting enchantment is how Cassandra makes the best of the stone walls that contain and border her life. Cassandra has a wonderful imagination and a knack for seeing her life as a story. A very funny and wise coming-of-age story about how our homes shape our world-views.