In school, science and reading were always my favorite subjects so is it any wonder that I grew up to be a scientist who writes? Before I entered my teens, I entered the realm of science fiction through the stories of Asimov, Bradbury, and Le Guin, and I never willingly left that realm. Back then, the one thing I hungered for but so rarely found was a compelling female character. Avid readers all want to find that character to identify with, don’t we? Fortunately, our sci-fi world is now populated with many great female MCs so I’m sharing five of my favorites here with you. I hope you enjoy them as much as I did.
C.J. Cherryh‘s Hugo-winningDownbelow Station is on a lot of people’s TBR pile but I suspect due to its intimidating size, it never gets any further. Which is a damn shame. Once you get into it, the story is completely absorbing. Cherryh’s world-building is outstanding, presenting a convincing 24th Century society, with just enough enriching detail to draw you in. The politics and tactics of the warring factions are familiar yet not derivative. If you loved Alien’s Ripley as much as I did, then I suspect you will love the character of Captain Signy Mallory. She is presented as a badass in the best possible way: tough, smart, resolute, and unfailingly loyal to her crew. Though this is classic space opera, filled with war, intrigue, and politics, the emphasis is on the people not the pew-pew space battles. If that’s a plus for you like it is for me,…
The Hugo Award-winning classic sci-fi novel about interstellar war.
The Beyond started with the Stations orbiting the stars nearest Earth. The Great Circle the interstellar freighters traveled was long, but not unmanageable, and the early Stations were emotionally and politically dependent on Mother Earth. The Earth Company which ran this immense operation reaped incalculable profits and influenced the affairs of nations.
Then came Pell, the first station centered around a newly discovered living planet. The discovery of Pell's World forever altered the power balance of the Beyond. Earth was no longer the anchor which kept this vast empire from coming…
Growing up, I was exposed to the same influences as most other SF writers of my generation – Clarke, Heinlein, and Asimov. But I was also exposed to the more nuanced, more psychologically realistic work of writers like Harlan Ellison, Norman Spinrad, Ursula K. LeGuin, and J.G. Ballard, none of whom shared the unquestioning techno-utopianism of an earlier generation of writers. They taught me not to automatically respect power or authority, and to always question ideas that might otherwise be taken for granted. It’s an approach that’s carried over into my own writing ever since.
I first read Pohl’s Jem when I was a kid, and his fatalistic, even cynical take on first contact and interstellar colonization, along with the works of Harlan Ellison, Philip K. Dick, and Ursula LeGuin, greatly informed my developing views on politics and society. A near-future Earth divided into three major power blocs discovers a world ripe for exploitation and populated by not one, but three, sentient species, It’s not long before each bloc is currying the favor of different species in order to set each against the other, with absolutely no one thinking beyond their own immediate needs or with any concern about the consequences of their actions.
A cynical and compelling tale of politics, exploitation and colonisation on another planet
The discovery of another habitable world might spell salvation to the three bitterly competing power blocs of the resource-starved 21st century; but when their representatives arrive on Jem, with its multiple intelligent species, they discover instead the perfect situation into which to export their rivalries.
Subtitled, with savage irony, 'The Making of a Utopia', JEM is one of Frederik Pohl's most powerful novels.
I have always been fascinated by science and everything mysterious. I love to read science fiction and mystery stories. I use art and literature to explore reality. Writing or painting allows me to link seemingly unrelated topics together to create my own explanations for why things are the way they appear to be. The biggest things in the universe are replicated on Earth right down to sub-atomic size. I call that life imitating stars. Life is an endless resource found everywhere in the universe, and it's not restricted to just light or heat to grow; it only needs energy.
I liked this book because it's a collection of stories about unrelated people's exploits, real and imagined, as they work together to make their mark in a new frontier.
The stories portray amazing accounts of people ranging from the mundane to the supernatural. It's one of the last stories to describe Mars with a somewhat hospitable climate, and that doesn't matter.
The incredible storytelling of Ray Bradbury makes anything that his characters are doing always believable no matter where they are because he writes from the heart.
The Martian Chronicles, a seminal work in Ray Bradbury's career, whose extraordinary power and imagination remain undimmed by time's passage, is available from Simon & Schuster for the first time.
In The Martian Chronicles, Ray Bradbury, America’s preeminent storyteller, imagines a place of hope, dreams, and metaphor— of crystal pillars and fossil seas—where a fine dust settles on the great empty cities of a vanished, devastated civilization. Earthmen conquer Mars and then are conquered by it, lulled by dangerous lies of comfort and familiarity, and enchanted by the lingering glamour of an ancient, mysterious native race. In this classic work…
I grew up a fan of all things sci-fi, Star Wars, Star Trek, Battlestar Galactica, and so on. But the older I got, the pickier I got, wanting more depth in character, creative stories and fun, but believable action. I read classic sci-fi like iRobot, Starship Troopers, and Enders Game, to name a few. I did find some contemporary authors I liked like Marco Kloos, Detmare Wehr, and Rebecca Branch, but they were needles in a haystack. So, instead of complaining that there were not enough good books out there, I started writing my own. A decade later I have 8 published titles and more on the way.
This book is a little heavy on the tech and military strategy. A lot of authors lose their audience when they over-describe the nuts and bolts of their sci-fi universe or develop a tactical situation that is too complex for the reader to follow without a map and star chart. But Mr. Wehr keeps a nice balance between the details of the ships and AIs with the characters and their personal interactions. There is just enough of a personal perspective to keep the sci-fi from becoming dry. The story was inventive and became more interesting as it progressed.
This four part series is now available on Amazon both individually and as an omnibus edition, which is available in Kindle Unlimited. Be aware that Part 1 has a cliffhanger ending. After almost a century of peaceful exploration and colonization of space, the United Earth Space Force stumbles across a shockingly xenophobic alien race that has more and better armed ships and refuses all attempts at contact. As the outgunned Space Force is driven back in battle after battle in what appears to be a war of extermination, one officer experiences precognitive visions that help him blunt the enemy onslaught…
I am the author of more than sixty published novels, most of which are military science fiction, or near-future alternative history fiction, so I have an abiding interest in the subgenre, and the authors who helped to shape it.
As with my other recommendations, I am making this one based on the impact the book had on me. From this novel, as well as the others that Jerry wrote, I learned how important it is to build a comprehensive world-universe when planning a book. And, when I sat down to pen the first book in what would become the Legion of the Damned series, I attempted to build a reality as fully realized as the CoDominium universe is.
In a future universe in which prisoner colonists are shipped to strange worlds for a corrupt alliance of Earth nations, John Christian Falkenberg gives up a brilliant military career and makes a monumental sacrifice
As a long-term advocate of space colonization I’ve always been drawn to Mars, not by adventure stories but by the idea that ordinary people may someday live there. So this was the theme of my first novel. I wrote it before we had gone to the moon, though it wasn't published until 1970, after my better-known book Enchantress from the Stars. When in 2006 I revised it for republication, little about Mars needed changing; mainly I removed outdated sexist assumptions and wording. Yet the book still hasn’t reached its intended audience because though meant for girls who aren’t already space enthusiasts, its publishers persisted in labeling it science fiction rather than Young Adult romance.
This is a short but comprehensive overview of why we need to colonize Mars and the problems that must be solved in settling it. We would already be there, Petranek points out, if we had preserved and improved the technology that got us to the moon. In his view, NASA has accomplished little of value during the hiatus. But now private companies are making real progress toward turning humankind into a spacefaring species, which is essential both as insurance against disaster on Earth and because “when the first humans set foot on Mars, the moment will be more significant in terms of technology, philosophy, history, and exploration than any that have come before it.” I recommend this book not so much for the information it contains as for the inspiration it offers.
It sounds like science fiction, but award-winning journalist Stephen Petranek considers it fact: within 20 years, humans will live on Mars. We'll need to. In this sweeping, provocative book that mixes business, science and human reporting, Petranek makes the case that living on Mars is an essential back-up plan for humanity, and explains in fascinating detail just how it will happen.
It's clear that the race is on. Private companies (driven by iconoclastic entrepreneurs like Elon Musk and Sir Richard Branson); Dutch reality show/space mission Mars One; NASA and the…
I am a cultural historian, film critic, literary critic, editor, and essayist–and a frustrated fiction writer–fascinated by ‘the fantastic’ in art or in life. Answering that fascination, I wrote Savage Girls and Wild Boys: A History of Feral Children (2002), and I’ve written two books for the BFI Film Classics series on two great movies of the fantastic, Rosemary’s Baby (2020) and It’s A Wonderful Life (2023). I also edited three anthologies of Victorian and Edwardian fantasy, The Penguin Book of Ghost Stories: From Elizabeth Gaskell to Ambrose Bierce (2010) and Victorian Fairy Tales (2015), and now an anthology, Origins of Science Fiction (2022) for Oxford World’s Classics.
Though I admire her classic work, The Left Hand of Darkness, it’s The Word For World Is Forest that most lingers in the mind.
Ursula Le Guin worried that the book was too simple and that its portrait of the mad colonialist soldier, Captain Davidson, was too unshaded a vision of militarist evil. Well, perhaps. However, men like Davidson can be found in equally brutal forms in accounts of the European invasion of the Americas or in Roger Casement’s report on the Belgians in the Congo.
But it is the otherworldly Selver who possesses my imagination, that archetypal ‘little green man,’ that strange new god of a person, poised between the innocent world he seeks to protect and the violence he must unleash to ensure its survival.
When the inhabitants of a peaceful world are conquered by the bloodthirsty yumens, their existence is irrevocably altered. Forced into servitude, the Athsheans find themselves at the mercy of their brutal masters.
Desperation causes the Athsheans, led by Selver, to retaliate against their captors, abandoning their strictures against violence. But in defending their lives, they have endangered the very foundations of their society. For every blow against the invaders is a blow to the humanity of the Athsheans. And once the killing starts, there is no turning back.
There were 3.7 billion people on Earth when I was born. By November 2022, there will be 8 billion. I am fascinated and terrified by this growth. I love stories that address this issue head-on, be it colonisation of other planets, compulsory euthanasia, or uploading consciousness into machines. When I started writing, I didn’t realise how I was bringing these themes together—I was writing a book I’d love to read. Now I can see those influences, and I am grateful for the authors who have shaped my thinking and my work.
Coyote is a habitable moon orbiting Bear, a gas giant forty light years away. Earth’s first interstellar ship is hijacked by a group of engineers and scientists, usurping the post-US government loyalists who intend to make Coyote their home.
This book speaks to the aspirational me, the part that wants to evolve beyond Earth and build a new future, a better future, but inevitably the hubris of modern man threatens to destroy paradise. It’s a conceptually magnificent colonisation book built on plausible science, yet its success lies in the characters’ need to work together to conquer a seemingly benign world. I frequently revisit Coyote because it’s a great story, brilliantly told, and it makes me gaze at the stars.
Coyote marks a dramatic new turn in the career of Allen Steele, Hugo Award-winning author of Chronospace. Epic in scope, passionate in its conviction, and set against a backdrop of plausible events, it tells the brilliant story of Earth’s first interstellar colonists—and the mysterious planet that becomes their home…
Why hopepunk, and why me? Look, it’s no surprise that you can look around today and find all sorts of indicators that we are entering Heinlein’s “Crazy Years.” Imagining a dystopian or grimdark future isn’t difficult; all you have to do is read the news. But I think that we are writing the history of the future right now, by the choices we make every day. Writing stories that present that optimistic view of the future is not just the right thing to do but necessary, at least to me. As Heinlein said, “A pessimist is correct oftener than an optimist, but an optimist has more fun…”
I couldn’t let this one pass by, not least because it helped solidify my name for the lunar colony in my books.
Once again, Andy Weir examines the themes of humanity as related to personal choice and responsibility in the face of a larger whole. Jazz navigates the perils thrown at her with humor, good will, and a healthy dose of self-preservation. Again, there’s a reason I think that Weir defines hopepunk for the modern author.
The bestselling author of The Martian returns with an irresistible new near-future thriller—a heist story set on the moon.
Jasmine Bashara never signed up to be a hero. She just wanted to get rich.
Not crazy, eccentric-billionaire rich, like many of the visitors to her hometown of Artemis, humanity’s first and only lunar colony. Just rich enough to move out of her coffin-sized apartment and eat something better than flavored algae. Rich enough to pay off a debt she’s owed for a long time.
So when a chance at a huge score finally comes her way, Jazz can’t say no.…
I’m fascinated with techno-utopian schemes. Decades ago, I had conversations with a friend who believed that humanity needed to evolve and leave the planet, just as early life once left the oceans. It was an intriguing idea that I have tried to follow up, critically, in Star Settlers. My book is a history not so much of the technology and nuts and bolts of space travel (although I do cover some of that), but of the rationale behind it—the idea that humanity’s ultimate destiny is in the stars. The idea is beguiling—but, likely, wrong-headed. To write the book, I spoke with physicists, science fiction writers, and space enthusiasts of all stripes.
The Biosphere 2 project was the wackiest multimillion-dollar enterprise to emerge from the New Age movement. This book is a nonfiction account of how a New Mexico commune, with a charismatic leader, developed a plan to test the viability of off-planet living by creating a sealed-off biosphere, which would be a self-sustaining and organizing ecosystem in which humans could survive. The goal was to create not a sterile environment but one that supported life that would make off-planet living appealing. The four men and four women sequestered for two years in the 3.14-acre domed-off area outside Tucson grew into two factions that hated one another. All came close to starvation, CO2 poisoning, and madness. For readers that simply must have narrative in fiction form, T. Corraghesson Boyle’s The Terranauts isbased on this same early 1990sepisode.
Biosphere rises from southern Arizona's high desert like a bizarre hybrid spaceship and greenhouse. Packed with more than 3,800 carefully selected plant, animal, and insect species, this mega-terrarium is one of the world's most biodiverse, lush, and artificial wildernesses. Only recently transformed from an abandoned ghost dome to a University of Arizona research center, the site was the setting of a grand drama about humans and ecology at the end of the twentieth century.
The seeds of Biosphere 2 sprouted in the 1970s at Synergia, a desert ranch in New Mexico where John Allen and a handful of dreamers united…
