While doing a college humor column I was hoping to be the next Art Buchwald, but instead ended up first as a lawyer, then a film critic and college professor. When I finally got around to writing fiction, the blending of science fiction and comedy was a natural fit (with occasional forays into horror and fantasy). I’ve done four novels and a couple of dozen published stories to date and when readers tell me they’ve enjoyed them I answer, “If it made you laugh, I did my job.” When I came up with the mashup title of “Father of the Bride of Frankenstein” I said, “I have to write this.”
Brown was another author who mixed SF and humor. Here he stood the alien invasion premise on its head. Instead of spaceships from an advanced civilization laying waste to our great cities, Brown wonders how we’d react if the invaders weren’t interested in mass murder or enslaving humanity but simply annoying the hell out of us. His little green men from Mars enjoy insulting and pestering Earthlings. After a while, “War of the Worlds” might be a preferable encounter.
THEY WERE GREEN, THEY WERE LITTLE, THEY WERE BALD AS BILLIARD BALLS AND THEY WERE EVERYWHERE!
Luke Devereaux was a science fiction writer, holed up in a desert shack waiting for inspiration. He was the first to see a Martian - but he certainly wasn't the last.
It was estimated that one billion of them had arrived - one to every three human beings on Earth. Obnoxious green creatures who could be seen and heard (but not harmed) and who probed private sex lives as shamelessly as they exposed government secrets.
I'm an author, inventor, military veteran, (mostly) self-taught scholar, and an entrepreneur. Every internet-connected person interacts with things I invented (the tracking pixel, the ebook, etc) every day, but I'm best known for my books about business and personal development. As I write this, I'm serving as the Founder and CEO of a software platform called "Simpleology." It's designed to solve what I think is one of mankind's greatest threats to survival as a species: "The Complexity Gap." It's the gap between the amount of information in the world and our ability to navigate it. It solves this by guiding you to focus on what we call "HIME" (high impact, minimal effort).
While it is not as intellectually subtle or mature as Heinlein's later work, it has served as my blueprint for a life of self-reliance, discipline, and hard work. It is a stoicism-how-to book disguised as an entertaining yarn about killing bugs in space.
This book took the soft young man I was when I read it and made him hard. Then, Heinlein's later work made me balance that hardness with softness.
Reading Heinlein's entire body of work now allows me to observe the Tao revealing itself in the arc of a great man's life.
'The historians can't seem to settle whether to call this one 'The Third Space War' (or the fourth), or whether 'The First Interstellar War' fits it better. We just call it 'The Bug War'. Everything up to then and still later were 'incidents', 'patrols' or 'police actions'. However, you are just as dead if you buy the farm in an 'incident' as you are if you buy it in a declared war.'
5,000 years in the future, humanity faces total extermination. Our one defence: highly-trained soldiers who scour the metal-strewn blackness of space to hunt down a terrifying enemy: an…
Like many SF nerds, I watched a lot of Star Trekwhen I was a kid. I liked the adventures. I liked the ethos. I did not like the transporter. Everybody seemed to believe that they were being… well… transported, but it seemed obvious to me that actually they were just getting dissolved, and then somebody else who looked like them was getting created at the other end. This question (transported or replaced?) is the essence of the teletransport paradox, a puzzler that’s bedeviled philosophers since at least 1775. All of these books (including mine) are at their hearts an exploration of this problem. I know my answer. Do you?
This one is a deep cut, first published in 1951. It begins as a straightforward adventure, with a protagonist tasked with hunting down a dangerous alien that’s gotten loose on Earth. It becomes increasingly clear that something isn’t right, though, and eventually, our hero realizes that he’s actually a replicant, sent to do this job because his original was too cowardly to do it himself, and that his only hope of survival is to murder his original and take his place. I first read this when I was nine or ten years old, and the growing sense of horror as the truth becomes clear has stuck with me ever since, as has the dark, dark twist of an ending. This might be a tough one to find, but it’s well worth the effort.
Strange, poignant tales of life in outer space and on tomorrow's Earth from the multiple Hugo Award-winning Grand Master of Science Fiction.
Virtually every major author from science fiction's fabled golden age-including Poul Anderson, Isaac Asimov, and Robert A. Heinlein-agreed that Clifford D. Simak was one of the greatest among them. Named Grand Master by the Science Fiction Writers of America, the award-winning author created enduring visions of future worlds, perilous space explorations, and weird alien encounters as rich in emotion and humanity as they are in ingenious invention. This is an essential collection of short fiction from the remarkable…
I began reading science fiction when I was 8 years old and "borrowed" my father’s library books until, in defense, he got me my own library card. Not only have I spent decades reading SF, I’ve written it as well. As a veteran reader and writer with plenty of kill marks on my fuselage, I'm literally married to the SF mob (Grandmaster Robert Silverberg, is my spouse). I can both walk the walk and talk the talk. And after writing 9 SF novels including a Star Trek Book and reading uncounted SF and F tales, I still think science fiction and fantasy can be a literature of ideas illuminating the human condition.
The title story of this brilliant collection is a very funny alien invasion story told from the point of view of a woman who is convinced that the invasion is all about her. The other stories are similarly quirky and delightful.
The late Carol Emshwiller was a groundbreaking visionary writer who began publishing her funny, intriguing, unusual work after she was 30 and had to pry writing time away from the demands of her growing family.
When necessary, she would empty out the playpen in her living room, get into it with her typewriter, and work on her fiction while her preschool children enjoyed the freedom of the apartment. She was known for avant-garde approach, unreliable narrators, quirky humor, and a liberal, feminist outlook.
Recipient of the Nebula and the Philip K. Dick Award. The late Ursula K. LeGuin called her "a major fabulist, a marvelous magical realist, one of…
I’ve been a huge fan of D&D and RPG games since I’ve been old enough to play them. The idea of grooming a character, growing it in terms of strength and levels until it becomes powerful enough to take on gods always captured my imagination. LitRPG is a relatively new book genre, and reading it (the good ones at least) makes you feel like you’re playing those games yourselves. Following a new protagonist growth and journey, often illustrated by actual numeric values you can easily keep track of (like skills and levels) is so much fun, and I think more people should be aware it exists.
An excellent Litrpg sci-fi series. The protagonist goes out beyond earth to discover new races and worlds, slowly gain power, and unearth the secret of the ancient race that started it all. He’s just a human, but he’ll change the galaxy in his quest for knowledge.
The best scfi-fi litrpg in my opinion, the character growth is very visible and keeps you glued to the pages as the protagonist struggle to raise himself. Through his eyes, I got to experience unearthing ancient, hidden cultures, find ancient relics, and uncover galactic-wide schemes that blew my mind away.
An Artificial Intelligence, LitRPG, Cyberpunk adventure.
The Earth is changing. The alien invasion brought social upheaval, advanced technology, and an armada of peacekeeping robots. But Alan, a college student pursuing a now-useless degree, cares little about all of this. He has only one thing on his mind: the Game.
A fully immersive virtual reality, the Game appears to be a major part of the invading civilization. Alan can't wait to play, recklessly diving into the digital universe. Soon though, Alan realizes the Game is anything but simple, and the stakes are higher than he ever imagined.
Having delved deeply into all kinds of science fiction narratives that push us to interrogate our own humanity, existence, and consciousness, I wanted to provide some recommendations for a very specific type of science fiction book that is often concerned with big existential questions, called “time loop” narratives, where characters relive the same time period over and over. This type of narrative has always been a favorite of mine, as I find the payoffs of the comedy, mystery, and action even more satisfying when you already know as a reader what events are going to take place over and over again.
This book is a quintessential version of this type of narrative, following a new recruit, Keiji, as he relives the same battle against invading aliens known as Mimics, who also do their own hive-mind version of time looping.
I’ve always loved how time loop stories use repetition to progressively work through a situation, and following Keiji movement by movement, as he learns how to defeat the Mimics, I really felt like I knew what the experience of a time loop would be like.
When the alien Gitai invade, Keiji Kiriya is just one of many raw recruits shoved into a suit of battle armour and sent out to kill. Keiji dies on the battlefield, only to find himself reborn each morning to fight and die again and again. On the 158th iteration though, he sees something different, something out of place: the female soldier known as the Bitch of War. Is the Bitch the key to Keiji's escape, or to his final death?
I am an American author and have been an avid reader of science fiction for nearly forty years. I studied science fiction in college, along with biology and other subjects. My undergraduate honors thesis was a discussion of postwar Japanese science fiction that included a translation from the original. I have a Ph.D. in Cognitive Psychology and have published papers on learning in machines, humans, and humpback whales. I have taught and studied in Japan and Singapore, and critiqued fiction for several years with critters.org. I have published many science fiction stories from various perspectives. The Hugo finalist, "Asymmetrical Warfare" tells the story of an alien invasion of Earth from the invader’s perspective.
I have a soft spot for stories written from non-human perspectives, and Footfall sticks out in my mind as a prime example of the subgenre. It follows the story of an invasion of Earth by a species called the Fithp, which has a herd-like social structure. The scenes told from the point of view of the invading Fithp present the first contact and alien invasion tropes in a new way.
The unfolding conquest of Earth gives us a glimpse into Fithp minds and, most importantly, a look at ourselves from an outside perspective. It is a bit of a slow burn, but for me the world-building paid off in the end.
Footfall inspired me to write several short stories about alien invasion.
Considered by many readers the best alien invasion novel to date, FOOTFALL was called “thought-provoking and exciting” by Library Journal and “the best of its genre” by The New York Times.
An alien craft is approaching Earth. Attempts to communicate go unanswered. The welcoming committee of Americans and Russians at a space station is blasted, its occupants killed or captured. Soon the entire Earth, with special emphasis on the United States, is bombarded by asteroids, destroying dams, highways, and infrastructure. The message to humans: total surrender or death to all. A giant rock, the “footfall”, is launched towards Earth, causing…
I am a former book editor turned writer and a lover of literature in all forms. Young adult literature will forever be my favorite. Though I’m no longer “young,” I have two teenagers who love YA as much as I do and we bond over these stories. Since one prefers contemporary & urban fantasy, and the other likes dystopian & epic fantasy, I read a lot of everything! I particularly enjoy books with characters who triumph over extreme adversity, and if you do too, then you'll like the books on this list.
This review perfectly summed
up this book but neglected to mention it has a spectacular cover, which I’ll
admit was the first thing that drew my eye. The story also features a bi-racial
main character, and since my children are multi-racial, I love seeing this
representation. Because I’m an unapologetic book nerd, I adored the many
literary references. And I always love a good road trip! All in all, this is
one character-driven YA novel you won’t want to miss.
“This debut has it all: music, books, aliens, adventure, resistance, queerness, and a bold heroine tying it all together. ”—Ms. Magazine
Can a girl who risks her life for books and an Ilori who loves pop music work together to save humanity?
When a rebel librarian meets an Ilori commander…
Two years ago, a misunderstanding between the leaders of Earth and the invading Ilori resulted in the death of one-third of the world’s population. Today, seventeen-year-old Ellie Baker survives in an Ilori-controlled center in New York City. All art, books and creative expression are illegal, but Ellie breaks the rules…
As an author who is also a patent attorney and an engineer, I often deal with projects that are the closest thing to science fiction. That is one of the driving forces behind my urge to write science fiction. However, I very much prefer realistic stories that may potentially come true to hard science fiction with intergalactic travel, robots all over, and time machines (although I have written space opera and a few other hardcore SF tales, and must admit having had fun with them). Still, I like realistic science fiction much more. It leaves more room for character development, and I find myself engrossed in it more easily.
This story of alien invasion is hauntingly realistic and frighteningly fun. It has one of the most original plots I have ever seen and, despite the absurdity of the events recounted in it, this book has a ring of truth to it. You read something utterly preposterous and murmur to yourself, “this might happen!” After reading it, you will start looking at events around you differently.
The aliens wouldn't kill ... They'd take over earth and let man survive -- if he could. A few people tried to tell that Earth was being taken over by alien beings in the shape of bowling balls, talking dogs, dolls that walked like men. The trouble was, no one believed them.
Alien invasion is just another form of apocalypse. The terrible truth is, our civilization and our world can end in many different ways. I think of myself as being on a life-long quest to read as many variations as possible. No matter how things end, I’m always interested in how authors portray human survival. Even when we inflict harm on ourselves, humanity always seems to be capable of bouncing back. It’s a form of optimism that I just can’t resist. I try to include some of that hope in everything I write.
This is the first book in a series. It was my grade school introduction to the concept of young adult post-apocalyptic themes. The fact that one of the central characters is a visually impaired young man who finds a pair of life-changing eyeglasses was a big deal to me. This might be the book that solidified my interest in post-apocalyptic literature. The fact that this apocalypse is the result of an alien invasion is just icing on the cake.
Monstrous machines rule the Earth, but a few humans are fighting for freedom in this repackaged start to a classic alien trilogy ideal for fans of Rick Yancey’s The 5th Wave.
Will Parker never dreamed he would be the one to rebel against the Tripods. With the approach of his thirteenth birthday, he expected to attend his Capping ceremony as planned and to become connected to the Tripods—huge three-legged machines—that now control all of Earth. But after an encounter with a strange homeless man called Beanpole, Will sets out for the White Mountains, where people are said to be free…
