The most recommended short story collections

I really enjoyed this playful, ethereal, experimental collection of seventeen stories from prolific Tanzania-Australian author Eugen Bacon.

Her work often defies genre, spanning science fiction, horror, fantasy with a strong literary sensibility. These are poetic, evocative stories, about migration and displacement, about climate change and technology, about blackness and womanhood, about politics and community.

Adding up to more than just the sum of its parts, I could not help but be impressed. As a whole, with each story allowed to resonate with the other, it’s an excellent, inventive collection.

I adore short stories and Ling Ma does the medium justice with her willingness to push outside reality in such a dark, beautiful way.

The stories range across a variety of characters however there’s a thread I found extremely relatable as a young woman who isn’t maybe so young anymore. This tendency to fantasize a different future for myself if I didn’t do x, y, z… or replaying the past and wondering how I dated that person, stayed in that toxic friendship, or frankly, survived a foolish night out ;)

I deeply appreciate how Ma toys with time and perspective while using humor and absurdity to grapple with growing pains.

The title story of this collection is a miracle of human relations, ecstatic prose cut to perfection, and the multivalent understandings that arise when we give ourselves freely, openly, and yes brokenly to the will to love. There is nothing so sweet as the kind of development and shaping of humanity found in  Davis’ short stories. An author whose work has appeared in Best American Short Stories and won a Pushcart Prize, Davis is an author who has not received the kind of national following she deserves.

Each one of these stories is a mini-novel, which are the sort of stories I love. Black never leaves you hanging, like some writers do, and you will feel like you’re right in there watching the story unfold. The writing has been called pitch-perfect and I agree. Every word is right, every moment fits and every character is trying to make sense of the world as we all do, every day. She deftly explores the emotional DNA passed from generations before and what that means for each of our lives going forward. So you get a great tale well told. and a lot to think about at the same time. Exactly what I love to read and what smart modern women are drawn to. 

These are thoughtfully observed, multi-generational stories about people obsessed with science while negotiating relationships and their place in the world. I’ve met some of them in Barrett’s previous books.

Much of the action happens in upstate New York, by the lake where my grandparents had a cottage. One major character, Henrietta Atkins, is first seen as a ten-year-old during the Civil War. She becomes a science teacher who studies moths, helps her sister’s family, and tries to find her place among the natural historians of her day. 

A family tree helps keep track of the characters over a century and a half. I especially like the details Barrett’s characters focus on. “…a young heron stabbed at a frog and missed, as if he didn’t yet understand how the surface bent the light and made everything shift position.”

Poe was the first writer I read as a kid, and “The Cask of Amontillado,” to me is the penultimate story of jealousy and revenge that is as suspenseful as it is horrifying. Plus, there are two other tales of revenge and painstaking cruelty within this anthology: “Hop-Frog” and “The Fall of the House of Usher”.

This is classic revenge writing from the Gothic master, no offense Guy de Maupassant.

This was another one with an amusing plot twist. Lord Arthur is engaged to be married when, one night at a party, a fortune teller tells him that he will commit a murder. Lord Arthur doesn't want to bring that horror into his new marriage and thus resolves to do the deed before he marries. He postpones his wedding, promising his beloved they will marry as soon as he's taken care of some "business". Poor Lord Savile is a terrible murderer and can't seem to manage to actually kill anyone. I loved this book because it was just so absurd. Some odd little man tells Lord Sevile he will commit a murder, and Lord Sevile never once questions his fate. It was an excellent reminder to me that we shouldn't base our actions on what someone else says. 

This final book is the catalyst for my own: the book that, resting in my hands at the library, made me realize that I could just do this. If I loved reading short stories so much, if I so deeply enjoyed reading about gay girls with horses and game show contestants going to Mars, why couldn’t someone love my own body of work, transsexually languishing in my Google Drive? There can never be enough praise for The Dark, which delivers tonally consistent and individually unique stories that glue me to my seat every time. A big thank you to Deborah Willis, and to whoever put her book on hold that day I was volunteering at the library: I loved her work, and it inspired me to put mine out there. 

This book unleashed my interest in gothic literature, and soon after, I wrote my book.

I enjoy the way the narrative begins innocently and picks up momentum. Racing to the ending like a runaway train. I did something similar in my book with the pacing. Stetson's novella feels so much more prominent in scope than a novella. What makes this gothic is that it captures the deterioration of a woman into madness, in much the same way Edgar Allen Poe did with his male protagonist in The Raven.

You can read Stetson's novella for free. It's in the public domain. 

The stories in Thank You, Mr. Nixon combine history and family, characters reflecting on the ravages of time and how their lives have been buffeted by world events outside their control. There’s even a ghost of a Chinese girl writing from the afterlife to President Nixon in Hell. She thanks him for his historic decision to establish diplomatic ties with the People’s Republic of China, a decision that changed her family’s life forever. The story is profound, moving, and very funny all at once. Jen is a master of the short story form, and this collection is superb.