When I was nine years old, I saved enough allowance money to buy a big box of oil pastels. I was mesmerized by its amazing display of gorgeous colors. Never could figure out why my girlfriends played with dolls when it was more exciting to paint. It wasn’t until high school, and time to apply to colleges that I made the decision to go to art school. Another key moment for me was after graduating from art school and landing in New York City. It was then that I made a brave decision to never waitress again, and instead do whatever it takes to stay in the arts.
In this book, Shlain reveals his unusual take on the power of images throughout history. His discussion using contemporary ideas about our creative right-brain side brings interesting connections between the Goddess, images, and feminine values. Shlain's earlier book, Art & Physics was very popular expressing his breakthrough theory, ad revealing an astonishing parallel with these two seemingly different topics. I find that books like this, not dedicated to learning specific painting techniques, end up being more helpful towards how I think as an artist. A good writer, it is easy to read and very inspiring.
This groundbreaking book proposes that the rise of alphabetic literacy reconfigured the human brain and brought about profound changes in history, religion, and gender relations. Making remarkable connections across brain function, myth, and anthropology, Dr. Shlain shows why pre-literate cultures were principally informed by holistic, right-brain modes that venerated the Goddess, images, and feminine values. Writing drove cultures toward linear left-brain thinking and this shift upset the balance between men and women, initiating the decline of the feminine and ushering in patriarchal rule. Examining the cultures of the Israelites, Greeks, Christians, and Muslims, Shlain reinterprets ancient myths and parables in…
Jack Holland was an incredible writer. When he told men he was writing a book about misogyny, one group expressed surprise that a man would write such a book. His reply was, “Why? We invented it.” How can you not thoroughly love a man who could answer that? More, he’s done his homework, and done it exceedingly well.
He takes us through the history of this dreadful manifestation of patriarchy sympathetically and carefully. The links he creates historically are breath-taking, and cage-rattling they’re so sensible. Every woman in the world should read this book, and so should every human who knows a woman.
In this compelling, powerful book, highly respected writer and commentator Jack Holland sets out to answer a daunting question: how do you explain the oppression and brutalization of half the world's population by the other half, throughout history?
The result takes the reader on an eye-opening journey through centuries, continents and civilizations as it looks at both historical and contemporary attitudes to women. Encompassing the Church, witch hunts, sexual theory, Nazism and pro-life campaigners, we arrive at today's developing world, where women are increasingly and disproportionately at risk because of radicalised religious belief, famine, war and disease. Well-informed and researched,…
Born in Baghdad and raised in America, I come from an ancient lineage of people called the Chaldeans (Neo-Babylonians who still speak Aramaic). The first book I read was Gone with the Wind, at age nine, in Arabic. We lived in Jordan at the time, awaiting a visa to the United States and Scarlett O’Hara’s land and people were my impressions of what America would look like. But Michigan in the 1980s was not Georgia in the 1860s. Still, that book proved that great storytelling transcends ethnicity, age, and gender. So in my writing and film career, I have focused on the art of storytelling as I share the stories my people, culture, and heritage.
Reading that once upon a time in my birthland, male dominance was not the natural order of things was liberating.
In this historical book that’s based on critical facts, one learns of the true nature of women as Goddess in the Middle East. She held prestigious positions and had a fairly peaceful lifestyle until religion and patriarchy changed all that.
Over the centuries, her stories were deleted out of history and also distorted in an attempt to strip her of her power. An attempt that has caused a hell on earth in that region.
The landmark exploration of the ancient worship of the Great Goddess and the eventual supression of women's rites.
In the beginning, God was a woman...
How did the shift from matriarchy to patriarchy come about? In fascinating detail, Merlin Stone tells us the story of the Goddess who reigned supreme in the Near and Middle East. Under her reign, societal roles differed markedly from those in patriarchal Judeo-Christian cultures: women bought and sold property, traded in the marketplace, and inherited title and land from their mothers. Documenting the wholesale rewriting of myth and religious dogmas, Merlin Stone describes an ancient…
I'm a trauma psychologist and intergenerational trauma expert who’s listened to countless client stories of generational pain and healing. I also write a weekly newsletter, called Break the Cycle, where I offer coping skills to cycle breakers and have the opportunity to read about the multitude of ways in which they are breaking away from trauma and creating legacies of abundance. It is in these stories, I believe, that we're able to see all the possibilities of how we may heal. I hope you enjoy these multilayered stories as much as I did!
In this searing story of redemption, Safiya Sinclair helped me capture a vivid story of how legacies of patriarchal values that are situated in religion, encourage women to abandon themselves, leaving us in a state of perpetual and multigenerational suppression, that prove to be traumatic.
This book took me to new insights on the inner workings of religious trauma, placing that trauma within a patriarchal history that is very much alive today, not just in Jamaica, where the memoir is centered, but in all parts of the world.
I was able to see pieces of this story in my very own North American, Black, and Dominican communities, because this memoir pushed me to look within myself and the patriarchal socialization that I too have experienced.
This book has a clear message; it is in the telling of our stories that we can also find freedom from legacies of pain. It’s…
With echoes of Educated and Born a Crime, How to Say Babylon is the stunning story of the author’s struggle to break free of her rigid Rastafarian upbringing, ruled by her father’s strict patriarchal views and repressive control of her childhood, to find her own voice as a woman and poet.
Throughout her childhood, Safiya Sinclair’s father, a volatile reggae musician and militant adherent to a strict sect of Rastafari, became obsessed with her purity, in particular, with the threat of what Rastas call Babylon, the immoral and corrupting influences of the Western world outside their home. He worried that…
From a youth devouring the books of Bruce Catton to my formative years as a historian, I’ve been fascinated by the Civil War, especially the thinking and experiences of southerners who lived through the cataclysmic war years. In my teaching and writing, I’ve tried to focus on the lived experiences, the hopes and fears, of southerners who seemingly embraced secession and an independent Southern Confederacy in the expectation of a short, victorious war only to become disenchanted when the war they thought would come to pass turned into a long, bloody stalemate. The books I’ve listed share my passion for the war and open new and often unexpected windows into the Confederate experience.
Here is the best introduction to how the Confederacy transformed itself into a mirror image of the South’s traditional portrayal as a static agricultural society based on states’ rights. To meet the demands of waging the Civil War, the Confederacy underwent rapid industrialization and urbanization directed by a strong centralized bureaucracy in Richmond. New and expanded roles opened up for southern women challenging the prerogatives of male patriarchy. How many of these changes would have become permanent had the Confederacy survived is an open question, but the Confederacy decidedly was not an extension of the Old South.
The purpose of this book is to show that the Confederacy not only enacted an external revolution (in terms of its war with the Union), but that it also experienced a very significant internal revolution. Provides an explaination of what things within Southern society were revolutionized and in what ways.
Recipe for a Perfect Wife is elegant and intriguing
and hits on many of the character and thematic notes that I look for. The relationship
between the main character, Alice, and the house that she moves to and comes to
resent is palpable and relatable.
I was all in from the moment Alice finds a
mysterious cookbook in the house, waiting for her next move and for Brown to
reveal more about Alice and what makes her tick.
The best compliment I can pay to any novel is that I
was sad when it ended. I don’t know how to explain that feeling, but I know it
when I feel it.
*LJ-"Brown kills it, a captivating winner" BL-"The pacing is brisk, the characters are appealing, and both time lines are equally well realized. Thoughtful, clever" Kirkus-"engaging and suspenseful."
I am an award-winning author who has written books for all ages and genres – a Young Adult historical novel, several works of non-fiction for middle school students, two picture books for children, an adult work of non-fiction, and an adult memoir. I love a great story, and, for each book, I target the audience I believe is best suited to my narrative. Several of my books were inspired by my mother’s story of childhood immigration as she fled Nazi Germany for America and the emotional legacy of that experience.
An inspiring and lively biography that captures the courage of Ruth Bader Ginsburg, a cultural icon who made good trouble by changing gender equality laws and breaking down the patriarchy one case at a time during her long, honorable, legendary life. Through the book’s illustrated timelines, archival photos and documents, annotated dissents, and text, the reader comes to know RBG’s drive, ethics, and personal story. I picked this book because it is a wonderful introduction to legal history, gender equality, and civil rights for young people.
"A tribute to Justice Ruth Bader Ginsburg that does more than catalog her achievements; it conveys her spirit, one that will leave readers in awe."*
This New York Times bestselling version of the acclaimed biography Notorious RBG is an excellent way to share with middle grade readers just why Justice Ginsburg was such a powerful role model. This entertaining and insightful full-color 200-page young readers' edition mixes pop culture, humor, and expert analysis for a remarkable account of the indomitable Ruth Bader Ginsburg: Heroine. Trailblazer. Pioneer.
Supreme Court Justice Ruth Bader Ginsburg was an icon to millions. Her tireless fight…
Gorgeous to behold,
this graphic novel opens from the seeming-ending, because it was originally
written in Arabic, which is read from right to left.
Despite mainly being in
black and white, it draws the reader in, more easily than blue Will Smith, to
ask deeply philosophical questions – what do people want, and why? – which turns
personal – what do I want, and why? – in the back of the mind, while the brain
engages with sympathetic characters Aziza, Nour, and Shokry, who fight against
corruption, depression, dragons, and the patriarchy, one wish at a time.
A brilliantly original debut graphic novel that imagines a fantastical alternate Cairo where wishes really do come true. Shubeik Lubeik—a fairy tale rhyme that means “your wish is my command” in Arabic—is the story of three people who are navigating a world where wishes are literally for sale.
“The mythic qualities of Mohamed’s world bring our own world into sharper focus . . . Mohamed’s humor often feels like a protest, as do the thick and assertive lines of her drawings . . . The effect is gritty, brazen, and full of spunk.”—The New Yorker
We talk a lot about the big public events that expanded the #MeToo movement so astronomically, like the election to the US presidency of a man who bragged about assaulting women, and the allegations made against Harvey Weinstein. But I think most American women have other, more personal beefs that originate from their being a woman. I, for one, was shocked at how unnecessarily difficult it was to be a new mother in the US. Other places support this vulnerable group much more than we do here, and living that disparity angered me—like, for example, when my husband exhausted what little parental leave he had available before our twins were even released from the NICU.
I love Eltahawy’s approach to solving the problems of the patriarchy: She wants to teach and encourage women and girls to do all the things we’re taught not to do, specifically a series of seven dubitable “sins” that have been instilled in females for centuries.
She begins by promoting the expression of anger, which like the rest of the traits on her list is something that women have been told is harmful, unfeminine, and wrong. But Eltahawy is—admirably, inspiringly—driven to flip it on its head, thereby turning it into an asset that can be employed to improve conditions for all of us.
A bold and uncompromising feminist manifesto that shows women and girls how to defy, disrupt, and destroy the patriarchy by embracing the qualities they’ve been trained to avoid.
Seizing upon the energy of the #MeToo movement, feminist activist Mona Eltahawy advocates a muscular, out-loud approach to teaching women and girls to harness their power through what she calls the “seven necessary sins” that women and girls are not supposed to commit: to be angry, ambitious, profane, violent, attention-seeking, lustful, and powerful. All the necessary “sins” that women and girls require to erupt.
I’ve always been fascinated by the Golden Age of science fiction, when a group of young dreamers formed the genre as we know it today. I grew up far away from their world, on a small kibbutz in Israel, and the lives of those god-like beings seemed as remote and as impossible as the moon. I grew up to eventually write stories of my own, and even got to meet some of my childhood heroes, and eventually I thought it would be fun to write a book that was partially about them. I read every book I could get my hands on to try and better understand that time when science fiction was born.
Merrill, a brilliant editor and writer in her own right, was a rare woman to cut through the chauvinistic world of the Golden Age writers.
The book recounts her journey as a writer (she wrote the classic SF story “That Only a Mother”), editor (as in the ground-breaking 60s anthology England Swings SF), her short-lived marriage to Fred Pohl and her fascination with socialism. It certainly gives you a different view of the male-dominated world of science fiction at the time, and an insight into one of SF’s important practitioners.
Judith merril was a pioneer of twentieth-century science fiction, a proflific author, and editor. She was also a passionate social and political activist. In fact, her life was a constant adventure within the alternative and experimental worlds of science fiction, left politics, and Canadian literature.
