As a career journalist who has worked in print, online, on the radio and on television, I’ve long been intrigued by the influence of mass media and the vast technological changes in how information is transmitted that have occurred over the course of my career. Burnt out from the daily deadlines and transformed by a chance to work in the Kingdom of Bhutan, I began writing books and gravitate toward the “origin stories” of influential US entities.
Millions of people love and tune in to public radio every day. But how many people understand how public radio works, or how it got to where it is today? When it was first chartered in 1970, it wasn't clear NPR would work-or exactly how. For years, it struggled to find an audience—in part because of the technological limitations of the network and the emerging FM medium. McCauley interviewed early luminaries in public radio to construct this terrific look at its early years.
The people who shaped America's public broadcasting system thought it should be "a civilized voice in a civilized community"-a clear alternative to commercial broadcasting. This book tells the story of how NPR has tried to embody this idea. Michael P. McCauley describes NPR's evolution from virtual obscurity in the early 1970s, when it was riddled with difficulties-political battles, unseasoned leadership, funding problems-to a first-rate broadcast organization. The book draws on a wealth of primary evidence, including fifty-seven interviews with people who have been central to the NPR story, and it places the network within the historical context of the wider…
I'm a writer who’s always been obsessed with early childhood. No experience we have later in life is any more emotionally charged, resonant, intense, bewildering, or wondrous as those we have as young children. A day can feel like forever; what we imagine can be so vivid as to be indistinguishable from reality; we’re not wholly sure what’s animate and inanimate; we're still at least half-feral. My interest in childhood led me to write about children’s psychology for Psychiatric Times and for the UCLA/Duke University National Center for Child Traumatic Stress. Recently, I designed two related university courses that I teach at Antioch University Los Angeles: Representations of Childhood in Literature and the Trauma Memoir.
Robert Goolrick does not pretend in this memoir to have overcome or prevailed or found redemption from his horrendous childhood. Instead, he tells us the number of psychotropic prescriptions he must take every day just to be able to function. Something unthinkably awful happens in his seemingly genteel family at the hands of the father who is supposed to protect him, and as a result, he will never be the same. When he tries to tell what happened and seek comfort, let alone redress, his whole family turns on him. Yet Goolrick tells this story with an amazing lyricism and compassion. He unravels his tale slowly, protecting and preparing the reader in a way that no one in his family ever protected or prepared him.
It was the 1950s, a time of calm, a time when all things were new and everything seemed possible. A few years before, a noble war had been won, and now life had returned to normal.
For one little boy, however, life had become anything but "normal."
To all appearances, he and his family lived an almost idyllic life. The father was a respected professor, the mother a witty and elegant lady, someone everyone loved. They were parents to three bright, smiling children: two boys and a girl. They lived on a sunny street in a small college town nestled…
It all started in the cinema of a seaside town in 1970 when, as a young boy, I sat open-mouthed in front of a sparkling Technicolour movie. Before my eyes, the very foundations of British life were defended from tyranny by dashing pilots riding in sleek, powerful fighter planes. The film, The Battle of Britain, instilled a life-long fascination with the events of 1940. Years later I discovered one of The Few had grown up in my hometown and was buried in our local graveyard. I started to research the life and times of this man and his story became the foundations of my first novel, Bluebirds.
Art Donahue is the inspiration for my character, Gerry Donaldson, in my book, and Tally-Ho! is the book he wrote about his life while the Battle of Britain was still raging around him. Art was one of many Americans who volunteered at the risk of losing US citizenship, but as a fully qualified flying instructor he jumped the queue and very quickly found himself in a Spitfire cockpit flying into hostile skies with 64 Squadron. Donahue went on to fight in other theatres and write further on his experiences. Sadly, he did not survive the war, but this unique and vibrant document serves as a memorial and a celebration of a true American pioneer.
Arthur "Art" Donahue was an American who volunteered to join the Royal Air Force in the early days of the Second World War. Flying a Spitfire in the Battle of Britain, he became the first American fighter pilot to fly in action in the Second World War, as well as the first American pilot to be shot down in combat during that war.
Tally Ho! Yankee in a Spitfire is Art Donahue's vivid memoir of his time as a Spitfire pilot during the Battle of Britain and the blitz. It reveals a man who was both brave and reflective. The…
This is a picture book created to help children learn how to determine Shabbat, the Jewish Sabbath, in countries where the summer sun remains high in the sky.
Tova travels with her mother to Alaska during the summer solstice. In the Land of the Midnight Sun, she is uncertain how to tell time because the sun never rises or sets. Tova wonders how she will know when the Sabbath begins or ends. Eventually, she talks to a wise orca. The whale shares her secret to understanding time with a circular sun and reminds Tova of the magic of Shabbat is more than telling time.
A Whale of a Tale: A Sabbath Summer Solstice Story
A Whale of a Tale: A Sabbath Summer Solstice Story is a picture book created to help children learn how to determine Shabbat, the Jewish Sabbath, in countries where the summer sun remains high in the sky. Tova travels with her mother to Alaska during the summer solstice. In the Land of the Midnight Sun, she is uncertain how to tell time because the sun never rises or sets. Tova wonders how she will know when Sabbath begins or ends. Eventually, she talks to a wise orca. The whale shares her secret to understanding time with a circular sun and…
Avinash Dixit is an emeritus university professor of economics at Princeton. He is a member of the National Academy of Sciences and was President of the American Economic Association for the year 2008.
This is the book that brought game theory to life. Eschewing dry mathematical theorems, and conducting rigorous logical analysis through rich examples of strategic use of threats, promises, and brinkmanship in real life, Schelling opened up a whole world of practical applications of the theory. My own thinking and writing about game theory owes a huge debt to Schelling. You should also read his “Arms and Influence,” “Micromotives and Macrobehavior,” and “Choice and Consequence.”
A series of closely interrelated essays on game theory, this book deals with an area in which progress has been least satisfactory-the situations where there is a common interest as well as conflict between adversaries: negotiations, war and threats of war, criminal deterrence, extortion, tacit bargaining. It proposes enlightening similarities between, for instance, maneuvering in limited war and in a traffic jam; deterring the Russians and one's own children; the modern strategy of terror and the ancient institution of hostages.
I’m a historian of the senses. When I first traveled to the United States, I was fascinated and overwhelmed by the smell and sound of the streets entirely different from my hometown in Japan. Since then, every time I go abroad, I enjoy various sensory experiences in each country. The first thing I always notice is the smell of the airport which is different from country to country. We all have the senses, but we sense things differently—and these differences are cultural. I wondered if they are also historical. That was the beginning of my inquiry into how our sensory experience has been constructed and changed over time.
The Enlightenment is often associated with intellectual changes. But the book sheds a new light on this “Age of Reason” by showing how emotions and feelings played a crucial role in this intellectually and sensorially dynamic period. Purnell tells this change by providing many interesting, and funny, episodes. My favorite, among others, is the seventeenth-century vogue for perfumes made of the excretions of the civet cat or the musk deer, and it was only in the mid-eighteenth century that floral scents became popular. This shift had to do with people’s ideas about health, cleanliness, and naturalness that changed over time. You will learn how and why people in the eighteenth and nineteenth centuries thought about the senses, how they experience their sensory world, and how our sensory experience came about over the course of a few hundred years.
Blindfolding children from birth. Playing a piano made of live cats. Using tobacco to cure drowning. Wearing "flea"-coloured clothes. These actions seem odd to us but in the eighteenth century they made sense.
As Carolyn Purnell persuasively shows, while our bodies may not change dramatically, the way we think about the senses and put them to use has been rather different over the ages. Journeying through the past three hundred years, Purnell explores how people used their senses in ways that might shock now. Using culinary history, fashion, medicine, music and many other aspects of Enlightenment life, she demonstrates that,…
I’m a recovering atheist: a Christian convert who has more sympathy with some of my former atheist brethren than with a lot of my fellow believers. And I’m a historian by trade, which means I believe in the importance of trying to get inside the heads of people living in very different times – but who were still people. I’ve chosen polemical books by atheists and by believers, but in my own writing I try to get sympathetically inside the heads of both. I find that I get on better if I listen to the other side rather than banging the drum for my own – whichever ‘my own side’ is.
This book’s idea hooks you from the start. Why, he wonders, when people say, "Do you believe in God?" do we never reply, "…what do you mean, believe?" It turns out that ‘believing’ has, down the centuries, meant some pretty radically different things. Is ‘belief’ the same as ‘knowledge’ or ‘opinion,’ or is it the opposite of them? Ethan Shagan’s disarmingly simple idea is to track how the notion of belief shifted from the Middle Ages to the Enlightenment. If we do believe in God nowadays, we don’t do it the way our forebears did. And if we don’t, it’s not because God has become unbelievable, but because belief itself has become so much harder than it used to be.
An illuminating history of how religious belief lost its uncontested status in the West
This landmark book traces the history of belief in the Christian West from the Middle Ages to the Enlightenment, revealing for the first time how a distinctively modern category of belief came into being. Ethan Shagan focuses not on what people believed, which is the normal concern of Reformation history, but on the more fundamental question of what people took belief to be.
Shagan shows how religious belief enjoyed a special prestige in medieval Europe, one that set it apart from judgment, opinion, and the evidence…
I love horses and I love the magic that exists in the world. I have always been drawn to both. My maternal grandmother had the ‘second sight’ as they called it, and I have inherited that from her. My books and poetry reflect my sincere belief that magic and wonder are alive and well and that we need to nourish them by acknowledging their existence in our everyday lives. The miracle of life, the sun rising and setting every day, the dance of the stars and moon across the sky, the glory of the northern lights—who can claim that isn’t magic?
This book was instrumental in my creation of Laurel’s Quest. Hamish and Paul are earth energy dowsers and Laurel follows their path along the Mary/Michael earth energy lines in England. It is a journey of discovery and of confirmation of their theory that ancient man knew about these lines of power and built stone monuments to mark the places where the two lines (male and female) cross to create nodes. Avebury and Glastonbury Tor being two of the most well-known. Pilgrims still walk the ancient Ridgeway and Icknield Ways that cross the English countryside leading from one place of power to another under the watchful gaze of the many white chalk horses scoured into the hillsides. I can’t recommend this book enough, it is brilliant.
If you are into ley lines, then this book is a must for you. It literally maps the Michael and Mary ley lines (which originate in Cornwall in the South West of England) in the finest detail, and takes you on a journey through ancient history to present day. Not only will you discover where the ley lines criss-cross the English countryside but you will find out how the ancients used the ley lines to locate their sacred sites and activate their energies at key times of the year to promote fertility and harmony in the landscape and the people.
Hi, my name is Nick, and I’m a recovering rockist. I’ve collected records and vintage gear; I’ve owned Ray Coleman biographies. I’ve played in garage bands that did terrible punk-rock covers of songs like Cream’s “Sunshine of Your Love.” I even used to subscribe to Rolling Stone magazine. And most embarrassingly, I believed in the power of rock – to effect political change, to free people’s bodies and minds. But if once I was a true believer, today I’ve become a rock ’n’ roll skeptic. And I hope that this list might help you rethink everything you thought you knew about rock, too.
A provocative pre-history of rock music, written to provoke. (Don’t hold your breath waiting for John, Paul, George, and Ringo to show up.)
Wald crafts a fascinating alternative history of commercial popular music in the first half of the twentieth century, asking readers to focus not on big names or influential records but on the everyday practices, technologies, and contexts through which musicians and listeners actually experienced the music. Avoid if you don’t want to see a few sacred cows slaughtered.
"There are no definitive histories," writes Elijah Wald, in this provocative reassessment of American popular music, "because the past keeps looking different as the present changes." Earlier musical styles sound different to us today because we hear them through the musical filter of other styles that came after them, all the way through funk and hiphop. As its blasphemous title suggests, How the Beatles Destroyed Rock 'n' Roll rejects the conventional pieties of mainstream jazz and rock history. Rather than concentrating on those traditionally favored styles, the book traces the evolution of popular music through developing tastes, trends and technologies-including…
I have no French or Acadian ancestors—as far as I know—yet the majority of my 21 books (history and fiction) explore different aspects of French colonial or Acadian history. Childhood visits to historic sites like the Port-Royal Habitation, Grand-Pré, Louisbourg and Fort Anne must have planted the seeds for the historian and writer I would become. Then again, working for years as an historian at the Fortress of Louisbourg definitely helped. France made me a chevalier of its Ordre des Palmes académiques for my body of work.
This book by Naomi Griffiths is excellent for anyone who wants to understand who the Acadians were (and still are)—and how they came to be considered a people distinct from French. The book is indispensable to grasp the basic characteristics of Acadians in the 17th and 18th centuries and the many challenges they faced. As Griffiths shows, the deportation did not destroy the Acadian community. In spite of a horrific death toll, nine years of proscription, and the forfeiture of property and political rights, the Acadians continued to be a cohesive community in Nova Scotia and other areas where they settled. Instead of destroying the Acadian community, the deportation proved to be a source of inspiration in the formation of a strong Acadian identity in the 19th century and beyond.
I had always wanted a grand adventure and I’ve always loved reading about epic journeys. When I was a teen, I read an article in National Geographic about walking the Appalachian Trail and thought, I need to do that. I grew up in an outdoorsy family and married a man who loved the outdoors even more. But we never got to an adventure until we were empty nesters. In our late fifties we decided to walk 1400 miles from the cold North Sea to the warm Mediterranean on the legendary long-distance trail the GR5. After finishing our epic journey, I needed to share my love of European walking with others.
I love this adventure travel memoir about hiking across Corsica, a French island in the Mediterranean, because the author and her husband who just turned sixty, inspire me to keep walking and adventuring for as long as possible.
The GR20 is one of the toughest trails in Europe and the author shows us with her determination and honesty how to persist. After reading this book, I’m excited to add the GR20 to my wish list of walks or at least dream about it.
Great for fans of: Suzanne Roberts's Almost Somewhere, Juliana Buhring's This Road I Ride.
Marianne Bohr and her husband, about to turn sixty, are restless for adventure. They decide on an extended, desolate trek across the French island of Corsica-the GR20, Europe's toughest long-distance footpath-to challenge what it means to grow old. Part travelogue, part buddy story, part memoir, The Twenty is a journey across a rugged island of stunning beauty little known outside Europe.
From a chubby, non-athletic child, Bohr grew into a fit, athletic person with an "I'll show them" attitude. But hiking The Twenty forces her to…
