Why am I passionate about this?
I had been an exhibiting painter and an editorial cartoonist for years, but never a graphic book artist. Not until A Revolution in Three Acts. I was fortunate to have great guidance: my buddy David Hajdu (Positively Fourth Street, Lush Life, The Ten Cent Plague) wrote the words, did the research, and created the blueprint of every page and panel. My job was to lock myself up in my studio and draw, draw, draw. I think David and I did justice to three amazing figures of the American stage who dealt with the shifting societal forces of race, femininity, and gender: Bert Williams, Eva Tanguay, and Julian Eltinge.
John's book list on merging art with personal history
Why did John love this book?
This is Bill Mauldin’s illustrated, autobiographical account of his experiences documenting the foot soldier in Europe in WWII. The cartoons were initially published in the military newspaper, Stars and Stripes.
The drawings are gorgeous examples of brush and ink—fluid, lyrical, and gritty. Patton hated Mauldin’s depictions of two scruffy, unshaved infantrymen—Willie and Joe—and told Mauldin to clean his characters up. Mauldin (and Ike) knew better.
A book I look at all the time.
1 author picked Up Front as one of their favorite books, and they share why you should read it.
"The real war," said Walt Whitman, "will never get in the books." During World War II, the truest glimpse most Americans got of the "real war" came through the flashing black lines of twenty-two-year-old infantry sergeant Bill Mauldin. Week after week, Mauldin defied army censors, German artillery, and Patton's pledge to "throw his ass in jail" to deliver his wildly popular cartoon, "Up Front," to the pages of Stars and Stripes. "Up Front" featured the wise-cracking Willie and Joe, whose stooped shoulders, mud-soaked uniforms, and pidgin of army slang and slum dialect bore eloquent witness to the world of combat…